How to Actually Play Back In Black on Guitar
The main riff is straight E power chords with a specific bend pattern you need to get right or it sounds nothing like the record. Start with the root note on the A string, fifth fret, then slide up two frets and bend the G string up a whole step while the bass note stays pinned down. Most people mess this up by bending too aggressively and going sharp. You want it just to the point where it rings clean and slightly tense. Official sheet music exists through Musicnotes and Hal Leonard, but the tab community versions are usually more practical for what you actually need. Ultimate Guitar has several user-submitted versions. The one by "GuitarProArchives" tends to be the most accurate for rhythm parts, though I'd double-check the bridge section against the actual song because there's a well-known error where the palm mute timing gets shifted by a beat. I spent about forty-five minutes last year trying to nail the solo notation on one of the popular Pro tabs before realizing the transcriber had mistuned the solo downward by a half step. The workaround was pulling up the original album transcript from the AC/DC Back in Black official songbook and cross-referencing measure by measure. It's tedious but it saved me from learning the wrong fingering for the hammer-on into the bend at bar 16.
If you're using Guitar Pro or TuxGuitar, make sure you're loading tabs that specify standard tuning. Some of the cheaper guitar lesson PDFs floating around list this song in drop D, which will throw your chord shapes completely off. The original recording is definitely standard E. Also, the tempo marking matters. Many tabs list it at 110 BPM when it's actually closer to 91 BPM. Playing along with a metronome at the wrong tempo makes everything sound rushed and sloppy within the first four bars.
The riff breakdown you actually need
The iconic opening riff isn't just a series of power chords. There's a muted pickup note on the high E string, third fret, played with the palm of your strumming hand pressed lightly against the strings near the bridge. That muted "chka" sound happens right before the first E5 chord. Without that pickup, it just sounds like you're starting late. For the verse sections, the rhythm guitar locks into a steady eighth-note pattern with heavy palm muting. Keep your wrist loose. Tight grips kill your tone on this song and make it sound thin instead of thick and compressed like Malcolm Young's playing. The trick is letting the pick do the work while your palm rests just enough to dampen the strings without choking them completely. The chorus opens up into full strums. That's where people who only learn the tab miss the dynamics. The tab will show you the chords but won't tell you to play them harder. Malcolm plays these with significantly more attack than the verse, almost aggressive. If you play it at the same volume throughout, it'll sound flat and uninteresting compared to the record.
Get the Full Details

Common mistakes I keep seeing
Beginners usually rush the chorus transition into the solo. The tab makes it look simple because it's just E, A, E, A power chords repeated, but the feel is what matters. You need to leave a tiny breath between the last chorus strum and the first solo note. It's not written in any tab I've ever seen, but playing it with a machine-gun approach makes the solo hit less hard. Another thing: the harmonics in the intro. Some tabs show natural harmonics at the twelfth fret, but on the actual recording those are artificial harmonics played with the pick attacking the string while your fretting hand touches lightly at the twelfth. If you try natural harmonics, they'll ring too cleanly and long. You want that sharp, bell-like quality that cuts through the mix. For download links, Ultimate Guitar's tab archive and Songsterr both have searchable versions with playback so you can verify the timing. The Guitar Pro file from the AC/DC Back in Black complete tablature collection on Ultimate Guitar is probably your best bet for accuracy, though nothing is perfect. I still cross-reference everything against the original album tracks regardless of what tab I'm using.