A Practical Guide to Using My God Is An Awesome God Lyrics in Your Worship Planning
Most people searching for these lyrics are either preparing a set list or trying to figure out chords for a live event. The song itself is straightforward — nothing complex musically. I've been pulling chord charts and lyric sheets for church events for years, and this one comes up constantly. Here's what actually matters when you're working with it. The original version was recorded by We The Kingdom, released around 2020, and it became one of the most covered worship songs in contemporary churches. The full lyrics can be found on official lyric sites like LyricFind, Genius, or the publisher's page through Sony/Republic Worship. If you're looking for accuracy, cross-reference at least two sources because third-party lyric sites often have transcription errors in the second verse. I once spent twenty minutes trying to match a lyric sheet to what the band was actually playing, only to realize the posted version had swapped the order of two lines in the bridge. The correct sequence runs with the declaration about His power first, then the reference to His name. Check the official music video or listen to the studio track to confirm. It saves a lot of confusion on soundcheck.
Key Details for Live Use
The song sits comfortably in the key of G major for most congregational settings. The tempo is around 72 beats per minute, which makes it easy to lock into without rushing. The chord progression is standard pop-worship territory — G, D, Em, C — with a simple I-V-vi-IV movement that most guitarists and keyboard players already have memorized. One thing people miss is the dynamic shift in the bridge. The lyrics climb in intensity and the chord voicings should reflect that. I've seen too many bands play the bridge flat because they're reading from a basic chord chart that doesn't indicate the lift. Add a second inversion or move to open-string voicings to give it space. The lyrics naturally build, so the instrumentation needs to keep up or the whole section falls flat.
Common Pitfalls
The main issue I see is tempo dragging during the chorus. The lyrics are repetitive by design — that's how worship songs work — but when the band drags, it sounds sluggish instead of anthemic. Set a metronome click and stick to it. If your drummer is uncomfortable with a click, record a simple guide track first and have everyone listen to it before learning the song. This usually cuts rehearsal time from three sessions down to one or two. Another problem is the vocal range. The original sits around A3 to E5 for male vocals, which works for most worship leaders. If your singer struggles with the upper register, transpose down to F major. Don't force it into G if the voice can't reach it cleanly. A comfortable E major is better than a strained G every time.
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Lyrics Overview
The core message centers on affirming God's power, faithfulness, and awesome nature through repeated declarations. The structure follows a verse-chorus-verse-chorus-bridge-chorus pattern typical of modern worship music. The chorus is the most memorable part and contains the title phrase that gives the song its name. If you're writing a sermon series or planning a worship night around this theme, the bridge section offers the most lyrical depth for reflection. For downloading purposes, official lyric sheets are available through the publisher's website. Some third-party apps aggregate worship lyrics, but I don't recommend relying on those for accuracy. A printed copy or a reliable digital source from the artist's official channel is worth the extra effort. Misheard lyrics in front of a congregation is a problem you don't want to deal with mid-service.
When This Approach Doesn't Work
Not every song fits every venue. If you're playing in a small café-style worship space with four people, this song's scale might feel mismatched. The arrangement works best in a full-band context where the dynamics can breathe. For acoustic or solo settings, strip it back significantly — remove the drum parts and simplify the harmony — or choose a different song that fits the intimacy of the room. There's no shame in picking something smaller for a smaller space. Similarly, if your congregation skews older or more traditional, this particular song might not land the way you expect. It's firmly planted in the contemporary worship genre, and some longer-attending members may prefer hymns or older praise songs. Read the room before committing to it on a Sunday morning.