Getting Your Hands on the Full Play Text
Most people looking for the Romeo And Juliet Full Script just want the actual text of the play without annotations, study guides, or whatever else gets layered onto it. That seems straightforward enough, but the internet is weird about public domain texts and you'll run into quality issues pretty quickly if you don't know what to look for. Shakespeare's plays are public domain, so there's no legitimate reason anyone should be charging you for the raw text. The problem isn't access. The problem is that almost every site claiming to offer a "clean script" is actually pumping out OCR-scraped garbage from PDFs that were scanned at low resolution. I spent probably two weekends in my early days trying to clean up a version I found on some educational archive before I just accepted that the best route was going straight to the source. The two places I actually trust are the MIT Shakespeare Project and the Internet Shakespeare Editions at UVic. Both provide act-by-act text that has been compared against multiple early editions. The texts are freely downloadable as HTML or plain text. I tend to grab the plain text versions because they're easier to strip out stage directions if you just want the dialogue, which most people reading through for the first time prefer.
You can also pull it from Project Gutenberg. Their edition is based on the 1910 Oxford edition and while it's perfectly fine for casual reading, it occasionally drops line numbers inconsistently across acts. That matters more than you'd think if you're trying to reference specific lines later or cross-reference with performances.
Quality Control on Public Domain Texts
Here's something nobody warns you about: not all public domain editions are created equal. The early quartos of Romeo and Juliet are different from the First Folio version. The 1597 quarto is sometimes called the "bad quarto" because scholars have long argued it was reconstructed from memory by actors rather than copied from Shakespeare's manuscript. The 1599 second quarto and the 1623 Folio text have notable differences in line ordering and word choice. If you're downloading a random free script online, you might be getting a mangled hybrid that mixes sources without acknowledging it. I found this out the hard way when a student in one of my seminars read aloud from a version they'd downloaded and it had the Nurse's speech rearranged in a way that made zero dramatic sense. The source turned out to be a Wikipedia mirror that had been edited by someone who clearly hadn't actually read the play and was just filling gaps from memory. A couple of the lines were completely fabricated. That's still a problem today, honestly. Mirrored content farms repost each other's errors without any oversight.
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What You'll Actually Need to Know
If you're pulling the script for performance purposes, you'll want to pay attention to which edition you're using and whether your director or producer has a preference. Most professional companies work from the Arden Shakespeare or the Riverside Shakespeare editions, both of which are published and require purchase, but they're the ones with the most reliable editorial apparatus behind them. For academic purposes, the Norton Shakespeare or the Oxford World's Classics editions are standard. They include the textual variants noted in appendices so you can see where the sources disagree. For pure reading or personal study, the MIT or UVic texts will serve you fine. The main thing is to pick one source and stick with it. Jumping between editions mid-read creates confusion because line numbers shift and sometimes entire passages get relocated or cut depending on the editor's judgment.
Technical Details Most People Skip
When you download a plain text version, check the encoding. Some older FTP archives still host files in ISO-8859-1 or Windows-1252 instead of UTF-8, which means characters like the thorn (þ) used in older spellings or certain italicized stage directions will appear as question marks or garbled symbols. It's a minor annoyance but it compounds fast if you're doing any kind of text analysis or searching across the document. Also, the line numbering convention varies. Some editions number every line sequentially across the entire play. Others restart numbering at the beginning of each act and scene. If you're citing the script to someone else, always specify which edition and numbering scheme you're using. Otherwise you'll end up pointing someone at Act 3, Scene 2, Line 15 and they'll be looking at a completely different line because their copy numbers differently.
Limitations and When This Approach Falls Apart
Free online scripts will never match the reliability of a properly edited printed edition. The MIT and UVic versions are as close as you'll get for free, but even they have editorial decisions baked in that you might not agree with. If you need authoritative text for publication, academic paper, or professional production, budget for an Arden, Norton, or Oxford edition. The cost is usually between fifteen and forty dollars depending on the format, and it saves you from defending your textual choices to anyone who knows what they're doing. There's also the issue of performance cuts. Many full scripts you find online include every line, but directors routinely trim material. The famous balcony scene alone has variations across productions where lines get reassigned or shortened. If you're preparing for a role, the "full script" version won't necessarily match what you're being asked to perform. You'll want to compare your text against a recording of the production or a director's score if you're working from a cut version. The text itself is roughly two hundred and one hundred lines depending on how you count, which puts it at about thirty to forty pages in most standard editions. It's Shakespeare's shortest tragedy and one of his most performed plays, which means there's more editorial commentary available on it than almost any other work. That's helpful if you want to understand the textual history but overwhelming if you just want to read the thing.

If you're looking for the text right now, go to shakespeare.mit.edu/romeojuliet/full.html or shakespeare.uvic.ca and grab the plain text file. Open it in a proper editor, not a word processor that will reformat everything on you. Verify the encoding is UTF-8. Pick one edition and don't switch sources halfway through. Everything else is optional.