How to Approach See You Seeing Me Part One Postcard Nowhere Chords
Postcard Nowhere tends to use standard guitar tunings with some capo work rather than exotic alternate tunings. For the track in question, most players find it sits comfortably around 3rd or 5th fret depending on the vocal range they need to hit. The chord shapes themselves aren't particularly difficult, but there's a specific picking pattern that makes or breaks the sound, and that's where people usually get stuck. The core progression runs something like this: open G major shape into a Cadd9, then Dsus4 resolving back to D. The verse leans heavily on Em7 and Bm7b5, which gives it that melancholy lift Postcard Nowhere is known for. The bridge shifts into Am9 for a measure before looping back. If you're using a capo on the 3rd fret, these become C, F, G shapes with the same fingerings as standard open chords, just transposed up. I kept messing this up early on because I was reading transposed chord charts and playing them as if the capo wasn't there, which made the song sound way too bright and completely missed the mood. The picking pattern matters more than memorizing the chord changes. It's a Travis-style pattern where the thumb anchors on the bass notes of each chord while the fingers alternate between the G and B strings. That means your index and middle fingers handle the higher strings in a steady alternating motion, and your thumb walks the bass note down the string root of whatever chord you're on. Try playing just the bass alternation first without worrying about the melody strings, because that's where the rhythm locks in. Once the thumb pattern is solid, layer the fingers in slowly. Going fast too soon sounds like a mess, and it reinforces bad habits that take weeks to undo.
One thing nobody mentions in tutorial videos is the hammer-on from the fifth to the seventh fret on the high E string during the transition from D to G. It's subtle but it adds a lot of movement without requiring any extra chord shape. If you skip it, the song sounds flatter than it should. I figured this out by listening to the studio version at half speed and isolating that moment where the guitar line briefly climbs before settling back into theG shape. It only takes a second but it shows up three or four times per run-through. For chord charts, I'd recommend checking Songsterr or Ultimate-Guitar, but cross-reference with at least two sources. The tabs on those sites have errors, especially on older indie tracks where people transcribed by ear without verifying against the recording. I once followed a popular tab that had the wrong voicing for the Bm7b5 and spent about forty-five minutes frustrated before realizing the root was being played on the A string instead of the low E, which completely changed the harmonic texture. The correct fingering for that chord in standard tuning is 2-4-2-1-0-0 if you're not using a capo, or 5-7-6-4-5-0 with the capo on 3. If you're playing this live or recording, the main bottleneck is that the Dsus4 to D resolution needs a clean release. Don't let the sus4 bleed into the strum of the next chord. Lift your fingers just slightly before changing to the next shape to avoid the mud. This is a dynamic choice, not a technical limitation, so experiment with how long you hold the sus4 before releasing. Shorter releases feel more urgent, longer releases feel more reflective.
There isn't an official tab released by the band, so everything you learn here is built from careful listening. That's the nature of indie releases from smaller labels — chord documentation is inconsistent and often incorrect. If you want to verify your work, play along with the original track and check whether your root notes land on the right beats. If they don't, the voicing is wrong somewhere and you need to adjust.
Get the Full Details
