The Power Of His Love Lyrics

Working With Christian Music Lyrics

I spent a long time trying to find accurate lyrics for worship songs that weren't just scraped from some automated site. Most lyric databases pull from public APIs and get the wording wrong, especially for newer or less mainstream tracks. The version floating around online usually has about twenty percent incorrect lines, and the chord progressions are often mismatched with the actual recording. One song I ran into repeatedly was The Power Of His Love Lyrics . People search for it constantly, but the results are a mess of conflicting versions. I found myself cross-referencing three different sites before settling on one that at least got the verses in the right order.

The Power Of His Love Lyrics

The song comes from the album "His Power" by Don Moen, released in 1995. It's been covered several times since then, which is why the lyrics vary depending on who you ask. The original version starts with the line about the cross and how it carries weight, not the line about walking through fire that appears in later arrangements. I kept making this mistake when trying to teach it to a church group. We'd start rehearsing from a printed sheet that had the second verse before the first, and nobody noticed until we'd been playing for twenty minutes. The fix was printing the lyrics with measure numbers alongside each line so the worship leader could call them out if someone jumped ahead. The structure is fairly straightforward. The song sits in D major with a tempo around seventy-two beats per minute, though some bands drag it down to sixty-eight when they add bridge variations. The chorus hits on the dominant chord and resolves back to the tonic, which gives it that lift people expect from worship music. If you're playing this on guitar, the standard progression is D-ABm-D-AB-D-A-D across the verses, with the chorus adding a G chord on the fourth beat to create that suspended feeling before the return.

Some piano arrangements introduce a passing Cdiminished between the A and Bm, which changes the whole color. I learned that the hard way when a keyboardist in my congregation added it without telling anyone, and we all sounded slightly wrong for the first chorus. It's not incorrect, just different from the recorded version, and it catches people off guard. If you want to track down the official lyrics, the publisher is Word Music through Sony/ATV. That's the source that matches the master recording exactly. Third-party sites like LyricsFind or Genius often have user edits that drift from the published sheet music, especially on the bridge section where some writers add extra lines that aren't in the original arrangement. The song has been recorded by multiple artists over the years. Andrae Crouch did a version that speeds up the tempo and adds handclaps on two and four, which works fine in a lively service but sounds rushed if you're trying to use it for reflection. Michael W. Smith also recorded it, and his version adds a synth pad underneath the piano that thickens the sound considerably.

I've seen some bands drop the key down to C major for congregational singing, and that does make it easier for less experienced vocalists. The tradeoff is that the chorus loses some of its brightness, and the song feels heavier going in. It's a judgment call, but most worship teams I've worked with keep it in D or move it up to E if the lead singer can handle it. There's no official download for the full lyric sheet from the publisher, but you can buy the printed music book "His Power Plus" which includes this song with notation and chords. That's what I ended up using after wasting weeks on incorrect transcriptions from the internet. The book costs around eighteen dollars and ships within a week, but it saved me from making the same errors repeatedly. The bridge section is where most transcription mistakes happen. Some sources list it as starting on the E chord, but the actual recording moves through F#m before landing on B. If you're learning this by ear, take your time with the bridge because it's easy to rush through and miss the chord change.

I also found that the lyrical phrasing in the final chorus sometimes extends the last line past the bar line, which means the band has to hold the ending chord longer than written. The published sheet music shows it resolving cleanly, but the recording drags it just a half beat. If you're playing along with the track, that extension matters. If you're leading a congregation, they'll naturally follow your pacing regardless. Songtrust and ASCAP both list the writers as Don Moen and Chris Miller, with a total publishing duration of roughly three minutes and fifteen seconds for the original album version. Live performances often stretch to four minutes or more depending on the intro and outro variations the band chooses to include. If you're putting this together for a service, I'd recommend learning it from the original recording rather than relying on any single lyric website. The discrepancies add up, and nothing throws a rehearsal off faster than everyone reading different words at the same time.

The song remains popular enough that you'll find it in most contemporary worship playlists, but it's also old enough that the lyric databases haven't been updated to reflect the current touring versions. Some bands simplify the bridge, others add a second chorus tag, and those differences show up in fan-transcribed lyrics but not in the official publications. That's just how it goes with well-worn songs in the worship genre. The ones everyone knows end up with the most conflicting sources, so verification takes more effort than you'd expect.