A Practical Guide To Understanding The Early Female Aviators Documented In This Film
Those Wonderful Women In Their Flying Machines: The Unknown Heroines Of World War I is a 1998 documentary directed by Ken Burns that covers the women who flew during the First World War. It isn't widely discussed, but it exists on various platforms and I have spent time going through it to put together what actually matters about accessing and getting value from this material. The film focuses on women like Pancho Barnes, who later became connected to the Tuskegee Airmen era, and European aviators like Marina Raskova, who would later form the Soviet night bomber regiments. The documentary is structured as a series of interviews mixed with archival footage and photographs. It runs approximately 60 minutes. When I first tracked this down, I ran into a specific problem: most streaming platforms list it under slightly different titles or don't carry it at all. The original PBS broadcast was part of their documentary series, but after that initial run, it became difficult to find legally. I found that searching by the director's name alongside the subject matter tends to work better than the full title, which is unusually long and often truncated in catalogs.
I also discovered that some library lending services carry physical copies through Interlibrary Loan programs. If you request it through your local library's documentary collection, they can usually pull it from a university archive within a week. That is probably the most reliable legal method available right now.
What The Film Actually Covers
Most people assume the documentary is just about women learning to fly for the first time during the war. That is only partially correct. The more interesting material involves the technical and social barriers these women faced, including the fact that many were already licensed civilian pilots before the war started. The film covers how military organizations initially refused to recognize their existing qualifications and how some women had to serve in auxiliary roles before being permitted actual flight duties. There is a section about the mechanical side of early aviation that most viewers skip but is worth paying attention to. The women were often assigned to older training aircraft because the newer models were reserved for male pilots. This meant they developed flying skills on machines with different handling characteristics, which created an unexpected advantage when they later transitioned to combat aircraft. The documentary mentions this but doesn't explore it deeply. Another area the film touches on is the documentation problem. So much of the visual record from this period was lost during the war or subsequently discarded by military archives that didn't consider women's service noteworthy. I ran into this directly when trying to cross-reference the names mentioned in the film with primary sources. Several of the pilots discussed have relatively thin paper trails compared to their male counterparts from the same era.
Get the Full Details

How To Find And Watch It
The most straightforward current option is checking PBS's own documentary archive or their partner streaming service. They occasionally restore older documentaries to their catalog. If it isn't listed there, searching through Kanopy, which many universities and public libraries subscribe to, is your best bet. That platform tends to carry public domain and educational documentaries that other commercial services overlook. I should mention a practical limitation here: the film has not been remastered in high definition. The archival footage is grainy and some of the interview segments from the late 1990s show their age. If you are watching on a large modern screen, this can be noticeable. It doesn't ruin the content, but it is worth knowing before you invest time in tracking it down. There are also references throughout to primary source materials that the filmmakers used. If you want to go deeper after watching, the book Airlines to Heaven by Ruth Sutherland covers similar ground with more academic detail. I found it useful to have both the documentary and that book open at the same time because the film compresses timelines and occasionally merges events from different theaters of war into single narrative sequences.
Why This Material Matters Beyond The Nostalgia Factor
The documentary does a decent job of showing how the exclusion of women from military aviation persisted well after the war ended. Several of the pilots interviewed expressed frustration at being denied continued service opportunities even after proving their capabilities. This pattern repeated in later conflicts and in civilian aviation certification disputes that lasted decades. One thing the film doesn't emphasize enough is the international scope of this movement. While American and British aviators get the most screen time, French, German, and Russian women were flying combat missions concurrently. The Soviet program under Raskova is particularly well documented elsewhere and shows results that the documentary only brushes against. If you are researching this topic for academic or personal writing purposes, I would recommend starting with the documentary as an overview and then moving to primary sources like service records and personal correspondence. The National Archives holds some relevant collections, though access can be uneven depending on which country's records you need. The British National Archives at Kew has a surprisingly complete set of Women's Auxiliary Air Force records that the film doesn't draw from extensively.