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| chicago manual of style 17th edition citation: The Chicago Manual of Style University of Chicago. Press, 2003 Searchable electronic version of print product with fully hyperlinked cross-references. |
| chicago manual of style 17th edition citation: A Manual for Writers of Research Papers, Theses, and Dissertations, Eighth Edition Kate L. Turabian, 2013-04-09 A little more than seventy-five years ago, Kate L. Turabian drafted a set of guidelines to help students understand how to write, cite, and formally submit research writing. Seven editions and more than nine million copies later, the name Turabian has become synonymous with best practices in research writing and style. Her Manual for Writers continues to be the gold standard for generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, A Manual for Writers of Research Papers, Theses, and Dissertations has been fully revised to meet the needs of today’s writers and researchers. The Manual retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources. The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, A Manual for Writers remains the essential resource for students and their teachers. |
| chicago manual of style 17th edition citation: The Best American Essays of the Century Joyce Carol Oates, Robert Atwan, 2000 Fifty five unforgettable essays by the finest American writers of the twentieth century. |
| chicago manual of style 17th edition citation: German Expressionist Woodcuts Shane Weller, 2012-05-11 Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists. |
| chicago manual of style 17th edition citation: Clay and Glazes for the Potter Daniel Rhodes, 2015-10-22 My purpose in writing this book has been to present in as clear and understandable form as possible the important facts about ceramic materials and their use in pottery. The ceramic medium has a rich potential. It is so various and adaptable that each culture and each succeeding generation finds in it a new means of expression. As a medium, it is capable of great beauty of form, color, and texture, and its expressions are unique not only for variety but for permanence and utility as well. To make full use of the medium, the ceramist or potter not only needs skill, imagination, and artistic vision, but he also needs to have a sound knowledge of the technical side of the craft. This knowledge has not been easy to come by, and many of those seriously engaged in pottery have learned through endless experimentation and discouraging failures. It is hoped that the present work will enable the creative worker to go more directly to his goal in pottery, and that it will enable him to experiment intelligently and with a minimum of lost effort. While technical information must not be considered as an end in itself, it is a necessary prerequisite to a free and creative choice of means in ceramics. None of the subjects included are dealt with exhaustively, and I have tried not to overwhelm the reader with details. The information given is presented in as practical form as possible, and no more technical data or chemical theory is given than has been thought necessary to clarify the subject. This work is organized as follows: Part One—Clay Chapter I. Geologic Origins of Clay Chapter 2. The Chemical Composition of Clay Chapter 3. The Physical Nature of Clay Chapter 4. Drying and Firing Clay Chapter 5. Kinds of Clay Chapter 6. Clay Bodies Chapter 7. Mining and Preparing Clay Part Two—Glazes Chapter 8. The Nature of Glass and Glazes Chapter 9. Early Types of Glazes Chapter 10. The Oxides and Their Function in Glaze Forming Chapter 11. Glaze Materials Chapter 12. Glaze Calculations, Theory and Objectives Chapter 13. Glaze Calculation Using Materials Containing More Than One Oxide Chapter 14. Calculating Glaze Formulas from Batches or Recipes Chapter 15. Practical Problems in Glaze Calculation Chapter 16. The Composition of Glazes Chapter 17. Types of Glazes Chapter 18. Originating Glaze Formulas Chapter 19. Fritted Glazes Chapter 20. Glaze Textures Chapter 21. Sources of Color in Glazes Chapter 22. Methods of Compounding and Blending Colored Glazes Chapter 23. Glaze Mixing and Application Chapter 24. Firing Glazes Chapter 25. Glaze Flaws Chapter 26. Engobes Chapter 27. Underglaze Colors and Decoration Chapter 28. Overglaze Decoration Chapter 29. Reduction Firing and Reduction Glazes Chapter 30. Special Glazes and Glaze Effects |
| chicago manual of style 17th edition citation: Suggestions to Medical Authors and A.M.A. Style Book American Medical Association, 1919 |
| chicago manual of style 17th edition citation: Canada on the Doorstep William Rayner, 2011-11-26 Things were very different in 1939 — a pivotal year when Canada wavered on the doorstep of a clouded future. Some years are more spectacular than others, and 1939 was no exception. Canada was a different place: steak was twenty-nine cents a pound and a brand-new Ford coupe could be bought for just $856. It was a year when the king and queen toured Canada and wowed to use a showbiz term everyone from Toronto and Vancouver to Gogama and Craigellachie. It was also a year when Canada wavered on the doorstep of a clouded future: isolation and neutrality or the continued embrace of the British Empire? The onset of war and the Royal Visit settled all that as Prime Minister William Lyon Mackenzie King beat back external and internal threats to keep the tapestry of national unity from unraveling. Through Canada on the Doorstep you’ll discover the births, deaths, storms, international intrigue, and politics that made 1939 so memorable. |
| chicago manual of style 17th edition citation: More Than Freedom Stephen Kantrowitz, 2012-08-16 A major new narrative account of the long struggle of Northern activists-both black and white, famous and obscure-to establish African Americans as free citizens, from abolitionism through the Civil War, Reconstruction, and its demise Abraham Lincoln's Emancipation Proclamation is generally understood as the moment African Americans became free, and Reconstruction as the ultimately unsuccessful effort to extend that victory by establishing equal citizenship. In More Than Freedom, award-winning historian Stephen Kantrowitz boldly redefines our understanding of this entire era by showing that the fight to abolish slavery was always part of a much broader campaign to establish full citizenship for African Americans and find a place to belong in a white republic. More Than Freedom chronicles this epic struggle through the lived experiences of black and white activists in and around Boston, including both famous reformers such as Frederick Douglass and Charles Sumner and lesser-known but equally important figures like the journalist William Cooper Nell and the ex-slaves Lewis and Harriet Hayden. While these freedom fighters have traditionally been called abolitionists, their goals and achievements went far beyond emancipation. They mobilized long before they had white allies to rely on and remained militant long after the Civil War ended. These black freedmen called themselves colored citizens and fought to establish themselves in American public life, both by building their own networks and institutions and by fiercely, often violently, challenging proslavery and inegalitarian laws and prejudice. But as Kantrowitz explains, they also knew that until the white majority recognized them as equal participants in common projects they would remain a suspect class. Equal citizenship meant something far beyond freedom: not only full legal and political rights, but also acceptance, inclusion and respect across the color line. Even though these reformers ultimately failed to remake the nation in the way they hoped, their struggle catalyzed the arrival of Civil War and left the social and political landscape of the Union forever altered. Without their efforts, war and Reconstruction could hardly have begun. Bringing a bold new perspective to one of our nation's defining moments, More Than Freedom helps to explain the extent and the limits of the so-called freedom achieved in 1865 and the legacy that endures today. |
| chicago manual of style 17th edition citation: MLA Style Manual and Guide to Scholarly Publishing Joseph Gibaldi, 1998 Since its publication in 1985, the MLA Style Manual has been the standard guide for graduate students, teachers, and scholars in the humanities and for professional writers in many fields. Extensively reorganized and revised, the new edition contains several added sections and updated guidelines on citing electronic works--including materials found on the World Wide Web. |
| chicago manual of style 17th edition citation: A Curious Mind Brian Grazer, Charles Fishman, 2015-04-07 Brian Grazer knows the one thing that can instantly connect you with anyone: Curiosity. A Curious mind offers a brilliantly entertaining and inspiring account of how his courage and enthusiasm for talking with complete strangers have been the secret of his success as a leading Hollywood producer. |
| chicago manual of style 17th edition citation: Hercules Alastair Blanshard, 2005 A fascinating commentary on how Hercules has been viewed, responded to, and assimilated into Western culture over the last two millennia. |
| chicago manual of style 17th edition citation: The Chicago Guide to Fact-Checking, Second Edition Brooke Borel, 2023-05-23 This book will help you: Recognize what information to fact-check Identify the quality and ranking of source materials Learn to fact-check a variety of media types: newspaper; magazine; social media; public and commercial radio and television, books, films, etc. Navigate relationships with editors, writers, and producers Recognize plagiarism and fabrication Discern conflicting facts, gray areas, and litigious materials Learn record keeping best practices for tracking sources Test your own fact-checking skills An accessible, one-stop guide to the why, what, and how of contemporary editorial fact-checking. Over the past few years, fact-checking has been widely touted as a corrective to the spread of misinformation, disinformation, conspiracy theories, and propaganda through the media. “If journalism is a cornerstone of democracy,” says author Brooke Borel, “then fact-checking is its building inspector.” In The Chicago Guide to Fact-Checking, Borel, an experienced fact-checker, draws on the expertise of more than 200 writers, editors, and fellow checkers representing the New Yorker, Popular Science, This American Life, Vogue, and many other outlets. She covers best practices for editorial fact-checking in a variety of media—from magazine and news articles, both print and online, to books and podcasts—and the perspectives of both in-house and freelance checkers. In this second edition, Borel covers the evolving media landscape, with new guidance on checking audio and video sources, polling data, and sensitive subjects such as trauma and abuse. The sections on working with writers, editors, and producers have been expanded, and new material includes fresh exercises and advice on getting fact-checking gigs. Borel also addresses the challenges of fact-checking in a world where social media, artificial intelligence, and the metaverse may make it increasingly difficult for everyone—including fact-checkers—to identify false information. The answer, she says, is for everyone to approach information with skepticism—to learn to think like a fact-checker. The Chicago Guide to Fact-Checking is the practical—and thoroughly vetted—guide that writers, editors, and publishers continue to consult to maintain their credibility and solidify their readers’ trust. |
| chicago manual of style 17th edition citation: The Making of the American Essay John D'Agata, 2016-03-15 Now, with The making of the American essay' the editor includes selections ranging from Anne Bradstreet's secular prayers to Washington Irving's satires, Emily Dickinson's love letters to Kenneth Goldsmith's catalog's, Gertrude Stein's portraits to James Baldwin's and Norman Mailer's mediations on boxing. In this volume the editor uncovers new stories in the American essay's past and shows us that some of the most fiercely daring writers in the American literary canon have turned to the essay in order to produce some of our culture's most exhilarating art.-- book jacket. |
| chicago manual of style 17th edition citation: New and Selected Poems Yves Bonnefoy, 1995-12-18 Yves Bonnefoy, celebrated translator and critic, is widely considered the most important and influential French poet since World War II. Named to the College de France in 1981 to fill the chair left vacant by the death of Roland Barthes, Bonnefoy was the first poet honored in this way since Paul Valery. Winner of many awards, including the Prix Goncourt in 1987 and the Hudson Review's Bennett Award in 1988, he is the author of six critically acclaimed books of poetry. Spanning four decades and drawing on all of Bonnefoy's major collections, this selection provides a comprehensive overview of and an ideal introduction to his work. The elegant translations, many of them new, are presented in this dual-language edition alongside the original French. Several significant works appear here in English for the first time, among them, in its entirety, Bonnefoy's 1991 book of verse, The Beginning and the End of the Snow, the 1988 prose poem Where the Arrow Falls, and an important long poem from 1993, Wind and Smoke. Together with poems from such classic volumes as In the Lure of the Threshold, these new works shed light on the growth as well as the continuity of Bonnefoy's work. John Naughton's detailed introduction looks at the evolution of Bonnefoy's poetry from the 1953 publication of On the Motion and Immobility of Douve, which immediately established his reputation as one of France's leading poets, through the 1993 publication of The Wandering Life and its centerpiece Wind and Smoke. This is a comprehensive selection that contains examples of work spanning [Bonnefoy's] full career of forty years, from the ground-breaking Du Mouvement et de l'Immobilité de Douve through the celebratory Pierre Ecrite to the magical winter landscapes of America's East Coast and an unsettling reworking of myth in the recent La Vie Errante . . . The translations, which are the work of a variety of hands, including Galway Kinnell, Emily Grosholz and Anthony Rudolf, nevertheless fit well together and all are sensitive to the register and subtleties of both languages, while the introductory essay by John Naughton expertly explains Bonnefoy's importance as a poet and the influences which have shaped him. This is definitely a volume worth having, for layman and French specialist alike.—Hilary Davies, Times Literary Supplement Anyone not familiar with Bonnefoy's work will benefit from the background information and explanations given by John Naughton in his excellent introduction . . . . The book as a whole provides an excellent introduction to Bonnefoy's poetry and to his concerns of a lifetime.—Don Rodgers, Poetry Wales |
| chicago manual of style 17th edition citation: The Divide: Global Inequality from Conquest to Free Markets Jason Hickel, 2018-02-13 Global inequality doesn’t just exist; it has been created. More than four billion people—some 60 percent of humanity—live in debilitating poverty, on less than $5 per day. The standard narrative tells us this crisis is a natural phenomenon, having to do with things like climate and geography and culture. It tells us that all we have to do is give a bit of aid here and there to help poor countries up the development ladder. It insists that if poor countries would only adopt the right institutions and economic policies, they could overcome their disadvantages and join the ranks of the rich world. Anthropologist Jason Hickel argues that this story ignores the broader political forces at play. Global poverty—and the growing inequality between the rich countries of Europe and North America and the poor ones of Africa, Asia, and South America—has come about because the global economy has been designed over the course of five hundred years of conquest, colonialism, regime change, and globalization to favor the interests of the richest and most powerful nations. Global inequality is not natural or inevitable, and it is certainly not accidental. To close the divide, Hickel proposes dramatic action rooted in real justice: abolishing debt burdens in the global South, democratizing the institutions of global governance, and rolling out an international minimum wage, among many other vital steps. Only then will we have a chance at a world where all begin on more equal footing. |
| chicago manual of style 17th edition citation: Resistance and Revolution in Mediterranean Europe 1939–1948 Tony Judt, 2021-11-21 This book, first published in 1989, is the first general study of Communism in Mediterranean Europe during and immediately after the war. It sheds light on the origins of Europe’s Cold War East-West divide and probes the common and conflicting interests of the Soviet Union with the separate national and Communist resistance movements. It explores controversial issues including Stalin’s intentions in post-war diplomacy, Communist attitudes to Nazi collaboration in France, and the origins of the Cold War. The decade following the outbreak of the war saw the transformation of society through armed conflict, national resistance and political revolution. The relationship between resistance to Fascism and occupation, on the one hand, and profound social and political changes on the other, was especially marked in southern Europe. In France and Italy, Communist parties emerged as prominent participants in post-war governments; in Yugoslavia the Communist partisans seized full power and effected a social revolution; while a similar attempt in Greece led to a long and bitter civil war. |
| chicago manual of style 17th edition citation: Musical Symbolism in the Operas of Debussy and Bartok Elliott Antokoletz, Juana Canabal Antokoletz, 2004-07-22 The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. |
| chicago manual of style 17th edition citation: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| chicago manual of style 17th edition citation: The Founders' Constitution Philip B. Kurland, Ralph Lerner, 2000-05 Reprint of the 1987 U. of Chicago Press cloth edition. The five volumes contain a collection of thoughts, opinions, and arguments of the Founders. Readers seeking a general view of a question that took the form of a phrase or clause in the Constitution can find materials assembled under the article, section, and clause numbers of that provision. Those seeking more information are referred to other primary materials, some of which are included in volume 1, which contains materials organized by theme. Volumes 2, 3, 4 and 5 address, respectively, Preamble through Article 1, Section 8, Clause 4; Article 1, Section 8, Clause 5 through Article 2, Section 1; Article 2, Section 2, through Article 7; and Amendments I-XII. Edited by Kurland (formerly of the U. of Chicago) and Lerner (Committee on Social Thought, U. of Chicago). Annotation copyrighted by Book News Inc., Portland, OR |
| chicago manual of style 17th edition citation: Reappraisals Tony Judt, 2008-04-17 “Exhilarating . . . brave and forthright.” —The New York Times Book Review “Perhaps the greatest single collection of thinking on the political, diplomatic, social, and cultural history of the past century.” —Forbes We have entered an age of forgetting. Our world, we insist, is unprecedented, wholly new. The past has nothing to teach us. Drawing provocative connections between a dazzling range of subjects, from Jewish intellectuals and the challenge of evil in the recent European past to the interpretation of the Cold War and the displacement of history by heritage, the late historian Tony Judt takes us beyond what we think we know of the past to explain how we came to know it, showing how much of our history has been sacrificed in the triumph of myth—making over understanding and denial over memory. Reappraisals offers a much-needed road map back to the historical sense we urgently need. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates. |
| chicago manual of style 17th edition citation: Persuading People Robert Cockcroft, Susan Cockcroft, Craig Hamilton, 2013-12-01 This fascinating and practical book explores persuasive techniques in the English language, and is the ideal introduction for students and others with a professional interest in persuasion. Using a wide range of lively and accessible illustrative material, Robert Cockcroft and Susan Cockcroft unpick the complexities of persuasive language - both written and spoken - and enable readers to develop and enhance their rhetorical skills. Now thoroughly revised and expanded, the second edition of this successful text includes: - Developed application of cognitive linguistic theory, which sheds new light on the emotional and logical powers of persuasion - Extended and updated examples of rhetoric in action - Clear pointers for further study to allow readers to continue their exploration into rhetorical theory and practice - A new final chapter which invites readers to practice their skills using updated versions of traditional rhetorical exercises |
| chicago manual of style 17th edition citation: Faster, Smarter, Greener Venkat Sumantran, Charles Fine, David Gonsalvez, 2017-09-29 A call to redefine mobility so that it is connected, heterogeneous, intelligent, and personalized, as well as sustainable, adaptable, and city-friendly. The twentieth century was the century of the automobile; the twenty-first will see mobility dramatically re-envisioned. Automobiles altered cityscapes, boosted economies, and made personal mobility efficient and convenient for many. We had a century-long love affair with the car. But today, people are more attached to their smartphones than their cars. Cars are not always the quickest mode of travel in cities; and emissions from the rapidly growing number of cars threaten the planet. This book, by three experts from industry and academia, envisions a new world of mobility that is connected, heterogeneous, intelligent, and personalized (the CHIP architecture). The authors describe the changes that are coming. City administrators are shifting from designing cities for cars to designing cities for people. Nations and cities will increasingly employ targeted user fees and offer subsidies to nudge consumers toward more sustainable modes. The sharing economy is coaxing many consumers to shift from being owners of assets to being users of services. The auto industry is responding with connected cars that double as virtual travel assistants and by introducing autonomous driving. The CHIP architecture embodies an integrated, multimode mobility system that builds on ubiquitous connectivity, electrified and autonomous vehicles, and a marketplace open to innovation and entrepreneurship. Consumers will exercise choice on the basis of user experience and efficiency, aided by “intelligent advisors,” accessible through their mobile devices. An innovative mobility architecture reconfigured for this century is a social and economic necessity; this book charts a course for achieving it. |
| chicago manual of style 17th edition citation: Music, Authorship, and the Book in the First Century of Print Kate van Orden, 2013-10-19 What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers. |
| chicago manual of style 17th edition citation: A Pocket Guide to Writing in History Mary Lynn Rampolla, 2009-06-01 A portable and affordable reference tool, A Pocket Guide to Writing in History provides reading, writing, and research advice useful to students in all history courses. Concise yet comprehensive advice on approaching typical history assignments, developing critical reading skills, writing effective history papers, conducting research, using and documenting sources, and avoiding plagiarism -- enhanced with practical tips and examples throughout -- have made this slim reference a best-seller. Now in its sixth edition, the book offers more coverage of working with sources than ever before. |
| chicago manual of style 17th edition citation: A Manual for Writers of Research Papers, Theses, and Dissertations Kate L. Turabian, 2007 Dewey. Bellow. Strauss. Friedman. The University of Chicago has been the home of some of the most important thinkers of the modern age. But perhaps no name has been spoken with more respect than Turabian. The dissertation secretary at Chicago for decades, Kate Turabian literally wrote the book on the successful completion and submission of the student paper. Her Manual for Writers of Research Papers, Theses, and Dissertations, created from her years of experience with research projects across all fields, has sold more than seven million copies since it was first published in 1937. Now, with this seventh edition, Turabian’s Manual has undergone its most extensive revision, ensuring that it will remain the most valuable handbook for writers at every level—from first-year undergraduates, to dissertation writers apprehensively submitting final manuscripts, to senior scholars who may be old hands at research and writing but less familiar with new media citation styles. Gregory G. Colomb, Joseph M. Williams, and the late Wayne C. Booth—the gifted team behind The Craft of Research—and the University of Chicago Press Editorial Staff combined their wide-ranging expertise to remake this classic resource. They preserve Turabian’s clear and practical advice while fully embracing the new modes of research, writing, and source citation brought about by the age of the Internet. Booth, Colomb, and Williams significantly expand the scope of previous editions by creating a guide, generous in length and tone, to the art of research and writing. Growing out of the authors’ best-selling Craft of Research, this new section provides students with an overview of every step of the research and writing process, from formulating the right questions to reading critically to building arguments and revising drafts. This leads naturally to the second part of the Manual for Writers, which offers an authoritative overview of citation practices in scholarly writing, as well as detailed information on the two main citation styles (“notes-bibliography” and “author-date”). This section has been fully revised to reflect the recommendations of the fifteenth edition of The Chicago Manual of Style and to present an expanded array of source types and updated examples, including guidance on citing electronic sources. The final section of the book treats issues of style—the details that go into making a strong paper. Here writers will find advice on a wide range of topics, including punctuation, table formatting, and use of quotations. The appendix draws together everything writers need to know about formatting research papers, theses, and dissertations and preparing them for submission. This material has been thoroughly vetted by dissertation officials at colleges and universities across the country. This seventh edition of Turabian’s Manual for Writers of Research Papers, Theses, and Dissertations is a classic reference revised for a new age. It is tailored to a new generation of writers using tools its original author could not have imagined—while retaining the clarity and authority that generations of scholars have come to associate with the name Turabian. |
| chicago manual of style 17th edition citation: Swing Time Zadie Smith, 2016-11-15 “Smith’s thrilling cultural insights never overshadow the wholeness of her characters, who are so keenly observed that one feels witness to their lives.” —O, The Oprah Magazine “A sweeping meditation on art, race, and identity that may be [Smith’s] most ambitious work yet.” —Esquire A New York Times bestseller • Finalist for the National Book Critics Circle Award for Fiction • Longlisted for the Man Booker Prize An ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty. Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey—the same twists, the same shakes—and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time. Zadie Smith's newest book, Grand Union, published in 2019. |
| chicago manual of style 17th edition citation: The Thing About Life Is That One Day You'll Be Dead David Shields, 2011-03-03 Mesmerized and somewhat unnerved by his 97-year-old father's vitality and optimism, David Shields undertakes an original investigation of our flesh-and-blood existence, our mortal being. Weaving together personal anecdote, biological fact, philosophical doubt, cultural criticism, and the wisdom of an eclectic range of writers and thinkers - from Lucretius to Woody Allen - Shields expertly renders both a hilarious family portrait and a truly resonant meditation on mortality. |
| chicago manual of style 17th edition citation: The Oxford Encyclopedia of Islam and Women , 2013-10 The Oxford Encyclopedia of Islam and Women will provide clear, current, comprehensive information on the major topics of scholarly interest within the study of Islam and women. |
| chicago manual of style 17th edition citation: Report of the Department of Justice Task Force to Review the FBI Martin Luther King, Jr., Security and Assassination Investigations United States. Task Force to Review the FBI Martin Luther King, Jr., Security and Assassination Investigations, 1977 |
| chicago manual of style 17th edition citation: Women and Mental Health Jeri A. Sechzer, 1996 A selection of 15 essays derived from a conference entitled Women and Mental Health held in New York, March 1995, identifying specific mental health problems that may arise in the course of a woman's lifespan. The psychologists, psychiatrists, and mental health workers writing for the collection add |
| chicago manual of style 17th edition citation: A Collection of Familiar Quotations John Bartlett, 1856 |
| chicago manual of style 17th edition citation: The Complete Prophecies of Nostradamus Nostradamus Nostradamus, 2022-08 Nostradamus (Michel de Nostradame) was born on December 14, 1503 in St. Remy, Provence, France. Nostradamus came from a long line of Jewish doctors and scholars. He is considered by many as one of the most famous and important writers of history prophecies. He is famous mainly for his book 'The Prophecies, ' consisting of quarantine in rhyme. Supporters of the trustworthiness of these prophecies attribute to Nostradamus the ability to predict an incredible number of events in world history, including the French Revolution, the Atomic bomb, the rise to power of Adolf Hitler and the attacks of 11 September 2001. However, no one has ever proved that Nostradamus's quarters can provide reliable data for the foreseeable future. Nostradamus had the visions which he later recorded in verse while staring into water or flame late at night, sometimes aided by herbal stimulants, while sitting on a brass tripod. The resulting quatrains (four line verses) are oblique and elliptical, and use puns, anagrams and allegorical imagery. Most of the quatrains are open to multiple interpretations, and some make no sense whatsoever. Some of them are chilling, literal descriptions of events, giving specific or near-specific names, geographic locations, astrological configurations, and sometimes actual dates. It is this quality of both vagueness and specificity which allows each new generation to reinterpret Nostradamus. |
| chicago manual of style 17th edition citation: A Canadian Writer's Reference Diana Hacker, 1996 A Canadian Writer's Reference, adapted from the most widely used college handbook ever published — and with the help of several Canadian instructors — has advice that's easy to find and easy to understand. It provides the comprehensive coverage, concrete examples, and trusted models students need for writing in almost every postsecondary course and beyond. A new tabbed section, Writing about Literature, offers advice on interpreting and writing about works of literature and includes two annotated student essays. Grounded in Canadian texts, culture, and current events, examples throughout the book provide relevant context and advice for Canadian writers. And a new instructor's edition offers classroom activities and teaching tips for Canadian instructors — making it easier than ever to integrate the handbook into the course. |
| chicago manual of style 17th edition citation: Urban Indian Reserves F. L. Barron, Joseph Garcea, 1999 A new relationship is being forged between First Nations and municipal governments in Saskatchewan. In part this is due to the Treaty Land Entitlement Framework Agreement, under which First Nations have received funds to acquire land in fulfillment of treaty promises. In many instances the land acquired has been in urban areas. This collection of essays examines the creation of four such urban reserves, two of which were created amidst considerable acrimony and two of which were created in political harmony between the local municipality and the First Nations band council. The contributors explain the political tensions and problems that arose; plus the legal, bureaucratic and social hurdles that had to be overcome. They discuss in detail the complex agreements reached between municipalities and First Nations to ensure bylaw and tax compatibility, among other things. Many of the contributors highlight what should and what should not be done when creating an urban reserve. |
| chicago manual of style 17th edition citation: Marco Visconti Tommaso Grossi, 1881 |
| chicago manual of style 17th edition citation: W. E. B. Du Bois David L. Lewis, 2001-10-01 The second part of a biography of the African American author and scholar chronicles the flowering of the Harlem Renaissance, Du Bois's battle for equality and justice for African Americans, and his self-exile in Ghana. |
| chicago manual of style 17th edition citation: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| chicago manual of style 17th edition citation: The Literary Works of Abraham Lincoln Abraham Lincoln, 1970 |
| chicago manual of style 17th edition citation: SOCIAL CONTRACT. JEAN-JACQUES. ROUSSEAU, 2025 |
| chicago manual of style 17th edition citation: Encyclopaedia Britannica Hugh Chisholm, 1910 This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style. |
Chicago Manual of Style 17th Edition - Purdue OWL®
This section contains information on The Chicago Manual of Style (CMOS) method of document formatting and citation. These resources follow the seventeenth edition of The Chicago …
Free Chicago Citation Generator [Updated for 2025] - MyBib
Generate accurate Chicago style citations automatically. Enter a website URL, book title, or journal title, and our tool will format your Chicago style citation ready to paste into your paper.
Chicago Style Citation Guide | Templates & Citation Examples - Scribbr
The Chicago Manual of Style (17th edition) contains guidelines for two styles of citation: notes and bibliography and author-date. Notes and bibliography is the most common type of Chicago …
Author-Date: Sample Citations - The Chicago Manual of Style Online
To cite a book consulted online, include either a URL or the name of the database in the reference list entry. For downloadable ebook formats, name the format; if no fixed page numbers are …
Chicago Maunal of Style Citation Guide - Germanna
Apr 23, 2016 · This handout will show examples of citations from both the notes and bibliography system and the author-date system according to the 17th edition of the Chicago Manual of …
Chicago Manual of Style, 17th edition - Flagler College
Not listed, but important is that whether you direct quote or paraphrase information from an outside source, you must provide a citation, with the exception of above exception. Quotations …
CHICAGO STYLE GUIDE (17 ED.) - MVCC
This guide describes the humanities style (notes & bibliography) that is preferred by many in the arts, literature, and history. The “author-date” style is reserved for the physical, natural and …
Chicago Manual of Style The Learning Hub 17 Edition …
Mar 12, 2018 · The Chicago Manual of Style (CMOS) method of citation and document formatting is popular in the social sciences and publishing. In this handout, we focus on the CMOS …
Chicago-Style Citation Quick Guide - The Chicago Manual of Style Online
Chicago-style source citations come in two varieties: (1) notes and bibliography and (2) author-date. If you already know which system to use, follow one of the links above to see sample …
Chicago Style 17th Edition Citations - multiliteracy.uccs.edu
Chicago Style 17th Edition Citations. Chicago Manual Style (CMS) is one of numerous documentation guidelines used for scholarly papers. Chicago is most commonly used in …
Chicago Manual of Style 17th Edition - Purdue OWL®
This section contains information on The Chicago Manual of Style (CMOS) method of document formatting and citation. These resources follow the seventeenth edition of The Chicago Manual …
Free Chicago Citation Generator [Updated for 2025] - MyBib
Generate accurate Chicago style citations automatically. Enter a website URL, book title, or journal title, and our tool will format your Chicago style citation ready to paste into your paper.
Chicago Style Citation Guide | Templates & Citation Examples - Scribbr
The Chicago Manual of Style (17th edition) contains guidelines for two styles of citation: notes and bibliography and author-date. Notes and bibliography is the most common type of Chicago …
Author-Date: Sample Citations - The Chicago Manual of Style Online
To cite a book consulted online, include either a URL or the name of the database in the reference list entry. For downloadable ebook formats, name the format; if no fixed page numbers are …
Chicago Maunal of Style Citation Guide - Germanna
Apr 23, 2016 · This handout will show examples of citations from both the notes and bibliography system and the author-date system according to the 17th edition of the Chicago Manual of …
Chicago Manual of Style, 17th edition - Flagler College
Not listed, but important is that whether you direct quote or paraphrase information from an outside source, you must provide a citation, with the exception of above exception. Quotations …
CHICAGO STYLE GUIDE (17 ED.) - MVCC
This guide describes the humanities style (notes & bibliography) that is preferred by many in the arts, literature, and history. The “author-date” style is reserved for the physical, natural and …
Chicago Manual of Style The Learning Hub 17 Edition …
Mar 12, 2018 · The Chicago Manual of Style (CMOS) method of citation and document formatting is popular in the social sciences and publishing. In this handout, we focus on the CMOS …
Chicago-Style Citation Quick Guide - The Chicago Manual of Style Online
Chicago-style source citations come in two varieties: (1) notes and bibliography and (2) author-date. If you already know which system to use, follow one of the links above to see sample …
Chicago Style 17th Edition Citations - multiliteracy.uccs.edu
Chicago Style 17th Edition Citations. Chicago Manual Style (CMS) is one of numerous documentation guidelines used for scholarly papers. Chicago is most commonly used in …
