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| chevy chase richard pryor interview: Furious Cool David Henry, Joe Henry, 2014-01-01 Provides a rare glimpse into the life of an outrageously human, fearlessly black, openly angry and profanely outspoken comedic genius whose humble beginnings as the child of a prostitute helped shaped him into one of the most influential and outstanding performers of our time. |
| chevy chase richard pryor interview: Black Is the New White Paul Mooney, 2010 For more than forty years...Paul Mooney has been provocative, incisive- and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America... As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight--from back cover. |
| chevy chase richard pryor interview: Becoming Richard Pryor Scott Saul, 2014-12-09 A major biography—intimate, gripping, revelatory—of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family’s brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he’d known. He brought that trembling vitality to Hollywood, where his movie career—Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar—flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life. Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research—interviews with family and friends, court transcripts, unpublished journals, screenplay drafts—Scott Saul traces Pryor’s rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the “New Hollywood” of the 1970s. Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still. |
| chevy chase richard pryor interview: Saturday Night Doug Hill, 2024-11-05 “ It reads like a thriller, and may be the best book ever written about television.” Associated Press“ A chilling real-life cliffhanger.” Washington Post“ An anthropological masterpiece.” Vanity FairSaturday Night is the intimate, original history of Saturday Night Live, from its beginnings as an outlaw program produced by an unruly band of renegades from the comedy underground to a TV institution that made stars of John Belushi, Dan Aykroyd, Bill Murray, Chevy Chase, Gilda Radner, Jane Curtin, Laraine Newman, Garrett Morris, Joe Piscopo and Eddie Murphy.This is the book that revealed to the world what really happened behind the scenes during the first ten years of this groundbreaking program, from the battles SNL fought with NBC to the battles fought within the show itself. It's all here— the love affairs, betrayals, rivalries, drug problems, overnight successes, and bitter failures, mixed with the creation of some of the most outrageous and original comedy ever.This reissue features nearly fifty photographs of cast, crew and sketches.Doug Hill and Jeff Weingrad covered television for a wide variety of popular and professional organizations and publications, including The Associated Press, The New York Times, the New York Daily News, the New York Post, TV Guide, Broadcasting/Cablecasting, and Advertising Age. |
| chevy chase richard pryor interview: Wild and Crazy Guys Nick de Semlyen, 2019-06-11 Wild and Crazy Guys is the larger-than-life story of the much-loved Hollywood comedy stars that ruled the 1980s. As well as delving behind the scenes of classic movies such as Ghostbusters, Beverly Hills Cop, The Blues Brothers, Trading Places and dozens more, it chronicles the off-screen, larger-than-life antics of Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Candy et al. It’s got drugs, sex, punch-ups, webbed toes and Bill Murray being pushed into a swimming pool by Hunter S Thompson, while tied to a lawn chair. It’s akin to Peter Biskind’s Easy Riders, Raging Bulls, following the key players through their highs and lows, and their often turbulent relationships with each other. Nick de Semlyen has already interviewed pretty much all the big names for Empire, as well as directors such as Walter Hill, John Landis and Carl Reiner, and is sitting on lots of unseen material. Taking you on a trip through the tumultous ’80s, Wild And Crazy Guys explores the friendships, feuds, triumphs and disasters experienced by these iconic funnymen. Based on candid interviews from the stars themselves, as well as those who entered their orbit, it reveals the hidden history behind the most fertile period ever for screen comedy. |
| chevy chase richard pryor interview: Revolution Televised Christine Acham, Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social change and limitations. |
| chevy chase richard pryor interview: The N Word Jabari Asim, 2008-08-04 A renowned cultural critic untangles the twisted history and future of racism through its most volatile word. The N Word reveals how the term “nigger” has both reflected and spread the scourge of bigotry in America over the four hundred years since it was first spoken on our shores. Jabari Asim pinpoints Thomas Jefferson as the source of our enduring image of the “nigger.” In a seminal but now obscure essay, Jefferson marshaled a welter of pseudoscience to define the stereotype of a shiftless child-man with huge appetites and stunted self-control. Asim reveals how nineteenth-century “science” then colluded with popular culture to amplify this slander. What began as false generalizations became institutionalized in every corner of our society: the arts and sciences, sports, the law, and on the streets. Asim’s conclusion is as original as his premise. He argues that even when uttered with the opposite intent by hipsters and hip-hop icons, the slur helps keep blacks at the bottom of America’s socioeconomic ladder. But Asim also proves there is a place for the word in the mouths and on the pens of those who truly understand its twisted history—from Mark Twain to Dave Chappelle to Mos Def. Only when we know its legacy can we loosen this slur’s grip on our national psyche. |
| chevy chase richard pryor interview: Why Does Everything Have to Be About Race? Keith Boykin, 2024-01-23 Some arguments about race refuse to go away. It’s time, once and for all, to shatter them. The most toxic racial arguments share one of five traits. They try to erase Black history, prioritize white victimhood, deny Black oppression, promote myths of Black inferiority, or rebrand racism as something else entirely. They’re all designed to distract society from racial justice, but now we have the tools to debunk them. With a mixture of personal experience, reportage, and extensive research, Keith Boykin takes a wrecking ball to twenty-five of the most widespread deceptions about race, such as: The Civil War was about states’ rights, not slavery Affirmative action is reverse discrimination Critical Race Theory is indoctrinating children to hate one another and shows us how to refute lies, myths, and misinformation with history, knowledge, and truth. |
| chevy chase richard pryor interview: Policing the Black Man Angela J. Davis, Bryan Stevenson, Marc Mauer, Bruce Western, Jeremy Travis, 2018-05-15 A comprehensive, readable analysis of the key issues of the Black Lives Matter movement, this thought-provoking and compelling anthology features essays by some of the nation’s most influential and respected criminal justice experts and legal scholars. “Somewhere among the anger, mourning and malice that Policing the Black Man documents lies the pursuit of justice. This powerful book demands our fierce attention.” —Toni Morrison Policing the Black Man explores and critiques the many ways the criminal justice system impacts the lives of African American boys and men at every stage of the criminal process, from arrest through sentencing. Essays range from an explication of the historical roots of racism in the criminal justice system to an examination of modern-day police killings of unarmed black men. The contributors discuss and explain racial profiling, the power and discretion of police and prosecutors, the role of implicit bias, the racial impact of police and prosecutorial decisions, the disproportionate imprisonment of black men, the collateral consequences of mass incarceration, and the Supreme Court’s failure to provide meaningful remedies for the injustices in the criminal justice system. Policing the Black Man is an enlightening must-read for anyone interested in the critical issues of race and justice in America. |
| chevy chase richard pryor interview: The Comic Offense from Vaudeville to Contemporary Comedy Rick DesRochers, 2014-07-31 The Comic Offense from Vaudeville to Contemporary Comedy examines how contemporary writer/performers are influenced by the comedic vaudevillians of the early 20th century. By tracing the history and legacy of the vaudeville era and performance acts, like the Marx Brothers and The Three Keatons, and moving through the silent and early sound films of the early 1930s, the author looks at how comic writer/performers continue to sell a brand of themselves as a form of social commentary in order to confront and dispel stereotypes of race, class, and gender. The first study to explore contemporary popular comic culture and its influence on American society from this unique perspective, Rick DesRochers analyzes stand-up and improvisational comedy writing/performing in the work of Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. He grounds these choices by examining their evolution as they developed signature characters and sketches for their respective shows Curb Your Enthusiasm, 30 Rock, The Colbert Report, and Chappelle's Show. |
| chevy chase richard pryor interview: Mr. CSI Anthony E. Zuiker, Todd Gold, 2011-11-22 The creator of CSIdelves into the mysteries of his father’s tragic death and his own unlikelyrise in Hollywood using the very techniques he has honed by working on his hitshows, CSI, CSI: Miami,and CSI: New York.Deeply felt and insightful, Anthony Zuiker’s searingmemoir of dreams and losses, successes and heartbreaks, is not only abehind-the-scenes look at television’s most-watched drama, but an essentialguide for aspiring script writers and filmmakers, featuring practical tips andinspiring lessons to help tomorrow’s writers succeed today. Fans of crimedramas, anyone who dreams of unraveling the mysteries of their own story, andeveryone who dreams of making it big will find themselves immediately drawn inby the one-of-a-kind story of the man who made it: Mr. CSI. |
| chevy chase richard pryor interview: Fuzzy Memories Jack Handey, 1996 Jack Handey, the author of the bestseller Deep Thoughts digs deeper into his past, and, to the delight of his millions of fans, more of his humor is coming to the surface. With Fuzzy Memories, Handey shares his preposterous stories from his improbable past, once again putting him in a league of his own. |
| chevy chase richard pryor interview: Live From New York Tom Shales, James Andrew Miller, 2014-09-09 James Andrew Miller and Tom Shales's definitive oral history of Saturday Night Live, hailed as incredible (Vulture) and required reading (People). When first published to celebrate the 30th anniversary of Saturday Night Live, Live from New York was immediately proclaimed the best book ever produced on the landmark and legendary late-night show. In their own words, unfiltered and uncensored, a dazzling galaxy of trail-blazing talents recalled three turbulent decades of on-camera antics and off-camera escapades. Now decades have passed, and bestselling authors James Andrew Miller and Tom Shales have returned to Studio 8H. Over more than 100 pages of new material, they raucously and revealingly take the SNL story up to the present, adding a constellation of iconic new stars, surprises, and controversies. |
| chevy chase richard pryor interview: Transatlantic Memories of Slavery: Remembering the Past, Changing the Future - Student Edition Elisa Bordin, Anna Scacchi, 2015-07-26 Note: this is an abridged version of the book with references removed. The complete edition is also available. While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory. |
| chevy chase richard pryor interview: Race Still Matters Yuya Kiuchi, 2016-11-15 Essays debunking the notion that contemporary America is a colorblind society. More than half a century after the civil rights era of the mid-1950s to the late 1960s, American society is often characterized as postracial. In other words, that the country has moved away from prejudice based on skin color and we live in a colorblind society. The reality, however, is the opposite. African Americans continue to face both explicit and latent discriminations in housing, healthcare, education, and every facet of their lives. Recent cases involving law enforcement officers shooting unarmed Black men also attest to the reality: the problem of the twenty-first century is still the problem of the color line. In Race Still Matters, contributors drawn from a wide array of disciplines use multidisciplinary methods to explore topics such as Black family experiences, hate crimes, race and popular culture, residual discrimination, economic and occupational opportunity gaps, healthcare disparities, education, law enforcement issues, youth culture, and the depiction of Black female athletes. The volume offers irrefutable evidence that race still very much matters in the United States today. |
| chevy chase richard pryor interview: Laughing Mad Bambi Haggins, 2007 In Laughing Mad , Bambi Haggins looks at how this transition occurred in a variety of media and shows how this integration has paved the way for black comedians and their audiences to affect each other. Historically, African American performers have been able to use comedy as a pedagogic tool, interjecting astute observations about race relations while the audience is laughing. And yet, Haggins makes the convincing argument that the potential of African American comedy remains fundamentally unfulfilled as the performance of blackness continues to be made culturally digestible for mass consumption. |
| chevy chase richard pryor interview: Gil Scott-Heron: Pieces of a Man Marcus Baram, 2014-11-11 A biography of highly esteemed soul and jazz artist Gil Scott-Heron. |
| chevy chase richard pryor interview: Transatlantic Memories of Slavery: Remembering the Past, Changing the Future Elisa Bordin , Anna Scacchi, 2015-08-10 While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory. |
| chevy chase richard pryor interview: 700 Sundays Billy Crystal, 2006-10-24 To support his family, Billy Crystal's father, Jack, worked two jobs, having only one day a week to spend with his family. Based on Crystal's one-man Broadway show of the same name, 700 Sundays--referring sadly to the time shared by an adoring father and his devoted son--offers a heartfelt, hilarious memoir. |
| chevy chase richard pryor interview: Transatlantic Memories of Slavery , 2015-08-10 While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory. |
| chevy chase richard pryor interview: The Chris Farley Show Tom Farley, Tanner Colby, 2008 A portrait based on personal stories by friends and family members traces the late comedian's passionate dedication to bringing laughter into the lives of others, his successes on SNL and in numerous top films, and the incapacity for moderation that led to his fatal battle with drugs and alcohol. |
| chevy chase richard pryor interview: Brief Encounters Dick Cavett, 2014-10-28 Reminiscences from the legendary talk show host: “Erudite and witty . . .Brief Encounters is very good and very funny.” —Chicago Tribune On his talk show, Dick Cavett welcomed leading figures from film, music, theater, literature, comedy, and politics, and engaged them in conversation that made viewers feel like the discussion was taking place in their own living rooms. In Brief Encounters, Cavett introduces us to the fascinating characters who have crossed his path, and also offers piquant commentary on contemporary politics, the indignities of travel, the nature of comedy writing, and the utter improbability of being alive at all. “A touching essay about the late James Gandolfini, a fond remembrance of an afternoon at Stan Laurel’s small Los Angeles apartment, sparring with Muhammed Ali, and being talked into signing on as Apple’s first celebrity pitchman by a young Steve Jobs are all here, as are Cavett’s warm memories of John Lennon.” —Esquire “Includes numerous observations about contemporary culture and politics—neither Democrats nor Republicans are spared.” —USA Today “A delightful peek behind the curtain at celebrities, complex characters, and the nuances of everyday life—all told with his singular wit and style.” —Publishers Weekly Includes a foreword by Jimmy Fallon |
| chevy chase richard pryor interview: Saturday Night Live and Philosophy , 2020-01-28 This hilarious cast of star philosophers will make you laugh while you think as they explore the moral conundrums, ridiculous paradoxes, and wild implications of Saturday Night Live Comedian-philosophers from Socrates to Sartre have always prodded and provoked us, critiquing our most sacred institutions and urging us to examine ourselves in the process. In Saturday Night Live and Philosophy, a star-studded cast of philosophers takes a close look at the “deep thoughts” beneath the surface of NBC’s award-winning late-night variety show and its hosts’ zany antics. In this book, philosophy and comedy join forces, just like the Ambiguously Gay Duo, to explore the meaning of life itself through the riffs and beats of the subversive parody that gives the show its razor-sharp wit and undeniable cultural and political significance. Our guest hosts raise some eyebrows with questions like: Is Weekend Update Fake News? Does SNL upset dominant paradigms or trap us in political bubbles? When it comes to SNL, how can we tell the difference between satire, smart-assery, and seriousness? Is the Ladies Man too stupid for moral responsibility? What is the benefit of jokes that cause outrage? The Church Lady has a bad case of moral superiority. How about you? What can Wayne and Garth teach us about living a happy life? |
| chevy chase richard pryor interview: Sketch Comedy Nick Marx, 2019-11-01 In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre's most memorable—and controversial—moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. |
| chevy chase richard pryor interview: Saturday Night Live FAQ Stephen Tropiano, 2013-11-01 Television history was made on Saturday, October 11, 1975, at 11:30pm (ET), when Chevy Chase welcomed America to the first episode of a new late-night comedy series. With its cutting edge satire and cast of young, talented performers, Saturday Night Live set a new standard for television comedy while launching the careers of such comedy greats as John Belushi, Chevy Chase, Dan Aykroyd, Eddie Murphy, Mike Myers, Dana Carvey, Will Ferrell, Amy Poehler, and Tina Fey. Saturday Night Live FAQ is the first book to offer the show's generations of fans everything they ever wanted to know (and may have forgotten) about SNL. Beginning with the show's creation in the mid-1970s by Lorne Michaels and the Not Ready for Prime Time Players, SNL FAQ takes you through the show's history with an in-depth look at all thirty-eight seasons. It's all here – the comedic highlights and low points, memorable hosts and musical guests, controversial moments, and, of course, the recurring characters and sketches, catch phrases, and film shorts that have made SNL the epicenter of American comedy for nearly four decades. SNL FAQ also examines the show's influence on American culture and includes profiles of over 100 SNL cast members, along with a comprehensive guide detailing every episode. |
| chevy chase richard pryor interview: Saturday Night Live, Hollywood Comedy, and American Culture J. Whalley, 2010-06-21 Saturday Night Live, Hollywood Comedy, and American Culture sheds new light on the ways in which Saturday Night Live s confrontational, boundary-pushing approach spilled over into film production, contributing to some of the biggest hits in Hollywood history, such as National Lampoon s Animal House, Ghostbusters, and Beverly Hills Cop. Jim Whalley also considers how SNL has adapted to meet the needs of subsequent generations, launching the film careers of Mike Myers, Adam Sandler, Will Ferrell and others in the process. Supported by extensive archival research, some of Hollywood s most popular comedians are placed into the contexts of film and television comic traditions and social and cultural trends in American life. |
| chevy chase richard pryor interview: Tim & Tom Tim Reid, Tom Dreesen, Ron Rapoport, 2009-02-15 As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it. Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise. Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy. |
| chevy chase richard pryor interview: Saturday Night Live Alison Castle, 2015 The complete history, on stage and behind the scenes. |
| chevy chase richard pryor interview: Thank You Notes Jimmy Fallon, the Writers of Late Night, 2011-05-23 Jimmy Fallon is very thankful. And in this first book to come from his TV show, he expresses his gratitude for everything from the light bulb he's too lazy to replace to the F12 button on his computer's keyboard. He thanks microbreweries for making his alcoholism seem like a neat hobby. He thanks the name Lloyd for having two L's. Otherwise it would just sound like Loyd. He thanks the slow-moving family walking in front of him on the sidewalk. Without this barricade of idiots, he might never have been forced to walk in the street and risk getting hit by a car in order to get around them. He's thankful to you, the person reading this right now. It means you're considering buying this book. You should do it. You will be thankful that you did. |
| chevy chase richard pryor interview: Homey Don't Play That! David Peisner, 2018-02-06 “A fascinating inside look at the trailblazing series” (Entertainment Tonight)—discover the behind-the-scenes stories and lasting impact of the trailblazing sketch comedy show that upended television, launched the careers of some of our biggest stars, and changed the way we talk, think, and laugh about race: In Living Color. Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. Along the way, he introduced the world to Jamie Foxx, Jim Carrey, David Alan Grier, Rosie Perez, and Jennifer Lopez, not to mention his own brothers Damon, Marlon, and Shawn Wayans. In Living Color shaped American culture in ways both seen and unseen, and was part of a sea change that moved black comedy and hip-hop culture from the shadows into the spotlight. Now, the “in-depth, well-researched” (Library Journal, starred review) Homey Don’t Play That reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit. Through exclusive interviews with the cast, writers, producers, and network executives, this insightful and entertaining chronicle follows the show’s ups and downs, friendships and feuds, tragedies and triumphs, sketches and scandals, the famous and the infamous, unveiling a vital piece of history in the evolution of comedy, television, and black culture. |
| chevy chase richard pryor interview: Confessions of a Late-night Talk-show Host Garry Shandling, 1999 CONFESSIONS OF A LATE-NIGHT TALK-SHOW HOST is written by the host of THE LARRY SANDERS SHOW. It is a double whammy of satire, irreverently told in Garry Shandling's inimitable style which deftly weaves together fact and fiction. This is an exclusive up-close-and-personal inspection of what makes Larry Sanders tick: his loves, his addictions, his friends and his enemies. This will be the Hollywood tell-all to end all Hollywood tell-alls; indeed, Larry Sanders might never be able to eat lunch in that town again! |
| chevy chase richard pryor interview: Nigger Randall Kennedy, 2008-12-18 Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves? |
| chevy chase richard pryor interview: Brother Sam Bill Kinison, Steve Delsohn, 1994 Recalls the excessive and flamboyant life of the late comedian, portraying Kinison's checkered early years, his road to fame and fortune, and his personal struggles |
| chevy chase richard pryor interview: Pryor Convictions, and Other Life Sentences Richard Pryor, Todd Gold, 1997-08 Pryor tells the story of his life, from his childhood in Peoria, Illinois, through his growth as a comedian, to his battle with addiction and, in later years, multiple sclerosis. |
| chevy chase richard pryor interview: We Killed Yael Kohen, 2012-10-16 Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy. |
| chevy chase richard pryor interview: Improvisation for Actors and Writers Bill Lynn, 2004 Far more than simply an overview of improv comedy, this book helps actors, writers and comedians learn the basics as taught in all the major comedy schools. First, the do's and don'ts of the Comedy Improv Commandments. The concepts that, when understood, hit the student like falling anvils: Anvil 1: Collaboration -- Working with the 'Group Mind', Anvil 2: Agreement -- 'Just say Yes', Anvil 3: Foundation -- 'Who, What and Where, Anvil 4: Exploring -- 'Finding the Game'. Successful improv requires the skill of the actor, the talent of the comedian and the ideas of the writer rolled into one. This book tells how it can all be done for performers or teachers. |
| chevy chase richard pryor interview: Crash and Burn Artie Lange, Anthony Bozza, 2014-06-03 In this follow-up to his memoir Too fat to fish, the comedian and radio personality focuses on his drug addiction and life-threatening depression with an unflinching eye and his signature wit. A veteran comedian and radio personality, Lange was addicted to heroin and prescription drugs. He details his very public meltdown, and explains how he turned his life and career around. |
| chevy chase richard pryor interview: Eye on Cavett Dick Cavett, Christopher Porterfield, 1983 The popular talk show host holds forth on a variety of topics--including the denizens of the movie and theatre worlds, literary luminaries, his native Nebraska, and public television--and through diverse lenses discloses something of himself |
| chevy chase richard pryor interview: Jack and the Three Sillies Richard Chase, 1950 Tells the story of Jack, who shows himself to be very silly, and Jack's wife, who finds three men even sillier. |
| chevy chase richard pryor interview: Black Is the New White Paul Mooney, 2009-11-03 With his no-holds-barred delivery and unique worldview, Paul Mooney continues to stir anger, generate laughter, and provoke thought while attempting to tear down racial and social barriers through his juicy memoir about his years writing comedy with the likes of Richard Pryor, Redd Foxx, the Wayans' Brothers, and Dave Chappelle. For more than forty years—whether writing for Richard Pryor and Saturday Night Live or performing stand-up to sold-out crowds around the country—Paul Mooney has been provocative, incisive, and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America, and this fascinating, fearless new memoir continues that unapologetically candid tradition. While other stars soared only to crash and burn, Paul Mooney has stayed chiefly behind the scenes, and he’s got a lifetime of stories to show for it. As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight. He reveals the truth about his celebrated partnership with the brilliant, self-destructive Richard Pryor, from their first meeting to the very last joke, and reflects on some of his most notorious moments. Decades ago, Paul Mooney set out not just make audiences laugh but to make them think. Black Is the New White is his blisteringly funny, no-holds-barred memoir of how he continues to succeed wildly at both. |
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