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| black and white writing: Playing in the Dark Toni Morrison, 2007-07-24 An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison reimagines and remaps the possibility of America. Her brilliant discussions of the Africanist presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature. |
| black and white writing: Black/White Writing Pauline Fletcher, 1993 The volume closes with an essay by Gerald Monsman that takes the reader back to an earlier South Africa, examining Olive Schreiner's writing in the broader context of other stories from an imperialist past. Two poems by Dennis Brutus open the volume. They speak eloquently of human suffering and the desire for peace. |
| black and white writing: Unfollow Me Jill Louise Busby, 2021-09-07 A cultural commentator presents this memoir-in-essays in which she provides a deeply personal, razor-sharp critique of white fragility, respectability politics, and all the places where fear masquerades as progress. Jill Louise Busby spent years speaking at academic institutions, businesses, and detention centres on the topics of Race, Power, and Privilege. In 2016, fed up with what passed as progressive in the Pacific Northwest, Busby uploaded a one-minute video about race, white institutions, and faux liberalism to Instagram. This is a memoir-in-essays about race, progress, and hypocrisy. |
| black and white writing: A History of Black and Asian Writing in Britain C. L. Innes, 2008-08-14 The first extended study of black and Asian writing in Britain, now updated and available in paperback. |
| black and white writing: Is Marriage for White People? Ralph Richard Banks, 2011-09-01 A distinguished Stanford law professor examines the steep decline in marriage rates among the African American middle class, and offers a paradoxical-nearly incendiary-solution. Black women are three times as likely as white women to never marry. That sobering statistic reflects a broader reality: African Americans are the most unmarried people in our nation, and contrary to public perception the racial gap in marriage is not confined to women or the poor. Black men, particularly the most successful and affluent, are less likely to marry than their white counterparts. College educated black women are twice as likely as their white peers never to marry. Is Marriage for White People? is the first book to illuminate the many facets of the African American marriage decline and its implications for American society. The book explains the social and economic forces that have undermined marriage for African Americans and that shape everyone's lives. It distills the best available research to trace the black marriage decline's far reaching consequences, including the disproportionate likelihood of abortion, sexually transmitted diseases, single parenthood, same sex relationships, polygamous relationships, and celibacy among black women. This book centers on the experiences not of men or of the poor but of those black women who have surged ahead, even as black men have fallen behind. Theirs is a story that has not been told. Empirical evidence documents its social significance, but its meaning emerges through stories drawn from the lives of women across the nation. Is Marriage for White People? frames the stark predicament that millions of black women now face: marry down or marry out. At the core of the inquiry is a paradox substantiated by evidence and experience alike: If more black women married white men, then more black men and women would marry each other. This book not only sits at the intersection of two large and well- established markets-race and marriage-it responds to yearnings that are widespread and deep in American society. The African American marriage decline is a secret in plain view about which people want to know more, intertwining as it does two of the most vexing issues in contemporary society. The fact that the most prominent family in our nation is now an African American couple only intensifies the interest, and the market. A book that entertains as it informs, Is Marriage for White People? will be the definitive guide to one of the most monumental social developments of the past half century. |
| black and white writing: Collaborative Spirit-Writing and Performance in Everyday Black Lives Bryant Keith Alexander, Mary E. Weems, 2021-11-11 Collaborative Spirit-Writing and Performance in Everyday Black Lives is about the interconnectedness between collaboration, spirit, and writing. It is also about a dialogic engagement that draws upon shared lived experiences, hopes, and fears of two Black persons: male/female, straight/gay. This book is structured around a series of textual performances, poems, plays, dialogues, calls and responses, and mediations that serve as claim, ground, warrant, qualifier, rebuttal, and backing in an argument about collaborative spirit-writing for social justice. Each entry provides evidence of encounters of possibility, collated between the authors, for ourselves, for readers, and society from a standpoint of individual and collective struggle. The entries in this Black performance diary are at times independent and interdependent, interspliced and interrogative, interanimating and interstitial. They build arguments about collaboration but always emanate from a place of discontent in a caste system, designed through slavery and maintained until today, that positions Black people in relation to white superiority, terror, and perpetual struggle. With particular emphasis on the confluence of Race, Racism, Antiracism, Black Lives Matter, the Trump administration, and the Coronavirus pandemic, this book will appeal to students and scholars in Race studies, performance studies, and those who practice qualitative methods as a new way of seeking Black social justice. |
| black and white writing: Writing South Africa Derek Attridge, Rosemary Jolly, 1998-01-22 During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's relation to politics and ethics. Writing South Africa offers a window on the literary activity of this extraordinary period that conveys its range (going well beyond a handful of world-renowned names) and its significance for anyone interested in the impact of decolonisation and democratisation on the cultural sphere. It brings together for the first time discussions by some of the most distinguished South African novelists, poets, and dramatists, with those of leading commentators based in South Africa, Britain and North America. |
| black and white writing: Black Women’s Writing Gina Wisker, 1992-12-18 This book contains a lively and wide ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short story writers and a dramatist. The contributors are black and white, female and male, academics and readers who chart their engagement with and enjoyment of the texts of some of the key figures in black women's writing across several continents. |
| black and white writing: Galactic Odyssey Keith Laumer, 1987-01-01 In search of Lady Faire, Billy Danger travels to distant planets. |
| black and white writing: Pinktoes Chester B. Himes, 1996 A sex farce deemed to be Himes's most daring work of fiction |
| black and white writing: A Little Life Hanya Yanagihara, 2015-03-10 NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise. |
| black and white writing: Mem Bethany C. Morrow, 2018 A short novel grappling with memory, identity, and ownership in an alternate version of the 1920s where the elite's memories can be removed and exist as clones |
| black and white writing: The Racial Imaginary Claudia Rankine, Beth Loffreda, Max King Cap, 2015 Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made. |
| black and white writing: Black is the Body Emily Bernard, 2021-02-11 A New Statesman essential non-fiction read of 2021 'Everybody should read [this]' Stylist Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book. In twelve intensely personal, interconnected essays, Emily Bernard sets out to tell stories from her life that enable her to talk about truth, race, family and relationships, and much more. She observes the complexities and paradoxes, the haunting memories and ambushing realities of growing up black in the South with a family name inherited from a white man, of getting a PhD from Yale, of marrying a white man from the North, of adopting two babies from Ethiopia, of teaching at a white college and living in America's New England today. Ultimately, she shows us that it is in our shared experience of humanity that we find connection, happiness and hope. |
| black and white writing: Writing Manhood in Black and Yellow Daniel Y. Kim, 2005 This book is a comparative study of African American and Asian American representations of masculinity and race, focusing primarily on the major works of two influential figures, Ralph Ellison and Frank Chin. |
| black and white writing: Black Music LeRoi Jones (Amiri Baraka), 2023-12-04 A maioria dos críticos de jazz até agora são americanos brancos, enquanto os principais músicos não Black Music: free jazz e consciência negra (1959-1967), de Amiri Baraka (LeRoi Jones), é um dos exercícios mais radicais e selvagens de crítica musical que já foi posto em prática. Nestes ensaios, resenhas, entrevistas, encartes, crônicas e impressões pessoais publicados entre 1959 e 1967, Baraka retrata a florescente cena do free jazz, um movimento que envolveu o aprofundamento das inovações sonoras do bebop e a recuperação do jazz como expressão autêntica da cultura afro-estadunidense em uma época em que seu sucesso comercial a tornava um gênero padronizado e palatável para a amérikkka branca. Figura central e unificadora do movimento Beat nos anos 50 e Black Power nas décadas seguintes, Amiri lança mão de uma linguagem elétrica e furiosa que reflete a liberdade de improvisação do free jazz para deixar claro que essa música só pode ser compreendida como parte de um conjunto de experiências, que ao longo do século XX, moldaram uma nova consciência do que significava ser negro nos Estados Unidos. E é por isso que os seus intérpretes, entre os quais se destacam John Coltrane, Ornette Coleman, Archie Shepp, Sun Ra, Thelonious Monk, Albert Ayler, Pharoah Sanders, Sonny Rollins, Don Cherry, Wayne Shorter e Cecil Taylor, devem ser considerados, além de grandes músicos: intelectuais ou místicos, ou ambos. |
| black and white writing: God Help the Child Toni Morrison, 2015-04-21 NATIONAL BESTSELLER • A New York Times Notable Book • This fiery and provocative novel from the acclaimed Nobel Prize winner weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.” “Powerful.... A tale that is as forceful as it is affecting, as fierce as it is resonant.” —Michiko Kakutani, The New York Times |
| black and white writing: White Over Black Winthrop D. Jordan, 2013-02-06 In 1968, Winthrop D. Jordan set out in encyclopedic detail the evolution of white Englishmen's and Anglo-Americans' perceptions of blacks, perceptions of difference used to justify race-based slavery, and liberty and justice for whites only. This second edition, with new forewords by historians Christopher Leslie Brown and Peter H. Wood, reminds us that Jordan's text is still the definitive work on the history of race in America in the colonial era. Every book published to this day on slavery and racism builds upon his work; all are judged in comparison to it; none has surpassed it. |
| black and white writing: K-Town Confidential Brad Chisholm, Claire Kim, 2021-09-20 Young lawyer Holly Park is hired to defend teenager Naomi Linser - charged with murder in the stabbing death of the local Councilman. The crime takes place in a gritty Koreatown 'room salon' with Naomi holding the murder weapon. |
| black and white writing: Black on White David R. Roediger, 2010-03-31 In this thought-provoking volume, David R. Roediger has brought together some of the most important black writers throughout history to explore the question: What does it really mean to be white in America? From folktales and slave narratives to contemporary essays, poetry, and fiction, black writers have long been among America's keenest students of white consciousness and white behavior, but until now much of this writing has been ignored. Black on White reverses this trend by presenting the work of more than fifty major figures, including James Baldwin, Derrick Bell, Ralph Ellison, W.E.B. Du Bois, bell hooks, Toni Morrison, and Alice Walker to take a closer look at the many meanings of whiteness in our society. Rich in irony, artistry, passion, and common sense, these reflections on what Langston Hughes called the ways of white folks illustrate how whiteness as a racial identity derives its meaning not as a biological category but as a social construct designed to uphold racial inequality. Powerful and compelling, Black on White provides a much-needed perspective that is sure to have a major impact on the study of race and race relations in America. |
| black and white writing: Citizen Claudia Rankine, 2015-07-02 WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY In this moving, critical and fiercely intelligent collection of prose poems, Claudia Rankine examines the experience of race and racism in Western society through sharp vignettes of everyday discrimination and prejudice, and longer meditations on the violence - whether linguistic or physical - which has impacted the lives of Serena Williams, Zinedine Zidane, Mark Duggan and others. Awarded the National Book Critics Circle Award for Poetry in America after becoming the first book in the prize's history to be a finalist in both the poetry and criticism categories, Citizen weaves essays, images and poetry together to form a powerful testament to the individual and collective effects of racism in an ostensibly post-race society. |
| black and white writing: Mediocre Ijeoma Oluo, 2022-01-20 From the TIME 100 author of the Sunday Times and number 1 New York Times bestseller So You Want to Talk About Race, a subversive history of white male American identity -- now with a new preface. 'One of the most admired writers and internet yellers around... [Mediocre is] ever more vital... Oluo's meeting the time -- this movement against white supremacy and systems of oppression. But the question she keeps asking in her work: Are we?' IBRAM X KENDI 'Mediocre paints an urgent, honest picture of how white male identity has spawned unrest in the country's political ideology... It's a necessary read for the world we live in' CHIDOZIE OBASI, Harper's Bazaar '[Ijeoma's] books don't come from a place of hate, but of determination to make change... [Mediocre is] another amazing book' TREVOR NOAH on The Daily Show What happens to a country that tells generation after generation of white men that they deserve power? What happens when success is defined by status over women and people of colour, instead of actual accomplishments? Through the last 150 years of American history -- from the post-Reconstruction South and the mythic stories of cowboys, to the present-day controversy over NFL protests and the backlash against the rise of women in politics -- Ijeoma Oluo exposes the devastating consequences of white male supremacy on women, people of colour, and white men themselves. As provocative as it is essential, Mediocre investigates the real costs of white male power in order to imagine a new white male identity, one free from racism and sexism. '[An] analytical and compassionate book' New Statesman 'Deftly combines history and sociological study with personal narrative, and the result is both uncomfortable and illuminating' Washington Post 'Ijeoma's sharp yet accessible writing about the American racial landscape made her 2018 book So You Want to Talk About Race an invaluable resource . . . Mediocre builds on this exemplary work, homing in on the role of white patriarchy in creating and upholding a system built to disenfranchise anyone who isn't a white male' TIME |
| black and white writing: White Flights Jess Row, 2019-08-06 A bold, incisive look at race and reparative writing in American fiction, by the author of Your Face in Mine White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism. |
| black and white writing: How to Write Black Characters Salt and Sage Books, 2020-07-17 |
| black and white writing: Reading, Writing, and Segregation Sonya Yvette Ramsey, 2008 Female educators' story of the segregation and integration of Nashville schools |
| black and white writing: White Writing J. M. Coetzee, 2007 |
| black and white writing: The White Spaces of Kenyan Settler Writing Terrence L. Craig, 2017-03-27 The White Spaces of Kenyan Settler Writing provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period. |
| black and white writing: Black Paper Teju Cole, 2021-10-27 After Caravaggio -- Elegies. Room 406; Mama's shroud; Four elegies; two elegies; A letter ot John Berger; A quartet for Edward Said -- Shadows. Gossamer world : on Santu Mofokeng; An incantation for Marie Cosindas; Pictures in the aftermath; Shattered glass; What does it mean to look at this?; A crime scene at the border; Shadow cabinet : on Kerry James Marshall; Nighted color : on Lorna Simpson; The blackness of the panther; Restoring the darkness -- Coming to our senses. Experience; Epiphany; Ethics -- In a dark time. A time for refusal; Resist, refuse; Through the door; Passages north; On carrying and being carried -- Epilogue. Black paper. |
| black and white writing: The Art of Healing Jeanne Felfe, 2016-06-01 |
| black and white writing: Black & White Malorie Blackman, 2007-01-09 Previously titled Naughts & Crosses, this modern-day Romeo and Juliet by UK sensation Blackman (Hacker) is set in a world where black and white mean right and wrong--and life and death. Named as one of the BBCUs Big Read Top 100 Books of All Time. Reissue. |
| black and white writing: Against a Sharp White Background Brigitte Fielder, Jonathan Senchyne, 2019-05-14 The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies. |
| black and white writing: The Woman in Black Susan Hill, 2016-12-19 “Wajahnya sarat dengki dan keputusasaan, seakan tengah mencari sesuatu yang telah direnggut darinya. Dan, wanita itu bersumpah mencurahkan seluruh kebencian dan kesumat dalam dirinya.” Ketika Arthur Kipps, pengacara muda, ditugaskan untuk menghadiri pemakaman seorang klien di kota kecil Crythin Gifford, dia menganggapnya sebagai batu pijakan untuk naik jabatan. Sang klien, Nyonya Drablow, tinggal sendiri di Eel Marsh House yang dikepung rawa-rawa berkabut. Rumah besar dan kuno ini yang hanya dapat didatangi ketika air sedang surut. Ternyata tak ada warga Crythin Gifford yang sudi berurusan dengan Nyonya Drablow maupun Eel Marsh House. Mereka bilang tempat itu dikutuk, sering terdengar lolongan mengenaskan dari balik kabut. Kipps menguatkan diri dan nekad bermalam di Eel Marsh House, meski banyak orang mencegahnya. Di rumah angker itu, Kipps bertemu dengan sesosok wanita bergaun hitam. Sosok arwah legenda yang kemunculannya selalu diikuti oleh kematian misterius. Sosok penuh dendam dan kebencian yang selalu ingin memakan korban. Dan kini dia mengejar Kipps. Siapakah sebenarnya wanita bergaun hitam itu? [Mizan Publishing, Qanita, Novel, Klasik, Terjemahan, Indonesia] |
| black and white writing: Marriage Vacation Pauline Brooks, 2018-06-05 In season four of Darren Star’s hit TV Land series Younger, the editors at Empirical Press are shocked and deeply moved when they read Marriage Vacation, an autobiographical novel by the publisher’s estranged wife, Pauline Turner Brooks. Knowing the book will cause a sensation, they decide they must publish it. Now you can read what the hype is about—including page 58 that had everyone buzzing (...and blushing). Marriage Vacation is for anyone who has ever fantasized about what it would be like to run away from it all. By all appearances, Kate Carmichael has the perfect life: two adorable daughters, a prewar townhouse on the Upper East Side, and a husband who runs one of the most successful publishing companies in New York. But when Kate attends a wedding and reconnects with successful friends from graduate school, she suddenly sees her life in a different light: the career she didn’t pursue, the dreams she’s locked away, the empty veneer of her privilege. When the wedding weekend ends, instead of heading home to her husband and family, Kate gets on a plane and flies halfway around the world. She claims it’s just going to be for a week—two max—just so she can clear her head and reconnect with her lost dreams. But the adventure doesn't go quite as planned. This provocative and gripping novel asks: Is a wife and mother allowed to have a midlife crisis? And, if she does, can she ever be forgiven? PRAISE FOR Marriage Vacation “Marriage Vacation has everything you want an in a novel: fascinating characters, drama, secrets, emotional reckonings, and far-flung adventure. If you love Younger, you’ll love this book. If you’ve never watched an episode of Younger (you should change that), you’ll still love this book. And just wait until you read page 58!” —Darren Star, creator of Sex and The City and Younger “This brilliant romp helps us understand why Liza was so excited to discover the manuscript, how any woman could leave the dreamy Charles, and what exactly Pauline—by way of her fictional alter ego, Kate Carmichael—did on that mysterious Marriage Vacation. Pack this heartfelt, insightful, funny, sexy book when you take a vacation of your own.” —Pamela Redmond Satran, author of Younger |
| black and white writing: Self-Portrait in Black and White Thomas Chatterton Williams, 2019-10-17 A SUNDAY TIMES BOOK OF THE YEAR A TIME 'MUST-READ' 'An extraordinarily thought-provoking memoir that makes a controversial contribution to the fraught debate on race and racism . . . intellectually stimulating and compelling' SUNDAY TIMES A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multi-generational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a 'black' father from the segregated South and a 'white' mother from the West, spent his whole life believing the dictum that a single drop of 'black blood' makes a person black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations - but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. It is not that he has come to believe that he is no longer black or that his daughter is white, Williams notes. It is that these categories cannot adequately capture either of them - or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time. |
| black and white writing: Outside Literary Studies Andy Hines, 2022-05-13 A timely reconsideration of the history of the profession, Outside Literary Studies investigates how midcentury Black writers built a critical practice tuned to the struggle against racism and colonialism. This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university. |
| black and white writing: The Cambridge History of American Literature: Volume 7, Prose Writing, 1940-1990 Sacvan Bercovitch, Cyrus R. K. Patell, 1994 Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions. |
| black and white writing: The Black Notebooks Toi Derricotte, 1997 An extraordinary and courageous account of race--as seen through the eyes of a light-skinned black woman and a respected American poet. |
| black and white writing: Building Racial Competency in White Educators through the Transformative Act of Writing Paul F. Walsh, 2023-12-20 This book argues that the transformative act of writing can be used to strengthen the racial competency of White educators in profound ways, leading them to a more comprehensive consciousness regarding the way their racial identity impacts them personally and professionally. Through detailing the experiences of two White educators who engaged in a practice of deeply reflective personal narrative writing about their racial identity, this book presents written data from the participants and discusses the theoretical and practical implications of the participants’ written work. It also provides a strong, evidence-informed case for using reflective writing as a tool for strengthening the racial competency of White educators in order to positively impact their students, their classrooms, and their greater school communities. Lastly, the book offers writing exercises that can be applied to contexts within and outside the field of education so that readers can start the important work of further developing their racial competency. It will appeal to researchers, teacher educators, faculty, and scholars with interest in whiteness studies and advancing antiracist pedagogies, as well as literacy education and diversity and equity in education. |
| black and white writing: Sign Writing and Glass Embossing James Callingham, 1871 |
| black and white writing: Black on White David R. Roediger, 1998 From Frederick Douglass and WEB Du Bois to Claude McKay and Alice Walker, more than fifty of the most important black writers throughout history explore the question: What does it really mean to be white? |
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A collection of the top 35 Black and White Writing wallpapers and backgrounds available for download for free. We hope you enjoy our growing collection of HD images to use as a …
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We offer you for free download top of writing hand clipart black and white pictures. On our site you can get for free 20 of high-quality images. For your convenience, there is a search service on …
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Writing.Com is the online community for creative writing, fiction writing, story writing, poetry writing, writing contests, writing portfolios, writing help, and writing writers.
