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| black history church fans: If We Are Brave Theodore Johnson, 2024-10-01 The popular Washington Post contributing opinion columnist challenges readers to have uncomfortable conversations about race, drawing on the first-person perspectives of the author and Americans from diverse viewpoints and walks of life. “The United States claims to be a nation founded on an idea,” writes Theodore R. Johnson, “but Americans—even though we nod our heads to that assertion—do not agree on what that idea is, what it should do, or who it is for.” The reality is that America is facing an existential quandary. Its citizens do not share a common vision for a democratic system in action, and even worse, do not share a common vision for what the country should be. We use the same words, but do not speak the same language. If We Are Brave is a keen-eyed and sobering examination of this rift and how race exposes and challenges traditional conceptions of national identity, national mythology, and American democracy. It is both a cultural exploration and a consideration of the American experiment through the eyes and experiences of Americans of different generations that cuts across race, ethnicity, gender, region, religion, and class. Johnson reveals the subtle ways that racialized conceptions of the American identity and the imperfect culture of democracy have hindered our ability to connect with one another, carefully piecing together first-person accounts ranging from a Rust Belt diner to the back of a police car to a jail cell. A beautiful but harsh indictment of a nation that aspires to be a more perfect union yet has consistently and painfully fallen short, If We Were Brave is a portrait of a nation at the precipice. It is an eye-opening, essential resource in a pivotal election year which will define America’s future, and a much-needed beacon of truth that sheds a bright light on who we are. |
| black history church fans: The Journal of African American History , 2004 |
| black history church fans: Object Performance in the Black Atlantic Paulette Richards, 2023-07-28 Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance. Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies. This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly. |
| black history church fans: Interpreting Religion at Museums and Historic Sites Gretchen Buggeln, Barbara Franco, 2018-08-22 Interpreting Religion at Museums and Historic Sitesencourages readers to consider the history of religion as integral to American culture and provides a practical guide for any museum to include interpretation of religious traditions in its programs and exhibits. Combining both theoretical essays and practical case studies from a wide cross section of the field, the book explores how museums are finding new ways to connect with audiences about this important aspect of American history. This book explores the practical and interpretive problems that museums encounter when they include religion in their interpretation: How do we make sure visitors don't think the museum is taking the side of any particular religious group, or proselytizing, or crossing church-state boundaries? How do we spin out a rich story with the available artifact base? What are the opportunities and perils of telling particular religious stories in a multicultural context? These and other questions are addressed in a series of interpretive essays and case studies that capture the experimental and innovative religion programming that is beginning to find a place in American history museums. An introduction by Gretchen Buggeln places the subject of religion and museums in the intellectual context of national and international scholarship. Case studies cover a range of topics and venues that include outdoor museums, historic houses and exhibits; interpretive issues of secular and sacred contexts; and interpretive techniques like dialogue, music and first person accounts. A concluding essay suggests a publicly oriented historiography of religion for American museums and historic sites. |
| black history church fans: O’Peniel, Behind the Fans Kimberly Williams, 2013-02-26 In O Peniel, Behind the Fans, people use hand fans at church to cover up their indescretions. The preacher, himself, seems to always go out of his way to discover any hidden secrets about people around town. And he has no problem blatantly exposing these secrets directly to that person; while yet still letting others know he knows of those indiscretions in his unsympathetic sermons. He even unexpectedly preached about himself in one of his sermons. But yet, hes still so quick to point out other peoples wrongdoings. This makes you wonder if hes unblemished, as well. One person, though, seems to have figured that out early on, but its not Rhyah. Rhyah, the young girl portrayed as the books witty narrator, demonstrates that life is full of mishaps and issues and that they are simply a part of life. Thus, we all make mistakes! She, too, has created a problematic secret of her own. One, of which she has hid for several months. Its also one, which causes immense frustration and shame upon people. But, she makes a grand revision to her issue by directly confronting it; allowing everyone to know that things like this may walk up on us, but they do not have to overtake our lives. Additionally, the books theme is given from a (somewhat) biblical perspective that seems to enhance the value of it. |
| black history church fans: Encyclopedia of African American History, 1896 to the Present: O-T Paul Finkelman, 2009 Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century. |
| black history church fans: Hope and History Vincent Harding, 2009 From the sit-ins and freedom marches of the sixties, to the election of Barack Obama--the story and lessons of a great journey of hope and transformation. |
| black history church fans: Sacred and Profane Carol Crown, Charles Russell, 2007 A sustained critical assessment of southern folk art and self-taught art and artists |
| black history church fans: The Fortney Encyclical Black History Albert Fortney Jr., 2016-01-15 The Encyclical Black History has been created for the critical and lack of vital Afro-Centric Multi-Curriculum text in urban school systems and is a necessity for African Americans. This book was created with careful and serious attention to biographical names that identifies history, culture as well as biblical characters. The reason why of this encyclical history can be explained with the facts and proof/evidence of the following. The point that has socio-psychological implications at the unconscious as well as the conscious level is the great little white racist lie, seen long enough, becomes the truth; like, portraying a white Jesus Christ who was a black man. Dr. Alvin Poussaint, a Black psychiatrist associated with Harvard University and others have observed and explained the most tragic part of all of this is that the African American has come to form his self image and self-concept on the basis of what white racists have laid down as a guide or prescribed. Therefore, black men and women learn quickly to hate themselves and each other more than their white oppressor. There is almost infinite evidence that racism has left almost irreparable scars on the psyche of Afro-Americans that burden with an unrelenting, painful anxiety that drives the psyche to reach out for a sense of identity and self-esteem. Poussaint and others say that black children, especially learn to hate themselves at very early ages. Studies reveal their preference for white dolls over black ones. One study reported that black children in their drawings tend to show blacks as small, incomplete people and whites as strong and powerful. To conclude, in western color symbolism white is positive and black negative. Many people might ask why the contributions of Africa should be included in American curriculum? Is because they bleach and still rob black history and culture with black pictured as white that lie, leaves us mentally-dead, angry, and without purpose, of where we are going! Human culture is the product of all humanity, not the possession of a single racial or ethnic group. Afro-centric Multicultural educations major aim is to close the gap between Western ideals of equality, justice and practices that contradict these ideas. Stereotype people of color and people who are poor have just about no opportunities to become free of perspectives that are monoculture, that devalue African culture victimize them mostly having an inability to fully, function effectively in society. Many of these problems could be miraculously remedied with astonishing results if explained of black scientific achievements, which occurred in black Africa. There are also white African Americans living in the U.S.A. besides black African Americans, should make the distinction. Carl Sandburg (1979) related a dialogue between a white American and an American Indian which illustrates the need for multicultural education: The white man drew a small circle in the sand and told the red man, This is what the Indian knows, and drawing a big circle around the small one, this is what is what the white man knows. The Indian then took the stick and swept an immensely big ring around both circles and said, this is where the white man and the red man knows nothing. |
| black history church fans: Freedom's Teacher Katherine Mellen Charron, 2009 Septima Poinsette Clark's gift to the civil rights movement was education. In the mid-1950s, this former public school teacher developed a citizenship training program that enabled thousands of African Americans to register to vote and then to link the po |
| black history church fans: Spirituals Kathleen A. Abromeit, 2015-01-01 Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix. |
| black history church fans: Our Hearts Were Strangely Lukewarm John Elford, 2023-05-26 Our Hearts Were Strangely Lukewarm summons the reader on a most unusual journey through Methodist history. Along the way, we discover how the White American Methodist Church became deeply entangled with White supremacy. From the founding of the church in the late eighteenth century to the present, we have too often been silent bystanders or active accomplices in the enormous harm caused by racism. It's a complicated and shameful story few Methodists know. And yet, if we want to transform the world toward a different and better future for all, one free of the stranglehold of racism, we must come to terms with the story of our past--the whole story! Our Hearts Were Strangely Lukewarm is a trustworthy guide into the church's troubled history. It's also a present-day call to action that finds inspiration in those Methodists who stood against the tide and those guiding the church today toward the horizon of racial justice. |
| black history church fans: African American Religious Cultures [2 volumes] Anthony B. Pinn, 2009-09-10 This encyclopedia offers the most comprehensive presentation available on the diversity and richness of religious practices among African Americans, from traditions predating the era of the transatlantic slave trade to contemporary religious movements. Like no previous reference, African American Religious Cultures captures the full scope of African American religious identity, tracing the long history of African American engagement with spiritual practice while exploring the origins and complexities of current religious traditions. This breakthrough encyclopedia offers alphabetically organized entries on every major spiritual belief system as it has evolved among African American communities, covering its beginnings, development, major doctrinal points, rituals, important figures, and defining moments. In addition, the work illustrates how the social and economic realities of life for African Americans have shaped beliefs across the spectrum of religious cultures. |
| black history church fans: Judgment and Grace in Dixie Charles Reagan Wilson, 2007-06-01 Religion has permeated nearly every aspect of modern southern culture in the US, with results that range from portraits of Jesus on black velvet to the soul-stirring orations of Martin Luther King Jr. This work gives an appraisal of religion's influence on such expressions of regional life as literature, music and folk art. |
| black history church fans: The United First Parish Church, Quincy, Mass., and the Boston African American National Historic Site, Commonwealth of Massachusetts United States. Congress. Senate. Committee on Energy and Natural Resources. Subcommittee on Parks, Recreation, and Renewable Resources, 1981 |
| black history church fans: Black History is No Mystery , 1990 |
| black history church fans: Black Ball 10 Leslie A. Heaphy, 2021-06-28 Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. |
| black history church fans: Frederick Douglass Republicans K.Carl Smith, 2011-04-25 Frederick Douglass is an iconic historical figure whose noble qualities are visible in the lives of four major Biblical characters: Like Joseph, who was sold into slavery by his brothers and later became second-in-command of Egypt. Douglass was born into slavery and served as an advisor to five US presidents. Like Moses, who liberated the Israelites from Egypt by confronting Pharaoh. Douglass fought to liberate blacks from slavery by agitating President Lincoln. Like Paul, who wrote the majority of the New Testament and composed letters that changed the world. Douglass authored three books and penned thousands of articles, speeches, and editorials that transformed the nature of politics in America. Like Jesus, who forgave those who nailed Him to the cross and yes He died for the salvation of humanity. Douglass forgave his slave masters and dedicated his life for the liberation of all people. For these reasons and more, Douglass political and social principles can heal our nation. Frederick Douglassthe role model for the next generationthe Quintessential Conservative. |
| black history church fans: Africana Anthony Appiah, Henry Louis Gates (Jr.), 2005 Ninety years after W.E.B. Du Bois first articulated the need for the equivalent of a black Encyclopedia Britannica, Kwame Anthony Appiah and Henry Louis Gates Jr., realized his vision by publishing Africana: The Encyclopedia of the African and African American Experience in 1999. This new, greatly expanded edition of the original work broadens the foundation provided by Africana. Including more than one million new words, Africana has been completely updated and revised. New entries on African kingdoms have been added, bibliographies now accompany most articles, and the encyclopedia's coverage of the African diaspora in Latin America and the Caribbean has been expanded, transforming the set into the most authoritative research and scholarly reference set on the African experience ever created. More than 4,000 articles cover prominent individuals, events, trends, places, political movements, art forms, business and trade, religion, ethnic groups, organizations and countries on both sides of the Atlantic. African American history and culture in the present-day United States receive a strong emphasis, but African American history and culture throughout the rest of the Americas and their origins in African itself have an equally strong presence. The articles that make up Africana cover subjects ranging from affirmative action to zydeco and span over four million years from the earlies-known hominids, to Sean Diddy Combs. With entries ranging from the African ethnic groups to members of the Congressional Black Caucus, Africana, Second Edition, conveys the history and scope of cultural expression of people of African descent with unprecedented depth. |
| black history church fans: If Jesus Was a Rapper Cellus Hamilton, 2021-10-01 If you’ve ever listened to music created by Cellus Hamilton, you are aware that he is much more than a rapper. His lyrics are multidimensional, revealing him to be a sort of scholarly visionary. Because music is often subject to the listener’s interpretation, interviews have been the closest outlet we have towards understanding the complexities that exist within Mr. Hamilton. Here in his book, “If Jesus Was a Rapper”, he lays his heart bare. As the businessman, family-man, and clergyman aspects of Hamilton are revealed in his memoir, his life and journey through the music industry teach us more about Jesus than many straightforward theologians have. His personality, creativity, and boldness work together to present him as a wholistic human artist who is deeply in love with Jesus. While Hamilton seems to intentionally target the Christian creative, his rags-to-riches story easily connects to us all. By the end of the book, Jesus will likely be your new favorite rapper. |
| black history church fans: Library of Universal Knowledge , 1880 |
| black history church fans: The Ladies' Companion , 1851 |
| black history church fans: Campy Neil Lanctot, 2011-03-08 Neil Lanctot’s biography of Hall of Fame catcher Roy Campanella—filled with surprises—is the first life of the Dodger great in decades and the most authoritative ever published. Born to a father of Italian descent and an African- American mother, Campanella wanted to be a ballplayer from childhood but was barred by color from the major leagues. He dropped out of school to play professional ball with the Negro Leagues’ Washington (later Baltimore) Elite Giants, where he honed his skills under Hall of Fame catcher Biz Mackey. Campy played eight years in the Negro Leagues until the major leagues integrated. Ironically, he and not Jackie Robinson might have been the player to integrate baseball, as Lanctot reveals. An early recruit to Branch Rickey’s “Great Experiment” with the Brooklyn Dodgers, Campy became the first African-American catcher in the twentieth century in the major leagues. As Lanctot discloses, Campanella and Robinson, pioneers of integration, had a contentious relationship, largely as a result of a dispute over postseason barnstorming. Campanella was a mainstay of the great Dodger teams that consistently contended for pennants in the late 1940s and 1950s. He was a three-time MVP, an outstanding defensive catcher, and a powerful offensive threat. But on a rainy January night in 1958, all that changed. On his way home from his liquor store in Harlem, Campy lost control of his car, hit a utility pole, and was paralyzed below the neck. Lanctot reveals how Campanella’s complicated personal life (he would marry three times) played a role in the accident. Campanella would now become another sort of pioneer, learning new techniques of physical therapy under the celebrated Dr. Howard Rusk at his Institute of Physical Medicine and Rehabilitation. As he gradually recovered some limited motion, Campanella inspired other athletes and physically handicapped people everywhere. Based on interviews with dozens of people who knew Roy Campanella and diligent research into contemporary sources, Campy offers a three-dimensional portrait of this gifted athlete and remarkable man whose second life after baseball would prove as illustrious and courageous as his first. |
| black history church fans: Southern Religion, Southern Culture Darren E. Grem, Ted Ownby, James G. Thomas Jr., 2018-12-18 Contributions by Ryan L. Fletcher, Darren E. Grem, Paul Harvey, Alicia Jackson, Ted Ownby, Otis W. Pickett, Arthur Remillard, Chad Seales, and Randall J. Stephens Over more than three decades of teaching at the University of Mississippi, Charles Reagan Wilson’s research and writing transformed southern studies in key ways. This volume pays tribute to and extends Wilson’s seminal work on southern religion and culture. Using certain episodes and moments in southern religious history, the essays examine the place and power of religion in southern communities and society. It emulates Wilson’s model, featuring both majority and minority voices from archives and applying a variety of methods to explain the South’s religious diversity and how religion mattered in many arenas of private and public life, often with life-or-death stakes. The volume first concentrates on churches and ministers, and then considers religious and cultural constructions outside formal religious bodies and institutions. It examines the faiths expressed via the region’s fields, streets, homes, public squares, recreational venues, roadsides, and stages. In doing so, this book shows that Wilson’s groundbreaking work on religion is an essential part of southern studies and crucial for fostering deeper understanding of the South’s complicated history and culture. |
| black history church fans: Black History News & Notes , 1992 |
| black history church fans: Black Theology as Mass Movement C. Howard, 2014-04-16 Black Theology as Mass Movemen t is a call to current and future theologians to stretch the boundaries of Black Liberation Theology from what has become primarily an academic subfield into a full fledge liberation movement beyond the walls of the academy. |
| black history church fans: Southeastern Geographer David M. Cochran Jr., Carl A. Reese, 2012-08-01 Table of Contents for Volume 52, Number 2 (Summer 2012) Cover Art: Southern Maryland Tobacco Barn Richard A. Russo Introduction David M. Cochran, Jr. and Carl A. Reese Part I: Papers ''Where Can I Build My Student Housing?'': The Politics of Studentification in Athens-Clarke County, Georgia Graham Pickren The Making of the Piano Bar: Landscape, Art, and Discourse in Biscayne Bay Robert J. Kruse, II An Analysis of Differential Migration Patterns in the Black Belt and the New South Shrinidhi Ambinakudige, Domenico Parisi, and Steven M. Grice An Examination of Municipal Annexation Methods in North Carolina, 1990–2009 Russell M. Smith The 16 April 2011 EF3 Tornado in Greene County, Eastern North Carolina Thomas M. Rickenbach Transforming Mount Airy into Mayberry: Film-Induced Tourism as Place-Making Derek H. Alderman, Stefanie K. Benjamin, and Paige P. Schneider Part II: Reviews Bicycle Diaries by David Byrne Reviewed by Scott Brady The Battle for North Carolina's Coast: Evolutionary History, Present Crisis, and Vision for the Future by Stanley R. Riggs, Dorothea V. Ames, Stephen J. Culver, and David J. Mallinson Reviewed by Douglas W. Gamble |
| black history church fans: Ebony , 1995-04 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history church fans: Lift Every Voice and Swing Vaughn A. Booker, 2020-07-21 Winner of the 2022 Gustave O. Arlt Award in the Humanities, award by by the Council of Graduate Schools Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith. |
| black history church fans: Encyclopedia of Heavy Metal Music William Phillips, Brian Cogan, 2009-03-20 It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections. |
| black history church fans: Down by the Riverside Larry Murphy, Larry George Murphy, 2000-11 An introductory overview of the development of African American religion and theology Down by the Riverside provides an expansive introduction to the development of African American religion and theology. Spanning the time of slavery up to the present, the volume moves beyond Protestant Christianity to address a broad diversity of African American religion from Conjure, Orisa, and Black Judaism to Islam, African American Catholicism, and humanism. This accessible historical overview begins with African religious heritages and traces the transition to various forms of Christianity, as well as the maintenance of African and Islamic traditions in antebellum America. Preeminent contributors include Charles Long, Gayraud Wilmore, Albert Raboteau, Manning Marable, M. Shawn Copeland, Vincent Harding, Mary Sawyer, Toinette Eugene, Anthony Pinn, and C. Eric Lincoln and Lawrence Mamiya. They consider the varieties of religious expression emerging from migration from the rural South to urban areas, African American women's participation in Christian missions, Black religious nationalism, and the development of Black Theology from its nineteenth-century precursors to its formulation by James Cone and later articulations by black feminist and womanist theologians. They also draw on case studies to provide a profile of the Black Christian church today. This thematic history of the unfolding of religious life in African America provides a window onto a rich array of African American people, practices, and theological positions. |
| black history church fans: About ... Time , 2004 |
| black history church fans: Rhythm Is My Beat Alfred Green, 2015-08-06 In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.” This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend. This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz. |
| black history church fans: Fans Over the Ages Bertha De Vere Green, 1979 |
| black history church fans: Written Culture in a Colonial Context Adrien Delmas, Nigel Penn, 2012-01-20 Exploring the extent to which the control over the materiality of writing has shaped the numerous and complex processes of cultural exchange from the 16th century onwards, this book introduces the specifities of written culture anchored in colonial contexts. |
| black history church fans: Islands Magazine , 1998-09 |
| black history church fans: Encyclopedia of American Gospel Music W. K. McNeil, 2013-10-18 The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends. |
| black history church fans: South Philadelphia Murray Dubin, 1996 From mayors and mummers to tap dancers and gamblers, South Philly has it all. This quintessential Philadelphia neighborhood boasts a complicated history of ethnic strife alongside community solidarity and, for good measure, some of the best bakeries in town. Among its many famous people South Philadelphia claims Marian Anderson, Frankie Avalon, Mayor Frank Rizzo, Temple Owl's coach John Chaney, Larry Fine of the Three Stooges, and Loving soap opera actress Lisa Peluso. For South Philadelphians, whether they stay or leave, the neighborhood is always happy to give you their opinions, and in this book they talk about their favorite subject to Murray Dubin, award winning journalist at the Philadelphia Inquirer, who also called South Philly home. Music and the arts are part of everyday life. Baritone Elliott Tessler says, I'm not a celebrity, I'm a minor curiosity. If Pavarotti lived here, he would just be a minor curiosity, and probably because he was fat more than because he sang. Jean DiElsi remembers finding work in 1943 as a cashier at a diner that would become a South Philly landmark. It was the only diner around and it was open 24 hours. If you went to dances, everybody would go to the Melrose Diner afterwards...No, there was no Mel or Rose. it was named after a can of tomatoes. In addition to being Philadelphia's first neighborhood, South Philly is the oldest ethnically and racially mixed big-city neighborhood in the nation. Catherine Williams remembers growing up black on Hoffman Street, We had everything. We had the Jews, we had Italians, we had the blacks, we even had a Portuguese family. You never knew there was a color thing back then. I was the only black in my class at Southwark, but you never knew. In the third, fourth grade, some of those Italian boys was big, but you would have thought they were brothers to me. These are some of the people and the opinions that make up South Philadelphia and Murray Dubin will take you on a resident's tour of the ultimate city neighborhood. But for every interview, there's also a lot of history. And Dubin provides an historical examination that spans 300 years, from Thomas Jefferson living in South Philadelphia in 1793 to the burning of Palumbo's in 1994. Whether you're a South Philadelphian yourself, or just want to understand the South Philly phenomenon this book is a must. Author note: Murray Dubinwas born in South Philadelphia and is a reporter for the Philadelphia Inquirer. |
| black history church fans: The Concise Oxford Companion to African American Literature William L. Andrews, Frances Smith Foster, Trudier Harris, 2001-02-15 A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature. |
| black history church fans: "Wake Up, Mr. West" Joshua K. Wright, 2022-01-13 Black celebrities in America have always walked a precarious line between their perceived status as spokespersons for their race and their own individual success--and between being not black enough for the black community or too black to appeal to a broader audience. Few know this tightrope walk better than Kanye West, who transformed hip-hop, pop and gospel music, redefined fashion, married the world's biggest reality TV star and ran for president, all while becoming one of only a handful of black billionaires worldwide. Despite these accomplishments, his polarizing behavior, controversial alliances and bouts with mental illness have made him a caricature in the media and a disappointment among much of his fanbase. This book examines West's story and what it reveals about black celebrity and identity and the American dream. |
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