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| black ensemble theater history: Historical Dictionary of African American Theater Anthony D. Hill, 2018-11-09 This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater. |
| black ensemble theater history: Theatre History Studies 2017, Vol. 36 Sara Freeman, 2017-12-12 Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. |
| black ensemble theater history: Ensemble Mark Larson, 2019-08-13 This definitive history brings Chicago’s celebrated theater and comedy scenes to life with stories from some of its biggest stars spanning sixty-five years. Chicago is a bona fide theater town, bursting with vitality that thrills local fans and produces generation after generation of world-renowned actors, directors, playwrights, and designers. Now Mark Larson shares the rich theatrical history of Chicago through first-person accounts from the people who made it. Drawing from more than three hundred interviews, Larson weaves a narrative that expresses the spirit of Chicago’s ensemble ethos: the voices of celebrities such as Julia Louis-Dreyfus, Ed Asner, George Wendt, Michael Shannon, and Tracy Letts comingle with stories from designers, composers, and others who have played a crucial role in making Chicago theater so powerful, influential, and unique. Among many other topics, this book explores the early days of the fabled Compass Players and the legendary Second City in the ‘50s and ‘60s; the rise of acclaimed ensembles like Steppenwolf in the ‘70s; the explosion of storefront and neighborhood companies in the ‘80s; and the enduring global influence of the city as the center of improv training and performance. |
| black ensemble theater history: Encyclopedia of African American History, 1896 to the Present: O-T Paul Finkelman, 2009 Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century. |
| black ensemble theater history: N'Digo Legacy Black Luxe 110: Fashion, Theatre and Historians Edition Hermene Hartman, David Smallwood, 2017-12-12 Iconic Black Chicagoan profiles. This volume is a book of comedians, athletes, and musicians of Chicago. A must have for everyone who cherishes the history of Chicago within the African American community. A contemporary history of over 30 years. |
| black ensemble theater history: Classic Plays from the Negro Ensemble Company Gus Edwards, Paul Carter Harrison, 1995 This anthology celebrates more than twenty-five years of the Negro Ensemble Company's significant contribution to American theater. Collected here are ten plays most representative of the eclectic nature of the Negro Ensemble Company repertoire. The Negro Ensemble Company (NEC) was formed in New York City in 1967 with support from the Ford Foundation to aid in the establishment of an independent African-American theater institution. Under the artistic directorship of Douglas Turner Ward, the NEC offered a nurturing environment to black playwrights and actors who could work autonomously, guaranteeing authenticity of voice, full freedom of expression, and exploration of thematic views specific to the African-American experience. Since its inception, the NEC has introduced audiences to more than 150 theatrical works. Classic Plays from the Negro Ensemble Company allows scholars to review a diversity of styles which share common philosophical, mythic, and social ideals that can be traced to an African worldview. A foreword by Douglas Turner Ward and an afterword by Paul Carter Harrison and Gus Edwards assess the literary and/or stylistic significance of the plays and place each work in its historical or chronological context. |
| black ensemble theater history: N'Digo Legacy Black Luxe 110: African American Icons of Contemporary History Hermene Hartman, David Smallwood, 2017-12-22 Iconic Black Chicagoan profiles. This volume is a book of comedians, athletes, and musicians of Chicago. A must have for everyone who cherishes the history of Chicago within the African American community. A contemporary history of over 30 years. |
| black ensemble theater history: A Tribute to Barack H. Obama Dorothy J. Dean, 2023-06-22 About the Book This tribute honors President Barack H. Obama, Nobel Peace Prize laureate, and one of the most influential figures in political history, for his historical service as the first African American President of the United States of America. From legislation in health care reform to powerful speeches and messages, President Obama inspired countless people around the world. Readers will learn a brief history of the six organizations in Southeast Michigan that spearheaded the tribute effort, as well as personal stories from individuals within these organizations. Through this comes hope that all individuals, no matter race or creed, can aspire to the highest positions in government and can accomplish what they set out to achieve. About the Author Dorothy J. Dean facilitated the production of this book as the Project Manager and Editor. She is a contributor to The Drum Major Beat: The Audacity to Make a Difference, a publication that marked the 30th anniversary of the Southfield Task Force and tells the story of Michigan’s first documented Peace Walk in celebration of the legacy of Rev. Dr. Martin Luther King, Jr. This tribute book is a compilation of numerous contributors who helped to make the book unique and very special. The contributors are from the following organizations: Alpha Kappa Alpha Sorority, Inc.®-Pi Tau Omega Chapter; Delta Sigma Theta Sorority, Inc-Southfield Alumnae Chapter; the National Congress of Black Women of Oakland County; The Empowerment Church; Southfield-Lathrup Village Optimist Club, Inc; and the Western International Optimist Club. |
| black ensemble theater history: Single Black Female Lisa B. Thompson, 2012 A story that explores the lives of two African American professional women as they work through issues of finding love and acceptance in present-day Harlem, New York. |
| black ensemble theater history: Encyclopedia of African American Business History Juliet E. K. Walker, 1999-11-30 Black business activity has been sustained in America for almost four centuries. From the marketing and trading activities of African slaves in Colonial America to the rise of 20th-century black corporate America, African American participation in self-employed economic activities has been a persistent theme in the black experience. Yet, unlike other topics in African American history, the study of black business has been limited. General reference sources on the black experience—with their emphasis on social, cultural, and political life—provide little information on topics related to the history of black business. This invaluable encyclopedia is the only reference source providing information on the broad range of topics that illuminate black business history. Providing readily accessible information on the black business experience, the encyclopedia provides an overview of black business activities, and underscores the existence of a historic tradition of black American business participation. Entries range from biographies of black business people to overview surveys of business activities from the 1600s to the 1990s, including slave and free black business activities and the Black Wallstreet to coverage of black women's business activities, and discussions of such African American specific industries as catering, funeral enterprises, insurance, and hair care and cosmetic products. Also, there are entries on blacks in the automotive parts industry, black investment banks, black companies listed on the stock market, blacks and corporate America, civil rights and black business, and black athletes and business activities. |
| black ensemble theater history: The Dance and the Railroad ; And, Family Devotions David Henry Hwang, 1983 THE STORIES: THE DANCE AND THE RAILROAD. While his fellow workers are striking for higher pay, Lone, once an actor in China, exercises and practices alone on a mountaintop the ritual gestures used in Chinese opera. Ma, a slightly younger man, who w |
| black ensemble theater history: Publication , 1994 |
| black ensemble theater history: The Routledge Companion to African American Theatre and Performance Kathy Perkins, Sandra Richards, Renée Alexander Craft, Thomas DeFrantz, 2018-12-07 The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A Timeline of African American theatre and performance. Part I Seeing ourselves onstage explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II Institution building highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III Theatre and social change surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV Expanding the traditional stage examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
| black ensemble theater history: Nice Fish Louis Jenkins, 1995 Winner of the Minnesota Book Award for Poetry, 1995 To imagine what it means to be another human being is an act of love. These are poems written by a great lover of the world. Everything in it that stands alone, unobserved, and luminous. Solitary people with their solitary destinies...If there's a native, archetypical American solitude, Louis Jenkins has given us its flavor.--Charles Simic,The Boston Review |
| black ensemble theater history: African American Theatre Samuel A. Hay, 1994-03-25 This book traces the history of African American theatre from its beginnings to the present. |
| black ensemble theater history: Annual Report National Endowment for the Arts, 1990 Reports for 1980-19 also include the Annual report of the National Council on the Arts. |
| black ensemble theater history: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1986 , 1990 |
| black ensemble theater history: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 , 2003 |
| black ensemble theater history: Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative Carl A. Grant, 2023-09-29 Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative: Understanding the Black Family and Black Students shows how and why Lorraine Hansberry’s play, A Raisin in the Sun, should be used as a teaching tool to help educators develop a more accurate and authentic understanding of the Black Family. The purpose of this book is to help educators develop a greater awareness of Black children and youth’s, humanity, academic potential and learning capacity, and for teachers to develop the consciousness to disavow white supremacy, American exceptionalism, myths, racial innocence, and personal absolution within the education system. This counternarrative responds to the flawed and racist perceptions, stereotypes, and tropes that are perpetuated in schools and society about the African American family and Black students in US schools. It is deliberative and reverberating in addressing anti-Black racism. It argues that, if Education is to be reimagined through a social justice structure, teachers must be educated with works that include Black artists and educators, and teachers must be committed to decolonizing their own minds. Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative: Understanding the Black Family and Black Students is important reading for undergraduate and postgraduate courses in Educational Foundations, Curriculum and Instruction, Education Policy, Multicultural Education, Social Justice Education, and Black Studies. It will also be beneficial reading for in-service educators. |
| black ensemble theater history: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 United States. Internal Revenue Service, 1991 |
| black ensemble theater history: Ebony , 2006-12 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black ensemble theater history: Moon 52 Things to Do in Chicago Rosalind Cummings-Yeates, 2022-03-08 From that gallery in River North you haven’t visited yet to the lakeside weekend you keep meaning to plan, experience something new right here at home with Moon 52 Things to Do in Chicago. Cool things to do in and around the city: Wander over to the zodiac sculptures in Chinatown Square, or soak up some music and history at the Black Ensemble Theater. Try out surfing at Montrose Beach, rent a kayak on the Chicago River, or hike the elevated 606 trail. Browse for your next read at an independent bookstore, explore the street art in Pilsen, or admire the architecture on a stroll through the Beverly neighborhood. Catch a classic live blues show, sample Senegalese comfort food, or savor some Southside barbecue on a Sunday Day trips and weekend getaways: Cycle through the Morton Arboretum, connect with nature in Door County, dive into history in Galena, or unwind for a couple days at the perfect lakeside cabin Experiences broken down by category: Find ideas for each season, activities for kids, outdoor adventures, exploring Black history, getting to know a new neighborhood, and more A local's advice: Whether it’s a bucket-list museum or an underrated dive bar, local author Rosalind Cummings-Yeates knows the ins and outs of Chicago Inspirational full-color photos throughout Easy-to-scan planning tips: Addresses, L stops, and nearby spots, plus tips for avoiding the crowds if you're heading to a popular attraction What are you doing this weekend? Try something new with Moon 52 Things to Do in Chicago. Winner of the 31st Annual North American Travel Journalists Association (NATJA) Travel Media Awards Competition: Best Travel Book or Guide, Honorable Mention About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell—and they can't wait to share their favorite places with you. For more inspiration, follow @moonguides on social media. |
| black ensemble theater history: Cultural Centers of Color Elinor Bowles, 1993 |
| black ensemble theater history: Steppenwolf Theatre Company of Chicago John Mayer, 2016-08-11 In 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world. Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre. This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today. Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf's miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others. |
| black ensemble theater history: A Letter to My White Friends and Colleagues Steven S. Rogers, 2021-05-10 Learn how to address racial wealth disparity in the United States today From the life, professional experiences, and research of former Harvard Business School professor Steven Rogers, comes his boldly stated, A Letter to My White Friends and Colleagues. This informative epistle investigates the causes of racial wealth disparity in the United States and provides solutions for addressing it. Through extensive data and historical research, anecdotes, teaching, and case studies, it presents practical ways White people can work with and help the Black community. It teaches readers that eliminating the $153,000 wealth gap between Black and White people is the solution to over 75% of our problems and offers solutions to help improve Black-White racial relations in the United States. In straightforward language, filled with facts, stories, advice, and sometimes even humor, A Letter to My White Friends and Colleagues encourages every White person to share his/her wealth with the Black community—plain and simple. This book recommends that you spend a portion of your annual household budget with Black-owned companies. If more money is spent at Black-owned businesses, those companies can grow and create more jobs for Black people. Rogers also proposes White people make large savings deposits into Black-owned banks. These are the financial institutions that are the backbone of the Black community that provide loans to the Black community for businesses, education, automobiles, and home mortgages. And finally, he resolutely encourages White people to support government reparations to Black Americans who are descendants of Black men and women, who were enslaved from 1619 to 1865. Those who read the book will: Understand the root causes of racial disparities in America Discover how you can personally contribute to reducing the inequality between Black and White people in the United States today Get concrete recommendations on how to redirect your spending to Black-owned institutions to help decrease the racial wealth gap This groundbreaking book provides financial recommendations that you can put into practice today, using his helpful instructions in most of the chapters, to address the systemic inequality between White and Black Americans. Read A Letter to My White Friends and Colleagues and be part of the path forward. |
| black ensemble theater history: Theatre History Studies 2010, Vol. 30 Rhona Justice-Malloy, 2010-11-04 To mark the thirtieth anniversary of the Theatre History Studies journal, editor Rhona Justice-Malloy and the Mid-America Theatre Conference have collected a special-themed volume covering the past and present of African and African American theatre. Topics included range from modern theatrical trends and challenges in Zimbabwe and Kenya, and examining the history and long-range impact of Paul Robeson’s groundbreaking and troubled life and career, to gender issues in the work of Ghanaian playwright Efo Kodjo Mawugbe, and the ways that 19th-century American blackness was defined through Othello and Desdemona. This collection fills a vacancy in academic writing. Readers will enjoy it; academics can incorporate it into their curriculum; and students will find it helpful and illuminating. |
| black ensemble theater history: The A to Z of African American Theater Anthony D. Hill, Douglas Q. Barnett, 2009-09-02 African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards. |
| black ensemble theater history: The Crisis , 2007-09 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens. |
| black ensemble theater history: Houstorian Calendar, The: Today in Houston History James Glassman, 2019 September 4, 2000, was Houston's hottest day on record, as well as Beyoncé's nineteenth birthday. Sam Houston was elected president on September 5, 1836. The city was awarded a National League baseball franchise on October 17, 1960, and on November 1, 2017, the Astros won their first World Series. On December 13, 1882, the Capitol Hotel became Houston's first public building to get electricity. Tragedy struck on April 16, 1947, when a ship carrying ammonium nitrate fertilizer exploded alongside a Texas City dock. James Glassman captures every single day of the year in the prism of Houston history, from the Texas Revolution to the moon landing. |
| black ensemble theater history: Encyclopedia of African American History, 1896 to the Present: O-T Paul Finkelman, 2009 Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century. |
| black ensemble theater history: Encyclopedia of African American Popular Culture [4 volumes] Jessie Smith, 2010-12-17 This four-volume encyclopedia contains compelling and comprehensive information on African American popular culture that will be valuable to high school students and undergraduates, college instructors, researchers, and general readers. From the Apollo Theater to the Harlem Renaissance, from barber shop and beauty shop culture to African American holidays, family reunions, and festivals, and from the days of black baseball to the era of a black president, the culture of African Americans is truly unique and diverse. This diversity is the result of intricate customs forged in tightly woven communities—not only in the United States, but in many cases also stemming from the traditions of another continent. Encyclopedia of African American Popular Culture presents information in a traditional A–Z organization, capturing the essence of the customs of African Americans and presenting this rich cultural heritage through the lens of popular culture. Each entry includes historical and current information to provide a meaningful background for the topic and the perspective to appreciate its significance in a modern context. This encyclopedia is a valuable research tool that provides easy access to a wealth of information on the African American experience. |
| black ensemble theater history: Ebony , 2003-04 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black ensemble theater history: Chicago Tribune Index , 2004 |
| black ensemble theater history: Raising the Curtain Brett Ashley Crawford, Paul Hansen, 2024-01-31 Learn how emerging technologies benefit artists and performing arts organizations Raising the Curtain: Technology Success Stories from Performing Arts Leaders and Artists focuses on empowering artists and performing arts organizations in theater, dance, and music to grow audiences and to increase impact through smart and strategic uses of technology. This book will help you effectively increase your artistic and administrative reach in order to expand your outreach to diverse audiences, without breaking the bank. In fact, you’ll be more efficient by choosing multi-function technologies that work for you. You’ll also see how advanced software can extend your donor reach—and ensure that you’re contacting donors at the right time. You can also maximize your organization’s brand by incorporating social media, AI tools, media streaming platforms, and more. Inside, you’ll learn about the most useful tech tools out there, including a wide breadth of technology, from Tessitura to A.I., from the success stories of artists such as Emmet Cohen and Jane Monheit, and organizations such as Attack Theatre and The Kennedy Center. Even more importantly, you’ll gain the confidence you need to incorporate technology into all areas of your organization in order to define your path to greater success. Discover software platforms, online tools, and other interactive technologies useful to designers, artists, and arts organizations Save money, expand your reach, and future-proof your performing arts organization or career Lead conversations about technologies and digital opportunities with staff, board members, or donors Get an overview of technology that addresses the unique opportunities and challenges facing the performing arts industry This book is a great resource for performing arts administrators and artists to learn new ideas about technology solutions. Administrators, leaders, and performers alike will appreciate the opportunity to bring art to audiences using today’s latest innovations. |
| black ensemble theater history: Home Screens Lorrie Palmer, 2023-11-16 How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (20102013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (19721976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations. |
| black ensemble theater history: Black Acting Methods Sharrell Luckett, Tia M. Shaffer, 2016-10-04 Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
| black ensemble theater history: The North Carolina Black Repertory Company Felecia Piggott McMillan, 2005 |
| black ensemble theater history: The Unofficial Guide to Chicago David Hoekstra, Alice Von Housen, Laurie Levy, 2009-03-30 From the publishers of The Unofficial Guide to Walt Disney World A Tourist's Best Friend! —Chicago Sun-Times Indispensable —The New York Times The Top 10 Ways The Unofficial Guide to Chicago Can Help You Have the Perfect Trip: Information that's candid, critical, and totally objective Hotels reviewed and ranked for value and quality—plus secrets for getting the lowest possible rate More than 70 restaurants reviewed and profiled, with listings for dozens more A complete guide to Chicago's sights—museums, architecture, ethnic neighborhoods, and more Complete information on Chicago's lakefront beaches and parks The inside story on shopping—where to get the best for less, on and off the Magnificent Mile All the details on Chicago's nightlife—jazz and blues clubs, dance clubs, concerts, theater, and more The best places to play golf and tennis, ride a bike, go boating, and work out Tips on enjoying Chicago with your kids Advice on how to plan and make the most of your business trip Get the unbiased truth on hundreds of hotels, restaurants, attractions, and more in The Unofficial Guide to Chicago—the resource that helps you save money, save time, and make your trip the best it can be. |
| black ensemble theater history: Ebony , 2001-12 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black ensemble theater history: The Harvard Guide to African-American History Evelyn Brooks Higginbotham, 2001 Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical entries. |
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