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| black christmas 1974 analysis: Anatomy of the Slasher Film Sotiris Petridis, 2019-05-28 The term slasher film was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as stalker, psycho or slice-'em-up. Examining 74 movies--from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)--the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades. The slasher canon is divided into three eras: the classical (1974-1993), the self-referential (1994-2000) and the neoslasher cycle (2000-2013). |
| black christmas 1974 analysis: Blumhouse Productions Todd K. Platts, Victoria McCollum, Mathias Clasen, 2022-05-15 Blumhouse Productions is the first book that systematically examines the corpus of Blumhouse’s cinematic output. Individual chapters written by emerging and established scholars consider thematic trends across Blumhouse films, such as the use of found footage, haunted bodies/haunted houses, and toxic masculinity. Blumhouse’s business strategies and funding model are considered – including the company’s high-profile franchises Paranormal Activity, Insidious, The Purge, Happy Death Day, and Halloween – alongside such key standalone films as Get Out and Black Christmas, and nonhorror films like BlackKklansman. Taken together, the chapters provide a thorough primer for one of the most significant drivers behind the contemporary resurgence of horror cinema. |
| black christmas 1974 analysis: Studying Horror Cinema Bryan Turnock, 2019-06-11 Aimed at teachers and students new to the subject, Studying Horror Cinema is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence. Structured as a series of thirteen case studies of easily accessible films, it covers the historical, production, and cultural context of each film, together with detailed textual analysis of key sequences. Sitting alongside such acknowledged classics as Psycho and Rosemary’s Baby are analyses of influential non-English language films as Kwaidan, Bay of Blood, and Let the Right One In. The author concludes with a chapter on 2017’s blockbuster It, the most financially successful horror film of all time, making Studying Horror Cinema the most up-to-date overview of the genre available. |
| black christmas 1974 analysis: The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films Courtney Patrick-Weber, 2020-06-15 In The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films, Courtney Patrick-Weber argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in a number of ways, even as many people believe the shift toward medicalization has improved conditions for pregnant people. Patrick-Weber analyzes a selection of horror films, including The Void and Black Christmas, to demonstrate not only evidence of this trauma on a visceral level, but also how horror films can reflect and contribute to cultural conversations surrounding pregnancy and childbirth. While horror films are often neglected as vital sources of intellect and analysis, many of these films use their subversive viewpoints on cultural issues to offer a unique perspective that can ultimately help to shape the way society views them. Patrick-Weber reminds us that pregnancy and childbirth can be traumatic events, both physically and emotionally, as she discusses the current conversations surrounding the issue and critiques the “advancement” of medicalization. Scholars of film studies, gender studies, rhetoric, and medicine may find this book particularly useful. |
| black christmas 1974 analysis: Life Lessons from Slasher Films Jessica Robinson, 2012-06-07 Horror and slasher films are often dismissed for their apparent lack of sophistication and dearth of redeemable values. However, despite criticism from film snobs who turn up their noses and moralists who look down upon the genre, slasher films are more than just movies filled with gory mayhem. Such films can actually serve a purpose and offer their audiences something more than split skulls and severed heads. In Life Lessons from Slasher Films, Jessica Robinson looks at representative works that have been scaring audiences for decades—from Alfred Hitchcock’s seminal shocker, Psycho, to the cult classic Black Christmas and iconic thrillers like The Texas Chainsaw Massacre, Halloween, Friday the 13th, and Scream. In this book, Robinson examines common themes that have emerged in these films, their various sequels, and countless imitators—a maniacal and seemingly indestructible executioner, sexual encounters that invariably lead to death, increasingly gruesome ways to slaughter helpless victims, and a lone female survivor who finds a way to vanquish the killer—and looks beyond such tropes for what these films can teach us about life. From practical advice (listen to your elders) to moral platitudes (teens never learn), each chapter considers a different “lesson” that these films teach. Robinson discusses how the events portrayed in slasher films can resonate with viewers and perhaps offer constructive advice on how to conduct our lives. A fun read for fans and scholars alike, Life Lessons from Slasher Films offers an entertaining and persuasive look at how life can imitate art, and what art can say about life. |
| black christmas 1974 analysis: Labors of Fear Aviva Briefel, Jason Middleton, 2023-06-20 How work and capitalism inspire horror in modern film. |
| black christmas 1974 analysis: Millennials and Gen Z in Media and Popular Culture Ahmet Atay, Mary Z. Ashlock, 2023-01-17 Millennials and Gen Z in Popular Culture examines media and popular culture forms for and about millennials and Generation Z. In this collection, contributors articulate the need for studying cultural artifacts connected to members of these generations. Rather than focusing on each generation specifically, this collection takes an intergenerational approach, placing them in dialogue with one another by focusing on media and experiences that are geared toward both. Scholars of media studies, popular culture, and sociology will find this book of particular interest. |
| black christmas 1974 analysis: A History of Evil in Popular Culture Sharon Packer MD, Jody Pennington, 2014-07-15 Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as evil or insane. This book examines the many manifestations of evil in modern media, making it clear how this idea pervades nearly all aspects of life and helping us to reconsider some of the notions about evil that pop culture perpetuates and promotes. Covering screen media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse to the storylines of the Lord of the Rings and Harry Potter books, readers will find themselves rethinking what evil is—and how they came to hold their beliefs. |
| black christmas 1974 analysis: Horror Film Murray Leeder, 2018-01-25 Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which adapts to different cultural contexts while retaining a recognizable core. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, balances the discussions of horror's history, theory, and aesthetics as no introductory book ever has. Featuring studies of films both obscure and famous, Horror Film is international in its scope and chronicles horror from its silent roots until today. As a straightforward and convenient critical introduction to the history and key academic approaches, this book is accessible to the beginner but still of interest to the expert. |
| black christmas 1974 analysis: Nightmare Fuel Nina Nesseth, 2022-07-26 Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more. Do you like scary movies? Have you ever wondered why? Nina Nesseth knows what scares you. She also knows why. In Nightmare Fuel, Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? What about them keeps us up at night, even days later? And why do we keep coming back for more? Horror films promise an experience: fear. From monsters that hide in plain sight to tension-building scores, every aspect of a horror film is crafted to make your skin crawl. But how exactly do filmmakers pull this off? The truth is, there’s more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time. With in-depth discussions and spotlight features of some of horror’s most popular films—from classics like The Exorcist to modern hits like Hereditary—and interviews with directors, film editors, composers, and horror academics, Nightmare Fuel is a deep dive into the science of fear, a celebration of the genre, and a survival guide for going to bed after the credits roll. “An invaluable resource, a history of the horror genre, a love letter to the scary movie—it belongs on any horror reader’s bookshelf.” —Lisa Kröger, Bram Stoker Award-winning author of Monster, She Wrote At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| black christmas 1974 analysis: International Index to Film Periodicals , 1976 |
| black christmas 1974 analysis: The Art of Movies Nicolae Sfetcu, 2014-05-06 Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or picture), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies. |
| black christmas 1974 analysis: The Trauma of Racism Beverly J. Stoute, Michael Slevin, 2022-10-31 The Trauma of Racism: Lessons from the Therapeutic Encounter is a pioneering reflection on the psychology of racism and its impact on us all. With the intimacy of personal experience and depth of analytic exposition, the authors expose racism’s searing effects on personal, clinical, and community interactions while providing pathways for change. This book asserts that the insights and practice of psychoanalysis, applied behind the couch and in the community, create unique opportunities for change. Essayists address racially derived mental health inequities, including distortions, projections, stereotypes, and historical tropes. The Trauma of Racism invites personal and clinical exploration of how people learn, confront, and re-learn views on race. Narratives of the loss and grief and the burdens of slavery that crisscross the African American community are present. They are complemented by those of the psychological burdens and inspired acts of personal responsibility that respond to unequal access to wealth and opportunity along racial lines. In moving accounts portraying experiences of racism and access to privilege, the authors grapple with the possibilities of mutual understanding. Readers concerned about racism will find themselves challenged and engaged. This book is intended for the general reader and for clinicians at any career stage. Likewise, scholars in the humanities, law, education, or public policy will find new opportunities to reflect and to act. |
| black christmas 1974 analysis: Black Summer #6 Warren Ellis, John Horus has come home, to the place where the Seven Guns started. Which may have been the plan all along – because, in the chaos of the conflict between the Guns and the army, it's the only place in America where he can be trapped and killed by Frank Blacksmith's new super-team of Tactical Guns... |
| black christmas 1974 analysis: Reading Phinehas, Watching Slashers Brandon R. Grafius, 2018-03-20 The tale of the “zeal” of Phineas, expressed when he killed an Israelite man and a Midianite woman having sex and thus stopped a “plague” of consorting with idolatrous neighbors in the Israelite camp (Numbers 25), has long attracted both interest and revulsion. Scholars have sought to defend the account, to explain it as pious fiction, or to protest its horrific violence. Brandon R. Grafius seeks to understand how the tale expresses the latent anxieties of the Israelite society that produced it, combining the insights of historical criticism with those of contemporary horror and monster theory. Grafius compares Israelite anxieties concerning ethnic boundaries and community organization with similar anxieties apparent in horror films of the 1980s, then finds confirmation for his method in the responses of Roman-period readers who reacted to the tale of Phineas as a tale of horror. The combination of methods allows Grafius to illumine the concern of an ancient priestly class to control unsettled and unsettling community boundaries‒‒and to raise questions of implications for our own time. |
| black christmas 1974 analysis: Down a Dark Hall Lois Duncan, 2011-04-19 A paranormal rollercoaster ride with goosebumps at every turn--now a motion picture starring Uma Thurman and Anna Sophia Robb! Kit Gordy sees Blackwood Hall towering over black iron gates, and she can't help thinking, This place is evil. The imposing mansion sends a shiver of fear through her. But Kit settles into a routine, trying to ignore the rumors that the highly exclusive boarding school is haunted. Then her classmates begin to show extraordinary and unknown talents. The strange dreams, the voices, the lost letters to family and friends, all become overshadowed by the magic around them. When Kit and her friends realize that Blackwood isn't what it claims to be, it might be too late. |
| black christmas 1974 analysis: Gothic Voices Matt Foley, 2023-02-28 This Element provides new ways of reading the soundscape of the Gothic text. Drawing inspiration from the field of 'sonic Gothic' studies, which has been spearheaded by the writings of Isabella van Elferen, as well as from Mladen Dolar's articulation of the psychoanalytic 'object' voice, this study introduces the critical category of 'vococentric Gothic' into Gothic scholarship. In so doing, it reads important moments in Gothic fiction when the voice takes precedence as an uncanny, monstrous or seductive object. Historically informed, the range of readings proffered demonstrate the persistence of these vocal motifs across time (from the Gothic romance to contemporary Gothic) and across intermedia forms (from literature to film to podcasts). Gothic Voices, then, provides the first dedicated account of voices of terror and horror as they develop in the Gothic mode from the Romantic period until today. |
| black christmas 1974 analysis: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1976 |
| black christmas 1974 analysis: Research Accomplishments , 1976 |
| black christmas 1974 analysis: Forest Service Research Accomplishments , 1975 |
| black christmas 1974 analysis: Masters Theses in the Pure and Applied Sciences Wade H. Shafer, 2013-12-11 Masters Theses in the Pure and Applied Sciences was first conceived, published, and dis seminated by the Center for Information and Numerical Data Analysis and Synthesis, (CINDAS) *at Purdue University in 1957, starting its coverage of theses with the academic year 1955. Beginning with Volume 13, the printing and dissemination phases of the ac tivity was transferred to University Microfilms/Xerox of Ann Arbor, Michigan, with the thought that such an arrangement would be more beneficial to the academic and general scientific and technical community. After five years of this joint undertaking we had concluded that it was in the interest of all concerned if the printing and distribution of the volume were handled by an international publishing house to assure improved service and broader dissemination. Hence, starting with Volume 18, Masters Theses in the Pure and Applied Sciences has been disseminated on a worldwide basis by Plenum Publishing Corporation of New York, and in the same year the coverage was broadened to include Canadian universities. All back issues can also be ordered from Plenum. We have reported in Volume 19 (thesis year 1974) a total of 10,045 theses titles from 20 Canadian and 209 United States universities. We are sure that this broader base for theses titles reported will greatly enhance the value of this important annual reference work. The organization of Volume 19 is identical to that of past years. It consists of theses titles arranged by discipline and by university within each discipline. |
| black christmas 1974 analysis: No More Haunted Dolls: Horror Fiction that Transcends the Tropes Cassandra O'Sullivan Sachar, 2024-09-03 'No More Haunted Dolls: Horror Fiction that Transcends the Tropes' is a multi-author work united by the common theme of critical analysis of the use of horror tropes in literature, film, and even video games. Tackling issues dealing with gender, race, sexuality, social class, religion, politics, disability, and more in horror, the authors are horror scholars hailing from varied backgrounds and areas of specialty. This book may be used as a resource for classes that study horror or simply as entertainment for horror fans; readers will consider diverse perspectives on the tropes themselves as well as their representation in specific works. |
| black christmas 1974 analysis: The Conservationist Nadine Gordimer, 2012-03-15 Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm. As the upheaval in Mehring's world increasingly resembles that in the country as a whole, it becomes clear that only a seismic shift in ideas and concrete action can avert annihilation. |
| black christmas 1974 analysis: An Ecological Characterization of the Pacific Northwest Coastal Region: Characterization atlas-watershed unit descriptions , 1980 |
| black christmas 1974 analysis: Knowing Fear Jason Colavito, 2007-11-26 Tracing the development of horror entertainment since the late 18th century, this study argues that scientific discovery, technological progress, and knowledge in general have played an unparalleled role in influencing the evolution of horror. Throughout its many subgenres (biological horror, cosmic horror and others) and formats (film, literature, comics), horror records humanity's uneasy relationship with its own ability to reason, understand, and learn. The text first outlines a loose framework defining several distinct periods in horror development, then explores each period sequentially by looking at the scientific and cultural background of the period, its expression in horror literature, and its expression in horror visual and performing arts. |
| black christmas 1974 analysis: Making and Remaking Horror in the 1970s and 2000s David Roche, 2014-02-06 An expansive treatment of the meanings and qualities of original and remade American horror movies |
| black christmas 1974 analysis: FWS/OBS. , 1980 |
| black christmas 1974 analysis: Reference Guide to North Dakota History Dan Rylance, 1979 Over 6000 citations (printed before 1976) about North Dakota history. Includes citations on geology, geography, natural history, conservation, climate, forts, Indians, military, exploration, fur trade, Dakota Territory, government, politics, wars, the counties and cities, education, religion, sports, women, health, agriculture, business, transportation, etc. |
| black christmas 1974 analysis: Blood Money Richard Nowell, 2010-12-23 Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product. |
| black christmas 1974 analysis: Money Has No Smell Paul Stoller, 2010-03-05 In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of West African merchants in urban America. In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s. Blending fascinating ethnographic description with incisive social analysis, Stoller shows how these savvy West African entrepreneurs have built cohesive and effective multinational trading networks, in part through selling a simulated Africa to African Americans. These and other networks set up by the traders, along with their faith as devout Muslims, help them cope with the formidable state regulations and personal challenges they face in America. As Stoller demonstrates, the stories of these West African traders illustrate and illuminate ongoing debates about globalization, the informal economy, and the changing nature of American communities. |
| black christmas 1974 analysis: Priorities in Agricultural Research of the U.S. Department of Agriculture United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Administrative Practice and Procedure, 1978 |
| black christmas 1974 analysis: Arkansas Birds, Thier Distribution and Abundance (c) , |
| black christmas 1974 analysis: Horror Film and Otherness Adam Lowenstein, 2022-07-19 What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art. |
| black christmas 1974 analysis: Gender and Contemporary Horror in Television Steven Gerrard, Samantha Holland, Robert Shail, 2019-03-13 Horror has found a resurgence on television in the post-millennial years. This book will investigate the changing and challenging roles that gender has undergone in TV horror, examining a range of shows, including Hannibal, American Horror Story, The Walking Dead, Penny Dreadful, Supernatural, The Exorcist, iZombie, and Bates Motel. |
| black christmas 1974 analysis: The Mammoth Book of Slasher Movies Peter Normanton, 2012-10-18 An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban. |
| black christmas 1974 analysis: The Exorcist William Peter Blatty, 2010-01-26 Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.' The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body. Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer... First published in 1971, The Exorcist became a literary phenomenon and inspired one of the most shocking films ever made. This edition, polished and expanded by the author, includes new dialogue, a new character and a chilling new extended scene, provides an unforgettable reading experience that has lost none of its power to shock and continues to thrill and terrify new readers. |
| black christmas 1974 analysis: The Book of Horror Matt Glasby, 2020-09-22 “Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019) |
| black christmas 1974 analysis: Film Actors Guide , 1991 |
| black christmas 1974 analysis: Minority Students Meyer Weinberg, 1977 |
| black christmas 1974 analysis: Film Actors Guide Steven A. Lukanic, 1991 |
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