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black history gospel songs: People Get Ready! Bob Darden, 2004-01-01 From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, People Get Ready! provides, for the first time, an accessible overview of this musical genre. |
black history gospel songs: Slave Songs of the United States William Francis Allen, Charles Pickard Ware, Lucy McKim Garrison, 1996 Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned. |
black history gospel songs: The Golden Age of Gospel Horace Clarence Boyer, 2000 Presents the history of gospel music in the United States. This book traces the development of gospel from its earliest beginnings through the Golden Age (1945-55) and into the 1960s when gospel entered the concert hall. It introduces dozens of the genre's gifted contributors, from Thomas A Dorsey and Mahalia Jackson to the Soul Stirrers. |
black history gospel songs: Encyclopedia of American Gospel Music W. K. McNeil, 2013-10-18 The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends. |
black history gospel songs: A Celebration of Black History through Music Blair Bielawski, 2010-09-01 Introduce your students to the rich history of African-American music with A Celebration of Black History through Musicfrom spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, A Celebration of Black History through Music highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class. |
black history gospel songs: Singing in My Soul Jerma A. Jackson, 2005-12-15 Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers--particularly Sister Rosetta Tharpe--and demonstrating the important role women played in popularizing gospel. Female gospel singers initially developed their musical abilities in churches where gospel prevailed as a mode of worship. Few, however, stayed exclusively in the religious realm. As recordings and sheet music pushed gospel into the commercial arena, gospel began to develop a life beyond the church, spreading first among a broad spectrum of African Americans and then to white middle-class audiences. Retail outlets, recording companies, and booking agencies turned gospel into big business, and local church singers emerged as national and international celebrities. Amid these changes, the music acquired increasing significance as a source of black identity. These successes, however, generated fierce controversy. As gospel gained public visibility and broad commercial appeal, debates broke out over the meaning of the music and its message, raising questions about the virtues of commercialism and material values, the contours of racial identity, and the nature of the sacred. Jackson engages these debates to explore how race, faith, and identity became central questions in twentieth-century African American life. |
black history gospel songs: Roosevelt's Blues: AfricanAmerican Blues and Gospel Songs on FDR Guido van Rijn, 1997 |
black history gospel songs: The Black Church Henry Louis Gates, Jr., 2021-02-16 The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear. |
black history gospel songs: Ev'ry Time I Feel the Spirit Gwendolin Sims Warren, 1997 Gathers Negro spirituals, traditional gospel songs, European American hymns, and contemporary gospel songs. |
black history gospel songs: The Cambridge Companion to Blues and Gospel Music Allan Moore, 2002 From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture. |
black history gospel songs: Kennedy's Blues Guido van Rijn, 2009-09-23 Kennedy's Blues: African American Blues and Gospel Songs on JFK collects in a single volume the blues and gospel songs written by African Americans about the presidency of John F. Kennedy and offers a close analysis of Kennedy's hold upon the African-American imagination. These blues and gospel songs have never been transcribed and analyzed in a systematic way, so this volume provides a hitherto untapped source on the perception of one of the most intriguing American presidents. After eight years of Republican rule, the young Democratic president received a warm welcome from African Americans. However, with the Cold War military draft and the slow pace of civil rights measures, inspiration temporarily gave way to impatience. Dr. Martin Luther King, Jr., Medgar Evers, the March on Washington, and the groundbreaking civil rights bill all found their way into blues and gospel songs. The many blues numbers devoted to the assassination and the president's legacy are evidence of JFK's near-canonization by African Americans. Blues historian Guido van Rijn shows that John F. Kennedy became a mythical hero to blues songwriters despite what was left unaccomplished. |
black history gospel songs: The Sound of Light Don Cusic, 2002 The Sound of Light is a sweeping overview of the history of gospel music. Powerful and incisive, it traces contemporary Christianity and Christian music to the 16th century and the Protestant Reformation after examining music in the Bible and early church music. From the psalms of the early Puritans through the hymns of human composure of Isaac Watts and the social activism of the Wesleys, gospel music was established in 18th century America. With the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the 19th century. The 20th century brought recording technology and electronic media to the table. Gospel music has developed with Christian revivals and the history of American gospel music is the history of Christianity in America. Gospel music reflects the American spirit of freedom and the free market as a Christian culture emerges in the 20th century, providing a spiritual as well as economic foundation. The Sound of Light presents gospel music as part of the history of contemporary Christianity. It is a work broad in scope that defines a music essential to understanding American culture as well as American music in the 20th century. Don Cusic is the author of ten books, including the biography Eddy Arnold: I'll Hold You in My Heart and an encyclopedia of cowboys, Cowboys and the Wild West: An A-Z Guide from the Chisholm Trail to the Silver Screen. He joined the faculty at Middle Tennessee State University in 1982, teaching courses in the music business. He earned a Masters and Doctorate in Literature from MTSU. Since August of 1994, Cusic has been Professor of Music Business at Belmont University. |
black history gospel songs: A City Called Heaven Robert M. Marovich, 2015-03-15 In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold. |
black history gospel songs: Encyclopedia of American Gospel Music W. K. McNeil, 2013-10-18 The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends. |
black history gospel songs: Decolonizing Contemporary Gospel Music Through Praxis Robert Beckford, 2023-08-24 Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts. |
black history gospel songs: Woke Me Up This Morning Alan Young, 2012-09-29 Creators and Context. Starting in the mid-1980s, a talented group of comics creators changed the American comic industry forever by introducing adult sensibilities and aesthetics into popular genres such as superhero comics and the newspaper strip. Frank Millers Batman The Dark Knight Returns 1986 and Alan Moore and Dave Gibbonss Watchmen 1987 in particular revolutionized the genre. During this same period, underground and alternative genres began to garner critical acclaim and media attention, as best represented by Art Spiegelmans Maus. The Rise of the American Comics Artist is an insightful volume surveying the |
black history gospel songs: The Garland Encyclopedia of World Music Timothy Rice, James Porter, Chris Goertzen, 2017-09-25 First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
black history gospel songs: Black British Gospel Music Dulcie A. Dixon McKenzie, Pauline E. Muir, Monique M. Ingalls, 2024-06-04 Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities. This book examines gospel music in Britain in both historical and contemporary perspectives, demonstrating the importance of this this vital genre to scholars across disciplines. Drawing on a plurality of voices, the book examines the diverse streams that contribute to and flow out of this significant genre. Gospel can be heard resonating within a diverse array of Christian worship spaces; as a form of community music-making in school halls; and as a foundation for ‘secular’ British popular music, including R&B, hip hop and grime. |
black history gospel songs: Uncloudy Days Bil Carpenter, 2005 The first true gospel music encyclopedia, Uncloudy Days explores the artists who profoundly influenced early rock 'n' roll and soul music and provided inspiration for millions of the faithful.--BOOK JACKET. |
black history gospel songs: Protest & Praise Jon Michael Spencer, Here is a skillful tracing of two tracks in the evolution of musical genres that have evolved from black religion. Songs of protest developed from the spiritual through social-gospel hymnody to culminate in songs of the civil-rights movement and the blues. Born in rebellion, they envision the Kingdom of God.Songs of praise, by contrast, express adoration. Beginning with the ring-shout, Spencer follows the history of intoned declamation through the tongue song, Holiness-Pentecostal music, and the chanted sermon of the black preacher. Spencer's approach, termed theomusicology, unlocks the wealth of African-American sacred music with a theological key. The result is a fascinating account of a people's struggle with God in history. |
black history gospel songs: Mahalia Jackson and the Black Gospel Field Mark Burford, 2019 Drawing on and piecing together a trove of previously unexamined sources, this work is a critical study of the renowned African American gospel singer Mahalia Jackson (1911-1972). |
black history gospel songs: Flaming? Alisha Lola Jones, 2020-06-09 Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, creating an atmosphere where simultaneous heteropatriarchy and real masculinity anxieties, archetypes of the alpha-male preacher, the effeminate choir director and homo-antagonism, are all in play. The flamboyant male vocalists formed in the black Pentecostal music ministry tradition, through their vocal styles, gestures, and attire in church services, display a spectrum of gender performances - from hyper-masculine to feminine masculine - to their fellow worshippers, subtly protesting and critiquing the otherwise heteronormative theology in which the service is entrenched. And while the performativity of these men is characterized by cynics as flaming, a similar musicalized fire - that of the Holy Spirit - moves through the bodies of Pentecostal worshippers, endowing them religio-culturally, physically, and spiritually like fire shut up in their bones. Using the lenses of ethnomusicology, musicology, anthropology, men's studies, queer studies, and theology, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance observes how male vocalists traverse their tightly-knit social networks and negotiate their identities through and beyond the worship experience. Author Alisha Jones ultimately addresses the ways in which gospel music and performance can afford African American men not only greater visibility, but also an affirmation of their fitness to minister through speech and song. |
black history gospel songs: When Sunday Comes Claudrena N. Harold, 2020-11-16 Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves. |
black history gospel songs: American Negro Songs John Wesley Work, 1998-01-01 Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles. |
black history gospel songs: The Oxford Handbook of Choral Pedagogy Frank Abrahams, Paul D. Head, 2017 Where, in the digitizing world, is the field of choral pedagogy moving? Editors Frank Abrahams and Paul D. Head, both experienced choral conductors and teachers, offer here a comprehensive handbook of newly-commissioned chapters that provide key scholarly-critical perspectives on teaching and learning in the field of choral music, written by academic scholars and researchers in tandem with active choral conductors. |
black history gospel songs: The Story of Christian Music Andrew Wilson-Dickson, 2003 An illustrated introduction to the history and practice of Christian music. The main body of the text goes through the whole vast panoply of Christian music's history. The book looks at music in the Orthodox tradition and in Africa, as well as music for worship in 20th-century Europe and America. |
black history gospel songs: Saved by Song Don Cusic, 2012-09-25 Saved by Song returns to print with its sweeping overview of the history of gospel music. Powerful and incisive, the book traces contemporary Christianity and Christian music to the sixteenth century and the Protestant Reformation after examining music in the Bible and early church. In America, gospel music has been divided between white and black gospel. Within these divisions are further divisions: southern gospel, contemporary Christian music, spirituals, and hymns. Don Cusic has provided background and insight into the developments of all these rich facets of gospel music. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, to the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the nineteenth century. The twentieth century brought the technologies of recordings and the electronic media to gospel music. Saved by Song is ultimately the definitive and complete history of a uniquely American art form. It is a must for anyone interested in the musical and spiritual life of a nation. |
black history gospel songs: Lift Every Voice and Sing II Accompaniment Edition Church Publishing Incorporated, 1993-01-21 This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church. It includes service music and several psalm settings in addition to the Negro spirituals, Gospel songs, and hymns. |
black history gospel songs: British Black Gospel Steve Alexander Smith, 2009-09-18 The first exploration of the history of UK black gospel music, featuring a foreword from a leading figure in British gospel Gospel music is a rapidly emerging genre and its effect and influence on other areas of the record industry cannot be underestimated. The style of gospel is wide, and apart from the traditional hymn-based choir arrangements there is a whole range of subgenres incorporating soul, jazz, funk, reggae, r'n'b, calypso, classical music, hip hop, and praise and worship which form part of this colorful and inspirational market. The roots of modern black gospel are traced here from 19th-century black pioneers such as Thomas Rutling and the Fisk Jubilee Singers to the contemporary sound of the London Community Gospel Choir. Steve Alexander Smith tells this story with a wealth of anecdotes, photos, and research that includes more than 100 personal interviews. An accompanying audio CD celebrates the spectrum of British black gospel. |
black history gospel songs: Alan Jackson - Precious Memories (Songbook) Alan Jackson, 2006-08-01 (Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more. |
black history gospel songs: The OneWord Worship Model Lisa M. Allen, 2023-09-26 The OneWord Worship Model: A New Paradigm for Church Worship Planning offers a clear, concise, and collaborative approach to planning congregational worship using the biblical text as its foundation. The model engages laity and clergy in the true definition of liturgy--the work or action of the people. This text serves as both invitation and instruction for pastors, worship leaders, and congregations to plan powerful, fruitful, and transformative corporate encounters with the triune God. |
black history gospel songs: Jet , 1992-10-26 The weekly source of African American political and entertainment news. |
black history gospel songs: THROUGH IT ALL ANDRAE' CROUCH, NINA BALL, 1974 |
black history gospel songs: In Spirit and in Truth Melva Wilson Costen, 2004-01-01 Costen concludes by offering models and suggestions for helping those who plan worship to listen for the leading of the Holy Spirit and ultimately challenges music and worship leaders to reclaim traditional African American spirituality and its presence in the music experienced in African American worship.--BOOK JACKET. |
black history gospel songs: Negro History Bulletin Carter Godwin Woodson, 1976 |
black history gospel songs: SPIRIT, RHYTHM, and STORY Terence Elliott, 2019-04-10 Urban communities throughout the United States and the world are in a phase of rebuilding, whether it is economically, socially, spirituality, or culturally. It is important in these times that diverse communities retain values that distinguish them and celebrate those cultural traditions. In the work to build community, it will be valuable to learn how songs can help unite people toward change. This text will provide information on histories of songs and their role, effect, and impact on community building efforts toward health and cultural healing. |
black history gospel songs: The Study of Spirituality Cheslyn Jones, Geoffrey Wainwright, Edward Yarnold, 1986-12-11 Written by contributors representing the Anglican, Roman Catholic, Free Church, and Orthodox traditions, this collection examines the nature and form of individual Christian devotion throughout the centuries. |
black history gospel songs: No Coward Soldiers Waldo E. Martin, 2009-06-30 In this exploration of the 20th-century civil rights and black power eras, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political. |
black history gospel songs: The Emancipation Proclamation United States. President (1861-1865 : Lincoln), 1994 |
black history gospel songs: Readings in African American Church Music and Worship James Abbington, 2009-03 Readings in African American Church Music and Worship features important articles and essays on music and worship written by some of the most influential voices of the past century, including W. E. B. DuBois, Wendell P. Whalum, V. Michael McKay, Wyatt Tee Walker, J. Wendell Mapson Jr., and others. |
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Dec 18, 2024 · Scholars have generally agreed that the Great Migration was a turning point in the history of African American religious music. Though the genre had been developing for years, …
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Good News for the Motor City: Black Gospel Music in Detroit
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Gospel also emerged as a form of secular entertainment in the 1940s, 1950s, and 1960s. Gospel crossover vocalists, such as Mahalia Jackson, rose to prominence in the age of radio and …
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The month of February is Black History Month, a time to remember and celebrate the history and struggle of African-American people in our country that often gets overlooked. Today we’ll be …
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African American Gospel Music History african american gospel music history: Singing in My Soul Jerma A. Jackson, 2005-12-15 Black gospel music grew from obscure nineteenth-century …
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there is one gospel chords: Black Gospel Chords - The Secret Chords of Praise and Worship Gregory Moody, 2010-07-30 Creative Music has developed a revolutionary method enabling …
Word! The African American Oral Tradition and its …
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