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| black history in philadelphia: Mary Ann Shadd Cary Jane Rhodes, 2023-09-05 Mary Ann Shadd Cary was a courageous and outspoken nineteenth-century African American who used the press and public speaking to fight slavery and oppression in the United States and Canada. Part of the small free black elite who used their education and limited freedoms to fight for the end of slavery and racial oppression, Shadd Cary is best known as the first African American woman to publish and edit a newspaper in North America. But her importance does not stop there. She was an active participant in many of the social and political movements that influenced nineteenth century abolition, black emigration and nationalism, women's rights, and temperance. Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century explores her remarkable life and offers a window on the free black experience, emergent black nationalisms, African American gender ideologies, and the formation of a black public sphere. This new edition contains a new epilogue and new photographs. |
| black history in philadelphia: Emilie Davis’s Civil War Judith Giesberg, 2016-06-08 Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community. |
| black history in philadelphia: The Education of Black Philadelphia Vincent P. Franklin, 1979 |
| black history in philadelphia: The Philadelphia Negro W. E. B. Du Bois, 2010-11-24 In 1897 the promising young sociologist William Edward Burghardt Du Bois (1868-1963) was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct a systematic investigation of social conditions in the seventh ward of Philadelphia. The product of those studies was the first great empirical book on the Negro in American society. More than one hundred years after its original publication by the University of Pennsylvania Press, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship—the kind of work that, in contemplating social reality, helps to change it. In his introduction, Elijah Anderson examines how the neighborhood studied by Du Bois has changed over the years and compares the status of blacks today with their status when the book was initially published. |
| black history in philadelphia: They Carried Us Allener M. Baker-Rogers, Fasaha Traylor, 2020-02-29 Meet some of Philadelphia's fiercest black women leaders. They range from the first black woman known to be born in Philadelphia (1694)--who ran a ferry business during colonial times--to the woman whose childhood experiences led her to become a surgeon and medical advisor to celebrities. All of the women bring it as activists-- in community and movement work, business and civic institutions, education, churches, medicine, government, journalism, sports and the arts. The authors document that many of them worked together directly. Others drew inspiration from those who came before. Their power came not just from what they did as individuals, but from how their efforts snowballed into a Philadelphia community of women that spanned geographies, sectors and time. The authors' experiences as activists, researchers and educators--and their own circumstances of frequently being the only black women in the room--fill the book not just with facts, but with genuine empathy. These are the inspiring stories of black women in one of the country's most important cities, who let no obstacle deter them from changing the game.-- |
| black history in philadelphia: Forging Freedom Gary B. Nash, 1988 This book is the first to trace the fortunes of the earliest large free black community in the U.S. Nash shows how black Philadelphians struggled to shape a family life, gain occupational competence, organize churches, establish social networks, advance cultural institutions, educate their children, and train leaders who would help abolish slavery. |
| black history in philadelphia: A Movement Without Marches Lisa Levenstein, 2009 In this bold interpretation of U.S. history, Lisa Levenstein reframes highly charged debates over the origins of chronic African American poverty and the social policies and political struggles that led to the postwar urban crisis. A Movement Withou |
| black history in philadelphia: W. E. B. Du Bois, Race, and the City Michael B. Katz, Thomas J. Sugrue, 1998-04-20 In 1896 W. E. B. Du Bois began research that resulted three years later in the publication of his great classic of urban sociology and history, The Philadelphia Negro. Today, a group of the nation's leading historians and sociologists celebrate the centenary of his project through a reappraisal of his book. Motivated by Du Bois's deeply humane vision of racial equality, the contributors draw on ethnography, intellectual and social history, and statistical analysis to situate Du Bois and his pioneering study in the intellectual milieu of the late nineteenth century, consider his contributions to the subsequent social scientific and historical studies of the city, and assess the contemporary meaning of his work. Together these essays show that The Philadelphia Negro remains as vital and relevant a book at the end of the twentieth century as it was at the start. Contributors include Elijah Anderson, Mia Bay, V. P. Franklin, Robert Gregg, Thomas C. Holt, Tera W. Hunter, Jacqueline Jones, Antonio McDaniel, and Carl Husemoller Nightingale. |
| black history in philadelphia: Scenes in the Life of Harriet Tubman Sarah Hopkins Bradford, 1869 Scenes in the Life of Harriet Tubman: By SARAH H. BRADFORD. [Special Illustrated Edition] |
| black history in philadelphia: Stolen Richard Bell, 2019-10-15 This “superbly researched and engaging” (The Wall Street Journal) true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice belongs “alongside the work of Harriet Beecher Stowe, Edward P. Jones, and Toni Morrison” (Jane Kamensky, Professor of American History at Harvard University). Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home. Their ordeal—an odyssey that takes them from the Philadelphia waterfront to the marshes of Mississippi and then onward still—shines a glaring spotlight on the Reverse Underground Railroad, a black market network of human traffickers and slave traders who stole away thousands of legally free African Americans from their families in order to fuel slavery’s rapid expansion in the decades before the Civil War. “Rigorously researched, heartfelt, and dramatically concise, Bell’s investigation illuminates the role slavery played in the systemic inequalities that still confront Black Americans” (Booklist). |
| black history in philadelphia: Philadelphia's Black Elite Julie Winch, 1988-01-01 Traces the personalities and the policies of two generations of leaders in one of the largest and most influential free black communities in antebellum America. Moving beyond their commitment to antislavery, this work examines the range of other causes to which they devoted themselves, from moral reform and civil rights to Caribbean emigration. |
| black history in philadelphia: The Garies and Their Friends Frank J. Webb, 1857 Originally published in London in 1857 and never before available in paperback, The Garies and Their Friends is the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and 'passing, ' and tells the story of the Garies and their friends, the Ellises, a 'highly respectable and industrious coloured family.' |
| black history in philadelphia: Appeal of Forty Thousand Citizens, Threatened with Disfranchisement, to the People of Pennsylvania Robert Purvis, 1838 |
| black history in philadelphia: A Narrative of the Proceedings of the Black People, During the Late Awful Calamity in Philadelphia, in the Year 1793 Absalom Jones, 2018-04-17 The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W028650 The late publications referred to are those of Mathew Carey, particularly his Short account of the malignant fever, lately prevalent in Philadelphia .. - District of Pennsylvania copyright notice (p. [2]) names Jones and Richard Allen as authors. To Philadelphia: Printed for the authors, by William W. Woodward, at Franklin's Head, no. 41, Chesnut-Street, 1794. 28 p.; 12° |
| black history in philadelphia: My Lord, what a Morning Marian Anderson, 2002 My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent, and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. Here is a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. An entire chapter devoted to the Easter concert at the Lincoln Memorial in 1939 reveals Anderson's immense respect for Eleanor Roosevelt, who resigned from the Daughters of the American Revolution when they refused to let Anderson perform at Constitution Hall. Supplanting sorrow and regret for anger and violence, Anderson demurely imparts her views on discrimination and on becoming an icon in the struggle for civil rights. With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this new paperback edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame. |
| black history in philadelphia: From Storefront to Monument Andrea A. Burns, 2013 Today well over two hundred museums focusing on African American history and culture can be found throughout the United States and Canada. Many of these institutions trace their roots to the 1960s and 1970s, when the struggle for racial equality inspired a movement within the black community to make the history and culture of African America more public. This book tells the story of four of these groundbreaking museums: the DuSable Museum of African American History in Chicago (founded in 1961); the International Afro-American Museum in Detroit (1965); the Anacostia Neighborhood Museum in Washington, D.C. (1967); and the African American Museum of Philadelphia (1976). Andrea A. Burns shows how the founders of these institutions, many of whom had ties to the Black Power movement, sought to provide African Americans with a meaningful alternative to the misrepresentation or utter neglect of black history found in standard textbooks and most public history sites. Through the recovery and interpretation of artifacts, documents, and stories drawn from African American experience, they encouraged the embrace of a distinctly black identity and promoted new methods of interaction between the museum and the local community. Over time, the black museum movement induced mainstream institutions to integrate African American history and culture into their own exhibits and educational programs. This often controversial process has culminated in the creation of a National Museum of African American History and Culture, now scheduled to open in the nation's capital in 2015. |
| black history in philadelphia: Deromanticizing Black History Clarence Earl Walker, 1991 Walker (history, U. of California, Davis) challenges the revisionist views of black people put forth in the 1960's and 1970's, claiming that they were revolutionary and necessary at the time, but have now petrified into dogma that impedes further study. Annotation copyrighted by Book News, Inc., Portland, OR |
| black history in philadelphia: William Still William C. Kashatus, 2023-01-15 William Still coordinated the Eastern Line of the Underground Railroad and was a pillar of the Railroad as a whole. Based in Philadelphia, Still built a reputation as a courageous leader, writer, philanthropist, and guide for fugitive slaves. This monumental work details Still's life story beginning with his parents' escape from bondage in the early nineteenth century and continuing through his youth and adulthood as one of the nation's most important Underground Railroad agents and, later, as an early civil rights pioneer. Still worked personally with Harriet Tubman, assisted the family of John Brown, helped Brown's associates escape from Harper's Ferry after their famous raid, and was a rival to Frederick Douglass among nationally prominent African American abolitionists. Still's life story is told in the broader context of the anti-slavery movement, Philadelphia Quaker and free black history, and the generational conflict that occurred between Still and a younger group of free black activists led by Octavius Catto. |
| black history in philadelphia: Black Citymakers Marcus Anthony Hunter, 2013-03-28 W.E.B. DuBois immortalized Philadelphia's Black Seventh Ward neighborhood, one of America's oldest urban black communities, in his 1899 sociological study The Philadelphia Negro. In the century after DuBois's study, however, the district has been transformed into a largely white upper middle class neighborhood. Black Citymakers revisits the Black Seventh Ward, documenting a century of banking and tenement collapses, housing activism, black-led anti-urban renewal mobilization, and post-Civil Rights political change from the perspective of the Black Seventh Warders. Drawing on historical, political, and sociological research, Marcus Hunter argues that black Philadelphians were by no means mere casualties of the large scale social and political changes that altered urban dynamics across the nation after World War II. Instead, Hunter shows that black Americans framed their own understandings of urban social change, forging dynamic inter- and intra-racial alliances that allowed them to shape their own migration from the old Black Seventh Ward to emergent black urban enclaves throughout Philadelphia. These Philadelphians were not victims forced from their homes - they were citymakers and agents of urban change. Black Citymakers explores a century of socioeconomic, cultural, and political history in the Black Seventh Ward, creating a new understanding of the political agency of black residents, leaders and activists in twentieth century urban change. |
| black history in philadelphia: Black Joy Tracey M. Lewis-Giggetts, 2022-02 A timely collection of deeply personal, uplifting, and powerful essays that celebrate the redemptive strength of Black joy--in the vein of Black Girls Rock, You Are Your Best Thing, and I Really Needed This Today. When Tracey M. Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. Black Joy is a collection that will recharge you. It is the kind of book that is passed between friends and offers both challenge and comfort at the end of a long day. It is an answer for anyone who needs confirmation that they are not alone and a brave place to quiet their mind and heal their soul. |
| black history in philadelphia: Blacks in the Law Geraldine R. Segal, 1983 |
| black history in philadelphia: Black History in the Philadelphia Landscape Amy Jane Cohen, 2024 Recounts events in Philadelphia African American history. Each brief chapter addresses a different topic, exploring the event itself and how it is marked in the landscape, whether through a historical marker, a monument, a mural, or some other means. Chapters conclude with suggested ways to learn more about the topic-- |
| black history in philadelphia: Black Diamond Queens Maureen Mahon, 2020-10-09 African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century. |
| black history in philadelphia: W. E. B. Du Bois's Data Portraits The W.E.B. Du Bois Center at the University of Massachusetts Amherst, 2018-11-06 The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of the color line. From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk. |
| black history in philadelphia: Di Bruno Bros. House of Cheese Tenaya Darlington, 2013-05-07 Consider this your invitation to world's greatest cheese party! Peek behind Philadelphia's largest and oldest cheese counter for a lively guide to pairing cheese with everything from beer and cocktails to olives and charcuterie. The store's resident cheese blogger, Madame Fromage, brings to life 170 of the world's greatest artisan cheeses, drawing on stories and knowledge from the store's third-generation owners. Accessible for cheese newcomers and connoisseurs alike, this guidebook breaks down the mysterious world of cheese into personality profiles like Baby faces, Vixens, Mountain Men, Stinkers, and Pierced Punks, sliding along a scale of texture, age, and pungency. These cheeses are then paired off for occasions like Cocktails & Nosh, Cheese for One, Book Club Cheese Night, and Craft Beers & Artistan All-Stars. Also included are 30 recipes, from Zeke's Bacon Maple Grilled Cheese to Cheddar Ale Soup; an extensive dairy lexicon; and notes on how to taste cheese like a cheesemonger. Part recipe book, part family history, part cheese encyclopedia, Di Bruno Bros. House of Cheese is a fresh, new take on a favorite food group. |
| black history in philadelphia: New Philadelphia Gerald A. McWorter, Kate Williams, 2018 New Philadelphia chronicles the history of a town founded in 1836 in Central Illinois by a freed slave. The book covers the history of the town, the inhabitants, their descendants, and the archeological digs. |
| black history in philadelphia: The Afro-American Press and Its Editors Irvine Garland Penn, 1891 |
| black history in philadelphia: African Americans in Pennsylvania Joe Trotter, Eric Ledell Smith, 2010-11-01 |
| black history in philadelphia: The Art of Protest gestalten, Robert Klanten, Lincoln Dexter, Francesca Gavin, Alain Bieber, 2021-06 Thanks to art's ability to communicate and influence, it has always had a charged relationship with activism and politics. And, given the tumultuous times in which we live, with traditional democracies being challenged from all sides, the changing climate, global movements for social justice, and political upheaval causing millions to search for a better life abroad, this relationship has never been more important. The Art of Protest will explore the connection between art, politics, and activism today, revealing how, over the past decade, artists have been engaging with political and social issues of all kinds, through different artistic mediums. |
| black history in philadelphia: Race Traits and Tendencies of the American Negro Frederick Ludwig Hoffman, 1896 |
| black history in philadelphia: Black Urban History at the Crossroads Leslie M. Harris, Clarence Lang, Rhonda Y. Williams, Joe William Trotter Jr., 2024-10-22 Drawing on significant recent scholarship on African American urban life over three centuries, Black Urban History at the Crossroads bridges disparate chronological, regional, topical, and thematic perspectives on the Black urban experience beginning with the Atlantic slave trade. Across ten cutting-edge chapters, leading scholars explore the many ways that urban Black people across the United States built their own communities; crafted their own strategies for self-determination; and shaped the larger economy, culture, and politics of the urban environment and of their cities, regions, and nation. This volume not only highlights long-running changes over time and space, from preindustrial to emerging postindustrial cities, but also underscores the processes by which one era influences the emergence of the next moment in Black urban history. |
| black history in philadelphia: Beneath the Surface of White Supremacy Moon-Kie Jung, 2015-05-06 Racism has never been simple. It wasn't more obvious in the past, and it isn't less potent now. From the birth of the United States to the contemporary police shooting death of an unarmed Black youth, Beneath the Surface of White Supremacy investigates ingrained practices of racism, as well as unquestioned assumptions in the study of racism, to upend and deepen our understanding. In Moon-Kie Jung's unsettling book, Dred Scott v. Sandford, the notorious 1857 Supreme Court case, casts a shadow over current immigration debates and the war on terror. The story of a 1924 massacre of Filipino sugar workers in Hawai'i pairs with statistical relentlessness of Black economic suffering to shed light on hidden dimensions of mass ignorance and indifference. The histories of Asians, Blacks, Latina/os, and Natives relate in knotty ways. State violence and colonialism come to the fore in taking measure of the United States, past and present, while the undue importance of assimilation and colorblindness recedes. Ultimately, Jung challenges the dominant racial common sense and develops new concepts and theory for radically rethinking and resisting racisms. |
| black history in philadelphia: The Black History of the White House Clarence Lusane, 2013-01-23 The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors.—Barbara Ehrenreich Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!—Howard Winant The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling.—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media. |
| black history in philadelphia: Black Brothers, Inc Sean Patrick Griffin, 2005 In June 2005, a prominent and politically influential Muslim cleric, Imam Shamsud-din Ali, became the latest person convicted in a massive federal corruption probe in Philadelphia. As the revelations emanating from the probe continue, a critically acclaimed author and leading authority on organized crime exposes for the very first time the disturbing contemporary and historical ties between Ali, the city's notorious Black Mafia, and the sweeping federal probe. The Black Mafia was one of the bloodiest crime syndicates in modern US history. From its roots in Philadelphia's ghettos in the 1960's, it grew from a rabble of street toughs to a disciplined, ruthless organization based on fear and intimidation with links across the Eastern Seaboard. Known in its legitimate guise as Black Brothers, Inc., it held regular meetings, appointed investigators, treasurers and enforcers, and controlled drug dealing, loan-sharking, numbers rackets, armed robbery and extortion. Its ferocious crews of gunmen grew around burly founder Sam Christian, the most feared man on Philly's streets. They developed close ties with the influential Nation of Islam and soon were executing rivals, extorting bookies connected to the city's powerful Cosa Nostra crew, and cowing local gangs. The Black Mafia was responsible for over forty killings, the most chilling being the 1973 massacre of two adults and five children in Washington, D.C. Despite the arrests that followed, they continued their rampage, exploiting their ties to prominent lawyers and civil rights leaders. A heavy round of convictions and sentences in the 1980's shattered their strength â only for the crack-dealing Junior Black Mafia to emerge in their wake. Researched with scores of interviews and unique access to informant logs, witness statements, wiretaps and secret FBI files, Black Brothers, Inc. is the most detailed account ever of an African-American organized crime mob, and a landmark investigation into the modern urban underworld. Griffin did extensive research and backs up his claims carefully...If you're a crime buff, a history lover, or if you just want something fascinating to read, it's a book you can't refuse.---Terri Schlichenmeyer, syndicated reviewer and host of The BookWormSez A gripping story...Griffin richly documents the Black Mafia's organization, outreach and over-the-top badness. --Joseph N. DiStefano, Philadelphia Inquirer |
| black history in philadelphia: African Americans in Pennsylvania Charles L. Blockson, 1994 |
| black history in philadelphia: The Elite of Our People: Joseph Willson's Sketches of Black Upper-Class Life in Antebellum Philadelphia , Sketches of the Higher Classes of Colored Society in Philadelphia, first published in 1841, was written by Joseph Willson, a southern black man who had moved to Philadelphia. He wrote this book to convince whites that the African-American community in his adopted city did indeed have a class structure, and he offers advice to his black readers about how they should use their privileged status. The significance of Willson's account lies in its sophisticated analysis of the issues of class and race in Philadelphia. It is all the more important in that it predates W. E. B. Du Bois's The Philadelphia Negro by more than half a century. Julie Winch has written a substantial introduction and prepared extensive annotation. She identifies the people Willson wrote about and gives readers a sense of Philadelphia's multifaceted and richly textured African American community. The Elite of Our People will interest urban, antebellum, and African-American historians, as well as individuals with a general interest in African-American history. This volume has withstood the test of time. It remains readable. Joseph Willson was well read, articulate, and had a keen eye for detail. His message is as timely today as it was in 1841. The people he wrote about were remarkable individuals whose lives were as complex as his own. |
| black history in philadelphia: A Black Philadelphia Reader Louis J. Parascandola, 2024-06-11 The relationship between the City of Brotherly Love and its Black residents has been complicated from the city’s founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authors—including W. E. B. Du Bois, Harriet Jacobs, Sonia Sanchez and John Edgar Wideman—alongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens. Thoughtfully introduced and accompanied by notes that contextualize the works and aid readers’ comprehension, this book will appeal to a wide audience of Philadelphians and other readers interested in American, African American, and urban studies. |
| black history in philadelphia: African American History Reconsidered Pero Gaglo Dagbovie, 2010 This volume establishes new perspectives on African American history. The author discusses a wide range of issues and themes for understanding and analyzing African American history, the 20th century African American historical enterprise, and the teaching of African American history for the 21st century. |
| black history in philadelphia: Pennsylvania's Black History Charles L. Blockson, 1975 |
| black history in philadelphia: History of Pennsylvania Philip S. Klein, Ari Arthur Hoogenboom, 2010-11-01 |
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This subreddit revolves around black women. This isn't a "women of color" subreddit. Women with black/African DNA is what this subreddit is about, so mixed race women are allowed as well. …
Links to bs and bs2 : r/Blacksouls2 - Reddit
Jun 25, 2024 · Someone asked for link to the site where you can get bs/bs2 I accidentally ignored the message, sorry Yu should check f95zone.
Nothing Under - Reddit
r/NothingUnder: Dresses and clothing with nothing underneath. Women in outfits perfect for flashing, easy access, and teasing men.
Black Twink : r/BlackTwinks - Reddit
56K subscribers in the BlackTwinks community. Black Twinks in all their glory
You can cheat but you can never pirate the game - Reddit
Jun 14, 2024 · Black Myth: Wu Kong subreddit. an incredible game based on classic Chinese tales... if you ever wanted to be the Monkey King now you can... let's all wait together, talk and …
r/blackbootyshaking - Reddit
r/blackbootyshaking: A community devoted to seeing Black women's asses twerk, shake, bounce, wobble, jiggle, or otherwise gyrate.
How Do I Play Black Souls? : r/Blacksouls2 - Reddit
Dec 5, 2022 · sorry but i have no idea whatsoever, try the f95, make an account and go to search bar, search black souls 2 raw and check if anyone post it, they do that sometimes. Reply reply …
There's Treasure Inside - Reddit
r/treasureinside: Community dedicated to the There's Treasure Inside book and treasure hunt by Jon Collins-Black.
Cute College Girl Taking BBC : r/UofBlack - Reddit
Jun 22, 2024 · 112K subscribers in the UofBlack community. U of Black is all about college girls fucking black guys. And follow our twitter…
