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| black history month silhouettes: Silhouettes: Issue of Black & White America Michael L. Weston, 2012-01-04 A True narrative transcending racial, cultural and historical lines. As a white college professor and a group of predominantly black inner city students struggle through weekly lectures to foster an understanding of Americas ongoing issues of race. Proving that through education, openness and a willingness to walk a mile in someone elses shoes, mutual comprehension and progress are possible and that given an opportunity the indomitable human spirit will prevail. |
| black history month silhouettes: The history of silhouettes Emily Jackson, 2023-07-10 The history of silhouettes by Emily Jackson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
| black history month silhouettes: A Beautiful Book Anthony Fedanzo, 2011-07-21 -none- |
| black history month silhouettes: Black Out Asma Naeem, 2018 National Portrait Gallery, Smithsonian Institution, Washington, D.C. in association with Princeton University Press, Princeton and Oxford. |
| black history month silhouettes: Creative Conflict in African American Thought Wilson Jeremiah Moses, 2004-05-10 Building upon his previous work and using Richard Hofstadter's The American Political Tradition as a model, Professor Moses has revised and brought together in this book essays that focus on the complexity of, and contradictions in, the thought of five major African-American intellectuals: Frederick Douglass, Alexander Crummell, Booker T. Washington, W. E. B. DuBois and Marcus M. Garvey. In doing so, he challenges both popular and scholarly conceptions of them as villains or heroes. In analyzing the intellectual struggles and contradictions of these five dominant personalities with regard to individual morality and collective reform, Professor Moses shows how they contributed to strategies for black improvement and puts them within the context of other currents of American thought, including Jeffersonian and Jacksonian democracy, Social Darwinism, and progressivism. |
| black history month silhouettes: American Silhouettes Christian Beres Calmejane, 2009-04-20 This is Volume II of two volumes. American Silhouettes is primarily a study in human character in its dealing with the adversity of life. The setting is America during the last quarter of the twentieth century. More specifically it focuses on the struggle of two generations of a small African American family whose destiny encounters more than its share of horrific tribulations. It is a window on life, love, happiness, suffering, and death of the members of this small vulnerable resilient family from the South, that moves to Washington, D.C. for a better life, only to find a very short interlude of happiness, followed by a deep plunge into another cycle of trauma and despair; not death though, that would be too easy; and when death finally does come, it is a liberation of the body and soul. The saga continues with the cycle of misfortune repeating itself in a new age, a new generation with the same finality as if their destiny had been wickedly predefined. From Bridgeville SC to Washington DC, and from Rome to Dakar, their saga brings to light the evil and virtuousness of man in its most natural occurrence, as a part of daily life. The story brings together various individuals of different and sometimes opposite background and describes either the passions of their encounters or the clashes resulting from their conflicts. It analyses the most wonderful passions of love, beauty and happiness, and juxtaposes the horrible ugliness of hate and abuse. It incorporates the duty and responsibility of man within the context of our society and dwells into the aberrations of its marginal sector. It is an interweaved matrix of emotional extremes. It demonstrates that evil has no color, no race, no religion, and that it transcends the social fabric of our society. |
| black history month silhouettes: Consuming Stories Rebecca Peabody, 2016-11-15 In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artistÕs book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of WalkerÕs production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers WalkerÕs sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle TomÕs Cabin. WalkerÕs interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visibleÑand, in turn, highlights viewersÕ reliance on them for narrative legibility. As this study reveals, WalkerÕs engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industryÑand its consumersÑin processes of racialization. |
| black history month silhouettes: Tar Beach Faith Ringgold, 2020-08-18 CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations. Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and the city as her own. As Cassie learns, anyone can fly. “All you need is somewhere to go you can’t get to any other way. The next thing you know, you’re flying among the stars.” |
| black history month silhouettes: February Monthly Collection, Grade K , 2018-01-11 The February Monthly Collection for kindergarten is aligned to current state standards and saves valuable prep time for centers and independent work. The included February calendar is filled with notable events and holidays, and the included blank calendar is editable, allowing the teacher to customize it for their classroom. Student resource pages are available in color and black and white. Additional collection resources include: •Reading comprehension •Infographics •Rhyming •Short Vowels •Digraphs •Counting to 20 •Making sets •Shapes •STEM •Dental Hygiene •Presidents Day •African American History The February Monthly Collection for kindergarten can be used in or out of the classroom to fit the teachers’ needs and help students stay engaged. Each Monthly Collection is designed to save teachers time, with grade-appropriate resources and activities that can be used alongside classroom learning, as independent practice, center activities, or homework. Each one includes ELA, Math, and Science resources in a monthly theme, engaging students with timely and interesting content. All Monthly Collections included color and black and white student pages, an answer key, and editable calendars for teachers to customize. |
| black history month silhouettes: The Journal , 2002 |
| black history month silhouettes: Alternatives within the Mainstream II Dimple Godiwala, 2008-12-18 Alternatives Within the Mainstream II follows from the first volume’s dedication to a critical appreciation of and a tracing of trajectories of the theatres of our Others on the British stage. The first volume Alternatives Within the Mainstream: British Black and Asian Theatres traced a history of Black and Asian British plays, playwrights, theatre companies and theatre voices. The two volumes celebrate the plurality on the post-war British stage in terms of class, gender, race and sexualities. Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain is an introduction to queer sexualities and their presence on the post-war British stage. From an introduction which addresses the possibilities of an undoing of repressiveness in desiring another, this volume charts a history of queer on the British stage, from a climate of sexual repressiveness and criminalisation, to a period of legal acceptance of homosexual desire. It covers gay, les, trans and queer British theatres, the influence of American queer theatre, AIDS consciousness, black queer theatre and television drama. Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain is aimed as an introductory text which introduces the several plays, playwrights, theatre companies and queer theorists to students and scholars of contemporary queer British theatres. This book is dedicated to Anthony Blair and the Labour government for bringing in the Civil Partnerships Act. |
| black history month silhouettes: Black Artists on Art Samella S. Lewis, Ruth G. Waddy, 1976 |
| black history month silhouettes: Kids Celebrate! Maria Bonfanti Esche, Clare Bonfanti Braham, 1998 Suggests activities, recipes, and crafts to celebrate more than one hundred special days, from making penny rubbings on Abraham Lincoln's birthday to making posters about fire safety on the anniversary of the Chicago fire of 1871. |
| black history month silhouettes: Silhouette of a Sparrow Molly Beth Griffin, 2012-09-04 Growing up in the 1920s, sixteen-year-old Garnet Richardson watches the birds outside her window, admiring their freedom and beauty. Her mother, on the other hand, does not approve of Garnet climbing trees to peer into nests. She has Garnet’s life all planned out: after finishing high school, she’ll marry and tend to the home. When Garnet is sent away for the summer to stay with relatives in the lakeside resort town of Excelsior, Minnesota, she discovers a chance to spread her wings. There she finds herself under the supervision of oppressive guardians and her father’s wealthy cousin. But an amusement park and roaring dance hall beckon, and her explorations land her where she least expects—enthralled with a beautiful and daring flapper, Isabella. Caught between her family’s expectations and her own newfound passions, Garnet must decide whose dreams to follow. Tender and moving, Silhouette of a Sparrow is the tale of a young woman’s discovery of the science of risk, the art of rebellion, and, of course, the power of unexpected love. |
| black history month silhouettes: Archibald J. Motley Jr Amy M. Mooney, 2004 Extraordinary artist whose social consciousness extended beyond his paintings. Book jacket. |
| black history month silhouettes: The Psychic Hold of Slavery Soyica Diggs Colbert, Robert J. Patterson, Aida Levy-Hussen, 2016-07-20 What would it mean to “get over slavery”? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present—and vice versa—the contributors place slavery’s historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination. |
| black history month silhouettes: Mastering Silhouettes Charles Burns, 2011-12 Silhouettes are an increasingly popular form of capturing portraits with a history that goes back hundreds of years. In this unique how-to book, silhouette artist Charles Burns teaches the basic techniques needed for making silhouettes: learning the proportions of a profile, tracing a shadow, reducing an image, drawing and cutting freely, and his own 'natural waves' technique. You'll learn to create scissor-cut portraits, painted silhouettes, hollow-cut silhouettes, silhouettes painted on glass, caricatures, and more, as well as how to use color, appliqué, and three-dimensional effects in creative and innovative ways and how to mount and display your creations.--Page 4 of cover. |
| black history month silhouettes: Renewing Feminisms Helen Thornham, Elke Weissmann, 2013-07-08 The feminist movement, we have been told, is history. This lively book reveals that on the contrary the feminist movement is alive and kicking, still as engaged with the concerns and ways of seeing as it was in the 1960s, 70s and 80s, still demanding its political place. Renewing Feminisms sets out the claim for a feminism that is renewed, re-invigorated and re-imagined. Renewing Feminisms offers a timely contribution to current debates about lived and imagined feminism today. The contributors, both longstanding feminists and emerging feminist scholars, take a fresh look at feminist critiques and methodologies, recalling the power of past feminist interventions, as well as presenting a new call for future initiatives in media and cultural studies. Re-investigating the past facilitates a claim over the future, and all the contributions to this book make clear that feminism is not only far from over, it is lived and experienced in the everyday, and on personal and political levels. Divided into four key sections, the book revisits major feminist areas, investigating representational issues, those of agency and narrative, media forms and formats, and the traditional boundaries of the public and the private. What emerges is a real intervention into media and cultural studies in terms of how we understand them today. |
| black history month silhouettes: The Age of Phillis Honorée Fanonne Jeffers, 2020-02-20 “An arresting and meticulously researched collection of poems” about the life of Phillis Wheatley, the first black woman to publish a book in America (Ms. Magazine). In 1773, a young African American woman named Phillis Wheatley published a book of poetry, Poems on various Subjects, Religious and Moral (1773). When Wheatley’s book appeared, her words would challenge Western prejudices about African and female intellectual capabilities. Her words would astound many and irritate others, but one thing was clear: This young woman was extraordinary. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood with her parents in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, her marriage to the enigmatic John Peters, and her untimely death at the age of about thirty-three. Woven throughout are poems about Wheatley's “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history. |
| black history month silhouettes: Juneteenth for Mazie Floyd Cooper, 2020-03-28 Mazie is ready to celebrate liberty. She is ready to celebrate freedom. She is ready to celebrate a great day in American history. The day her ancestors were no longer slaves. Mazie remembers the struggles and the triumph, as she gets ready to celebrate Juneteenth. |
| black history month silhouettes: Seasonal Silhouettes Edyta Sitar for Laundry Basket Quilts, 2013-05-01 Beloved fabric and quilt pattern designer Edyta Sitar for Laundry Basket Quilts has designed 12 gorgeous quilt blocks that take you through the seasons of the year. 5 appliqué quilt block project settings provide the foundation for creating a one, two or four block appliqué project as well as a 12 block-12 month full-size calendar quilt. Each appliqué quilt block features one or more of Edyta Sitar’s beautifully crafted “silhouettes” for raw-edge machine appliqué. Background quilting enhances the beauty and detail of each appliqué quilt block. Step-by-step how-to and instructions for Edyta’s raw-edge appliqué technique Full-size appliqué templates Concise and clear how-to for background quilting Edyta’s favorite quilt binding technique Full-size placement diagrams for each of the 12 blocks Five block settings: wall art, a table runner, a bed topper, a wallhanging and a full-size quilt |
| black history month silhouettes: Lena and the Burning of Greenwood Nikki Shannon Smith, 2022 Twelve-year-old Lena is aware of racism, but she lives a comfortable life in the segregated but relatively wealthy Greenwood District in Tulsa, Oklahoma; but on May 31, 1921 racial tensions explode, and men from downtown Tulsa invade Greenwood, set on killing and destroying the district--and as the violence escalates Lena, her parents, and her older sister search desperately for a safe place to hide from the mob. |
| black history month silhouettes: Death by Prison Christopher Seeds, 2022-07-19 In recent decades, life imprisonment without the possibility of parole (LWOP) has developed into a distinctive penal form in the United States, one firmly entrenched in US policy-making, judicial and prosecutorial decision-making, correctional practice, and public discourse. LWOP is now a routine part of contemporary US criminal justice, even engrained in the nation's cultural imaginary, but how it came to be so remains in question. Fifty years ago, imprisoning a person until death was an extraordinary sentence; today, it accounts for an increasing percentage of all US prisoners. What explains the shifts in penal practice and the social imagination by which we have become accustomed to imprisoning individuals until death without any reevaluation or reasonable expectation of release? Combining a wide historical lens with detailed state- and institutional-level research, Death by Prison offers a provocative new foundation for questioning this deeply problematic practice that has escaped close scrutiny for too long. The rise of life without parole, this book demonstrates, is not simply a matter of growth: it is a phenomenon of change, inclusive of changes in definitions, practices, and meanings. Death by Prison shows that the complex processes by which life without parole became imprisonment until death and perpetual confinement became a routine part of American punishment must be understood not only in terms of punitive attitudes and political efforts but as a matter of background conditions and transformations in penal institutions. The book also reveals how the social and sociological relevance of life without parole extends beyond its punitive element: imbued in the history of life without parole are a variety of forms of disregard--for human dignity, for social consequences, and for the myriad responsibilities that go along with state punishment-- |
| black history month silhouettes: Ebony , 1983-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month silhouettes: Little People Margaret McCusker Gillis, Margaret M. Sawyer, Michele Dempsey-Dubrow, Anne M. Kealey, 1991 |
| black history month silhouettes: The Fire This Time Jesmyn Ward, 2018-04-19 THE NEW YORK TIMES BESTSELLER Edited by two-time National Book Award winner and Women's Prize shortlisted-author Jesmyn Ward, a timely and groundbreaking collection of essays and poems about race in America In this bestselling collection of essays and poems, Jesmyn Ward gathers a new generation of writers and thinkers to speak on race. From Claudia Rankine to Rachel Kaadzi Ghansah, Kiese Laymon to Carol Anderson, these voices shine a light on the darkest corners of American history, wrestle with the struggles the country faces today and imagine a better future. Envisioned as a response to The Fire Next Time, James Baldwin's groundbreaking 1963 essay collection, The Fire This Time considers the black experience in modern America. Significant progress has been made in the fifty years since Baldwin's essays were published, but America is a long distance away from a post-racial society – a truth that must be confronted if the country is to continue to work towards change. Baldwin's 'fire next time' is now upon us, and it needs to be talked about. Sage, urgent and impassioned, this is an essential collection edited by one of America's greatest writers. |
| black history month silhouettes: Slavery in the Age of Memory Ana Lucia Araujo, 2020-10-15 Exploring notions of history, collective memory, cultural memory, public memory, official memory, and public history, Slavery in the Age of Memory: Engaging the Past explains how ordinary citizens, social groups, governments and institutions engage with the past of slavery and the Atlantic slave trade. It illuminates how and why over the last five decades the debates about slavery have become so relevant in the societies where slavery existed and which participated in the Atlantic slave trade. The book draws on a variety of case studies to investigate its central questions. How have social actors and groups in Europe, Africa and the Americas engaged with the slave past of their societies? Are there are any relations between the demands to rename streets of Liverpool in England and the protests to take down Confederate monuments in the United States? How have black and white social actors and scholars influenced the ways slavery is represented in George Washington's Mount Vernon and Thomas Jefferson's Monticello in the United States?How do slave cemeteries in Brazil and the United States and the walls of names of Whitney Plantation speak to other initiatives honoring enslaved people in England and South Africa? What shared problems and goals have led to the creation of the International Slavery Museum in Liverpool and the National Museum of African American History and Culture in Washington DC? Why have artists used their works to confront the debates about slavery and its legacies? The important debates addressed in this book resonate in the present day. Arguing that memory of slavery is racialized and gendered, the book shows that more than just attempts to come to terms with the past, debates about slavery are associated with the persistent racial inequalities, racism, and white supremacy which still shape societies where slavery existed. Slavery in the Age of Memory: Engaging the Past is thus a vital resource for students and scholars of the Atlantic world, the history of slavery and public history. |
| black history month silhouettes: Simple Justice Richard Kluger, 2011-08-24 Simple Justice is the definitive history of the landmark case Brown v. Board of Education and the epic struggle for racial equality in this country. Combining intensive research with original interviews with surviving participants, Richard Kluger provides the fullest possible view of the human and legal drama in the years before 1954, the cumulative assaults on the white power structure that defended segregation, and the step-by-step establishment of a team of inspired black lawyers that could successfully challenge the law. Now, on the fiftieth anniversary of the unanimous Supreme Court decision that ended legal segregation, Kluger has updated his work with a new final chapter covering events and issues that have arisen since the book was first published, including developments in civil rights and recent cases involving affirmative action, which rose directly out of Brown v. Board of Education. |
| black history month silhouettes: Remaking Black Power Ashley D. Farmer, 2017-10-10 In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created--the Militant Black Domestic, the Revolutionary Black Woman, and the Third World Woman, for instance--spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era's organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women's artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life. |
| black history month silhouettes: A Compilation of Materials about the Context in which the Landscape of Calvin Township's African American Community Unfolded in Cass County, Michigan Jennifer Miriam Ward, 1997 |
| black history month silhouettes: Grass Keum Suk Gendry-Kim, 2020-08-28 Appeared on best of the year lists from The New York Times, The Guardian, and more! Winner of The Cartoonist Studio Prize for Best Print Comic of the Year! Grass is a powerful antiwar graphic novel, telling the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the Second World War—a disputed chapter in twentieth-century Asian history. Beginning in Lee’s childhood, Grass shows the lead-up to the war from a child’s vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Koreans. Keum Suk Gendry-Kim emphasizes Lee’s strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee’s memories. The cartoonist Gendry-Kim’s interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee’s wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace. |
| black history month silhouettes: A History of the Harlem Renaissance Rachel Farebrother, Miriam Thaggert, 2021-02-04 This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture. |
| black history month silhouettes: The Amazing Life of Azaleah Lane Nikki Shannon Smith, 2020 Azaleah loved her class field trip to the National Zoo in Washington D.C, and is looking forward to earning extra credit by building a diorama of a tiger in his natural habitat for extra credit--but before she can even begin her task she has to solve the mystery of her younger sister's favorite missing stuffed animal because her parents and older sister are too busy and Tiana is ready to throw a tantrum. |
| black history month silhouettes: Carter G. Woodson's Appeal Carter Godwin Woodson, 2008 In 1921, a dozen years before he wrote his provocative classic, The Mis-Education of the Negro, Carter G. Woodson authored another work of social criticism. A stinging critique of white racism and a sterling defense of the Black race from its detractors, the manuscript was undoubtedly too caustic for white society and the author opted not to publish it in his lifetime. The work was rediscovered and edited by Daryl Michael Scott, professor of History at Howard University. |
| black history month silhouettes: Ersatz America Rebecca Mark, 2014-12-02 From the popular legend of Pocahontas to the Civil War soap opera Gone with the Wind to countless sculpted heads of George Washington that adorn homes and museums, whole industries have emerged to feed America’s addiction to imaginary histories that cover up the often violent acts of building a homogeneous nation. In Ersatz America, Rebecca Mark shows how this four-hundred-year-old obsession with false history has wounded democracy by creating language that is severed from material reality. Without the mediating touchstones of body and nature, creative representations of our history have been allowed to spin into dangerous abstraction. Other scholars have addressed the artificial qualities of the collective American memory, but what distinguishes Ersatz America is that it does more than simply deconstruct--it provides a map for regeneration. Mark contends that throughout American history, citizen artists have responded to the deadly memorialization of the past with artistic expressions and visual artifacts that exist outside the realm of official language, creating a counter narrative. These examples of what she calls visceral graphism are embodied in and connected to the human experience of indigenous peoples, enslaved Africans, and silenced women, giving form to the unspeakable. We must learn, Mark suggests, to read the markings of these works against the iconic national myths. In doing so, we can shift from being mesmerized by the monumentalism of this national mirage to embracing the regeneration and recovery of our human history. |
| black history month silhouettes: Celebrate February Kari Noel, 2020-07-15 This is your guidebook to celebrating February’s well-known and wacky holidays! Featured days include Super Bowl Sunday and National Pokémon Day. |
| black history month silhouettes: The Doctor with an Eye for Eyes Julia Finley Mosca, 2017 As a girl coming of age during the era of civil rights, Patricia Bath made it her mission to become a doctor. When obstacles like racism, poverty, and sexism threatened this goal, she persevered--brightening the world with a game-changing treatment for blindness. Illustrations.x 10. |
| black history month silhouettes: Garvey's Last Soldier David Simon, 2019-04-29 Garvey's Last Soldier is a gripping thriller and love story. Set in the black community of south London between 1997 and 1999, this astonishing and moving novel centers around the mysterious Lady Theodora who lives with her tormented grand-daughter. George, a young journalist who was once in care in Lady Theodora's children's home arrives there to investigate three mysterious murders that took place during his troubled childhood. However, once his investigation starts he embarks on a journey that sees him confront his own manhood. This novel is about love, revenge and cultural identity. |
| black history month silhouettes: Through Darkness to Light Jeanine Michna-Bales, 2017-03-28 They left in the middle of the night—often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. In Through Darkness to Light: Photographs Along the Underground Railroad, Jeanine Michna-Bales presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border— a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. Framing the powerful visual narrative is an introduction by Michna-Bales; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by Fergus M. Bordewich, Robert F. Darden, and Eric R. Jackson. |
| black history month silhouettes: Our Separate Ways Ella L. J. Bell Smith, Stella M. Nkomo, 2003-03-24 In Our Separate Ways, authors Ella Bell and Stella Nkomo take an unflinching look at the surprising differences between black and white women's trials and triumphs on their way up the corporate ladder. Based on groundbreaking research that spanned eight years, Our Separate Ways compares and contrasts the experiences of 120 black and white female managers in the American business arena. In-depth histories bring to life the women's powerful and often difficult journeys from childhood to professional success, highlighting the roles that gender, race, and class played in their development. Although successful professional women come from widely diverse family backgrounds, educational experiences, and community values, they share a common assumption upon entering the workforce: I have a chance. Along the way, however, they discover that people question their authority, challenge their intelligence, and discount their ideas. And while gender is a common denominator among these women, race and class are often wedges between them. In Our Separate Ways, you will find candid discussions about stereotypes, learn how black women's early experiences affect their attitudes in the business world, become aware of how white women have--perhaps unwittingly--aligned themselves more often with white men than with black women, and see ways that our country continues to come to terms with diversity in all of its dimensions. Whether you are a human resources director wondering why you're having trouble retaining black women, a white female manager considering the role of race in your office, or a black female manager searching for perspectives, you will find fresh insights about how black and white women's struggles differ and encounter provocative ideas for creating a better workplace environment for everyone. |
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