Black History Month San Diego

  black history month san diego: San Diego Magazine , 2006-01 San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
  black history month san diego: Imani's Moon JaNay Brown-Wood, 2014-10-14 A delightful mix of folklore and fantasy follows Little Imani as she works up the courage and confidence in herself to achieve big things. Little Imani is the smallest one in her village. The other children make fun of her and tell her she's too tiny, that she's an ant, that a meerkat might stomp her, and that she'll never amount to anything. Imani begins to believe them. At bedtime, Imani's mama tells her traditional Maasai stories about the moon goddess Olapa and Anansi the spider. They accomplished the impossible. Imani's mama tells her that she is the one who needs to believe if she wants to reach new heights. So Imani sets out to touch the moon. An unforgetable story about the power of believing in ourselves that is sure to inspire young readers to reach for their own moons.
  black history month san diego: Appalachian Elegy Bell Hooks, 2012-08-16 A collection of poems centered around life in Appalachia addresses topics ranging from the marginalization of the region's people to the environmental degradation it has endured throughout history.
  black history month san diego: Letters in Black and White Winkfield Twyman, Jr., Jennifer Richmond, 2023-05-23 Unsatisfied with the relentless pace and narrow constraints of social media, two Americans— Winkfield Twyman, Jr. and Jennifer Richmond, a black man and a white woman— rediscovered the art of letter writing and maintained a years-long correspondence about race in the United States. In Letters in Black and White, they share for the first time their exchange in full, charting their journey from wary strangers to trusted confidants. At a time when many Americans are dazed, confused, and angered by the country' s current state of race relations, they offer a model not only for having needed but difficult conversations but also for a better way forward. Marked by well-crafted turns of phrase, sharp wit, and sober reflection, they do not rely on those fashionable words and phrases that have been drained of real meaning or are hopelessly saddled with excessive baggage, such as antiracism, white fragility, and allyship. Rather, on topics ranging from the murder of George Floyd and the launch of the 1619 Project to the debate over reparations and the nature of elite black organizations like Jack and Jill of America, they tell the truth as they see it in their own uncorrupted language, speaking for no one but themselves. Particularly critical of both the ideological battles that fuel media programming and entrench political rivalries and the noble-sounding social and cultural projects that fail time and again to offer any meaningful solutions, they identify productive ways to unify across our differences— ways to find our common humanity and to mend America' s divided soul. Ultimately, they offer an inspirational message of hope and optimism for all— one that does not allow the past to define our present or predetermine our future.
  black history month san diego: This Jazz Man Karen Ehrhardt, 2006-11-01 In this toe-tapping jazz tribute, the traditional This Old Man gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound divine. Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician.
  black history month san diego: San Diego Magazine , 2005-01 San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
  black history month san diego: San Diego Magazine , 2004-02 San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
  black history month san diego: The Plan de San Diego Charles H. Harris, Louis R. Sadler, 2013-07-01 The Plan of San Diego, a rebellion proposed in 1915 to overthrow the U.S. government in the Southwest and establish a Hispanic republic in its stead, remains one of the most tantalizing documents of the Mexican Revolution. The plan called for an insurrection of Mexicans, Mexican Americans, and African Americans in support of the Mexican Revolution and the waging of a genocidal war against Anglos. The resulting violence approached a race war and has usually been portrayed as a Hispanic struggle for liberation brutally crushed by the Texas Rangers, among others. The Plan de San Diego: Tejano Rebellion, Mexican Intrigue, based on newly available archival documents, is a revisionist interpretation focusing on both south Texas and Mexico. Charles H. Harris III and Louis R. Sadler argue convincingly that the insurrection in Texas was made possible by support from Mexico when it suited the regime of President Venustiano Carranza, who co-opted and manipulated the plan and its supporters for his own political and diplomatic purposes in support of the Mexican Revolution. The study examines the papers of Augustine Garza, a leading promoter of the plan, as well as recently released and hitherto unexamined archival material from the Federal Bureau of Investigation documenting the day-to-day events of the conflict.
  black history month san diego: Re-Dressing America's Frontier Past Peter Boag, 2011-09-01 Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.
  black history month san diego: The Foundation 1000 Francine Murray, 2001-11
  black history month san diego: Filipinos in San Diego Judy Patacsil, Rudy Guevarra, Jr., Felix Tuyay, 2010 Filipinos have been a part of the history of the United States and San Diego for over 400 years. The Manila-Acapulco galleon trade ships included Filipinos on sailing expeditions to California, including the port of San Diego. After the Philippines became a territory of the United States in 1898, many Filipinos began immigrating to San Diego. The community grew rapidly, particularly in the 1920s and 1930s. After World War II, Filipino veterans returned with their war brides and the community began to build further. The Immigration Act of 1965 increased Filipino immigration into San Diego to include military personnel, especially those enlisted in the U.S. Navy, as well as professionals. Today Filipino Americans are the largest Asian American ethnic group in San Diego.
  black history month san diego: Ebony , 2004-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
  black history month san diego: Black Meetings & Tourism , 2004
  black history month san diego: FCC Record United States. Federal Communications Commission, 1988
  black history month san diego: Antiracism Inc Felice Blake, 2019 Antiracism Inc. considers new ways of struggling toward racial justice in a world that constantly steals and misuses radical ideas and practices. The critical essays, interviews, and poetry collected here focus on people and methods that do not seek inclusion in the hierarchical order of gendered racial capitalism. Rather, they focus on aggrieved peoples who have always had to negotiate state violence and cultural erasure, but who also work to build the worlds they envision. These collectivities seek to transform social structures and establish a new social warrant guided by what W.E.B. Du Bois called 'abolition democracy, ' a way of being and thinking that privileges people, mutual interdependence, and ecological harmony over individualist self-aggrandizement and profits. Further, these aggrieved collectivities reshape social relations away from the violence and alienation inherent to gendered racial capitalism, and towards the well-being of the commons.--Provided by publisher
  black history month san diego: Stigma and Culture J. Lorand Matory, 2015-12-02 In Stigma and Culture, J. Lorand Matory provocatively shows how ethnic identification in the United States—and around the globe—is a competitive and hierarchical process in which populations, especially of historically stigmatized races, seek status and income by dishonoring other stigmatized populations. And there is no better place to see this than among the African American elite in academia, where he explores the emergent ethnic identities of African and Caribbean immigrants and transmigrants, Gullah/Geechees, Louisiana Creoles, and even Native Americans of partly African ancestry. Matory describes the competitive process that hierarchically structures their self-definition as ethnic groups and the similar process by which middle-class African Americans seek distinction from their impoverished compatriots. Drawing on research at universities such as Howard, Harvard, and Duke and among their alumni networks, he details how university life—while facilitating individual upward mobility, touting human equality, and regaling cultural diversity—also perpetuates the cultural standards that historically justified the dominance of some groups over others. Combining his ethnographic findings with classic theoretical insights from Frantz Fanon, Fredrik Barth, Erving Goffman, Pierre Bourdieu and others—alongside stories from his own life in academia—Matory sketches the university as an institution that, particularly through the anthropological vocabulary of culture, encourages the stigmatized to stratify their own.
  black history month san diego: We Demand Roderick A. Ferguson, 2017-04-25 “Puts campus activism in a radical historic context.”—New York Review of Books In the post–World War II period, students rebelled against the university establishment. In student-led movements, women, minorities, immigrants, and indigenous people demanded that universities adapt to better serve the increasingly heterogeneous public and student bodies. The success of these movements had a profound impact on the intellectual landscape of the twentieth century: out of these efforts were born ethnic studies, women’s studies, and American studies. In We Demand, Roderick A. Ferguson demonstrates that less than fifty years since this pivotal shift in the academy, the university is moving away from “the people” in all their diversity. Today the university is refortifying its commitment to the defense of the status quo off campus and the regulation of students, faculty, and staff on campus. The progressive forms of knowledge that the student-led movements demanded and helped to produce are being attacked on every front. Not only is this a reactionary move against the social advances since the ’60s and ’70s—it is part of the larger threat of anti-intellectualism in the United States.
  black history month san diego: Jet , 1995-02-06 The weekly source of African American political and entertainment news.
  black history month san diego: Recognizing Race and Ethnicity Kathleen J. Fitzgerald, 2014-02-18 Despite radical changes over the last century, race remains a central organizing principle in U.S. society, a key arena of inequality, and the subject of ongoing conflict and debate. In a refreshing new introduction to the sociology of race, Recognizing Race and Ethnicity encourages students to think differently by challenging the notion that we are, or should even aspire to be, color-blind. In this text, Kathleen Fitzgerald considers how the continuing significance of race manifests in both significant and obscure ways by looking across all racial/ethnic groups within the socio-historical context of institutions and arenas, rather than discussing each group by group. Incorporating recent research and contemporary theoretical perspectives, she guides students to examine racial ideologies and identities as well as structural racism; at the same time, she covers topics like popular culture, sports, and interracial relationships that will keep students engaged. Recognizing Race and Ethnicity provides unparalled coverage of white privilege while remaining careful to not treat white as the norm against which all other groups are defined. Recognizing Race and Ethnicity makes it clear that, in a time when race and racism are constantly evolving in response to varied social contexts, societal demands, and political climates, we all must learn to recognize race if we are to get beyond it.
  black history month san diego: Publication , 1994
  black history month san diego: Apex Blues Cecile J. Picou, 2024-03-28 Apex Blues chronicles the extraordinary lives and musical legacies of two generation-spanning Jazz clarinet virtuosos: Jimmie Noone Sr. and his son Jimmy Noone Jr. Jimmie Noone Sr. rose to fame in the 1910s New Orleans French Quarter jazz scene, forging his iconic ‘Sweet Lorraine’ style during the dawn of the genre. Later, his son Jimmy initially made waves as a San Diego local musician before feeling called to follow in his father’s footsteps. He set out to revive his dad’s New Orleans Jazz sound and mentorship. As the author witnesses firsthand, Jimmy exceeds even his father’s musical heights through raw talent and relentless dedication to his craft. In his final days, he completes his quest: to honor Jazz history by propelling his father’s sound into the future. Jimmy cements the Noone legacy, ensuring the nation remembers what sublime Jazz can be. Spanning generations, geographies, and evolutions of musical style, Apex Blues captures how two clarinet greats shepherded Jazz from regional obscurity into an acclaimed American art form.
  black history month san diego: Newsletter , 1994
  black history month san diego: Whiting Up Marvin McAllister, 2011-12-05 In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video Dangerous. In this sweeping work, Marvin McAllister explores the enduring tradition of whiting up, in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial passing or derogatory notions of acting white, whiting up is a deliberate performance strategy designed to challenge America's racial and political hierarchies by transferring supposed markers of whiteness to black bodies--creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with conventional theater, McAllister considers a variety of other live performance modes, including weekly promenading rituals, antebellum cakewalks, solo performance, and standup comedy. For over three centuries, whiting up as allowed African American artists to appropriate white cultural production, fashion new black identities through these white forms, and advance our collective ability to locate ourselves in others.
  black history month san diego: Monthly Report Southwest Fisheries Center (U.S.), 1980
  black history month san diego: Burnt Cork Stephen Burge Johnson, 2012 Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring show business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
  black history month san diego: Annual Report National Endowment for the Arts, Reports for 1980- include also the Annual report of the National Council on the Arts.
  black history month san diego: Race Relations in America Nikki Khanna, Noriko Matsumoto, 2021-06-14 This book is an essential resource for anyone who wants to understand race in America, drawing on research from a variety of fields to answer frequently asked questions regarding race relations, systemic racism, and racial inequality. This work is part of a series that uses evidence-based documentation to examine the veracity of claims and beliefs about high-profile issues in American culture and politics. This particular volume examines the true state of race relations and racial inequality in the United States, drawing on empirical research in the hard sciences and social sciences to answer frequently asked questions regarding race and inequality. The book refutes falsehoods, misunderstandings, and exaggerations surrounding these topics and confirms the validity of other assertions. Assembling this empirical research into one accessible place allows readers to better understand the scholarly evidence on such high-interest topics as white privilege, racial bias in criminal justice, media bias, housing segregation, educational inequality, disparities in employment, racial stereotypes, and personal attitudes about race and ethnicity in America. The authors draw from scholarly research in biology, genetics, medicine, sociology, psychology, anthropology, and economics (among many other fields) to answer these questions, and in doing so they provide readers with the information to enter any conversation about American race relations in the 21st century as informed citizens.
  black history month san diego: The Routledge Handbook of Refugee Narratives Evyn Lê Espiritu Gandhi, Vinh Nguyen, 2023-02-17 This Handbook presents a transnational and interdisciplinary study of refugee narratives, broadly defined. Interrogating who can be considered a refugee and what constitutes a narrative, the thirty-eight chapters included in this collection encompass a range of forcibly displaced subjects, a mix of geographical and historical contexts, and a variety of storytelling modalities. Analyzing novels, poetry, memoirs, comics, films, photography, music, social media, data, graffiti, letters, reports, eco-design, video games, archival remnants, and ethnography, the individual chapters counter dominant representations of refugees as voiceless victims. Addressing key characteristics and thematics of refugee narratives, this Handbook examines how refugee cultural productions are shaped by and in turn shape socio-political landscapes. It will be of interest to researchers, teachers, students, and practitioners committed to engaging refugee narratives in the contemporary moment. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
  black history month san diego: Ebony , 1985-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
  black history month san diego: Contending with Antisemitism in a Rapidly Changing Political Climate Alvin H. Rosenfeld, 2021-11-02 Today's highly fraught historical moment brings a resurgence of antisemitism. Antisemitic incidents of all kinds are on the rise across the world, including hate speech, the spread of neo-Nazi graffiti and other forms of verbal and written threats, the defacement of synagogues and Jewish cemeteries, and acts of murderous terror. Contending with Antisemitism in a Rapidly Changing Political Climate is an edited collection of 18 essays that address antisemitism in its new and resurgent forms. Against a backdrop of concerning political developments such as rising nationalism and illiberalism on the right, new forms of intolerance and anti-liberal movements on the left, and militant deeds and demands by Islamic extremists, the contributors to this timely and necessary volume seek to better understand and effectively contend with today's antisemitism.
  black history month san diego: Post Traumatic Slave Syndrome Joy DeGruy, 2017-05-23 From acclaimed author and researcher Dr. Joy DeGruy comes this fascinating book that explores the psychological and emotional impact on African Americans after enduring the horrific Middle Passage, over 300 years of slavery, followed by continued discrimination. From the beginning of American chattel slavery in the 1500’s, until the ratification of the Thirteenth Amendment in 1865, Africans were hunted like animals, captured, sold, tortured, and raped. They experienced the worst kind of physical, emotional, psychological, and spiritual abuse. Given such history, Dr. Joy DeGruy asked the question, “Isn’t it likely those enslaved were severely traumatized? Furthermore, did the trauma and the effects of such horrific abuse end with the abolition of slavery?” Emancipation was followed by another hundred years of institutionalized subjugation through the enactment of Black Codes and Jim Crow laws, peonage and convict leasing, and domestic terrorism and lynching. Today the violations continue, and when combined with the crimes of the past, they result in further unmeasured injury. What do repeated traumas visited upon generation after generation of a people produce? What are the impacts of the ordeals associated with chattel slavery, and with the institutions that followed, on African Americans today? Dr. DeGruy answers these questions and more as she encourages African Americans to view their attitudes, assumptions, and emotions through the lens of history. By doing so, she argues they will gain a greater understanding of the impact centuries of slavery and oppression has had on African Americans. Post Traumatic Slave Syndrome is an important read for all Americans, as the institution of slavery has had an impact on every race and culture. “A masterwork. [DeGruy’s] deep understanding, critical analysis, and determination to illuminate core truths are essential to addressing the long-lived devastation of slavery. Her book is the balm we need to heal ourselves and our relationships. It is a gift of wholeness.”—Susan Taylor, former Editorial Director of Essence magazine
  black history month san diego: Congressional Record Index , 1993 Includes history of bills and resolutions.
  black history month san diego: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 , 1989
  black history month san diego: San Diego Magazine , 2004-02 San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
  black history month san diego: San Diego Magazine , 2004-02 San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
  black history month san diego: Black Enterprise , 1995-03 BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
  black history month san diego: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 United States. Internal Revenue Service, 1999
  black history month san diego: She Soars Bridges DelPonte, 2024-09-17 Florida has a long and unique history of being a testing ground for female pilots who broke new ground in aviation. From the early 1900s when women performed daring stunts in the air to the World War II era when they served as WASP pilots to the modern times when they flew military jets, commercial planes, and Space Shuttles, Florida hasbeen a key place for female aviator history. These stories from Florida will highlight 14 of women who made history with their flying skills;and left their mark in the Sunshine State.The remarkable journeys of these trailblazing female aviators are told in a captivating and informative manner.
  black history month san diego: Confirmation Hearing on Federal Appointments United States. Congress. Senate. Committee on the Judiciary, 2004
  black history month san diego: Access , 2008
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The City of San Diego (City) has limited local water sources and relies on importing approximately 85 percent of its water supply. ... Almost 3,000 visitors toured the Demonstration Facility …

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complaint alleging the discrimination with either the ity of San Diego, Parks and Recreation Department District Manager at (619) 235-1132 or the alifornia Department of Fair Employment …

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Sep 28, 2022 · Archives Month in San Diego,” said Elizabeth Maland, San Diego City Clerk. "Preserving history for future generations has never been more important, and we look forward …

The Journal of San Diego History
“San Diego History and Black (In)visibility” David Miller 89 BOOK REVIEWS 95 BOOK NOTES 107 VOLUME 66 SUMMER 2020 NUMBER 1. iv Editors’ Introduction Last summer, our …

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The Journal of San Diego History - sohosandiego.org
Publication of The Journal of San Diego History has been partially funded by generous grants from the Joseph W. Sefton Foundation; Natale A. Carasali Trust; Quest for Truth Foundation …

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The Journal of San Diego History
minorities. But this hardly meant that post-1960s urban renewal in San Diego became race-neutral. After 1960, the city of San Diego did not, by and large, pursue historic preservation as …

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San Diego County Profile and Economic Indicators
History & Geography San Diego County became one of California's original 27 counties on February 18, 1850, shortly after California became the 31st State in the Union. The County …