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| black history month flyer: Buckeye Flyer , 1994 |
| black history month flyer: Black Is a Rainbow Color Angela Joy, 2020-01-14 A child reflects on the meaning of being Black in this moving and powerful anthem about a people, a culture, a history, and a legacy that lives on. Red is a rainbow color. Green sits next to blue. Yellow, orange, violet, indigo, They are rainbow colors, too, but My color is black . . . And there’s no BLACK in rainbows. From the wheels of a bicycle to the robe on Thurgood Marshall's back, Black surrounds our lives. It is a color to simply describe some of our favorite things, but it also evokes a deeper sentiment about the incredible people who helped change the world and a community that continues to grow and thrive. Stunningly illustrated by Caldecott Honoree and Coretta Scott King Award winner Ekua Holmes, Black Is a Rainbow Color is a sweeping celebration told through debut author Angela Joy’s rhythmically captivating and unforgettable words. An ALSC Notable Children's Book 2021 An NCTE 2021 Notable Poetry Book A 2021 Notable Social Studies Trade Book of the NCSS/CBC A New York Public Library Best Book of 2020 A Washington Post Best Book of 2020 A Horn Book Fanfare Best Book of the Year A 2020 Jane Addams Children's Book Award Honoree |
| black history month flyer: What's Black about It? Pepper Miller, Herb Kemp, 2005 At last--in-depth, qualitative insights paint an eye-opening picture of Black culture and the Black lifestyle and how to connect your products and services with Black consumers.What's Black About It? presents historical, psychological, and cultural influences that delve far deeper into the Black experience than the demographics that are at the heart of other ethnic marketing books and market research reports. Now you will be able to break through stereotypes to better understand and relate to African-American consumers.Other ethnic marketing books may include a general chapter or two on Black consumers. What's Black About It? focuses on African-American consumers and engages you with bold graphics, pop-culture sidebars, insights from focus groups, and examples from current advertising and marketing campaigns. |
| black history month flyer: Night Flyer Tiya Miles, 2024-06-18 “Groundbreaking...Through Tiya Miles’ meticulous research and an unwavering focus on Tubman’s humanity, Night Flyer has transformed a fantastical figure from a bygone time into an accessible, modern-day inspiration.” - The Atlanta Journal-Constitution “Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood. Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path. |
| black history month flyer: Hip-Hop Culture in College Students’ Lives Emery Petchauer, 2012-03-22 Hip-Hop Culture in College Students' Lives explores how diverse groups of young adults embody hip-hop culture and actively connect it to their lives on college campuses. |
| black history month flyer: Richard Wright Keneth Kinnamon, 2006-03-13 African-American writer Richard Wright (1908-1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author's earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics. |
| black history month flyer: Teaching Black History to White People Leonard N. Moore, 2021-09-14 Leonard Moore has been teaching Black history for twenty-five years, mostly to white people. Drawing on decades of experience in the classroom and on college campuses throughout the South, as well as on his own personal history, Moore illustrates how an understanding of Black history is necessary for everyone. With Teaching Black History to White People, which is “part memoir, part Black history, part pedagogy, and part how-to guide,” Moore delivers an accessible and engaging primer on the Black experience in America. He poses provocative questions, such as “Why is the teaching of Black history so controversial?” and “What came first: slavery or racism?” These questions don’t have easy answers, and Moore insists that embracing discomfort is necessary for engaging in open and honest conversations about race. Moore includes a syllabus and other tools for actionable steps that white people can take to move beyond performative justice and toward racial reparations, healing, and reconciliation. |
| black history month flyer: Tony Brown's Journal , 1990 |
| black history month flyer: Behind the Pen Khali Raymond, savage writer, 2016-10-01 |
| black history month flyer: Crime and Poetry Amanda Flower, 2016-04-05 From the national bestselling author of the Amish Quilt Shop Mysteries comes the first charming caper in the Magical Bookshop Mystery series. Rushing home to sit by her ailing grandmother’s bedside, Violet Waverly is shocked to find Grandma Daisy the picture of perfect health. Violet doesn’t need to read between the lines: her grandma wants Violet back home and working in her magical store, Charming Books. It’s where the perfect book tends to fly off the shelf and pick you... Violet has every intention to hightail it back to Chicago, but then a dead man is discovered clutching a volume of Emily Dickinson’s poems from Grandma Daisy’s shop. The victim is Benedict Raisin, who recently put Grandma Daisy in his will, making her a prime suspect. Now, with the help of a tuxedo cat named Emerson, Violet will have to find a killer to keep Grandma from getting booked for good... |
| black history month flyer: The Social Life of DNA Alondra Nelson, 2016 The unexpected story of how genetic testing is affecting race in America We know DNA is a master key that unlocks medical and forensic secrets, but its genealogical life is both revelatory and endlessly fascinating. Tracing genealogy is now the second-most popular hobby amongst Americans, as well as the second-most visited online category. This billion-dollar industry has spawned popular television shows, websites, and Internet communities, and a booming heritage tourism circuit. The tsunami of interest in genetic ancestry tracing from the African American community has been especially overwhelming. In The Social Life of DNA, Alondra Nelson takes us on an unprecedented journey into how the double helix has wound its way into the heart of the most urgent contemporary social issues around race. For over a decade, Nelson has deeply studied this phenomenon. Artfully weaving together keenly observed interactions with root-seekers alongside illuminating historical details and revealing personal narrative, she shows that genetic genealogy is a new tool for addressing old and enduring issues. In The Social Life of DNA, she explains how these cutting-edge DNA-based techniques are being used in myriad ways, including grappling with the unfinished business of slavery: to foster reconciliation, to establish ties with African ancestral homelands, to rethink and sometimes alter citizenship, and to make legal claims for slavery reparations specifically based on ancestry. Nelson incisively shows that DNA is a portal to the past that yields insight for the present and future, shining a light on social traumas and historical injustices that still resonate today. Science can be a crucial ally to activism to spur social change and transform twenty-first-century racial politics. But Nelson warns her readers to be discerning: for the social repair we seek can't be found in even the most sophisticated science. Engrossing and highly original, The Social Life of DNA is a must-read for anyone interested in race, science, history and how our reckoning with the past may help us to chart a more just course for tomorrow. |
| black history month flyer: Transcultural Marketing Marye Tharp, 2014-12-17 Because American consumers transmigrate between social identities in expressing their values and affiliations, marketers must apply transcultural marketing methods and offer a cultural values proposition to build long-term customer relationships. This unique book weaves these topics into profiles of 9 influential American subcultures currently shaping their members marketplace choices. |
| black history month flyer: Show and Prove Sofia Quintero, 2015-07-14 A must-read for fans of Walter Dean Myer's All the Right Stuff and other lovers of proud urban realism. —Kirkus Reviews The summer of 1983 was the summer hip-hop proved its staying power. The South Bronx is steeped in Reaganomics, war in the Middle East, and the twin epidemics of crack and AIDS, but Raymond “Smiles” King and Guillermo “Nike” Vega have more immediate concerns. Smiles was supposed to be the assistant crew chief at his summer camp, but the director chose Cookie Camacho instead, kicking off a summer-long rivalry. Meanwhile, the aspiring b-boy Nike has set his wandering eye on Sara, the sweet yet sassy new camp counselor, as well as top prize at a breakdancing competition downtown. The two friends have been drifting apart ever since Smiles got a scholarship to a fancy private school, and this summer the air is heavy with postponed decisions that will finally be made. Raw and poignant, this is a story of music, urban plight, and racial tension that’s as relevant today as it was in 1983. |
| black history month flyer: Black Political History Ken Raymond, 2021-01-13 As I researched the African American journey for civil rights throughout history, I discovered many great sources of information. Some of the best places include the Copley Square Library in Boston and the library in the Massachusetts State House on Beacon Street.The libraries within the North Carolina Legislative Building and Wake Forest University have also been great sources of information. But I have to say, beyond a shadow of a doubt, that the best source of information is the Frederick Douglass Papers in the Library of Congress.When I discovered the Frederick Douglass Papers on the Library of Congress website, I believe I felt like the early 19th-century miners, who, after investing all their strength, energy, and youth digging into the earth and into mountains, finally struck gold!It has been years since I first discovered the Frederick Douglass Papers. But to this day, I am still amazed when I visit the website and read the hundreds of digitally preserved, handwritten letters and documents authored by the hand of Frederick Douglass himself. These letters reveal the unedited, unfiltered thoughts and beliefs of one of greatest civil rights heroes in history. Addressed to friends, colleagues, and supporters, in them Douglass opens his heart, not only about the issues of his day but about other historical figures such as Abraham Lincoln, Ulysses S. Grant, Benjamin Harrison, members of Congress, and many others.It was among this treasure trove of history where I found a letter written by Douglass in which he offers advice to a friend expressing concern about the future of black Americans. In his comments, Douglass describes what he believed to be the best place for African Americans as the arch of safety. The arch of safety, the place of shelter and protection from storms, is described in this book. In that same letter, Douglass issued a prophetic warning to all black Americans that graphically describes the condition of blacks in urban areas throughout America today. Douglass describes this condition as the the mouth of the lion. Douglass's definition of the mouth of the lion is also found in this book. The day I discovered the Frederick Douglass Papers was a very happy day for me. But as I read his letters, I also became a little angry because many of his thoughts and beliefs are not taught in educational institutions.If they were, the public would know that Frederick Douglass was not only a civil rights hero--he was something of a prophet. |
| black history month flyer: Smithsonian National Museum of African American History and Culture Between 14th and 15th Streets NW and Constitution Avenue, NW and Madison Drive, NW , 2008 |
| black history month flyer: Kwanzaa Keith A. Mayes, 2009 Kwanzaa is an African American holiday celebrated from December 26 to January 1, while celebrating Kwanzaa people eat delicious foods, wear special clothes, sing, dance, and celebrate their ancestors. |
| black history month flyer: Department of the Interior and Related Agencies Appropriations for 1989: Institute of Museum Services United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1988 |
| black history month flyer: Hip Hop Versus Rap Patrick Turner, 2017-05-25 'What is the real hip hop?' 'To whom does hip hop belong?' 'For what constructive purposes can hip hop be put to use?' These are three key questions posed by hip hop activists in Hip Hop Versus Rap, which explores the politics of cultural authenticity, ownership, and uplift in London’s post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this ‘conscious’ hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop ‘off-street’ in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills. Hip Hop Versus Rap seeks to portray how cultural activism, which styles itself grassroots and mature, is framed around a discursive opposition between what is authentic and ethical in hip hop culture and what is counterfeit and corrupt. Turner identifies that this play of difference, framed as an ethical schism, also presents hip hop’s organic intellectuals with a narrative that enables them to align their insurgent values with those of policy and to thereby receive institutional support. This enlightening volume will be of interest to post-graduates and scholars interested in hip hop studies; youth work; critical pedagogy; young people and crime/justice; the politics of race/racism; the politics of youth/education; urban governance; social movement studies; street culture studies; and vernacular studies. |
| black history month flyer: Idea Book for Club Managers United States. Adjutant General Center. Club and Community Activities Management Directorate, 1979 |
| black history month flyer: Department of the Interior and Related Agencies Appropriations for 1992: Justification of the budget estimates, Indian health United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1991 |
| black history month flyer: Miss Ivy's Tea Room Marlene Rose-Clarke, 2013-07-12 Miss Ivys Tea Room has a quilt of characters, each with a story of adversity. They find solace in a hot cup of tea within the warm atmosphere of a tea room operated by the proprietor, Ms. Julia Horne. The beautiful Ms. Horne also has a story; born to Jamaican immigrants, she strives to accomplish the American dream through feminism, assimilation, and love. Her daughter Victoria Horne, a young, corporate executive is living the American Dream with resentment. At the tea room, Julia meets new and fascinating people; the one thing Julia and Victoria never expected to find in the tea room is love. Enter Charles Blackman, a former professional basketball player turned entrepreneur and Mason Green, a famous Broadway and television actor, each embrace the unexpected during turning points in their lives. |
| black history month flyer: Becoming Beatriz Tami Charles, 2019-09-17 A compelling read about the quest for fame! —Debbie Allen, star of Fame Redemption is a heartbeat away. —Guadalupe Garcia McCall, author of the Pura Belpre Award winner Under the Mesquite Beatriz dreams of a life spent dancing--until tragedy on the day of her quinceañera changes everything. Up until her fifteenth birthday, the most important thing in the world to Beatriz Mendez was her dream of becoming a professional dancer and getting herself and her family far from the gang life that defined their days--that and meeting her dance idol Debbie Allen on the set of her favorite TV show, Fame. But after the latest battle in a constant turf war leaves her brother, Junito, dead and her mother grieving, Beatriz has a new set of priorities. How is she supposed to feel the rhythm when her brother's gang needs running, when her mami can't brush her own teeth, and when the last thing she can remember of her old self is dancing with her brother, followed by running and gunshots? When the class brainiac reminds Beatriz of her love of the dance floor, her banished dreams sneak back in. Now the only question is: will the gang let her go? Set in New Jersey in 1984, Beatriz's story is a timeless one of a teenager's navigation of romance, her brother's choices, and her own family's difficult past. A companion novel to the much-lauded Like Vanessa. |
| black history month flyer: Colour Matters Carl E. James, 2021 Written over a period of more than two decades, Colour Matters is a collection of essays that shows how race informs the aspirational pursuits of Black youth in the Greater Toronto Area. |
| black history month flyer: Gender, Race, and Class in Media Gail Dines, Jean McMahon Humez, 2011 -51 contemporary articles are new to this edition, with 14 classic pieces retained from prior editions. |
| black history month flyer: The Future of Scholarship on Race in Organizations Eden B. King, Quinetta M. Roberson, Mikki R. Hebl, 2022-06-01 Since the term “workforce diversity” was first coined in the 1990s, the topic has received consistent and increasing attention by researchers. Over the last 30 years, a body of theory and research has amassed which recognizes diversity as an important work unit characteristic and explored its influence on organizational functioning and performance. Despite these advancements, the field is at a critical juncture where new ideas, emphases, theories, predictions and approaches are needed to propel our understanding of the meaning, import and functioning of diversity in organizations. Accordingly, this volume looks to the future of diversity work, both with regard to the content of the chapters and to the contributors. We endeavored to give a voice to emerging scholars who are the future of our field and can help to set a future research agenda to push our understanding of diversity in organizations. The scholars raise new and provocative questions about race in organizations that deliberate on the state of our science, our understanding of complex experiences of race, and a more nuanced view of race in terms of intersectionalities. Overall, each of these chapters provokes the status quo and, in so doing, offers a fresh perspective on the study of diversity in general and race and racism more specifically. We believe the end result is a more comprehensive exploration of the phenomenon and the development of an exciting future research agenda. |
| black history month flyer: Queer Latinidad Juana María Rodríguez, 2003 The author documents the ways in which identity formation and representation within the gay Latinidad population impacts gender and cultural studies today. |
| black history month flyer: Everything and Nothing at Once Joél Leon, 2024-06-04 For readers of Heavy, Punch Me Up to The Gods, and A Little Devil in America, a beautiful, painful, and soaring tribute to everything that Black men are and can be. Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills in his wallet. He absorbed the “facts” that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn’t until years later that Joél understood he didn’t have to be defined by these things. Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and lighthearted, from contemplating male beauty standards and his belly to his decision to seek therapy to the difficulties of making co-parenting work, Joél cracks open his heart to reveal his multitudes. “I learned that being Black is an all-encompassing everything...To be Black, to be a Black man in the era I grew up in, was easily everything and nothing at once.” Crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like “How to Make a Black Friend.” consider challenging, delightful and absurd moments in relationships, while others like “Sensitive Thugs All Need Hugs” and “All Gold Everything” ponder the collective harms of society's lens. With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America. |
| black history month flyer: The Army Lawyer , 2005 |
| black history month flyer: Denmark Vesey’s Garden Ethan J. Kytle, Blain Roberts, 2018-04-03 One of Janet Maslin’s Favorite Books of 2018, The New York Times One of John Warner’s Favorite Books of 2018, Chicago Tribune Named one of the “Best Civil War Books of 2018” by the Civil War Monitor “A fascinating and important new historical study.” —Janet Maslin, The New York Times “A stunning contribution to the historiography of Civil War memory studies.” —Civil War Times The stunning, groundbreaking account of the ways in which our nation has tried to come to grips with its original sin (Providence Journal) Hailed by the New York Times as a fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most, Denmark Vesey's Garden maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, Kytle and Roberts's combination of encyclopedic knowledge of Charleston's history and empathy with its inhabitants' past and present struggles make them ideal guides to this troubled history (Publishers Weekly, starred review). A work the Civil War Times called a stunning contribution, Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States. |
| black history month flyer: What the Hell Do You Have to Lose? Juan Williams, 2018-09-25 The bestselling author, political analyst, and civil rights expert delivers a forceful critique of the Trump administration's ignorant and unprecedented rollback of the civil rights movement. In this powerful and timely book, civil rights historian and political analyst Juan Williams denounces Donald Trump for intentionally twisting history to fuel racial tensions for his political advantage. In Williams's lifetime, crusaders for civil rights have braved hatred, violence, and imprisonment, and in so doing made life immeasurably better for African Americans and other marginalized groups. Remarkably, all this progress suddenly seems to have been forgotten -- or worse, undone. The stirring history of hard-fought and heroic battles for voting rights, integrated schools, and more is under direct threat from an administration dedicated to restricting these basic freedoms. Williams pulls the fire alarm on the Trump administration's policies, which pose a threat to civil rights without precedent in modern America. What the Hell Do You Have to Lose? makes a searing case for the enduring value of our historic accomplishments and what happens if they are lost. |
| black history month flyer: Pasifika Black Quito Swan, 2024-12-03 ASALH 2023 Book Prize Winner A lively living history of anti-colonialist movements across the Atlantic, Pacific, and Indian Oceans Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation. Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria’s Wole Soyinka, the Nuclear Free and Independent Pacific’s Amelia Rokotuivuna, Samoa’s Albert Wendt, African American anthropologist Angela Gilliam, the NAACP’s Roy Wilkins, West Papua’s Ben Tanggahma, New Caledonia’s Déwé Gorodey, and Polynesian Panther Will ‘Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans. In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South. |
| black history month flyer: Department of the Interior and related agencies appropriations for 1989 United States. Congress. House. Committee on Appropriations. Subcommittee on Dept. of the Interior and Related Agencies, 1988 |
| black history month flyer: Troop 6000 Nikita Stewart, 2020-06-25 The extraordinary true story of the first Girl Scout troop designated for homeless girls - from the homeless families it brought together in Queens, New York, to the amazing citywide and countrywide responses it sparked. Giselle Burgess, a young mother of five, and her children, along with others in the shelter, become the catalyst for Troop 6000. Having worked for the Girl Scouts earlier on, Giselle knew that these girls, including her own daughters, needed something they could be a part of, where they didn't need to feel the shame or stigma of being homeless, but could instead develop skills and build a community that they could be proud of. New York Times journalist Nikita Stewart embedded with Troop 6000 for more than a year, at the peak of New York City's homelessness crisis in 2017, spending time with the girls and their families and witnessing both their triumphs and challenges. Stewart takes the reader with her as she paints intimate portraits of Giselle's family and the others whom she met along the way. Readers will feel an instant connection and express joy when a family finally moves out of the shelter and into a permanent home, as well as the pain of the day-to-day life of homelessness. And they will cheer when the girls sell their very first cookies. Ultimately, Troop 6000 puts a different face on homelessness. Stewart shows how shared experiences of poverty and hardship sparked the political will needed to create the troop that would expand from one shelter to fifteen in New York City and ultimately to other cities around the country. Also woven throughout the book is a history of the Girl Scouts, and how the organization has changed and adapted to fit the times, meeting the needs of girls from all walks of life. Troop 6000 is the ultimate story of how when we come together, we can improve our circumstances, find support and commonality, and experience joy, no matter how challenging life may be. |
| black history month flyer: Library Company of Philadelphia: 1986 Annual Report , |
| black history month flyer: Disgruntled Asali Solomon, 2015-02-03 An elegant, vibrant, startling coming-of-age novel, for anyone who's ever felt the shame of being alive Kenya Curtis is only eight years old, but she knows that she's different, even if she can't put her finger on how or why. It's not because she's black—most of the other students in the fourth-grade class at her West Philadelphia elementary school are too. Maybe it's because she celebrates Kwanzaa, or because she's forbidden from reciting the Pledge of Allegiance. Maybe it's because she calls her father—a housepainter-slash-philosopher—Baba instead of Daddy, or because her parents' friends gather to pour out libations from the Creator, for the Martyrs and discuss the community. Kenya does know that it's connected to what her Baba calls the shame of being alive—a shame that only grows deeper and more complex over the course of Asali Solomon's long-awaited debut novel. Disgruntled, effortlessly funny and achingly poignant, follows Kenya from West Philadelphia to the suburbs, from public school to private, from childhood through adolescence, as she grows increasingly disgruntled by her inability to find any place or thing or person that feels like home. A coming-of-age tale, a portrait of Philadelphia in the late eighties and early nineties, an examination of the impossible double-binds of race, Disgruntled is a novel about the desire to rise above the limitations of the narratives we're given and the painful struggle to craft fresh ones we can call our own. |
| black history month flyer: The Afro-Latin@ Reader Miriam Jiménez Román, Juan Flores, 2010-07-07 The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews. While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view. Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood |
| black history month flyer: Lewis University Kurt Schackmuth, Carol Wassberg, 2002 Now the twelfth largest among more than 50 private colleges and universities in the State of Illinois, Lewis University was established in 1932 as a small aeronautical school for boys and has developed into a dynamic, coeducational, and comprehensive Catholic university with a richly diverse student body. Founded by the Archdiocese of Chicago and now sponsored by the De La Salle Christian Brothers, Lewis is faithful to its Catholic and Lasallian heritage, offering a values-centered curriculum rich in the Mission values of knowledge, fidelity, wisdom, and justice and guided by the spirit of association, which fosters community in teaching, learning, and service. As Lewis celebrates its 70th anniversary, this volume provides a visual glimpse into the history of this unique institution. Included are photographs of its humble beginnings, its evolution during and after World War II, dynamic enrollment growth during the 1960s, the dramatic campus transformation through construction, its student activities, its athletic successes, and the campus today. |
| black history month flyer: The Digital Youth Network Brigid Barron, Kimberley Gomez, 2014-06-27 8 Challenges and Opportunities of Developing Digital Media Citizens -- III Looking Ahead: Implications for Design and Research -- 9 Creative Learning Ecologies by Design: Insights from the Digital Youth Network -- 10 Advancing Research on the Dynamics of Interest-Driven Learning -- 11 Scaling Up -- Notes -- References -- Index |
| black history month flyer: Blackballed Lawrence Ross, 2016-02-02 College is a word that means many things to many people: a space for knowledge, a place to gain lifelong friends, and an opportunity to transcend one's socioeconomic station. Today, though, this word also recalls a slew of headlines that have revealed a dark and persistent world of racial politics on campus. Does this association disturb our idealized visions of what happens behind the ivied walls of higher learning? It should-because campus racism on college campuses is as American as college football on Fall Saturdays. From Lawrence Ross, author of The Divine Nine and the leading expert on sororities and fraternities, Blackballed is an explosive and controversial book that rips the veil off America's hidden secret: America's colleges have fostered a racist environment that makes them a hostile space for African American students. Blackballed exposes the white fraternity and sorority system, with traditions of racist parties, songs, and assaults on black students; and the universities themselves, who name campus buildings after racist men and women. It also takes a deep dive into anti-affirmative action policies, and how they effectively segregate predominately white universities, providing ample room for white privilege. A bold mix of history and the current climate, Blackballed is a call to action for universities to make radical changes to their policies and standards to foster a better legacy for all students. |
| black history month flyer: Talent Knows No Color Elaine Clift Gore, 2007-10-01 In the summer of 1970, the members of the New Orleans Fifth Circuit Court of Appeals understood clearly the realities of race in the South. Houston, Texas, like other Southern cities, had made haste toward racial school desegregation as slowly as the White Southern Federal courts would allow. When the High School of Performing and Visual Arts opened its doors in Houston a year later, a new superintendent and liberal-dominated Board of Education wished to demonstrate the positive potential of a voluntarily desegregated student body. HSPVA was the first United States public school for the arts specifically used for racial desegregation purposes, the prototype for the first public urban magnet program of desegregation used to replace a standing court order, and a continuing prototype for other public magnet schools for the arts across the United States. Talent Knows No Color is a 35-year history of HSPVA, exemplary in both arts and academics, which chronicles multi-perspective participant experiences within the context of ever-changing district education policies and demographics. Ten years of school system and HSPVA archival research, examination of local newspapers, and oral history interviews allow a rich narrative unusual among the already limited number of scholarly histories of individual public schools. It is the description and analysis of everyday occurrences that assist the reader in understanding what Series Editor O. L. Davis, Jr. refers to as “the continuing, likely never ending, practical development of one particular high school and its curriculum.” |
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