Advertisement
| black history month jazz: This Jazz Man Karen Ehrhardt, 2006-11-01 In this toe-tapping jazz tribute, the traditional This Old Man gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound divine. Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician. |
| black history month jazz: A Celebration of Black History through Music Blair Bielawski, 2010-09-01 Introduce your students to the rich history of African-American music with A Celebration of Black History through Musicfrom spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, A Celebration of Black History through Music highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class. |
| black history month jazz: Buses Are a Comin' Charles Person, Richard Rooker, 2021-04-27 A firsthand exploration of the cost of boarding the bus of change to move America forward—written by one of the Civil Rights Movement's pioneers. At 18, Charles Person was the youngest of the original Freedom Riders, key figures in the U.S. Civil Rights Movement who left Washington, D.C. by bus in 1961, headed for New Orleans. This purposeful mix of black and white, male and female activists—including future Congressman John Lewis, Congress of Racial Equality Director James Farmer, Reverend Benjamin Elton Cox, journalist and pacifist James Peck, and CORE field secretary Genevieve Hughes—set out to discover whether America would abide by a Supreme Court decision that ruled segregation unconstitutional in bus depots, waiting areas, restaurants, and restrooms nationwide. Two buses proceeded through Virginia, North and South Carolina, to Georgia where they were greeted by Dr. Martin Luther King Jr., and finally to Alabama. There, the Freedom Riders found their answer: No. Southern states would continue to disregard federal law and use violence to enforce racial segregation. One bus was burned to a shell, its riders narrowly escaping; the second, which Charles rode, was set upon by a mob that beat several riders nearly to death. Buses Are a Comin’ provides a front-row view of the struggle to belong in America, as Charles Person accompanies his colleagues off the bus, into the station, into the mob, and into history to help defeat segregation’s violent grip on African American lives. It is also a challenge from a teenager of a previous era to the young people of today: become agents of transformation. Stand firm. Create a more just and moral country where students have a voice, youth can make a difference, and everyone belongs. |
| black history month jazz: Jazz and Justice Gerald Horne, 2019-06-18 A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration. |
| black history month jazz: Orchestral "Pops" Music Lucy Manning, 2013-10-10 In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras. |
| black history month jazz: Rooted Jazz Dance Lindsay Guarino, Carlos R.A. Jones, Wendy Oliver, 2022-02-01 National Dance Education Organization Ruth Lovell Murray Book Award UNCG | Susan W. Stinson Book Award for Dance Education An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors: LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell Durden Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. |
| black history month jazz: Global Black Narratives for the Classroom: Britain and Europe BLAM UK, 2023-11-30 Rather than reserving the teaching of Black history to Black history month, Black narratives deserve to be seen and integrated into every aspect of the school curriculum. A unique yet practical resource, Global Black Narratives addresses this issue by providing primary teachers with a global outline of Black history, culture and life within the framework of the UK’s National Curriculum. Each topic explored in this essential book provides teachers and teaching assistants with historical, geographic and cultural context to build confidence when planning and teaching. Full lesson plans and printable worksheets are incorporated into each topic, alongside tips to build future lessons in line with the themes explored. Volume I of this book explores the following parts: Part 1 examines Black Britain, a term used to refer to African and Caribbean immigrants to the United Kingdom and their descendants. Teachers will gain essential contextual knowledge and the practical skills to deliver lessons exploring many examples of Black Britain, dating as far back as the Tudor period. Part 2 explores Black Presence in Europe, providing focused examples of Black narratives. Topics explored include Negritude, Josephine Baker, Afro-Spaniards and the Moorish occupation of Spain, Afro-Surinamese people in the Netherlands and Black presence in France. Created by BLAM UK, this highly informative yet practical resource is an essential read for any teacher, teaching assistant or senior leader who wishes to diversify their curriculum and address issues of Black representation within their school. |
| black history month jazz: Black British Jazz Dr Jason Toynbee, Dr Catherine Tackley, Dr Mark Doffman, 2014-08-28 Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. The volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. It will engage scholars of music and cultural studies not only in Britain, but across the world. |
| black history month jazz: Annual Report National Endowment for the Arts, 1967 Reports for 1980-19 also include the Annual report of the National Council on the Arts. |
| black history month jazz: Soundtrack to a Movement Richard Brent Turner, 2021-04-27 **FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa. |
| black history month jazz: Black Music LeRoi Jones (Amiri Baraka), 2023-12-04 A maioria dos críticos de jazz até agora são americanos brancos, enquanto os principais músicos não Black Music: free jazz e consciência negra (1959-1967), de Amiri Baraka (LeRoi Jones), é um dos exercícios mais radicais e selvagens de crítica musical que já foi posto em prática. Nestes ensaios, resenhas, entrevistas, encartes, crônicas e impressões pessoais publicados entre 1959 e 1967, Baraka retrata a florescente cena do free jazz, um movimento que envolveu o aprofundamento das inovações sonoras do bebop e a recuperação do jazz como expressão autêntica da cultura afro-estadunidense em uma época em que seu sucesso comercial a tornava um gênero padronizado e palatável para a amérikkka branca. Figura central e unificadora do movimento Beat nos anos 50 e Black Power nas décadas seguintes, Amiri lança mão de uma linguagem elétrica e furiosa que reflete a liberdade de improvisação do free jazz para deixar claro que essa música só pode ser compreendida como parte de um conjunto de experiências, que ao longo do século XX, moldaram uma nova consciência do que significava ser negro nos Estados Unidos. E é por isso que os seus intérpretes, entre os quais se destacam John Coltrane, Ornette Coleman, Archie Shepp, Sun Ra, Thelonious Monk, Albert Ayler, Pharoah Sanders, Sonny Rollins, Don Cherry, Wayne Shorter e Cecil Taylor, devem ser considerados, além de grandes músicos: intelectuais ou místicos, ou ambos. |
| black history month jazz: Big Book of African American Activities Carole Marsh, 2002-12 Uses puzzles, games, and activities to explore African American history, geography, heritage, and culture. |
| black history month jazz: Ebony , 2001-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month jazz: Teaching U.S. History Using the Internet , 2002 |
| black history month jazz: Ebony , 2006-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month jazz: Black Tap Dance and Its Women Pioneers Cheryl M. Willis, 2023-04-13 While tap dancers Fred Astaire, Gene Kelly, and Eleanor Powell were major Hollywood stars, and the rhythms of Black male performers such as the Nicholas Brothers and Bill Bojangles Robinson were appreciated in their time, Black female tap dancers seldom achieved similar recognition. Who were these women? The author sought them out, interviewed them, and documented their stories for this book. Here are the personal stories of many Black women tap dancers who were hailed by their male counterparts, performed on the most prominent American stages, and were pioneers in the field of Black tap. |
| black history month jazz: Muddy Michael Mahin, 2017-09-05 An Ezra Jack Keats Book Award Winner A New York Times Best Illustrated Book An NPR Best Book of the Year A Bulletin Blue Ribbon Book A Parents’ Choice Gold Award Winner A picture book celebration of the indomitable Muddy Waters, a blues musician whose fierce and electric sound laid the groundwork for what would become rock and roll. Muddy Waters was never good at doing what he was told. When Grandma Della said the blues wouldn’t put food on the table, Muddy didn’t listen. And when record producers told him no one wanted to listen to a country boy playing country blues, Muddy ignored them as well. This tenacious streak carried Muddy from the hardscrabble fields of Mississippi to the smoky juke joints of Chicago and finally to a recording studio where a landmark record was made. Soon the world fell in love with the tough spirit of Muddy Waters. In blues-infused prose and soulful illustrations, Michael Mahin and award-winning artist Evan Turk tell Muddy’s fascinating and inspiring story of struggle, determination, and hope. |
| black history month jazz: The Coretta Scott King Awards, 1970-1999 Henrietta M. Smith, 1999-06 Provides annotations of the winning and honor books, biographies of prominent African American authors and illustrators, and interviews with Jerry Pinkney and author Walter Dean Myers. |
| black history month jazz: Saxophone Colossus Aidan Levy, 2022-12-06 **Winner of the American Book Award (2023)** **Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the “Saxophone Colossus,” he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden’s Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic “Great Day in Harlem” portrait. His seven-decade career has been well documented, but the backstage life of the man once called “the only jazz recluse” has gone largely untold—until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins’ extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins’ precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012. The story of Sonny Rollins—innovative, unpredictable, larger than life—is the story of jazz itself, and Sonny’s own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians’ own words, part chronicle of one man’s quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history. |
| black history month jazz: Ella Queen of Jazz Helen Hancocks, 2018-10-04 Ella Fitzgerald sang the blues and she sang them good. Ella and her fellas were on the way up! It seemed like nothing could stop her, until the biggest club in town refused to let her play… and all because of her colour. But when all hope seemed lost, little did Ella imagine that a Hollywood star would step in to help. This is the incredible true story of how a remarkable friendship between Ella Fitzgerald and Marilyn Monroe was born – and how they worked together to overcome prejudice and adversity. An inspiring story, strikingly illustrated, about the unlikely friendship between two celebrated female icons of America’s golden age. |
| black history month jazz: History Shock John Dickson, 2021-04-01 For over twenty-five years John Dickson served the United States as a Foreign Service officer in North America, South America, the Caribbean, and Africa. In History Shock: When History Collides with Foreign Relations Dickson offers valuable insights into the daily life of a Foreign Service officer and the work of representing the United States. Dickson organizes History Shock around a country-by-country series of lively personal experience vignettes followed by compelling historical analyses of the ways in which his inadequate understanding of the host country’s history, particularly its prior history with the United States, combined with his lack of knowledge of his own nation’s history led to history shock: where dramatically different interpretations of history blocked diplomatic understanding and cooperation. John Dickson offers these “stories with a history” to highlight the interaction between history and foreign relations and to underscore the costs of not knowing the history of our partners and adversaries, much less our own. In both Mexico and Canada in particular we see how our lack of knowledge and understanding of how our long history of military interventions continues to complicate our efforts at developing mutually beneficial relationships with our two closest neighbors. In Nigeria and South Africa, Dickson experienced firsthand how the history of racism in the United States plays out on a world stage and clouds our ability to effectively work with key African nations. Perhaps the starkest example of history shock, of two nations with deeply conflicted views of their own histories and their shared history, is another country near at hand, Cuba. Not all of the gaps are too wide for bridge building; in Peru, Dickson provides an example of how history can be deployed to mutual advantage. The Foreign Service has long sought to improve its training, to provide some form of “playbook” or “operating manual” with systematic case studies for its officers. In History Shock Dickson provides not only a model for such case studies but also a unique contribution of an interpretive framework for how to remedy this deficit, including recommendations for strengthening historical literacy in the Foreign Service. |
| black history month jazz: Ebony , 2007-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month jazz: From Jazz Novice to Jazz Connoisseur The Jazzsippers Group, 2017-05-23 Become a Jazz Connoisseur In Just One Read...A connoisseur is a person who, through study and interest, has a fine appreciation for something, like the connoisseur who can identify the clarinet player on a jazz recording the sound of his inhalations alone. |
| black history month jazz: Ebony , 1988-08 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month jazz: Going Back Home , 1996 Narrative text describes the artist's paintings and their portrayal of the lives of her African American relatives in the rural American South. |
| black history month jazz: Jazz Diasporas Rashida K. Braggs, 2016-01-26 At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent “authentic” jazz and created spaces for shifting racial and national identities—what Braggs terms “jazz diasporas.” |
| black history month jazz: Keepin’ the Beat Teddy Adams, 2024-10-21 Keepin' the Beat is somewhat of a sequel to the author's first book entitled The Up of the Down Beat. Although this book mainly focuses on the author's hometown, Savannah, Georgia, it also takes you on a journey to other places that share events, experiences, and encounters. Realizing that a lot of information was not included in The Up of the Down Beat and many interesting and meaningful things have happened since it was published, the author was compelled to share more of his life's musical journey. Keepin' the Beat references some of the places and people in his first book and introduces the reader to subsequent and current happenings in his and the lives of musicians. Musicians are creative and sometimes eccentric, but what is important to them is keeping jazz alive and uplifting the human spirit of people who appreciate it. Approaching the twilight of his life's musical journey, this author considers this book to be somewhat of a legacy and culmination of his musical journey. By keepin' the beat, he and other musicians are marching and playing to the beat by perpetuating and creating a music art form that has permeated the world--the art form commonly referred to as jazz. |
| black history month jazz: The Coretta Scott King Awards, 1970-2009 Henrietta M. Smith, 2009-06-29 Gathers together the best African American children's literature. |
| black history month jazz: The Jazz Bubble Dale Chapman, 2018-03-23 Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies. |
| black history month jazz: Digging Amiri Baraka, 2009-05-26 For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous—Max Roach, Charlie Parker, Miles Davis, John Coltrane—and on those whose names are known mainly by jazz aficionados—Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging. |
| black history month jazz: Music at Michigan , 1979 |
| black history month jazz: Great Library Events Mary Grace Flaherty, 2021-04-17 Libraries and library staff are constantly in the process of expanding and adapting services in order to remain responsive to their varied user communities. As part of this trend, there is an increasing emphasis on providing a wide variety of programs and events; this service expansion has been met with broad enthusiasm by library users everywhere. Great Library Events: From Planning to Promotion to Evaluation, with its holistic approach to program provision, serves as an indispensable companion for anyone responsible for event or program planning in their organization. The guide moves through a program’s lifecycle, beginning with the initial steps of defining an event’s scope, ensuring inclusivity, and constructing measurable objectives. It follows with practical considerations such as finding funding, publicizing, assessing outcomes, reporting, and using data to keep the program cycle going. To support each of these steps, and to help ensure successful initiatives, practical examples, templates, and tools are provided throughout. While this book is aimed at library managers and programming staff, it will be helpful for anyone responsible for event or program planning in their organization, whether they are new to the task or seasoned professionals. |
| black history month jazz: Chase's Calendar of Events 2022 Editors of Chase's, 2021-11-15 Find out what's going on any day of the year, anywhere across the globe! The world’s date book since 1957, Chase's is the definitive, authoritative, day-by-day resource of what the world is celebrating. From national days to celebrity birthdays, from historical milestones to astronomical phenomena, from award ceremonies and sporting events to religious festivals and carnivals, Chase's is the must-have reference used by experts and professionals—a one-stop shop with 12,500 entries for everything that is happening now or is worth remembering from the past. Completely updated for 2022, Chase's also features extensive appendices as well as a companion website that puts the power of Chase's at the user's fingertips. 2022 is packed with special events and observances, including National days and public holidays of every nation on Earth Scores of new special days, weeks and months Birthdays of new world leaders, lauded authors, and breakout celebrities Info on key anniversaries, such as the 200th birth anniversaryof Harriet Tubman, the 100th anniversary of the first insulin treatment, the 100th anniversary of the discovery of King Tut's tomb, the 75th anniversary of Jackie Robinson breaking the color line, and the 150th anniversary of Yellowstone. And much more! All from the reference book that Publishers Weekly calls one of the most impressive reference volumes in the world. |
| black history month jazz: DC Jazz Maurice Jackson, Blair A. Ruble, 2018 Cover -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Poems -- Introduction -- 1 Jazz, Great Black Music, and the Struggle for Racial and Social Equality in Washington, DC -- 2 Seventh Street: Black DC's Musical Mecca -- 3 Washington's Duke Ellington -- 4 Bill Brower: Notes from a Keen Observer and Scene Maker -- 5 Jazz Radio in Washington, DC -- 6 Legislating Jazz -- 7 The Beautiful Struggle: A Look at Women Who Have Helped Shape the DC Jazz Scene -- 8 No Church without a Choir: Howard University and Jazz in Washington, DC -- 9 From Federal City College to UDC: A Retrospective on Washington's Jazz University -- 10 Researching Jazz History in Washington, DC -- List of Contributors -- Photo Credits and Permissions -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z |
| black history month jazz: Ebony , 1999-02 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history month jazz: Billboard , 2001-02-10 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| black history month jazz: Hitler's Black Victims Clarence Lusane, 2004-11-23 Drawing on interviews with the black survivors of Nazi concentration camps and archival research in North America, Europe, and Africa, this book documents and analyzes the meaning of Nazism's racial policies towards people of African descent, specifically those born in Germany, England, France, the United States, and Africa, and the impact of that legacy on contemporary race relations in Germany, and more generally, in Europe. The book also specifically addresses the concerns of those surviving Afro-Germans who were victims of Nazism, but have not generally been included in or benefited from the compensation agreements that have been developed in recent years. |
| black history month jazz: Heart Full of Rhythm Ricky Riccardi, 2020-08-05 Nearly 50 years after his death, Louis Armstrong remains one of the 20th century's most iconic figures. Popular fans still appreciate his later hits such as Hello, Dolly! and What a Wonderful World, while in the jazz community, he remains venerated for his groundbreaking innovations in the 1920s. The achievements of Armstrong's middle years, however, possess some of the trumpeter's most scintillating and career-defining stories. But the story of this crucial time has never been told in depth — until now. Between 1929 and 1947, Armstrong transformed himself from a little-known trumpeter in Chicago to an internationally renowned pop star, setting in motion the innovations of the Swing Era and Bebop. He had a similar effect on the art of American pop singing, waxing some of his most identifiable hits such as Jeepers Creepers and When You're Smiling. However as author Ricky Riccardi shows, this transformative era wasn't without its problems, from racist performance reviews and being held up at gunpoint by gangsters to struggling with an overworked embouchure and getting arrested for marijuana possession. Utilizing a prodigious amount of new research, Riccardi traces Armstrong's mid-career fall from grace and dramatic resurgence. Featuring never-before-published photographs and stories culled from Armstrong's personal archives, Heart Full of Rhythm tells the story of how the man called Pops became the first King of Pop. |
| black history month jazz: Ain't But a Few of Us Willard Jenkins, 2022-10-28 Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn |
| black history month jazz: Harlem Travel Guide Carolyn D. Johnson, 2010 Presenting the definitive guide to one of New York City's most fascinating and unsung places-the new Harlem. From West Harlem to Central Harlem to East Harlem, the Harlem Travel Guide is your ticket to all things cultural, historical, entertaining, and delicious. With a rich 350-year history, Harlem has been host to some of the most creative, influential, and captivating people of our times, and its ethnic diversity and wealth of talent make Harlem an experience not to be missed.In the Harlem Travel Guide, you'll discover where to find: o the most elegant boutique accommodationso fine-dining establishments that offer outstanding international cuisineo museums and art galleries that feature important exhibitions of works by African, African-American, African-Caribbean and Latin artists o performance halls that provide the finest in theater, opera, and danceo cultural institutions that offer a wide range of multimedia happenings o Nineteenth- and twentieth-century architectural treasureso a wealth of landmark historical sites o music venues and nightclubs that run the gamut from classical strains to R&B to soul, hip-hop to gospel, world-class jazz to hot Latin beatso uncommonly known cultural and historical factso full-color maps of each distinctive area & a listing of exciting annual eventso useful tips of how to meet all of your travel needs Whether you're a resident or are visiting the Big Apple for the first time, isn't it time you discovered New York's most fascinating destination? |
SMMUSD Celebrates Black History Month with JAZZ REACH’s …
In honor of Black History Month, the Santa Monica-Malibu Unified School District (SMMUSD) continued its partnership with JAZZ REACH, a nationally renowned nonprofit music organization …
Copy of FEB NEWS 2024 - Jazz Pensacola
MUSICAL CELEBRATION OF BLACK HISTORY MONTH BY DEBORAH LAYMAN Jazz Pensacola and the West Florida Public Libraries are partnering to present a series of free library concerts by Joe …
BLACK HISTORY MONTH
Students, working either independently or in small groups, can explore a jazz timeline complete with composer and performer bios and samples of their music; there’s also a map showing the major …
Black History Month Lessons: Being Heard: Music Resistance …
highlight details that show why Jazz music was significant for Black Americans, and how it influenced or changed American society. 3. Discuss: On your Learning Management Platform, …
BLACK HISTORY CELEBRATION
In celebration of February as Black History Month, Jazz 91.9 WCLK will highlight the accomplishments and contributions of African Americans through a series of special programming.
Black History Month Resource Guide (2025) - unitedwaysca.org
Black History is American History! This year's theme is “African Americans and Labor,” which highlights the various and profound ways that work and working of all kinds – free and unfree, …
Jazz as Black History: Teaching African American History …
Nov 17, 2017 · This curriculum unit will focus on African American history in the 20th century as it relates to the development of Jazz and its various styles from the early 20th to the mid-20th …
Black History Month Jazz - database.groundswellfund
black history month jazz: A Celebration of Black History through Music Blair Bielawski, 2010-09-01 Introduce your students to the rich history of African-American music with A Celebration of Black …
Black History Month Jazz and Blues artists celebrated on record
Turning from jazz to rhythm & blues, we find Mary Wilson's Dream- girl: My Life as a Supreme (St. Mar- tin's Press). Wilson was the other Supreme, not Diana Ross, who went on to her own, still …
Student Life & Leadership Celebrates Black History Month
Black History Month. February 14th. 12 Noon. SC104. Dessert Bar. Jazz performance by our very own MCCC. Jazz Band and music by. Carey Hamilton from JazzOn2. Title: Student Life & …
Black History Month - Cloudinary
“The Doctor of Jazz,” Frank Hatchett was a jazz performer in theater, movies, television, and concerts before turning to teaching. He is the creator of the “VOP” style of jazz, taken from the …
St. Cyprian’s Episcopal Church Black History Month Jazz Vespers
Feb 18, 2024 · Black History Month Jazz Vespers Featuring the Singing of Lisa Lockhart, Soprano Lloyd Reshard, Jr., Bass-Baritone Ebony Lennox, Mezzo Soprano Kathleen Vande Berg, …
Black History Month Pathfinder - Elizabeth Public Schools
To access print resources for Black History Month, click on the Destiny Catalog link above. Click on Bethesda Elementary and then click Catalog. Click Resources Lists on the left hand side of the …
Celebrating Black History Month
Jazz Concert Celebrating Black History Month Jazz duo Calvin Chiang and Sevan Kendir perform a selection of jazz compositions by African-American composers. Saturday, Feb. 22 • 3:30 p.m. • …
AFRICAN AMERICANS AND LABOR BLACK HISTORY MONTH
The 2025 Black History Month theme, “African Americans, and Labor,” focuses on the profound ways that work of all kinds – whether free and unfree, skilled, and unskilled, vocational and …
CASTLE HILL YMCA PRESENTS BLACK HISTORY MONTH …
BLACK HISTORY MONTH JAZZ BRUNCH Join us for a jazzy brunch and share stories with fellow community members to celebrate Black History Month! SUNDAY February 26th, 12 - 2 PM …
February 1st February 3 February 6 February 7 - desertrosehs.org
Feb 9, 2023 · In honor of black history month Who am I– I was instrumental in the development ofjazz, I was considered one of the top musicians of my era. Born in Illinois in 1926, I traveled at …
Black History Music Month - database.groundswellfund
black history music month: This Jazz Man Karen Ehrhardt, 2006-11-01 In this toe-tapping jazz tribute, the traditional This Old Man gets a swinging makeover, and some of the era's best …
IN RECOGNITION OF BLACK HISTORY MONTH AT THE …
Jazz composer Eubie Blake performs for President and Mrs. Jimmy Carter and guests at the White House Jazz Festival on the South Grounds, 1978. As a pianist and composer of ragtime, jazz, and …
Black History Month - Girl Scouts of the USA
Learn about African American folk art and share with your family or troop a picture of your favorite piece, some background information about it, and why you like it. 6. Listen to some prominent …
SMMUSD Celebrates Black History Month with JAZZ R…
In honor of Black History Month, the Santa Monica-Malibu Unified School District (SMMUSD) continued its partnership with JAZZ REACH, a …
Copy of FEB NEWS 2024 - Jazz Pensacola
MUSICAL CELEBRATION OF BLACK HISTORY MONTH BY DEBORAH LAYMAN Jazz Pensacola and the West Florida Public Libraries are partnering to …
BLACK HISTORY MONTH
Students, working either independently or in small groups, can explore a jazz timeline complete with composer and performer bios and samples of their …
Black History Month Lessons: Being Heard: Musi…
highlight details that show why Jazz music was significant for Black Americans, and how it influenced or changed American society. 3. …
BLACK HISTORY CELEBRATION
In celebration of February as Black History Month, Jazz 91.9 WCLK will highlight the accomplishments and contributions of African Americans …
