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| blade runner 2049 analysis: Ubik Philip K. Dick, 2012 A mind-bending, classic Philip K. Dick novel about the perception of reality. Named as one of Time's 100 best books. |
| blade runner 2049 analysis: Lacanian Perspectives on Blade Runner 2049 Calum Neill, 2020-12-18 This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis. |
| blade runner 2049 analysis: Pale Fire Vladimir Nabokov, 2024-02-18 The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum. |
| blade runner 2049 analysis: Philosophy and Blade Runner Timothy Shanahan, 2016-04-30 Philosophy and Blade Runner explores philosophical issues in the film Blade Runner , including human nature, personhood, identity, consciousness, free will, morality, God, death, and the meaning of life. The result is a novel analysis of the greatest science fiction film of all time and a unique contribution to the philosophy of film. |
| blade runner 2049 analysis: Motherhood Sheila Heti, 2018-05-24 'A response - finally - to the new norms of femininity' Rachel Cusk Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice. In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for whom - to live. 'Likely to become the defining literary work on the subject' Guardian 'Courageous, necessary, visionary' Elif Batuman 'Quietly affecting... As concerned with art as it is with mothering' Sally Rooney 'Groundbreaking in its fluidity' Spectator **A Daily Telegraph, Financial Times, Irish Times, Refinery29, TLS and The White Review Book of the Year ** |
| blade runner 2049 analysis: Dark Horizons Tom Moylan, Raffaella Baccolini, 2013-12-02 First published in 2003. With essays by an international and interdisciplinary group of scholars, Dark Horizons focuses on the development of critical dystopia in science fiction at the end of the twentieth century. In these narratives of places more terrible than even the reality produced by the neo-conservative backlash of the 1980s and the neoliberal hegemony of the 1990s, utopian horizons stubbornly anticipate a different and more just world. The top-notch team of contributors explores this development in a variety of ways: by looking at questions of form, politics, the politics of form, and the form of politics. In a broader context, the essays connect their textual and theoretical analyses with historical developments such as September 11th, the rise and downturn of the global economy, and the growth of anti-capitalist movements. |
| blade runner 2049 analysis: Like a Thief in Broad Daylight Slavoj Zizek, 2019-10-08 The latest book from the most dangerous philosopher in the West (New Republic) considers the new dangers and radical possibilities set in motion by advances in Big Tech. In recent years, techno-scientific progress has started to utterly transform our world--changing it almost beyond recognition. In this extraordinary new book, renowned philosopher Slavoj Žižek turns to look at the brave new world of Big Tech, revealing how, with each new wave of innovation, we find ourselves moving closer and closer to a bizarrely literal realization of Marx's prediction that all that is solid melts into air. With the automation of work, the virtualization of money, the dissipation of class communities, and the rise of immaterial, intellectual labor, the global capitalist edifice is beginning to crumble, more quickly than ever before--and it is now on the verge of vanishing entirely. But what will come next? Against a backdrop of constant socio-technological upheaval, how could any kind of authentic change take place? In such a context, Žižek argues, there can be no great social triumph--because lasting revolution has already come into the scene, like a thief in broad daylight, stealing into sight right before our very eyes. What we must do now is wake up and see it. Urgent as ever, Like a Thief in Broad Daylight illuminates the new dangers as well as the radical possibilities thrown up by today's technological and scientific advances, and their electrifying implications for us all. |
| blade runner 2049 analysis: The Comic Hero's Journey Steve Kaplan, 2018 This book applies concepts from the Hero's Journey to the writing of comedy screenplays, using a broad range of examples from movies to demonstrate how these archetypal principles work in a comedy context-- |
| blade runner 2049 analysis: The Art and Soul of Blade Runner 2049 Tanya Lapointe, 2017 Embargoed to 5th October Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years The Art and Soul of Blade Runner 2049 goes behind the scenes and reveals how this epic production was brought to the screen. Featuring incredible concept art and on-set photography, this deluxe book is a rare treat for fans as key cast and crew tell the story of how Blade Runner was revived and was given a whole new lease of life. See the trailer here |
| blade runner 2049 analysis: Four Futures Peter Frase, 2016-11-01 An exploration of the utopias and dystopias that could develop from present society Peter Frase argues that increasing automation and a growing scarcity of resources, thanks to climate change, will bring it all tumbling down. In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism and extermininsm might actually entail. Could the current rise of the real-life robocops usher in a world that resembles Ender's Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there's no guarantee that social hierarchies, governed by an economy of likes, wouldn't rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies are already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail. |
| blade runner 2049 analysis: Postmodern Theory and Blade Runner Matthew Flisfeder, 2017-04-06 Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years. The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner. |
| blade runner 2049 analysis: Future Noir: The Making of Blade Runner Paul M. Sammon, 1996-05-01 The 1992 release of the Director's Cut only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic. |
| blade runner 2049 analysis: Typeset in the Future Dave Addey, 2018-12-11 A designer’s deep dive into seven science fiction films, filled with “gloriously esoteric nerdery [and] observations as witty as they are keen” (Wired). In Typeset in the Future, blogger and designer Dave Addey invites sci-fi movie fans on a journey through seven genre-defining classics, discovering how they create compelling visions of the future through typography and design. The book delves deep into 2001: A Space Odyssey, Star Trek: The Motion Picture, Alien, Blade Runner, Total Recall, WALL·E, and Moon, studying the design tricks and inspirations that make each film transcend mere celluloid and become a believable reality. These studies are illustrated by film stills, concept art, type specimens, and ephemera, plus original interviews with Mike Okuda (Star Trek), Paul Verhoeven (Total Recall), and Ralph Eggleston and Craig Foster (Pixar). Typeset in the Future is an obsessively geeky study of how classic sci-fi movies draw us in to their imagined worlds. |
| blade runner 2049 analysis: Lucifer's Star C. T. Phipps, Michael Suttkus, From the bestselling author of The Rules of Supervillainy: Cassius Mass was the greatest star pilot of the Crius Archduchy. He fought fiercely for his cause, only to watch his nation fall to the Interstellar Commonwealth. It was only after that he realized the side he'd been fighting for was the wrong one. Now a semi-functional navigator on an interstellar freight hauler, he tries to hide who he was and escape his past. Unfortunately, some things refuse to stay buried and he ends up conscripted by the very people who destroyed his homeland. LUCIFER'S STAR is the first novel of the Lucifer's Star series, a dark science fiction space opera set in a world of aliens, war, politics, and slavery. |
| blade runner 2049 analysis: Blade Runner 2049 Timothy Shanahan, Paul Smart, 2019-09-23 Widely acclaimed upon its release as a future classic, Denis Villeneuve’s Blade Runner 2049 is visually stunning, philosophically profound, and a provocative extension of the story in Ridley Scott’s Blade Runner. Containing specially commissioned chapters by a roster of international contributors, this fascinating collection explores philosophical questions that abound in Blade Runner 2049, including: What distinguishes the authentically human person? How might natality condition one’s experience of being-in-the-world? How might shared memories feature in the constitution of personal identities? What happens when created beings transcend the limits intended in their design? What (if anything) is it like to be a hologram? Can artificial beings participate in genuinely romantic relationships? How might developing artificial economics impact our behaviour as prosumers? What are the implications of techno-human enhancement in an era of surveillance capitalism? Including a foreword by Denis Villeneuve, Blade Runner 2049: A Philosophical Exploration is essential reading for anyone interested in philosophy, film studies, philosophy of mind, psychology, gender studies, and conceptual issues in cognitive science and artificial intelligence. |
| blade runner 2049 analysis: Retrofitting Blade Runner Judith Kerman, 1991 This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema. |
| blade runner 2049 analysis: Do Androids Dream of Electric Sheep? Philip K. Dick, 1975 By 2021, the Terminus War had driven mankind off-planet and entire species into extinction. Now only the rich can afford living creatures; others may buy amazingly realistic simulacrae: horses, cats, sheep ... Even humans. These artificial people are so advanced it's impossible to tell them from true men and women--except for their lack of empathy. Without empathy, androids can--and do--kill their owners and blend into society, so they're illegal on Earth. It's Rick Deckard's job to find these rogues and retire them. But andys tend to fight back--with deadly results. |
| blade runner 2049 analysis: Examinations and Analysis of Sequels and Serials in the Film Industry Seçmen, Emre Ahmet, 2023-04-25 There are many elements in the concept of visual continuity, and they are all interrelated. In films or film series that are described as sequels, establishing a visual integrity relationship between films comes to the fore. The concept of the sequel appears in two ways. Sometimes, while the ideas are scripted, the story is divided into more than one part. Sometimes the story is planned as a single movie, and after a certain time, it can be realized as a follow-up movie/film for different reasons. In both systems of expression, it is necessary to seek harmony between all elements of visual design. Examinations and Analysis of Sequels and Serials in the Film Industry examines certain contents through the concepts of cinematography and narrative, focusing more on the practical side of cinema and partially on the theoretical side. It examines samples, sequels, serials, and trilogy universes on the axis of cinematography and narration. Covering topics such as film landscape, repeated narrative elements, and storytelling, this premier reference source is an excellent resource for film industry workers, film students and educators, sociologists, librarians, academicians, and researchers. |
| blade runner 2049 analysis: Los Angeles 2019 Oliver Carmi, 2020-07-04 Blade Runner is more than a film, it is a universe. From a distance, the city appears to be a living hell, forever sprawling in the dark horizon. As in a Dantesque vision, slowly rising up towards the heights of the sky, the spaces become purer, cleaner, emptier, in what seems a heavenly ascent. However, only after a closer look, in the crevices of the textured reality that Los Angeles 2019 really is, do we realize that everything is upside down. An architectural and social analysis of the spaces of the city of Blade Runner. |
| blade runner 2049 analysis: Blade Runner 2029 #1 Michael Green, Mike Johnson, 2020-12-16 Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided. |
| blade runner 2049 analysis: Race in American Science Fiction Isiah Lavender, 2011-02-08 Noting that science fiction is characterized by an investment in the proliferation of racial difference, Isiah Lavender III argues that racial alterity is fundamental to the genre's narrative strategy. Race in American Science Fiction offers a systematic classification of ways that race appears and how it is silenced in science fiction, while developing a critical vocabulary designed to focus attention on often-overlooked racial implications. These focused readings of science fiction contextualize race within the genre's better-known master narratives and agendas. Authors discussed include Isaac Asimov, Ray Bradbury, Philip K. Dick, and Ursula K. Le Guin, among many others. |
| blade runner 2049 analysis: The Warriors Sol Yurick, 2020-01-31 It's a hot 4th of July night in New York City. In the darkness of the Bronx, thousands of boys have gathered from all across the city. Among them are the warriors of the Coney Island Dominators. Ismael Rivera, leader of the Delancey Thrones, has called an assembly of New York's disparate youth gangs. Why should they keep taking it from the Man when they could be the ones giving it to everyone else? But when the assembly descends into violence, the Dominators are suddenly a very long way home from home. The Warriors follows the Dominators as they rape and murder their way back to Coney Island through the terrifying New York night. First published in 1965, Sol Yurick's bleak and shocking novel is a brutal tale of young men left to raise themselves, and an urgent warning about the animal savagery that emerges from the torn fabric of human society. |
| blade runner 2049 analysis: Filmosophy Daniel Frampton, 2006 'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film. |
| blade runner 2049 analysis: Bayesian Essentials with R Jean-Michel Marin, Christian P. Robert, 2013-10-28 This Bayesian modeling book provides a self-contained entry to computational Bayesian statistics. Focusing on the most standard statistical models and backed up by real datasets and an all-inclusive R (CRAN) package called bayess, the book provides an operational methodology for conducting Bayesian inference, rather than focusing on its theoretical and philosophical justifications. Readers are empowered to participate in the real-life data analysis situations depicted here from the beginning. Special attention is paid to the derivation of prior distributions in each case and specific reference solutions are given for each of the models. Similarly, computational details are worked out to lead the reader towards an effective programming of the methods given in the book. In particular, all R codes are discussed with enough detail to make them readily understandable and expandable. Bayesian Essentials with R can be used as a textbook at both undergraduate and graduate levels. It is particularly useful with students in professional degree programs and scientists to analyze data the Bayesian way. The text will also enhance introductory courses on Bayesian statistics. Prerequisites for the book are an undergraduate background in probability and statistics, if not in Bayesian statistics. |
| blade runner 2049 analysis: Archaeogaming Andrew Reinhard, 2018-06-18 A general introduction to archeogaming describing the intersection of archaeology and video games and applying archaeological method and theory into understanding game-spaces. “[T]he author’s clarity of style makes it accessible to all readers, with or without an archaeological background. Moreover, his personal anecdotes and gameplay experiences with different game titles, from which his ideas often develop, make it very enjoyable reading.”—Antiquity Video games exemplify contemporary material objects, resources, and spaces that people use to define their culture. Video games also serve as archaeological sites in the traditional sense as a place, in which evidence of past activity is preserved and has been, or may be, investigated using the discipline of archaeology, and which represents a part of the archaeological record. From the introduction: Archaeogaming, broadly defined, is the archaeology both in and of digital games... As will be described in the following chapters, digital games are archaeological sites, landscapes, and artifacts, and the game-spaces held within those media can also be understood archaeologically as digital built environments containing their own material culture... Archaeogaming does not limit its study to those video games that are set in the past or that are treated as “historical games,” nor does it focus solely on the exploration and analysis of ruins or of other built environments that appear in the world of the game. Any video game—from Pac-Man to Super Meat Boy—can be studied archaeologically. |
| blade runner 2049 analysis: The Ancient Greek Hero in 24 Hours Gregory Nagy, 2020-01-10 What does it mean to be a hero? The ancient Greeks who gave us Achilles and Odysseus had a very different understanding of the term than we do today. Based on the legendary Harvard course that Gregory Nagy has taught for well over thirty years, The Ancient Greek Hero in 24 Hours explores the roots of Western civilization and offers a masterclass in classical Greek literature. We meet the epic heroes of Homer’s Iliad and Odyssey, but Nagy also considers the tragedies of Aeschylus, Sophocles, and Euripides, the songs of Sappho and Pindar, and the dialogues of Plato. Herodotus once said that to read Homer was to be a civilized person. To discover Nagy’s Homer is to be twice civilized. “Fascinating, often ingenious... A valuable synthesis of research finessed over thirty years.” —Times Literary Supplement “Nagy exuberantly reminds his readers that heroes—mortal strivers against fate, against monsters, and...against death itself—form the heart of Greek literature... [He brings] in every variation on the Greek hero, from the wily Theseus to the brawny Hercules to the ‘monolithic’ Achilles to the valiantly conflicted Oedipus.” —Steve Donoghue, Open Letters Monthly |
| blade runner 2049 analysis: Blade Runner William S. Burroughs, 1979 In this trenchant science-fiction screen treatment written in the mid-1970s, William S. Burroughs outlines the coming medical-care apocalypse: a Dante-esque horror show brought to a boil by a mutated virus and right-wing politics, set in a future all too near. The author of Naked Lunch, Junky, Port of Saints, Cities of the Red Night, Queer, and Exterminator treats this topical story in ultimate terms, with the dry, sophisticated humor he has mastered like no other modern writer. |
| blade runner 2049 analysis: The Shape of the Final Dog and Other Stories Hampton Fancher, 2012-09-13 Best known as the original screenwriter of Blade Runner, author Hampton Fancher makes his debut with this extraordinary collection that bears all of the hallmarks that have made him beloved to film fans. These are stories about people and places that exist just outside our perceptions of space and time: in “Narrowing the Divide,” an escaped lab rat winds up in a philosophical conversation with a man whose wife sleeps in the next room; in “Cargot,” a failed actor is reincarnated as a garden snail and avenges himself with a Hollywood producer’s wife; and in “The Black Weasel,” a washed-up bartender finds an unlikely traveling partner in a slow-witted drifter with a suspicious bankroll. These are also stories about survival and instinct, with elements of the absurd and the sublime. The Shape of the Final Dog is a rare literary work that is mordantly funny, deftly written, and bound to delight and entertain. |
| blade runner 2049 analysis: Future Noir Paul M. Sammon, 2017-11-14 Updated edition: The ultimate guide to Ridley Scott’s transformative sci-fi classic Blade Runner, with photos, new cast interviews, and more. Based on Philip K. Dick’s brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, Blade Runner is among the most visually dense, thematically challenging, and influential science fiction films ever made. Future Noir offers a deeper understanding of this cinematic phenomenon that is storytelling and visual filmmaking at its best. In an intensive, intimate, and anything-but-glamorous behind-the-scenes account, Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction’s most uncompromising author into a critical sensation and cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes: An overview of Blade Runner’s impact on moviemaking and popular culture An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 A look at its long-awaited sequel, Blade Runner 2049 The longest interview Harrison Ford has ever granted about Blade Runner Exclusive new interviews with Rutger Hauer and Sean Young A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time. |
| blade runner 2049 analysis: Straight Outta Fangton C. T. Phipps, 2018-07-31 FROM THE BEST SELLING AUTHOR OF THE SUPERVILLAINY SAGA: Peter Stone is a poor black vampire who is wondering where his nightclub, mansion, and sports car are. Instead, he is working a minimum wage job during the night shift as being a vampire isn’t all that impressive in a world where they’ve come out to mortals. Exiled from the rich and powerful undead in New Detroit, he is forced to go back when someone dumps a newly-transformed vampire in the bathroom of his gas station’s store. This gets him fangs-deep in a plot of vampire hunters, supernatural revolutionaries, and a millennium-old French knight determined to wipe out the supernatural. Sometimes, it just doesn’t pay to get out of the coffin. Set in the same world as The Bright Falls Mysteries. *** Straight Outta Fangton is a wonderful mix of urban fantasy, dark comedy and scary vampires. It reads very much like a thriller and whose pace will have you flipping pages as fast as you can. Charles Phipps is an author who is revealing himself to be a master of many genres as he continues to thrill and amaze. -The Fantasy Book Critic I love a good vampire story. When that story is wrapped up in clever, comedic writing, the ride is an enjoyable one. Charles Phipps can weave a tale with believable characters that have distinctive personalities filled with charm and wit. -Briar Lee Mitchell, The Whistlebrass Horror CT Phipps created a not just a fun story, but a fun world ripe for expansion and exploration. -Michael Gibson, Villains Rule Not only is it a funny book, but it's a creepy vampire story, a kick-ass action novel, and an intriguing urban fantasy at the same time. - Beauty in Ruins Full of fascinating characters and laughs. - James Alderdice, Brutal: An Epic Grimdark Fantasy I heartily recommend this book to anyone who is into urban fantasy or likes a good supernatural romp. - The Bookwyrm Speaks |
| blade runner 2049 analysis: Blade Runner 2049 and Philosophy Robin Bunce, Trip McCrossin, 2019-08-20 Blade Runner 2049 is a 2017 sequel to the 1982 movie Blade Runner, about a world in which some human-looking replicants have become dangerous, so that other human-looking replicants, as well as humans, have the job of hunting down the dangerous models and “retiring” (destroying) them. Both films have been widely hailed as among the greatest science-fiction movies of all time, and Ridley Scott, director of the original Blade Runner, has announced that there will be a third Blade Runner movie. Blade Runner 2049 and Philosophy is a collection of entertaining articles on both Blade Runner movies (and on the spin-off short films and Blade Runner novels) by twenty philosophers representing diverse backgrounds and philosophical perspectives. Among the issues addressed in the book: What does Blade Runner 2049 tell us about the interactions of state power and corporate power? Can machines ever become truly conscious, or will they always lack some essential human qualities? The most popular theory of personhood says that a person is defined by their memories, so what happens when memories can be manufactured and inserted at will? We already interact with non-human decision-makers via the Internet. When embodied AI becomes reality, how can we know what is human and what is simulation? Does it matter? Do AI-endowed human-looking replicants have civil and political rights, or can they be destroyed whenever “real” humans decide they are inconvenient? The blade runner Deckard (Harrison Ford) appears in both movies, and is generally assumed to be human, but some claim he may be a replicant. What’s the evidence on both sides? Is Niander Wallace (the-mad-scientist-cum-evil-corporate-CEO in Blade Runner 2049) himself a replicant? What motivates him? What are the impacts of decision-making AI entities on the world of business? Both Blade Runner and Blade Runner 2049 have been praised for their hauntingly beautiful depictions of a bleak future, but the two futures are very different (and the 2019 future imagined in the original Blade Runner is considerably different from the actual world of 2019). How have our expectations and visions of the future changed between the two movies? The “dream maker” character Ana Stelline in Blade Runner 2049 has a small but pivotal role. What are the implications of a person whose dedicated mission and task is to invent and install false memories? What are the social and psychological implications of human-AI sexual relations? |
| blade runner 2049 analysis: Gender and Parenting in the Worlds of Alien and Blade Runner Amanda DiGioia, 2021-08-11 Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant. |
| blade runner 2049 analysis: Studies in the Horror Film: Brian De Palma's "Carrie" Joseph Aisenberg, 2011 First ever book-length study on Brian DePalma's 1976 film. |
| blade runner 2049 analysis: TO:KY:OO Liam Wong, 2020-07-14 Photographer Liam Wong’s debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. Featuring evocative and stunning color photographs of contemporary Tokyo, this book brings together the images of an exciting new photographic talent, Liam Wong. Born and raised in Edinburgh, Scotland, Wong studied computer arts in college and, by the time he was twenty-five, was living in Canada and working as a director at one of the world’s leading video game companies. His job took him to Tokyo for the first time, where he discovered the ethereality of floating worlds and the lurid allure of Tokyo’s nocturnal scenes. “I got lost in the beauty of Tokyo at night,” he explains. A testament to the deep art of color composition, this publication brings together a refined body of images that are evocative, timeless, and completely transporting. This volume also features Wong’s creative and technical processes, including identifying the right scene, capturing the essence of a moment, and methods to enhance color values—insights that are invaluable to admirers and photography students alike. |
| blade runner 2049 analysis: Blade Runner 3 K. W. Jeter, 1997 RickDeckard has sold his story to a young Turk film director, Urbenton and shooting is scheduled at an orbital station off planet. Watching his past hunt for the replicants being repeated on the set is doing weird things to his mind. As soon as filming is over he is going straight back to Mars where he has been living incognito with Sarah Tyrell. But before corporation loyalists determined to resurrect the vanquished company. |
| blade runner 2049 analysis: Capitalism and Desire Todd McGowan, 2016-09-20 Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders—but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more. Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory. |
| blade runner 2049 analysis: Human Is? Philip K Dick, 2008-09-18 Drawn from the five volumes of his complete short stories (also published by Gollancz) this volume represents the very cream of Philip K. Dick's output. It serves both as a celebration of his work, in the 25th year since his death, and as the ideal introduction to his unique take on the world for new readers. As our culture becomes ever more fluid, as fact is fictionalised, as documentary gives way to reality-TV, as our identities are digitised, as globalism runs wild, as drugs become ever more ubiquitous the world is finally catching up with even the most bizarre of Philip K. Dick's imaginings. 25 years after his death we are living in Philip K. Dick's world, this new authoratitive collection of his best short fiction shows us why. |
| blade runner 2049 analysis: The Child to Come Rebekah Sheldon, 2016-11-01 Generation Anthropocene. Storms of My Grandchildren. Our Children’s Trust. Why do these and other attempts to imagine the planet’s uncertain future return us—again and again—to the image of the child? In The Child to Come, Rebekah Sheldon demonstrates the pervasive conjunction of the imperiled child and the threatened Earth and blisteringly critiques the logic of catastrophe that serves as its motive and its method. Sheldon explores representations of this perilous future and the new figurations of the child that have arisen in response to it. Analyzing catastrophe discourse from the 1960s to the present—books by Joanna Russ, Margaret Atwood, and Cormac McCarthy; films and television series including Southland Tales, Battlestar Galactica, and Children of Men; and popular environmentalism—Sheldon finds the child standing in the place of the human species, coordinating its safe passage into the future through the promise of one more generation. Yet, she contends, the child figure emerges bound to the very forces of nonhuman vitality he was forged to contain. Bringing together queer theory, ecocriticism, and science studies, The Child to Come draws on and extends arguments in childhood studies about the interweaving of the child with the life sciences. Sheldon reveals that neither life nor the child are what they used to be. Under pressure from ecological change, artificial reproductive technology, genetic engineering, and the neoliberalization of the economy, the queerly human child signals something new: the biopolitics of reproduction. By promising the pliability of the body’s vitality, the pregnant woman and the sacred child have become the paradigmatic figures for twenty-first century biopolitics. |
| blade runner 2049 analysis: Killtopia Dave Cook, 2019-10-30 Japan's about to get WRECKED! The bounty on Crash's head has gone public, and Killtopia's deadliest Mech hunters are ready to collect. Leading the charge is King Kaiju; a mechanised corporate mascot of death, who belongs to the evil Kaiju Cola Mega-Corporation. There's just one problem: the world's greatest Wrecker - Stiletto - has gotten to Crash first. Their explosive showdown sends Stiletto's peak celebrity status into a flaming tailspin that threatens to change Japan forever. |
| blade runner 2049 analysis: The Cyberpunk Nexus Lou Tambone, Jean-Francois Boivin, 2018-07-07 In 1982, a new benchmark was set for science-fiction film with the release of Blade Runner. Based on the book Do Androids Dream of Electric Sheep? by the acclaimed novelist Philip K. Dick and directed by Ridley Scott, Blade Runner was a visual and philosophical tour-de-force, set in a dystopian future in which artificially intelligent replicants, nearly indistinguishable from humans, are hunted down by police-operatives known as Blade Runners. Featuring the talents of Harrison Ford, Rutger Hauer, Sean Young, Joanna Cassidy, Edward James Olmos, and Darryl Hannah, the film tackled numerous themes and birthed controversies that have been poured over by fans and critics ever since. Blade Runner has also inspired literary and comic-book spin-offs, and a cinematic sequel released in 2017. The Cyberpunk Nexus: Exploring the Blade Runner Universe examines the entire Blade Runner saga, from the original novel to its numerous film iterations. The book features a foreword by Paul M. Sammon (Future Noir: The Making of Blade Runner). Essayists include Bryce Carlson (of BOOM! Comics' Sheep adaptation), Paul J. Salamoff, Robert Meyer Burnett, Rich Handley, Zaki Hasan, Julian Darius, and many others, with a cover by popular artist Matt Busch. From Sequart Organization. More info at http: //sequart.org |
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