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| black history parade columbia sc: Columbia, South Carolina Vennie Deas-Moore, 2012-09-18 South Carolina's capital city enjoys a strong African-American presence, one that has had considerable influence on the growth and development of Columbia's commerce and culture since the city's creation in the late 1700s. The challenges of the antebellum South, Reconstruction, the Civil Rights era, and even the present have shaped a vibrant and dynamic black community, which supplies a wealth of leaders for the city, state, and nation. |
| black history parade columbia sc: African-American Holidays, Festivals, and Celebrations, 2nd Ed. James Chambers, 2019-09-01 Presents more than 100 diverse holidays and festivals observed by Americans of African descent, exploring their history, customs, and symbols. Also includes a chronology, bibliography, and index. |
| black history parade columbia sc: African American Culture Omari L. Dyson, Judson L. Jeffries Ph.D., Kevin L. Brooks, 2020-07-23 Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions, and Customs covers virtually every aspect of African American cultural expression, addressing subject matter that ranges from how African culture was preserved during slavery hundreds of years ago to the richness and complexity of African American culture in the post-Obama era. The most comprehensive reference work on African American culture to date, the multivolume set covers such topics as black contributions to literature and the arts, music and entertainment, religion, and professional sports. It also provides coverage of less-commonly addressed subjects, such as African American fashion practices and beauty culture, the development of jazz music across different eras, and African American business. |
| black history parade columbia sc: History, Annual Supplement , 1980 |
| black history parade columbia sc: Sanitized Apartheid Arnold Dodge, 2020-09-07 Listen to Arnold Dodge’s Podcast: “Can We Talk? Courageous Conversations About Race Sanitized Apartheid: The Post-Racial Hoax in South Africa and the United States examines the similar histories of South Africa and the US. After the invasion of foreigners, entire races of people were slaughtered, enslaved, and delegitimized. Heroic figures emerged along the way, only to have their efforts nullified by powerful white people. The historical parallels continued as freedom fighters won victories for the oppressed, in some cases codifying equality under the law. However, a powerful de facto current in the social/cultural environments remains in both countries. The book squarely addresses the vile strain which calls for a halt to protest and an acceptance of what is. The author examines these issues through an exhaustive research agenda and a personal narrative. |
| black history parade columbia sc: The Southern Past William Fitzhugh Brundage, 2009-07 Since the Civil War whites and blacks have struggled over the meanings and uses of the Southern past. Indeed, today's controversies over flying the Confederate flag, renaming schools and streets, and commemorating the Civil War and the civil rights movement are only the latest examples of this ongoing divisive contest over issues of regional identity and heritage. The Southern Past argues that these battles are ultimately about who has the power to determine what we remember of the past, and whether that remembrance will honor all Southerners or only select groups. For more than a century after the Civil War, elite white Southerners systematically refined a version of the past that sanctioned their racial privilege and power. In the process, they filled public spaces with museums and monuments that made their version of the past sacrosanct. Yet, even as segregation and racial discrimination worsened, blacks contested the white version of Southern history and demanded inclusion. Streets became sites for elaborate commemorations of emancipation and schools became centers for the study of black history. This counter-memory surged forth, and became a potent inspiration for the civil rights movement and the black struggle to share a common Southern past rather than a divided one. W. Fitzhugh Brundage's searing exploration of how those who have the political power to represent the past simultaneously shape the present and determine the future is a valuable lesson as we confront our national past to meet the challenge of current realities. |
| black history parade columbia sc: Black Meetings & Tourism , 2002 |
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| black history parade columbia sc: African-American Holidays, Festivals, and Celebrations Kathlyn Gay, 2007 Provides information about the history and celebration of more than 100 holidays, festivals, and other events observed by Americans of African descent. Features include narrative overviews, chronology of historical events related to holidays and festivals, calendar and geographical listings of observances, bibliography, and contact information and web sites--Provided by publisher. |
| black history parade columbia sc: African Americans, Death, and the New Birth of Freedom Ashley Towle, 2022-11-22 This innovative book examines how African Americans in the South made sense of the devastating loss of life unleashed by the Civil War and emancipation. During and after the war, African Americans died in vast numbers from battle, disease, and racial violence. While freedom was a momentous event for the formerly enslaved, it was also deadly. Through an investigation into how African Americans reacted to and coped with the passing away of loved ones and community members, Ashley Towle argues that freedpeople gave credence to their free status through their experiences with mortality. African Americans harnessed the power of death in a variety of arenas, including within the walls of national and private civilian cemeteries, in applications for widows’ pensions, in the pulpits of black churches, around séance tables, on the witness stand at congressional hearings, and in the columns of African American newspapers. In the process of mourning the demise of kith and kin, black people reconstituted their families, forged communal bonds, and staked claims to citizenship, civil rights, and racial justice from the federal government. In a society upended by civil war and emancipation, death was political. |
| black history parade columbia sc: Comprehensive Calendar of Bicentennial Events American Revolution Bicentennial Administration, 1976-02 |
| black history parade columbia sc: Ebony , 2005-09 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history parade columbia sc: Comprehensive Calendar of Bicentennial Events, February 1976 American Revolution Bicentennial Administration, 1976 |
| black history parade columbia sc: Comprehensive Calendar of Bicentennial Events , 1976-02 |
| black history parade columbia sc: Struggles for Representation Phyllis Rauch Klotman, Janet K. Cutler, 1999 Struggles for Representation examines over 300 non-fiction films by more than 150 African American film/videomakers and includes an extensive filmography, bibliography, and excerpts from interviews with film/videomakers. In eleven original essays, contributors explore the extraordinary scope of these aesthetic and social documents and chart a previously undiscovered territory: documentaries that examine the aesthetic, economic, historical, political, and social forces that shape the lives of black Americans, as seen from their perspectives. Until now, scholars and critics have concentrated on black fiction film and on mainstream non-fiction films, neglecting the groundbreaking body of black non-fiction productions that offer privileged views of American life. Yet, these rich and varied works in film, video, and new electronic media, convey vast stores of knowledge and experience. Although most documentary cannot hope to match fiction film's mass appeal, it is unrivaled in its ability to portray searing, indelible impressions of black life, including concrete views of significant events and moving portraits of charismatic individuals. Documentary footage brings audiences the moments when civil rights protestors were attacked by state troopers; it provides the sights and sounds of Malcom X delivering an electrifying speech, Betty Carter performing a heart-wrenching song, and Langston Hughes strolling on a beach. Uniting all of this work is the struggle for representation that characterizes each film–an urgent desire to convey black life in ways that counter the uninformed and often distorted representations of mass media film and television productions. African American documentaries have long been associated with struggles for social and political empowerment; for many film/videomakers, documentary is a compelling mode with which to present an alternative, more authentic narrative of black experiences and an effective critique of mainstream discourse. Thus, many socially and politically committed film/videomakers view documentary as a tool with which to interrogate and reinvent history; their works fill gaps, correct errors, and expose distortions in order to provide counter-narratives of African American experience. Contributors include Paul Arthur, Houston A. Baker, Jr., Mark F. Baker, Pearl Bowser, Janet K. Cutler Manthia Diawara, Elizabeth Amelia Hadley, Phyllis R. Klotman, Tommy Lee Lott, Erika Muhammad, Valerie Smith, and Clyde Taylor. |
| black history parade columbia sc: The Bicentennial of the United States of America American Revolution Bicentennial Administration, 1977 |
| black history parade columbia sc: Comprehensive Calendar of Bicentennial Events East of the Mississippi American Revolution Bicentennial Administration, 1976 |
| black history parade columbia sc: Ebony , 2006-08 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history parade columbia sc: Ebony , 2008-05 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history parade columbia sc: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 United States. Internal Revenue Service, 1997 |
| black history parade columbia sc: South Carolina Historical Magazine , 1995 |
| black history parade columbia sc: Ebony , 2004-09 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history parade columbia sc: Encyclopedia of African American Popular Culture [4 volumes] Jessie Smith, 2010-12-17 This four-volume encyclopedia contains compelling and comprehensive information on African American popular culture that will be valuable to high school students and undergraduates, college instructors, researchers, and general readers. From the Apollo Theater to the Harlem Renaissance, from barber shop and beauty shop culture to African American holidays, family reunions, and festivals, and from the days of black baseball to the era of a black president, the culture of African Americans is truly unique and diverse. This diversity is the result of intricate customs forged in tightly woven communities—not only in the United States, but in many cases also stemming from the traditions of another continent. Encyclopedia of African American Popular Culture presents information in a traditional A–Z organization, capturing the essence of the customs of African Americans and presenting this rich cultural heritage through the lens of popular culture. Each entry includes historical and current information to provide a meaningful background for the topic and the perspective to appreciate its significance in a modern context. This encyclopedia is a valuable research tool that provides easy access to a wealth of information on the African American experience. |
| black history parade columbia sc: Congressional Record Index , 1991 Includes history of bills and resolutions. |
| black history parade columbia sc: Columbia Lynn Salsi, 2003-08-01 In 1790, when the seat of South Carolina's government was moved from the lowcountry port of Charleston to the backwoods of the state's midlands, the city of Columbia, on the banks of the Congaree River, was born. Its graceful wide thoroughfares and striking edifices defined the new community until one night in 1865, when Sherman's Union troops set the town ablaze and destroyed a 36-block area. Columbia rose from the ashes and today stands proudly as the center of state government and a diverse and much-loved city of culture, arts, education, and commerce. |
| black history parade columbia sc: The Journal of African American History , 2004 |
| black history parade columbia sc: Show Thyself a Man Mixon, Gregory, 2016-07-25 In Show Thyself a Man, Gregory Mixon explores the ways African Americans in postbellum Georgia used the militia as a vehicle to secure full citizenship, respect, and a more stable place in society. As citizen-soldiers, black men were empowered to get involved in politics, secure their own financial independence, and publicly commemorate black freedom with celebrations such as Emancipation Day. White Georgians, however, used the militia as a different symbol of freedom--to ensure the postwar white right to rule. This book is a forty-year history of black militia service in Georgia and the determined disbandment process that whites undertook to destroy it, connecting this chapter of the post-emancipation South to the larger history of militia participation by African-descendant people through the Western hemisphere and Latin America. |
| black history parade columbia sc: Bicentennial Times , 1974 |
| black history parade columbia sc: Entangled by White Supremacy Janet Hudson, 2009-03-20 Despite its significance in world and American history, the World War I era is seldom identified as a turning point in southern history, as it failed to trigger substantial economic, political, or social change in the South. Yet in 1917, black and white reformers in South Carolina saw their world on the brink of momentous change. In a state politically controlled by a white minority, the war era incited oppositional movements. As South Carolina’s economy benefited from the war, white reformers sought to use their newfound prosperity to better the state’s education system and economy and to provide white citizens with a better standard of living. Black reformers, however, channeled the feelings of hope instilled by a war that would “make the world safe for democracy” into efforts that challenged the structures of the status quo. In Entangled by White Supremacy: Reform in World War I–era South Carolina, historian Janet G. Hudson examines the complex racial and social dynamics at play during this pivotal period of U.S. history. With critical study of the early war mobilization efforts, public policy debates, and the state’s political culture, Hudson illustrates how the politics of white supremacy hindered the reform efforts of both white and black activists. The World War I period was a complicated time in South Carolina—an era of prosperity and hope as well as fear and anxiety. As African Americans sought to change the social order, white reformers confronted the realization that their newfound economic opportunities could also erode their control. Hudson details how white supremacy formed an impenetrable barrier to progress in the region. Entangled by White Supremacy explains why white southerners failed to construct a progressive society by revealing the incompatibility of white reformers’ twin goals of maintaining white supremacy and achieving progressive reform. In addition, Hudson offers insight into the social history of South Carolina and the development of the state’s crucial role in the civil rights era to come. |
| black history parade columbia sc: Red, White, and Blue Letter Days Matthew Dennis, 2018-07-05 The Fourth of July, Thanksgiving, Washington's Birthday, Memorial Day, Columbus Day, Labor Day, Martin Luther King's Birthday, and other celebrations matter to Americans and reflect the state of American local and national politics. Commemorations of cataclysmic events and light, apparently trivial observances mirror American political and cultural life. Both reveal much about the material conditions of the United States and its citizens' identities, historical consciousness, and political attitudes. Lying dormant within these festivals is the potential for political consequence, controversy, even transformation. American political fetes remain works in progress, as Americans use historical celebrations as occasions to reinvent themselves and their nation, often with surprising results. In six engaging chapters 'assaying particular political holidays over the course of their histories, Red, White, and Blue Letter Days examines how Americans have shaped and been shaped by their calendar. Matthew Dennis explores this vast political and cultural terrain, charting how Americans defined their identities through celebration. Independence Day invited African Americans to demand the equality promised in the Declaration of Independence, for example, just as Columbus Day—celebrating the Italian, Catholic explorer—helped immigrants proclaim their legitimacy as Americans. Native Americans too could use public holidays, such as Thanksgiving or Veterans Day, to express dissent or demonstrate their claims to citizenship. Merchants and advertisers colonized the American calendar, moving in to sell their products by linking them, often tenuously, with holiday occasions or casting consumption as a patriotic act. |
| black history parade columbia sc: Women and Sports in the United States Jean O'Reilly, 2012-01-01 The only anthology available documenting 100 years of women in American sports |
| black history parade columbia sc: Applied Media Studies Kirsten Ostherr, 2017-12-14 In the age of the maker movement, hackathons and do-it-yourself participatory culture, the boundaries between digital media theory and production have dissolved. Multidisciplinary humanities labs have sprung up around the globe, generating new forms of hands-on, critical and creative work. The scholars, artists, and scientists behind these projects are inventing new ways of doing media studies teaching and research, developing innovative techniques through experimental practice. This book of case studies brings together practitioners of applied media studies, providing a roadmap for how and why to do hands-on media work in the digital age. |
| black history parade columbia sc: Politics, Disability, and Education Reform in the South E. Janak, 2016-04-30 Politics, Disability, and Education Reform in the South explores how race, gender, disability, and politics all came together to impact the career of one State Superintendent of Education in South Carolina who fought to improve educational conditions for African-Americans, women, and millworkers' children in South Carolina. |
| black history parade columbia sc: What Reconstruction Meant Bruce E. Baker, 2007 Examining the southern memory of Reconstruction, in all its forms, is an essential element in understanding the society and politics of the twentieth-century South. |
| black history parade columbia sc: The Myth of the Lost Cause and Civil War History Gary W. Gallagher, Alan T. Nolan, 2000 The myth of the Lost Cause of the Confederate States in the Civil War was and is an elaborate and intentional effort on the part of southerners to rationalise the secession and the war itself. Unfortunately, for historical truth and the national memory, these skilful propagandists, beginning with Jubal Early, have been so successful that the Lost Cause has assumed a life of its own and continues to misrepresent what really happened, distorting the national memory in the process. In this book, nine historians analyse the Lost Cause, describing its content and identifying its falsity. The work is thus a major contribution to Civil War historiography. |
| black history parade columbia sc: Ebony , 2007-09 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| black history parade columbia sc: History, Memory and Public Life Anna Maerker, Simon Sleight, Adam Sutcliffe, 2018-07-06 History, Memory and Public Life introduces readers to key themes in the study of historical memory and its significance by considering the role of historical expertise and understanding in contemporary public reflection on the past. Divided into two parts, the book addresses both the theoretical and applied aspects of historical memory studies. ‘Approaches to history and memory‘ introduces key methodological and theoretical issues within the field, such as postcolonialism, sites of memory, myths of national origins, and questions raised by memorialisation and museum presentation. ‘Difficult pasts‘ looks at history and memory in practice through a range of case studies on contested, complex or traumatic memories, including the Northern Ireland Troubles, post-apartheid South Africa and the Holocaust. Examining the intersection between history and memory from a wide range of perspectives, and supported by guidance on further reading and online resources, this book is ideal for students of history as well as those working within the broad interdisciplinary field of memory studies. |
| black history parade columbia sc: Encyclopedia of African American Society Gerald D. Jaynes, 2005-02-01 Do your students or patrons ever ask you about African Americans in sports? How about African American Academy Award winners? Or perhaps you′re asked about more complex social issues regarding the unemployment rate among African Americans, or the number of African American men on death row? If these questions sound familiar, the Encyclopedia of African American Society is a must-have for your library. This two-volume reference seeks to capture the ways in which the tenets and foundations of African American culture have given rise to today′s society. Approaching the field from a street level perspective, these two volumes cover topics of universal interest in America: rap music, sports, television, cinema, racism, religion, literature, and much more. The Encyclopedia of African American Society is also the first comprehensive yet accessible reference set in this field to give voice to the turbulent historical trends–slavery, segregation, separate but equal–that are often ignored in favor of mere facts. This is a definitive, reliable, and accessible entry point to learning the basics about African American society. The encyclopedia is anchored by alphabetically arranged essays on such topics as abolitionism, affirmative action, and the civil rights movement. More than just a who′s who, these volumes emphasize social issues and events—those filled with significance and consequence through history. Civil Rights, economic growth, law and justice, and politics—with all of their numerous subcategories—receive substantial coverage. The encyclopedia naturally contains hundreds of articles on notable African Americans (Martin Luther King, Jr., Jackie Robinson, Miles Davis), groundbreaking events (Emancipation Proclamation, Los Angeles Riots), sports and culture (Rap Music, Jazz), and significant heritage sites (Apollo Theater). This much needed two-volume encyclopedia should become a staple in collections at school, public, and academic libraries. Readers of all ages, backgrounds, and ethnic or racial groups will find fascinating material on every page. Key Features Nearly 700 signed articles Almost 50 photographs Complete list of African Americans in sports Halls of Fame Cross-referenced for easy links from one topic to another Reader′s guide facilitates easy browsing for relevant articles Clear, accessible writing style appropriate for high school and college students and interested lay readers Comprehensive index and bibliography Topics Covered Concepts and Theories Fine Arts, Theater, and Entertainment Health and Education History and Heritage Literature Media Movements and Events Music and Dance Organizations and Institutions Places Politics and Policy Popular Culture Religion and Beliefs The Road to Freedom Science, Technology, and Business Social Issues Special Populations Sports Advisory Board Sherri L. Barnes, Davidson Library, University of California, Santa Barbara W. Maurice Shipley, Ph.D., Ohio State University William H. Wiggins, Jr., Ph.D., Indiana University |
| black history parade columbia sc: Who's who Among African Americans Ashyia N. Henderson, 2000 Devoted to recording the scope of African American achievement, reference provides biographical and career details on more than 20,000 notable African American individuals, including leaders from sports, the arts, business, religion and more. An obituary section contains fully updated entries for listees who have died since the previous edition. |
| black history parade columbia sc: South Carolina at the Brink Philip G. Grose, 2006 As the Democratic governor of South Carolina during the height of the civil rights movement, Robert E. McNair faced the task of leading the state through the dismantling of its pervasive Jim Crow culture. Despite the obstacles, McNair was able to navigate a moderate course away from a past dominated by an old-guard oligarchy toward a more pragmatic, inclusive, and prosperous era. South Carolina at the Brink is the first biography of this remarkable statesman, as well as a history of the tumultuous times in which he governed. In telling McNair's story, Philip G. Grose recounts historic moments of epic turbulence, chronicles the development of the man himself, and maps the course of action that defined his leadership. A native of Berkeley County's Hell Hole Swamp, McNair was a decorated naval commander in the Philippines during World War II, then a small-town attorney, a state legislator, and lieutenant governor, before serving in the state's highest office from 1965-1971. Each role taught him the value of tolerance and perseverance and informed the choices he made at the helm of state government. violence and conflict that marked the onset of desegregation and of protest against the war in Vietnam: the tragic shootings in Orangeburg in February 1968, the 113-day strike at the Medical College in Charleston in 1969, violence at high schools in Columbia and Lamar in 1970, and antiwar protests on the University of South Carolina campus in 1970. These events remain the most vivid memories of the period, but McNair's lasting legacy is his remarkable ability to affect peaceful solutions and, ultimately, compliance with federal court rulings. Grose contends that it was McNair's decisive actions and reactions to crises that steered South Carolina clear of the larger tragedies of neighbouring states during this period and allowed the governor to achieve much improvement to the condition of the state's education system and economy. Grose's narrative draws from an extensive oral history project on the McNair administration conducted by the University of South Carolina and the South Carolina Department of Archives and History, as well as recent interviews with key participants. |
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