black music history month: A Celebration of Black History through Music Blair Bielawski, 2010-09-01 Introduce your students to the rich history of African-American music with A Celebration of Black History through Musicfrom spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, A Celebration of Black History through Music highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class. |
black music history month: Uncle Jed's Barber Shop Margaree King Mitchell, 2011-06-28 Coretta Scott King Award winner A young girl’s beloved uncle is a talented barber without a shop who never gives up on his dream in this richly illustrated, stirring picture book. Everyone has a favorite relative. For Sarah Jean, it’s her Uncle Jed. Living in the segregated South of the 1920s, where most people are sharecroppers, Uncle Jed is the only black barber in the county and has to travel all over the county to cut his customers’ hair. He lives for the day when he could open his very own barbershop. But there are a lot of setbacks along the way. Will Uncle Jed ever be able to open a shiny new shop? |
black music history month: This Jazz Man Karen Ehrhardt, 2006-11-01 In this toe-tapping jazz tribute, the traditional This Old Man gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound divine. Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician. |
black music history month: Hidden in the Mix Diane Pecknold, 2013-07-10 Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became white, how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as the white man’s blues. Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever |
black music history month: Beautiful Blackbird Ashley Bryan, 2011-04-19 Coretta Scott King Award–winning creator Ashley Bryan’s adaptation of a tale from the Ila-speaking people of Zambia is now available in board book format, featuring Bryan’s cut-paper artwork. We’ll see the difference a touch of black can make. Just remember, whatever I do, I’ll be me and you’ll be you. Explore the appreciation of one’s own heritage and beauty. In this story, the colorful birds of Africa ask Blackbird, who they think is the most beautiful of birds, to color them black so they can be beautiful too, though Blackbird reminds them that true beauty comes from the inside. |
black music history month: Musical Truth Jeffrey Boakye, 2021-06-01 Music can carry the stories of history like a message in a bottle. Lord Kitchener, Neneh Cherry, Smiley Culture, Stormzy . . . Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them. This book redefines British history, the Empire and postcolonialism, and will invite you to think again about the narratives and key moments in history that you have been taught up to now. Thrilling, urgent, entertaining and thought-provoking, this beautifully illustrated companion to modern black music is a revelation and a delight. 'Engaging and accomplished . . . perfectly judged for young readers.' Guardian |
black music history month: Black Diamond Queens Maureen Mahon, 2020-10-09 African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century. |
black music history month: Step it Down Bessie Jones, Bess Lomax Hawes, 1987 Gathers traditional baby games, clapping plays, jumps and skips, singing plays, ring plays, dances, outdoor games, songs, and stories |
black music history month: The 5 O'Clock Band Troy Andrews, 2018-06-19 In this companion to the Caldecott Honor and Coretta Scott King Award–winning Trombone Shorty, join a scrappy young musician named Shorty on a tour of his beloved New Orleans. After letting his band down by missing rehearsal, Shorty has some serious questions about what it means to be a leader. He hits the streets of New Orleans to find some answers and soak up inspiration. Along the way he’ll meet street musicians, a favorite restaurant owner, and the famous Mardi Gras Indians. Each has some NOLA-bred wisdom to share with Shorty about being an artist, a leader, and a friend. In The 5 O’Clock Band, Troy Andrews has crafted another unforgettable love letter to New Orleans illustrated by the incomparable Bryan Collier. |
black music history month: Muddy Michael Mahin, 2017-09-05 An Ezra Jack Keats Book Award Winner A New York Times Best Illustrated Book An NPR Best Book of the Year A Bulletin Blue Ribbon Book A Parents’ Choice Gold Award Winner A picture book celebration of the indomitable Muddy Waters, a blues musician whose fierce and electric sound laid the groundwork for what would become rock and roll. Muddy Waters was never good at doing what he was told. When Grandma Della said the blues wouldn’t put food on the table, Muddy didn’t listen. And when record producers told him no one wanted to listen to a country boy playing country blues, Muddy ignored them as well. This tenacious streak carried Muddy from the hardscrabble fields of Mississippi to the smoky juke joints of Chicago and finally to a recording studio where a landmark record was made. Soon the world fell in love with the tough spirit of Muddy Waters. In blues-infused prose and soulful illustrations, Michael Mahin and award-winning artist Evan Turk tell Muddy’s fascinating and inspiring story of struggle, determination, and hope. |
black music history month: The Music Division Library of Congress, 1972 |
black music history month: Classic Jazz Floyd Levin, 2002-04-30 Floyd Levin's half-century collection of reportage, reviews and recollections are an irreplaceable and totally enjoyable trove of writing about the vibrancy, past and still-present, of traditional American jazz.—Charles Champlin, author of Back There Where the Past Was I've known Floyd and his wife Lucille for more than fifty years. Floyd's book is a colorful, intimate account of his lifelong love affair with jazz. I'm especially fascinated when he writes about his personal encounters with some of the jazz legends of the Century. This book is essential reading for anyone concerned about jazz - its present, its past, and his evolution.—Milt Hinton Floyd Levin's dedicated and unselfish life-long work for the cause of jazz has illuminated many a corner that would otherwise have remained in the dark. All who care about the music are in his debt. Classic Jazz, like Floyd himself, is a classic.—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University What a rich, passionate and human book this is! Drawing on fifty years of devotion to classic, New Orleans jazz and the artists who performed it, Floyd Levin brilliantly weaves anecdotal material, primary research, intimate personal observations, and analyses to create an historical goldmine of the music's evolution in New Orleans and on the West Coast. In rendering portraits of legendary musicians in such a beautifully moving, honest way, he offers not just standard history, but a strong sense of the emotional core of the music as well.—Steve Isoardi, co-author of Central Avenue Sounds |
black music history month: The Roots of Rap Carole Boston Weatherford, 2019-01-08 Explore the roots of rap in this stunning, rhyming, triple-timing picture book! Carole Boston Weatherford, once again, delivers a resounding testament and reminder, that hip-hop is a flavorful slice of larger cultural cake. And to be hip-hop-to truly be it-we must remember that we are also funk, jazz, soul, folktale, and poetry. We must remember that . . . we are who we are! ―Jason Reynolds, New York Times best-selling author Starting with its attention-getting cover, this picture book does an excellent job of capturing the essence of rap . . . This tribute to hip hop culture will appeal to a wide audience, and practically demands multiple readings. ―Booklist, STARRED REVIEW No way around it, this book is supa-dupa fly, with lush illustrations anchored in signature hip-hop iconography for the future of the global hip-hop nation. ―Kirkus Reviews, STARRED REVIEW With short, rhyming lines and dramatic portraits of performers, the creative team behind How Sweet the Sound: The Story of Amazing Grace offers a dynamic introduction to hip-hop. . . . This artful introduction to one of the most influential cultural movements of the 20th century pulses with the energy and rhythm of its subject. ―Publishers Weekly, STARRED REVIEW A generation voicing stories, hopes, and fears founds a hip-hop nation. Say holler if you hear. The roots of rap and the history of hip-hop have origins that precede DJ Kool Herc and Grandmaster Flash. Kids will learn about how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and break dancing that formed around the art form and gave birth to the musical artists we know today. Written in lyrical rhythm by award-winning author and poet Carole Boston Weatherford and complete with flowing, vibrant illustrations by Frank Morrison, this book beautifully illustrates how hip-hop is a language spoken the whole world 'round, and it features a foreword by Swizz Beatz, a Grammy Award-winning American hip-hop rapper, DJ, and record producer. |
black music history month: Black Music in Britain in the 21st Century Monique Charles, 2023-03-01 Since the turn of the 21st century, there have been several genres birthed from or nurtured in Black Britain: funky & tribal House, Afrobeats, Grime, Afro Swing, UK Drill, Road Rap, Trap etc. This pioneering book brings together diverse diasporan sounds in conversation. A valuable resource for those interested in the study of 21st century Black music and related cultures in Britain, this book goes incorporates the significant Black Atlantean, global interactions within Black music across time and space. It examines and proposes theoretical approaches, contributing to building a holistic appreciation of 21st century Black British music and its multidimensional nature. This book proffers an academically curated, rigorous, holistic view of Black British music in the 21st century. Drawing from pioneering academics in the emerging field and industry professionals, the book will serve academic theory, as well as the views, debates and experiences of industry professionals in a complementary style that shows the synergies between diasporas and interdisciplinary conversations. The book is interdisciplinary. It draws from sociology, musicology and the emerging digital humanities fields, to make its arguments and develop a multi-disciplinary perspective about Black British music in the 21st century. |
black music history month: Sing a Song Kelly Starling Lyons, 2019-08-06 Lyons delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. . . . A heartfelt history of a historic anthem.--Publishers Weekly Sing a song full of the faith that the dark past has taught us. Sing a song full of the hope that the present has brought us. In Jacksonville, Florida, two brothers, one of them the principal of a segregated, all-black school, wrote the song Lift Every Voice and Sing so his students could sing it for a tribute to Abraham Lincoln's birthday in 1900. From that moment on, the song has provided inspiration and solace for generations of Black families. Mothers and fathers passed it on to their children who sang it to their children and grandchildren. Known as the Black National Anthem, it has been sung during major moments of the Civil Rights Movement and at family gatherings and college graduations. Inspired by this song's enduring significance, Kelly Starling Lyons and Keith Mallett tell a story about the generations of families who gained hope and strength from the song's inspiring words. --A CCBC Choice --A Notable Social Studies Trade Book for Young People --An ALSC Notable Children's Book |
black music history month: The Oxford Handbook of Music and the Middlebrow Kate Guthrie, Christopher Chowrimootoo, 2025-03-06 The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond. The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain. |
black music history month: Billboard , 1999-02-06 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
black music history month: The Meaning of Soul Emily J. Lordi, 2020-07-24 In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition. |
black music history month: Afrofuturism Ytasha L. Womack, 2013-10-01 2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the alien experience of blacks in America to the wake up cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves. |
black music history month: Digging Amiri Baraka, 2009-05-26 For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous—Max Roach, Charlie Parker, Miles Davis, John Coltrane—and on those whose names are known mainly by jazz aficionados—Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging. |
black music history month: Hip Hop Speaks to Children with CD Nikki Giovanni, Tony Medina, Willie Perdomo, Michele Scott, 2008-10 More than 50 poems and an accompanying CD introduce poetry with a beat. |
black music history month: Get Fit, Get Happy Harry Judd, 2017-10-19 Get Fit, Get Happy isn't about just transforming the way you look. It's about transforming the way you feel. Harry Judd is a member of the hugely successful bands McFly and McBusted who have headlined Hyde Park, notched up 19 hit singles - of which 7 went to number one - and 2 number-one albums. He is a much-loved former Strictly Come Dancing champion and has been crowned the nation's favourite ever winner of the show. And yet in spite of this success, there have been times when Harry has been prone to anxiety and other mental health issues. He's not alone. Today, anxiety, depression and other mental health problems affect more of us than ever before and we are all looking for ways to adapt, cope and survive the pressures of daily life. The one thing that Harry has turned to time and time again to redress the balance in his life is fitness. Now, using a combination of exercise and dance, Harry makes the mood-boosting benefits of fitness accessible for everyone. Young or old, male or female, small or large, tall, short, thin, fat or somewhere in the middle: anyone will be inspired by Get Fit, Get Happy. Without any need for expensive kit or lots of time, Harry's approach is fun, fast, free. Part memoir in which Harry tells the life lessons that he has learned, and part richly researched fitness plan to get you feeling more positive, Get Fit, Get Happy is a fitness revolution to help people find a little more happiness in their lives. |
black music history month: Duke Ellington Andrea Davis Pinkney, 2006-12-12 A brief recounting of the career of this jazz musician and composer who, along with his orchestra, created music that was beyond category. |
black music history month: On Time Morris Day, 2019-10-08 A memoir by Morris Day of The Time centering around his lifelong relationship and association with PrinceA vital, illuminating, and wildly entertaining autobiography. -Billboard Great book! Great storytelling! -LENNY KRAVITZ Lean, slick, cooler than Santa Claus, and surprisingly tender, this book not only traces Day's history in Minneapolis funk, but doubles as an intimate recollection of his time with Prince. -BEN GREENMAN, author of Dig If You Will The Picture Brilliant composer, smooth soul singer, killer drummer, and charismatic band leader, Morris Day has been a force in American music for the past four decades. In On Time, the renowned funkster looks back on a life of turbulence and triumph, chronicling his creative process with an explosive prose that mirrors his intoxicating music. A major theme throughout the book is Morris's enduring friendship and musical partnership with Prince, from their early days on the Minneapolis scene to selling out stadiums and duking it out as rivals in Purple Rain. Eventually, Morris went on to release four albums with a new band of his very own, The Time; however, before long, increasing tensions between the two performers set them down separate paths. Through the years, the fierce brotherly love between Morris and Prince kept bringing them back together-until pride, ego, and circumstance interfered. Two months before Prince's untimely death, the two finally started to make amends. But Morris never could have imagined it would be the last time he'd ever see his friend again. |
black music history month: The One RJ Smith, 2012-03-15 The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made. The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used Say It Loud (I'm Black and Proud) as its anthem, to his high-profile friendships, to his complicated family life, Smith's meticulous research and sparkling prose blend biography with a cultural history of a pivotal era. At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own. |
black music history month: Jet , 2002-06-24 The weekly source of African American political and entertainment news. |
black music history month: Father Of The Blues W. C. Handy, 1991-03-22 W. C. Handy's blues—“Memphis Blues, Beale Street Blues, St. Louis Blues—changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the devilish calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first 100 from Memphis Blues; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz. |
black music history month: Jazz Diasporas Rashida K. Braggs, 2016-01-26 At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent “authentic” jazz and created spaces for shifting racial and national identities—what Braggs terms “jazz diasporas.” |
black music history month: Billboard , 2001-06-02 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
black music history month: Marley and the Family Band Cedella Marley, Tracey Baptiste, 2022-02-01 A picture book that celebrates music, love, and family from author Cedella Marley. A poetic story about a young girl who moves to a new country and learns to make friends—inspired by a childhood growing up with the musician Bob Marley as a father. When Marley and her family move from Jamaica to Delaware, she knows life is about to change in big ways. And she's got the perfect plan to help her and her siblings make friends: an outdoor concert for the whole neighborhood! But when weather ruins their plans, she discovers help in the most unlikely places as her new neighbors quickly become the kindest of friends. In this joyful, vibrant picture book inspired by her childhood and iconic father, Cedella Marley assures children that nothing can stop the music as long as they have community. |
black music history month: Clayton Byrd Goes Underground Rita Williams-Garcia, 2017-05-09 From beloved Newbery Honor winner and three-time Coretta Scott King Award winner Rita Williams-Garcia comes a powerful and heartfelt novel about loss, family, and love that will appeal to fans of Jason Reynolds and Kwame Alexander. Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen—he can’t wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live. Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him. National Book Award Finalist * Kirkus Best Books of 2017 * Horn Book Best Books of 2017 * Publishers Weekly Best Books of 2017 * School Library Journal Best Books of 2017 * NAACP Image Awards Youth/Teens Winner * Chicago Public Library Best Books * Boston Globe Best Books of 2017 This slim novel strikes a strong chord.—Publishers Weekly (starred review) This complex tale of family and forgiveness has heart.” —School Library Journal (starred review) Strong characterizations and vivid musical scenes add layers to this warm family story.” —Kirkus Reviews (starred review) “An appealing, realistic story with frequent elegant turns of phrase. —The Horn Book (starred review) Garcia-Williams skillfully finds melody in words.” —Booklist (starred review) |
black music history month: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
black music history month: The History of the Blues Michael V. Uschan, 2013-05-17 This volume offers a deep look into the Blues. Author Michael V. Uschan describes this quintessentially American music, charting its evolution out of African American field hollers, slave songs, and spirituals in the late nineteenth century, its emergence from the South and spreading through the U.S. in the early twentieth century, and its influence on later forms of music, including R and B and Rock-and-Roll. |
black music history month: Magic Violin Christine Platt, 2019-12-15 Ana & Andrew are learning to play the violin! They are excited to join the youth orchestra. At first it is fun. But when they start to lose interest, Ana & Andrew learn from an important African American about the importance of practicing. Aligned to Common Core Standards and correlated to state standards. Calico Kid is an imprint of Magic Wagon, a division of ABDO. |
black music history month: From Spirituals to Symphonies Helen Walker-Hill, 2007 Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten. |
black music history month: Spirituals Kathleen A. Abromeit, 2015-01-01 Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix. |
black music history month: Muted Tami Charles, 2021-02-02 A ripped-from-the-headlines novel of ambition, music, and innocence lost, perfect for fans of Elizabeth Acevedo and Jason Reynolds! Be bold. Get seen. Be Heard.For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean Mercury Ellis. Merc gives them everything: parties, perks, wild nights -- plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.Until they're not.Denver begins to realize that she's trapped in Merc's world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl's dreams can be used against her -- and what it takes to fight back. |
black music history month: Otis Redding Jonathan Gould, 2017-05-16 The long-awaited, definitive biography of The King of Soul, timed to coincide with the 50th anniversary of Redding's iconic performance at the 1967 Monterey Pop Festival. Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as “(Sittin’ on) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Try a Little Tenderness,” and “Respect,” a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In Otis Redding: An Unfinished Life, Jonathan Gould finally does justice to Redding’s incomparable musical artistry, drawing on exhaustive research, the cooperation of the Redding family, and previously unavailable sources of information to present the first comprehensive portrait of the singer’s background, his upbringing, and his professional career. In chronicling the story of Redding’s life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day. |
black music history month: Billboard , 1995-01-07 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
black music history month: I Am Perfectly Designed Karamo Brown, Jason "Rachel" Brown, 2019-11-05 I Am Perfectly Designed is an exuberant celebration of loving who you are, exactly as you are, from Karamo Brown, the Culture Expert of Netflix's hit series Queer Eye, and Jason Brown—featuring illustrations by Anoosha Syed. In this empowering ode to modern families, a boy and his father take a joyful walk through the city, discovering all the ways in which they are perfectly designed for each other. With tenderness and wit, this story captures the magic of building strong childhood memories. The Browns and Syed celebrate the special bond between parent and child with joy and flair...Syed's bright, cartoon illustrations enrich the tale with a meaningful message of kindness and inclusion.—Kirkus |
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