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| black snake moan interview: Bad Motherfucker Gavin Edwards, 2021-10-26 A fascinating exploration and celebration of the life and work of the coolest man in Hollywood, Samuel L. Jackson—from his star-making turns in the films of Spike Lee and Quentin Tarantino to his ubiquitous roles in the Star Wars and Marvel franchises, not to mention the cult favorite Snakes on a Plane. Samuel L. Jackson’s embodiment of cool isn’t just inspirational—it’s important. Bad Motherfucker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson’s fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star. Drawing on original reporting and interviews, the book explores not only the major events of Jackson’s life but also his obsessions: golf, kung fu movies, profanity. Bad Motherfucker features a delectable filmography of Jackson’s movies—140 and counting!—and also includes new movie posters for many of Jackson’s greatest roles, reimagined by dozens of gifted artists and designers. The book provides a must-read road map through the vast territory of his on-screen career and more: a vivid portrait of Samuel L. Jackson’s essential self, as well as practical instructions, by example, for how to live and work and be. |
| black snake moan interview: Early Blues Jas Obrecht, 2015-11-09 Winner of the 2016 Living Blues Award for Blues Book of the Year Since the early 1900s, blues and the guitar have traveled side by side. This book tells the story of their pairing from the first reported sightings of blues musicians, to the rise of nationally known stars, to the onset of the Great Depression, when blues recording virtually came to a halt. Like the best music documentaries, Early Blues: The First Stars of Blues Guitar interweaves musical history, quotes from celebrated musicians (B.B. King, John Lee Hooker, Ry Cooder, and Johnny Winter, to name a few), and a spellbinding array of life stories to illustrate the early days of blues guitar in rich and resounding detail. In these chapters, you’ll meet Sylvester Weaver, who recorded the world’s first guitar solos, and Paramount Records artists Papa Charlie Jackson, Blind Lemon Jefferson, and Blind Blake, the “King of Ragtime Blues Guitar.” Blind Willie McTell, the Southeast’s superlative twelve-string guitar player, and Blind Willie Johnson, street-corner evangelist of sublime gospel blues, also get their due, as do Lonnie Johnson, the era’s most influential blues guitarist; Mississippi John Hurt, with his gentle, guileless voice and syncopated fingerpicking style; and slide guitarist Tampa Red, “the Guitar Wizard.” Drawing on a deep archive of documents, photographs, record company ads, complete discographies, and up-to-date findings of leading researchers, this is the most comprehensive and complete account ever written of the early stars of blues guitar—an essential chapter in the history of American music. |
| black snake moan interview: Southerners on Film Andrew B. Leiter, 2011-08-31 The representation of Southerners on film has been a topic of enduring interest and debate among scholars of both film and Southern studies. These 15 essays examine the problem of Southern identity in film since the civil rights era. Fresh insights are provided on such familiar topics as the redneck image, transitions to modernity and the prevalence of the Southern gothic. Other essays reflect the reinvigorated and expanding field of new Southern studies and topics include the transnational South, the intersection of ethnicity and environment and the cultural significance of Southern identity outside the South. |
| black snake moan interview: '70s Teen Pop Lucretia Tye Jasmine, 2023-10-05 Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn't primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one-teen pop wants to play. During the 1970s, teen pop sometimes worked subversively, challenging the status quo it seemed to represent. Male pop stars such as David Cassidy were shown suggestively in popular magazines and female pop stars such as Cher had their own TV shows. Teen magazines, pin-ups, comics, films, and TV programs provided luscious visual stereo, promoting fashion styles, lingo, and dance moves, signaling individual identity but also community. The music provided a way for young people to believe they had something all their own, an authenticity experimenting with sexuality and social conduct, all dressed up in glitter and satin, blue jeans and boom boxes, torn fishnets and safety pins and, magically, their dreams. Cartoon pop and made-for-TV bands! Bubblegum pop! Glam! Hip hop! Hard rock and pop rock and stadium rock! Punk! Disco! Teen pop reinforced aspects of the counterculture it absorbed as the music kept playing-and playing back. Although it's very difficult to attain and maintain social progress and play it forward-there are so many tragedies-'70s Teen Pop examines how liberation and a true counterculture can be possible through music. |
| black snake moan interview: Film Review , 2008 |
| black snake moan interview: Black Ephemera Mark Anthony Neal, 2022-03-08 PROSE Award- Music and Performing Arts Category Winner A framework for understanding the deep archive of Black performance in the digital era In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance. While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital. Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world. |
| black snake moan interview: Going to Cincinnati Steven C. Tracy, 1998 |
| black snake moan interview: Mindgames sheila whiteley, 2008-06-24 During a brief visit to Boston, Josie meets Ben, and together they indulge their shared passion for symbolist art. A complex sequence of cards, letters and drawings gradually reveal that Josie is the catalyst for Ben's increasingly perverse thoughts and as he continues to weave a web of erotic and exotic illusion, Josie begins to wonder whether he intends to make his fantasy a reality. A study of a warped and complex sexuality, with scans of cards and letters, Mindgames provides personal insights into the mind of a stalker. |
| black snake moan interview: The Devil's Music Giles Oakley, 1978 Anecdotes, reminiscences, first-hand reports, and appreciative commentary combine to provide a celebratory account of the blues' development from turn-of-the-century New Orleans honky-tonk and Mississippi Delta barrelhouse to today's urban blues. |
| black snake moan interview: Ultimate DVD. , 2007 |
| black snake moan interview: Black Genders and Sexualities S. McGlotten, D. Davis, 2012-12-06 Cutting across the humanities and social sciences, and situated in sites across the black diaspora, the work in this book collectively challenges notions that we are living in a post-racial age and instead argue for the specificity of black cultural experiences as shaped by gender and sex. |
| black snake moan interview: The Compleat Motherfucker Jim Dawson, 2011-04-29 How this vulgar slang became a cultural archetype and the subject of Supreme Court rulings. |
| black snake moan interview: Billboard , 2007-03-24 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| black snake moan interview: Trance Formation Robin Sylvan, 2013-10-08 Robin Sylvan combines colorful firsthand accounts, extensive interviews with ravers, and cutting edge scholarly analysis to paint a compelling portrait of global rave culture as an important new religious and spiritual phenomenon that also serves as a template for mapping the future evolution of new forms of religion and spirituality in the twenty-first century. |
| black snake moan interview: Cross the Water Blues Neil A. Wynn, 2010-02-09 Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations. |
| black snake moan interview: Mississippi John Hurt Philip R. Ratcliffe, 2011-06-06 Winner, Best History, 2012 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research When Mississippi John Hurt (1892-1966) was rediscovered by blues revivalists in 1963, his musicianship and recordings transformed popular notions of prewar country blues. At seventy-one he moved to Washington, D.C., from Avalon, Mississippi, and became a live-wire connection to a powerful, authentic past. His intricate and lively style made him the most sought after musician among the many talents the revival brought to light. Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Anecdotes from Hurt's childhood and teenage years include the destiny-making moment when his mother purchased his first guitar for $1.50 when he was only nine years old. Stories from his neighbors and friends, from both of his wives, and from his extended family round out the community picture of Avalon. US census records, Hurt's first marriage record in 1916, images of his first autographed LP record, and excerpts from personal letters written in his own hand provide treasures for fans. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well, including the late Jerry Ricks, Pat Sky, Stefan Grossman and Max Ochs, Dick Spottswood, and the late Mike Stewart. In addition, some of the last photographs taken of the legendary musician are featured for the first time in Mississippi John Hurt. |
| black snake moan interview: Identities for Life and Death Robert J. Pellegrini, 2010-09 This book is all about stories. The stories that shape our identities and how those identities shape our destinies for better or worse, for good or evil, in humanizing or dehumanizing ways. Working from the Shakespearian metaphor, All the world s a stage and all the men and women merely players, Pellegrini argues that only by understanding how our storied selves develop can we acquire the tools to modify the roles they dictate for us to play on the stage in the theater of real life. The author deconstructs a wide variety of what he calls toxic, dehumanizing, death-oriented self-scripts as well as creative, humanizing, life-oriented narratives of groups as well as individuals. Following the Native American parable of two wolves engaged in mortal combat within us, one good the other evil, the fundamental premise here is that our identity determines which of our inner wolves we feed and thus, which of them will prevail. Pellegrini maintains that what s at stake in this battle between humanity s collective inner wolves, is not just the quality but the very survival of life on earth. From this perspective, as individual and group selves are humanizingly or dehumanizingly narratizedby the way we exercise our God-given free will in the choices we make, so shall life be impacted throughout the world. To advance the cause of detoxifying identities in our global society, the author presents a rationale and program for an international grass roots social movement aimed at achieving a universal sense of belongingness to a global life system. You can watch and listen to a video in which Dr. Bob Pellegrini talks about this book, and why he wrote it, by entering Identities for Life and Death in the search bar at youtube.com.] |
| black snake moan interview: Hollywood Heroines Laura L. S. Bauer, 2018-12-07 This is a topical resource that provides a comprehensive look at the most influential women in Hollywood cinema across a wide-range of occupations rarely found together in a single volume. Unlike other anthologies, Hollywood Heroines: The Most Influential Women in Film History is a hybrid of film history and industry information with an exclusive focus on prominent women. This reference work includes more commonly discussed categories of important women in Hollywood film history, such as directors and actresses, and reaches beyond them to encompass women working as cinematographers, casting directors, studio heads, musical composers, and visual and special effects supervisors. The wide range of filmmaking crafts covered in the book provides an acute view of the industry and increases the visibility of and quality of representation for women working in Hollywood. By bringing the experience of these influential women to light, Hollywood Heroines joins a growing movement that endeavors to dismantle harmful, long-standing industry myths that perpetuate the systemic underrepresentation of women and the devaluation of women's stories in the Hollywood film industry. |
| black snake moan interview: The British Blues Network Andrew Kellett, 2017-09-19 An exciting new examination of how African-American blues music was emulated and used by white British musicians in the late 1950s and early 1960s |
| black snake moan interview: Delta Music and Film Jimmy Cunningham Jr., Donna Cunningham, 2015-04-06 The Delta Lowlands, a place of stunning innovation and creativity in music and film, has laid an incredible foundation for American entertainment. Talented singers, producers, and musicians from a narrow stretch of Arkansas Delta land--traversing U.S. Highway 65 south near England down to Pine Bluff and on through Lake Village/Eudora--have garnered every conceivable distinction, including Grammys as well as Country Music Association (CMA), Gospel Music Association (GMA), Stellar, Dove, Soul Train, Rock and Roll Hall of Fame, and other music awards. The mosaic of cotton blossoms, catfish farms, blues juke joints, foot-stomping churches, and rich Delta dirt has also served as the training ground for legends in blues, R&B/soul, country music, jazz, and gospel. In film and television, the Delta Lowlands has birthed the invention of sound in movies, the development of slow-motion footage, the creation of television's Neilson's ratings, the first western-genre movie star, a cadre of Emmy and Oscar award-winning personalities, and a television tower that was once the second tallest man-made structure in the world. |
| black snake moan interview: Texan Jazz Dave Oliphant, 1996 While Texans Jazz includes Anglo Texan and Latino Texan musicians, its great strength is its record of the historic contributions to jazz made by African-American Texans. |
| black snake moan interview: Light Come Shining Andrew McCarron, 2017 Bob Dylan is the prince of self-reinvention and deflection. Whether it's the folkies of Greenwich Village, the student movement of the 1960s and 1970s, Born Again Christians, the Chabad Lubavitch community, or English Department postmodernists, specific intellectual and sociopolitical groups have repeatedly claimed Bob Dylan as their spokesperson. But in the words of filmmaker Todd Haynes, who cast six actors to depict different facets of Dylan's life and artistic personae in his 2009 film I'm Not There, The minute you try to grab hold of Dylan, he's no longer where he was. In Light Come Shining, writer Andrew McCarron uses psychological tools to examine three major turning points - or transformations - in Bob Dylan's life: the aftermath of his 1966 motorcycle accident, his Born Again conversion in 1978, and his recommitment to songwriting and performing in 1987. With fascinating insight, McCarron reveals how a common script undergirds Dylan's self-explanations of these changes; and, at the heart of this script, illuminates a fascinating story of spiritual death and rebirth that has captivated us all for generations. |
| black snake moan interview: Free Jazz/Black Power Philippe Carles, Jean-Louis Comolli, 2015-01-05 In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long-ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of Black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a musical style that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases, it changed the way musicians thought about and played jazz. Free Jazz/Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and realigned that zeitgeist. |
| black snake moan interview: Jet , 2008-06-02 The weekly source of African American political and entertainment news. |
| black snake moan interview: Justin Timberlake Kimberly Dillon Summers, 2010-06-16 This revealing biography of pop star Justin Timberlake documents his background, childhood career, achievements, and disappointments. From his first taste of fame as an 11-year-old contestant on the TV show Star Search to making it big with the boy-band 'N Sync and his subsequent solo career to the notoriety following the 2004 Super Bowl halftime performance incident with Janet Jackson, this biography presents an accurate overview of Justin Timberlake's life and impact on popular culture. Justin Timberlake: A Biography gives students access to unbiased insight into how Timberlake achieved stardom. The narrative tone and manageable length make this book easy to read, while the accurate presentation of the historical context of his life's events makes it engaging and relevant for young readers. This title will appeal to teen readers due to their natural interest in pop icons. In addition, the enviable success of Timberlake's career path can serve as a source of inspiration and hope for young adults. |
| black snake moan interview: Roger Ebert's Movie Yearbook 2009 Roger Ebert, 2009-06-15 Nobody has been more important in telling Americans why we should love film than Roger Ebert. --Michael Shamberg, Editor and Publisher Pulitzer Prize-winning film critic Roger Ebert presents more than 650 full-length critical movie reviews, along with interviews, essays, tributes, film festival reports, and Q and As from Questions for the Movie Answer Man. Roger Ebert's Movie Yearbook 2009 collects more than two years' worth of his engaging film critiques. From Bee Movie to Darfur Now to No Country for Old Men, and from Juno to Persepolis to La Vie en Rose, Roger Ebert's Movie Yearbook 2009 includes every review Ebert has written from January 2006 to June 2008. Also included in the Yearbook, which boasts 65 percent new content, are: * Interviews with newsmakers, such as Juno director Jason Reitman and Jerry Seinfeld, a touching tribute to Deborah Kerr, and an emotional letter of appreciation to Werner Herzog. * Essays on film issues, and tributes to actors and directors who died during the year. * Daily film festival reports from Cannes, Toronto, Sundance, and Telluride. * All-new questions and answers from his Questions for the Movie Answer Man columns. |
| black snake moan interview: Big Road Blues David Evans, 2023-11-10 |
| black snake moan interview: Traces of the Spirit Robin Sylvan, 2002-07 Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today. |
| black snake moan interview: Coda Magazine , 1977 |
| black snake moan interview: Harlem Heyday Jack Schiffman, 1984 Harlem Heyday vividly describes the special magic of Harlem's Heyday Years - from the thirties to the seventies - which left a singular and enduring imprint on the world of entertainment. The author, son of the guiding spirit of the Apollo Theatre and witness to the enchantment and excitement of these years, recounts many amusing anecdotes about the singers, dancers, musicians and comedians who performed there and at the Lafayette. He follows the evolution of their art and describes how the early pioneers paved the way for the black superstars of today. The Apollo Theatre was just another uptown variety house when Frank Schiffman and Leo Brecher took over the old Hurtig and Seamon in 1935. This was the birth of a unique institution in American cultural history. Almost every black entertainer in modern history has, at one time or another, strutted across the stage of the Apollo. Legendary performers like Billie Holliday, Bill Bojangles Robinson, Nat King Cole, and Charlie Bird Parker, as well as acclaimed modern entertainers like Lena Horne, Richard Pryor, Stevie Wonder, Flip Wilson, and Diana Ross and the Supremes are all part of the colorful and dramatic story of the Apollo. Harlem Heyday is heavily illustrated with photographs of the stars of the uptown theaters and choice memorabilia, including vintage theater programs and newspaper advertisements. There are chapters detailing the history of Harlem, jazz, the blues and gospel music, and dance and comedy at the Apollo. |
| black snake moan interview: Voices from the Heartland William Brook Barlow, 1983 |
| black snake moan interview: Living Texas Blues Alan B. Govenar, 1985 Presents the art and life of the people of Texas. |
| black snake moan interview: Jet , 2008 |
| black snake moan interview: Vibe , 2007 |
| black snake moan interview: e-Pedia: Captain America: Civil War Contributors, Wikipedia, 2017-02-11 This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, and Daniel Brühl. In Captain America: Civil War, disagreement over international oversight of the Avengers fractures them into opposing factions—one led by Steve Rogers and the other by Tony Stark. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 634 related (linked) Wikipedia articles to the title article. This book does not contain illustrations. |
| black snake moan interview: The Language of the Blues Debra Devi, 2012 A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others. |
| black snake moan interview: The Nation , 2007 |
| black snake moan interview: Sight and Sound , 2007 |
| black snake moan interview: Newsmakers , 2007 |
| black snake moan interview: The Times Index , 2007 Indexes the Times and its supplements. |
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/o~SSI - Office of Justice Programs
f - I l --~-----~~--~ The opinions expressed here~n are those of the project staff and do not reflect those …
oral history interview Guide to the John Lear and Jaina …
Creator: Moan, Jaina L. Contributor: Boyer Early Las Vegas Oral History Project Title: John Lear and Jaina L. …
The Venomous Snakes of Oklahoma
If you are bitten by a snake with venom, you will likely feel pain, bruising, swelling and maybe nausea. The …
