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| china a history in objects: China Jessica Harrison-Hall, 2018-01-09 The history of China— brilliantly told and brought vividly to life through more than 6,000 years of artifacts and treasures This illustrated introduction to the history of China offers a fresh understanding of China’s progress from the Neolithic age to the present. Told in six chapters arranged chronologically, through art, artifacts, people, and places, and richly illustrated with expertly selected objects and artworks, it firmly connects today’s China with its internationally engaged past. From the earliest archaeological relics and rituals, through the development of writing and state, to the advent of empire, the author charts China’s transformation from ancient civilization into the world’s most populous nation and influential economy, offering historical insights and cultural treasures along the way. This accessible book presents an eclectic mix of materials including Chinese theater, the decorative arts, costume, jewelry, and furniture-making, running through to the most recent diffusion of Chinese culture. |
| china a history in objects: Memory and Agency in Ancient China Francis Allard, Yan Sun, Kathryn M. Linduff, 2018-12-20 Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture. |
| china a history in objects: China: A History The Field Museum, Cheryl Bardoe, 2019-01-15 Discover the history of one of the world’s most influential civilizations. Based on the Cyrus Tang Hall of China exhibit at The Field Museum, China: A History traces the 7,000-year story of this diverse land. Full-color maps, photos, and illustrations of the people, landscape, artifacts, and rare objects bring the history of this nation to life! Young readers learn about prehistoric China, follow the reign of emperors and dynasties, and come to understand how China became the world power that it is today. The book also explores the role of children and women in everyday life as well as how religion, politics, and economics shaped the deep traditions and dynamic changes of modern China. This book stands alone from the exhibition and is a go-to resource for young readers looking to learn more about this powerful nation. It includes a timeline, bibliography, and index. |
| china a history in objects: Design by the Book François Louis, 2017 Today, China's classical antiquity is often studied through recovered artifacts, but before this practice became widespread, scholars instead reconstructed the distant past through classical texts and transmitted illustrations. Among the most important illustrated commentaries was the Sanli tu, or Illustrations to the Ritual Classics, whose origins are said to date back to the great commentator Zheng Xuan. Design by the Book, which accompanies an exhibition at Bard Graduate Center Gallery, discusses the history and cultural significance of the Sanli tu in medieval China. The Sanli tu survives in a version produced around 960 by Nie Chongyi, a professor at the court of the Later Zhou (951-960) and Northern Song (960-1127) dynasties. It is now mostly remembered--if at all--for its controversial entries and as a quaint predecessor of the more empirical antiquarian scholarship produced since the mid-eleventh century. But such criticism hides the fact that the book remained a standard resource for more than 150 years, playing a crucial role in the Song dynasty's perception of ancient ritual and construction of a Confucian state cult. Richly illustrated, Design by the Book brings renewed focus to one of China's most fascinating medieval works. |
| china a history in objects: A History of China Morris Rossabi, 2021-04-06 Discover the complexity of China’s past with this multi-faceted portrayal of the storied nation from a leading expert in the field The newly revised Second Edition of A History of China delivers a comprehensive treatment of the political, economic, social, and cultural history of China that covers all major events and trends that have shaped the country over the centuries. The book is written in a clear and uncomplicated style, sure to be of assistance to undergraduate students with little prior background knowledge in the subject matter. The text examines Chinese history through a global lens to better understand how foreign influences affected domestic policies and practices. It includes discussions of the roles played by non-Chinese ethnic groups in China, like the Tibetans and Uyghurs, and the Mongol and Manchu rulers who held power in China for several centuries. The distinguished author takes pains to incorporate the perspectives and narratives of people traditionally left out of Chinese history, including women, peasants, merchants, and artisans. Readers will also enjoy the inclusion of: A thorough introduction to early and ancient Chinese history, including classical China, the first Chinese empires, and religious and political responses to the period between 220 and 581 CE An exploration of the restoration of Empire under Sui and Tang, as well as post-Tang society and Glorious Song A discussion of China and the Mongol world, including Mongol rule in China and the isolationism and involvement on the global stage of the Ming dynasty A treatment of China in global history, including the Qing era, the Republican period, and the Communist era Perfect for undergraduate students of courses on Chinese history and Central Asian History, the Second Edition of A History of China will also earn a place in the libraries of students studying global history and related classes in history departments and departments of Asian studies. The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production. |
| china a history in objects: Things Chinese Ronald G. Knapp, 2012-07-03 China's art objects and traditionally manufactured products have long been sought by collectors--from porcelains and silk fabrics to furniture and even the lacquered chopsticks that are a distant relation to ones found in most Chinese restaurants. Things Chinese presents sixty distinctive items that are typical of Chinese culture and together open a special window onto the people, history, and society of the world's largest nation. Many of the objects are collectibles, and each has a story to tell. The objects relate to six major areas of cultural life: the home, the personal, arts & crafts, eating & drinking, entertainment, and religious practice. They include items both familiar and unfamiliar--from snuff bottles and calligraphy scrolls to moon cake molds and Mao memorabilia. Ronald Knapp's evocative text describes the history, cultural significance, and customs relating to each object, while Michael Freeman's superb photographs illustrate them. Together, text and photographs offer a unique look at the material culture of China and the aesthetics that inform it. |
| china a history in objects: Literary Information in China Bruce Rusk, Anatoly Detwyler, Christopher Nugent, Xiao Liu, Jack W. Chen, 2021-05-11 “Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition. |
| china a history in objects: Exotic Commodities Frank Dikötter, 2007-03-27 Exotic Commodities is the first book to chart the consumption and spread of foreign goods in China from the mid-nineteenth century to the advent of communism in 1949. Richly illustrated and revealing, this volume recounts how exotic commodities were acquired and adapted in a country commonly believed to have remained hostile toward alien things during the industrial era. China was not immune to global trends that prized the modern goods of civilized nations. Foreign imports were enthusiastically embraced by both the upper and lower classes and rapidly woven into the fabric of everyday life, often in inventive ways. Scarves, skirts, blouses, and corsets were combined with traditional garments to create strikingly original fashions. Industrially produced rice, sugar, wheat, and canned food revolutionized local cuisine, and mass produced mirrors were hung on doorframes to ward off malignant spirits. Frank Dikötter argues that ordinary people were the least inhibited in acquiring these products and therefore the most instrumental in changing the material culture of China. Landscape paintings, door leaves, and calligraphy scrolls were happily mixed with kitschy oil paintings and modern advertisements. Old and new interacted in ways that might have seemed incongruous to outsiders but were perfectly harmonious to local people. This pragmatic attitude would eventually lead to China's own mass production and export of cheap, modern goods, which today can be found all over the world. The nature of this history raises the question, which Dikötter pursues in his conclusion: If the key to surviving in a fast-changing world is the ability to innovate, could China be more in tune with modernity than Europe? |
| china a history in objects: Chinese Art: The Impossible Collection Adrian Cheng, John Dodelande, 2021-05-01 While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell. |
| china a history in objects: The Lives of Chinese Objects Louise Tythacott, 2011-06-01 This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed. |
| china a history in objects: Great Wall in 50 Objects William Lindesay, 2015-11-16 The culmination of a lifetime's field work and research, William Lindesay selects fifty artefacts from around the world to tell the story of the Great Wall from the second century BC to the late-twentieth century. Abraham Ortelius' pioneering world atlas, the unexpected origins of 'wolf smoke', the proliferation of the blunderbuss in the fifteenth century Great Wall theatre of war, even Kafka's classic short story 'At the Building of the Great Wall' are some of the unique objects that were shaped by China's most famous national landmark. Enhanced by stories of their discovery, and those of their modern-day keepers, The Great Wall in 50 Objects is a personal and historical exploration of a world wonder. 'William Lindesay has a knack for approaching the iconic Great Wall of China in ways that are creative, idiosyncratic, and deeply personal . . . He has succeeded again with The Great Wall in 50 Objects.' Peter Hessler, author of River Town and Oracle Bones 'William Lindesay shows us the Wall in a completely new light by looking at the smaller objects that make up its history . . . Through these objects we feel the Great Wall transform from architecture into a living part of the history and culture of China.' Jack Weatherford, author of Genghis Khan and the Making of the Modern World 'For years, Lindesay has hiked and studied the Great Wall with exceptional passion. To him, it seems, the Great Wall is not a mere structure, a political icon, or a cultural curiosity, but a treasure trove of stories.' Jaime FlorCruz, former Beijing bureau chief of Time magazine and CNN 'If you are going to China, and intend to see the Great Wall (or even if, unwisely, you don't), take this book on the plane with you, and absorb as many of its intriguing nuggets of Wall-lore and China-lore as you can – it will make your visit infinitely richer.' Prof. Christopher Cullen, Emeritus Director, Needham Research Institute, Cambridge 'William Lindesay lives and breathes Great Wall history and he exudes it with an engaging passion.' Mike Loades, author of Swords and Swordsmen 'Lindesay presents a coherent and highly informative account of the geography, history, and material culture of China's Great Wall. His compelling and well-written account is rich in profound and often quite unexpected insights.' Lothar von Falkenhausen, Professor of Chinese Archaeology and Art History, UCLA |
| china a history in objects: Ten Thousand Things Lothar Ledderose, 2023-10-17 An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society. |
| china a history in objects: History of the World in 1000 Objects DK, 2020-09-15 Discover how humans created their world from the objects they left behind - from the US Constitution to the first iPhone - in DK's latest history book. From the beginning of human history, the one thing that has defined us is our talent for making things, from basic technology and everyday objects, such as bowls and hand axes, to high-tech inventions, such as supersonic aircraft, smart devices, and Mars rovers. Objects speak volumes about a civilization, telling us how our ancestors lived - as well as what they believed in and valued. A bronze cat mummy shows us how highly the ancient Egyptians valued their feline companions, while a mechanical tiger toy tells the story of rising tensions between an Indian sultan and European colonizers. With stunning, exclusive photography, History of the World in 1000 Objects shows you the objects that our ancestors treasured - from the jewelry worn by the Mesopotamians to the prized ritual vessels used by the people of the Shang Dynasty - and gives you insight into what gave each culture its own identity. From astrolabes and airplanes to vacuum cleaners and X-rays, DK uses its hallmark visual style to weave the extraordinary legacy of our creativity into a unique view of world history that will change the way you see the objects all around us. |
| china a history in objects: 怪石 Stephen Little, 1999-01-01 A collection of photographs of strangely shaped stones thought to be infused with spiritual power, accompanied by a discussion of their influence on Chinese religion, art, and culture. |
| china a history in objects: The Great Bronze Age of China Metropolitan Museum of Art (New York, N.Y.), Robert W. Bagley, Jenny F. So, Maxwell K. Hearn, 1980 Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture. |
| china a history in objects: The British Museum Book of Chinese Art Jessica Rawson, 1993 |
| china a history in objects: History and Its Objects Peter N. Miller, 2017-03-01 Weaving together literary and scholarly insights, History and Its Objects will prove indispensable reading for historians and cultural historians, as well as anthropologists and archeologists worldwide. — Nathan Schlanger, École nationale des chartes, Paris Cultural history is increasingly informed by the history of material culture—the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary—rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. In History and Its Objects, Peter N. Miller uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism—a pursuit ignored and derided by modem academic history—in grasping the significance of material culture. From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, Miller connects collecting—whether by individuals or institutions—to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history-writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to reexperience the past as a physical presence. |
| china a history in objects: Objects in Frames Anna Grasskamp, 2019 Anna Grasskamp investigates display practices of the sixteenth and seventeenth century in China and Europe providing an in-depth analysis of the processes through which foreign artifacts and natural objects were framed in early modern collections. While the first two chapters focus on the appropriation of artifacts through the examples of porcelain vessels and scientific instruments in metal mounts, the book's later chapters analyze the staging of foreign nature in Renaissance and Ming collecting through the case of coral. |
| china a history in objects: A History of American Sports in 100 Objects Cait Murphy, 2016-10-11 Beautifully designed and carefully curated, a fascinating collection of the things that shaped the way we live and play in America What artifact best captures the spirit of American sports? The bat Babe Ruth used to hit his allegedly called shot, or the ball on which Pete Rose wrote, I'm sorry I bet on baseball? Could it be Lance Armstrong's red-white-and-blue bike, now tarnished by doping and hubris? Or perhaps its ancestor, the nineteenth-century safety bicycle that opened an avenue of previously unknown freedom to women? The jerseys of rivals Larry Bird and Magic Johnson? Or the handball that Abraham Lincoln threw against a wall as he waited for news of his presidential nomination? From nearly forgotten heroes like Tad Lucas (rodeo) and Tommy Kono (weightlifting) to celebrities like Amelia Earhart, Muhammad Ali, and Michael Phelps, Cait Murphy tells the stories of the people, events, and things that have forged the epic of American sports, in both its splendor and its squalor. Stories of heroism and triumph rub up against tales of discrimination and cheating. These objects tell much more than just stories about great games-they tell the story of the nation. Eye-opening and exuberant, A History of American Sports in 100 Objects shows how the games Americans play are woven into the gloriously infuriating fabric of America itself. |
| china a history in objects: Chinese Motifs of Good Fortune Zhu Wen, 2011-03-10 This fascinating and readable book is an exploration of Chinese culture as it appears in art. Chinese porcelains decorated with peaches and ats…textiles boldly printed with a phoenix and peony pattern…furniture carved with dragons amid the coulds…These popular patterns are beautiful and eye-catching—but what do these art symbols mean? Each expresses a wish for fortune, whether that represents prosperity, health, luck or happiness. In China, decorating with auspicious patterns dates back thousands of years, and remains popular today. It has strong ties with tradition, and provides insight into Chinese philosophies about nature, religion, morality and government. Symbols invoking fortune appear in a wide range of media, from porcelains to furniture to architectural decoration, among many others. This Chinese art book examines traditional auspicious patterns featuring animals, plants, figures, objects and symbols, as well as those that combine motifs from different categories. You will discover how to decode this intricate world of Chinese symbolism by exploring the history, meaning and use of many common patterns. In fact, learning this visual language will provide a new level of appreciation not only for China's remarkable decorative arts but also its profound traditional culture. |
| china a history in objects: Discovering History in China Paul A. Cohen, 2010 Originally published: New York: Columbia University Press, 1984. |
| china a history in objects: The Crafting of the 10,000 Things Dagmar Schäfer, 2011-04-15 The last decades of the Ming dynasty, though plagued by chaos and destruction, saw a significant increase of publications that examined advances in knowledge and technology. Among the numerous guides and reference books that appeared during this period was a series of texts by Song Yingxing (1587–1666?), a minor local official living in southern China. His Tiangong kaiwu, the longest and most prominent of these works, documents the extraction and processing of raw materials and the manufacture of goods essential to everyday life, from yeast and wine to paper and ink to boats, carts, and firearms. In The Crafting of the 10,000 Things, Dagmar Schäfer probes this fascinating text and the legacy of its author to shed new light on the development of scientific thinking in China, the purpose of technical writing, and its role in and effects on Chinese history. Meticulously unfolding the layers of Song’s personal and cultural life, Schäfer chronicles the factors that motivated Song to transform practical knowledge into written culture. She then examines how Song gained, assessed, and ultimately presented knowledge, and in doing so articulates this era’s approaches to rationality, truth, and belief in the study of nature and culture alike. Finally, Schäfer places Song’s efforts in conjunction with the work of other Chinese philosophers and writers, before, during, and after his time, and argues that these writings demonstrate collectively a uniquely Chinese way of authorizing technology as a legitimate field of scholarly concern and philosophical knowledge. Offering an overview of a thousand years of scholarship, The Crafting of the 10,000 Things explains the role of technology and crafts in a culture that had an outstandingly successful tradition in this field and was a crucial influence on the technical development of Europe on the eve of the Industrial Revolution. |
| china a history in objects: The Oxford Handbook of History and Material Culture Ivan Gaskell, Sarah Anne Carter, 2020-04-07 Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk. |
| china a history in objects: EurAsian Matters Anna Grasskamp, Monica Juneja, 2018-05-03 The volume examines the mutually constitutive relationship between the materiality of objects and their aesthetic meanings. Its approach connects material culture with art history, curation, technologies and practices of making. A central dimension of the case studies collected here is the mobility of objects between Europe and China and the transformations that unfold as a result of their transcultural lives. Many of the objects studied here are relatively unknown or understudied. The stories they recount suggest new ways of thinking about space, cultural geographies and the complex and often contradictory association of power and culture. These studies of transcultural objects can suggest pathways for museum experts by uncovering the multi-layered identities and temporalities of objects that can no longer be labelled as located in single regions. It is also addressed to students of art history, of European and Chinese studies and scholars of consumer culture. « This eagerly awaited volume offers deep and extensive insights into the fast-growing field of material culture studies. Its fresh approach to Eurasian objects and materialities will serve as useful reading for all scholars interested in transcultural and global studies. A very helpful introductory essay. » Sabine du Crest, University of Bordeaux Montaigne, Former Fellow, The Harvard University Center for Italian Renaissance Studies. |
| china a history in objects: Artisans in Early Imperial China Anthony J. Barbieri-Low, 2021-10-07 Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chinese culture. With Artisans in Early Imperial China, Anthony Barbieri-Low combines historical, epigraphic, and archaeological analysis to refocus our gaze from the glittering objects and monuments of China onto the men and women who made them. Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history. |
| china a history in objects: Sensuous Surfaces Jonathan Hay, 2010-06-25 With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras. |
| china a history in objects: History of the World in 1,000 Objects DK, 2014-10-01 From the watch Napoleon used to synchronize with his generals at Waterloo and Chinese David vases believed to be the oldest example of blue and white porcelain to the US Constitution and the Mayan Dresden codex, the oldest book written in the Americas, History of the World in 1,000 Objects provides a completely fresh perspective on the history of the world. With objects revealing how our ancestors lived, what they believed and valued, and how these items helped shape civilization, History of the World in 1,000 Objects contains a treasure trove of human creativity from earliest cultures to the present day. Objects are grouped chronologically, under key themes, from art to the history of technology, and together help paint a unique picture that provides detailed insight into each culture. In addition to stunning specially-commissioned photographs, History of the World in 1,000 Objects includes timelines and maps that make it easy to compare how people lived at different times and in different parts of the world. Reviews of its print edition: This vividly illustrated book provides a fresh perspective on world history by revealing how our ancestors lived through the objects they fashioned. - Longitude [A] completely fresh perspective on the history of the world. - Releaselog [A] treasure trove of human creativity from earliest cultures to the present day. - USA Today Using human-made objects to explain world history is such a fun and interesting way to see how societies around the planet have evolved both culturally and technologically. - Winkbooks Award to its print edition: The National Council for Social Studies (NCSS) and the Children's Book Council's Notable Social Studies Trade Books for Young People 2015 |
| china a history in objects: The Tragedy of Liberation Frank Dikötter, 2013-08-29 The second installment in 'The People's Trilogy', the groundbreaking series from Samuel Johnson Prize-winning author Frank Dikötter 'For anyone who wants to understand the current Beijing regime, this is essential background reading' Anne Applebaum 'Essential reading for all who want to understand the darkness that lies at the heart of one of the world's most important revolutions' Guardian 'Dikötter performs here a tremendous service by making legible the hugely controversial origins of the present Chinese political order' Timothy Snyder In 1949 Mao Zedong hoisted the red flag over Beijing's Forbidden City. Instead of liberating the country, the communists destroyed the old order and replaced it with a repressive system that would dominate every aspect of Chinese life. In an epic of revolution and violence which draws on newly opened party archives, interviews and memoirs, Frank Dikötter interweaves the stories of millions of ordinary people with the brutal politics of Mao's court. A gripping account of how people from all walks of life were caught up in a tragedy that sent at least five million civilians to their deaths. |
| china a history in objects: Ordering the Myriad Things Nicholas Menzies, 2021-09-29 China’s vast and ancient body of documented knowledge about plants includes horticultural manuals and monographs, comprehensive encyclopedias, geographies, and specialized anthologies of verse and prose written by keen observers of nature. Until the late nineteenth century, however, standard practice did not include deploying a set of diagnostic tools using a common terminology and methodology to identify and describe new and unknown species or properties. Ordering the Myriad Things relates how traditional knowledge of plants in China gave way to scientific botany between the mid-nineteenth and mid-twentieth centuries, when plants came to be understood in a hierarchy of taxonomic relationships to other plants and within a broader ecological context. This shift not only expanded the universe of plants beyond the familiar to encompass unknown species and geographies but fueled a new knowledge of China itself. Nicholas K. Menzies highlights the importance of botanical illustration as a tool for recording nature—contrasting how images of plants were used in the past to the conventions of scientific drawing and investigating the transition of “traditional” systems of organization, classification, observation, and description to “modern” ones. |
| china a history in objects: The Question Concerning Technology in China Yuk Hui, 2016-09-02 A systematic historical survey of Chinese thought is followed by an investigation of the historical-metaphysical questions of modern technology, asking how Chinese thought might contribute to a renewed questioning of globalized technics. Heidegger's critique of modern technology and its relation to metaphysics has been widely accepted in the East. Yet the conception that there is only one—originally Greek—type of technics has been an obstacle to any original critical thinking of technology in modern Chinese thought. Yuk Hui argues for the urgency of imagining a specifically Chinese philosophy of technology capable of responding to Heidegger's challenge, while problematizing the affirmation of technics and technologies as anthropologically universal. This investigation of the historical-metaphysical question of technology, drawing on Lyotard, Simondon, and Stiegler, and introducing a history of modern Eastern philosophical thinking largely unknown to Western readers, including philosophers such as Feng Youlan, Mou Zongsan, and Keiji Nishitani, sheds new light on the obscurity of the question of technology in China. Why was technics never thematized in Chinese thought? Why has time never been a real question for Chinese philosophy? How was the traditional concept of Qi transformed in its relation to Dao as China welcomed technological modernity and westernization? In The Question Concerning Technology in China, a systematic historical survey of the major concepts of traditional Chinese thinking is followed by a startlingly original investigation of these questions, in order to ask how Chinese thought might today contribute to a renewed, cosmotechnical questioning of globalized technics. |
| china a history in objects: Books of Fate and Popular Culture in Early China Donald John Harper, Marc Kalinowski, 2017 Books of Fate and Popular Culture in Early China is a comprehensive introduction to the daybook manuscripts found in Warring States, Qin, and Han tombs (453 BCE-220 CE) and intended for use in daily life. |
| china a history in objects: A Society Without Fathers Or Husbands Cai Hua, 2001-01-05 A fascinating account of the Na society, which functions without the institution of marriage. The Na of China, farmers in the Himalayan region, live without the institution of marriage. Na brothers and sisters live together their entire lives, sharing household responsibilities and raising the women's children. Because the Na, like all cultures, prohibit incest, they practice a system of sometimes furtive, sometimes conspicuous nighttime encounters at the woman's home. The woman's partners--she frequently has more than one--bear no economic responsibility for her or her children, and fathers, unless they resemble their children, remain unidentifiable. This lucid ethnographic study shows how a society can function without husbands or fathers. It sheds light on marriage and kinship, as well as on the position of women, the necessary conditions for the acquisition of identity, and the impact of a communist state on a society that it considers backward. |
| china a history in objects: The Smithsonian's History of America in 101 Objects Richard Kurin, 2016-10-25 The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right. |
| china a history in objects: India, China, and the World Tansen Sen, 2017 The circulations of knowledge -- The routes, networks, and objects of circulation -- The imperial connections -- Pan-Asianism and the (re)new(ed) connections -- The geopolitical disconnect -- Conclusion |
| china a history in objects: A History of the World in 100 Objects Neil MacGregor, 2011-10-06 This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilisation accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years. |
| china a history in objects: Historicizing Emotions Barbara Schuler, 2018 In Historicizing Emotions: Practices and Objects in India, China, and Japan, nine Asian Studies scholars offer intriguing case studies of moments of change in community or group-based emotion practices, including emotionally coded objects. Posing the questions by whom, when, where, what-by, and how the changes occurred, these studies offer not only new geographical scope to the history of emotions, but also new voices from cultures and subcultures as yet unexplored in that field. This volume spans from the pre-common era to modern times, with an emphasis on the medieval period, and includes analyses of picturebooks, monks' writings, letters, ethnographies, theoretic treatises, poems, hagiographies, stone inscriptions, and copperplates. Covering both religious and non-religious spheres, the essays will attract readers from historical, religious, and area studies, and anthropology.--Back cover. |
| china a history in objects: Chinese Sculpture Angela Falco Howard, Wu Hung, Li Song, Yang Hong, 2006-01-01 Spanning some 7000 years, 'Chinese Sculpture' explores a beautiful and diverse world of objects, many of which have only come to light in the later half of the 20th century. The authors analyse and present, mostly in colour, some 500 examples of Chinese sculpture. |
| china a history in objects: Nordic Private Collections of Chinese Objects Minna Torma, 2024-10-07 This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes. |
| china a history in objects: Ming Craig Clunas, Jessica Harrison-Hall, 2014 Ask anyone what single object they associate with China and the most common answer will be a Ming vase. Probably without even knowing the dates of the Ming dynasty (1368-1644), people are aware of the fragility of its porcelain, its rarity and value. But porcelain is just one part of the story of one of the most glorious epoques of China's past. By focusing on the significant years of the early Ming dynasty and through the themes of court people and their lives, extraordinary developments in culture, the military, religion, diplomacy and trade, this book brings the wider history of this fascinating period to colourful life. |
| china a history in objects: A History of Medicine in 50 Objects Gill Paul, 2016 Praise for A History of Music in 50 Instruments, also in this series: Wilkinson's history unfolds like a symphonic work with instrument makers, composers and virtuosic performers picking up these incredible creations and exposing their beauty and capability. To open it up is to be instantly hooked. -- Publishers Weekly A History of Medicine in 50 Objects takes readers on a 12,000-year journey to explore significant items that have advanced medical knowledge and practice. The fifty objects range from the everyday (a bottle of Aspirin) to singular medical advances (heart transplant pioneer Christian Bernard on the cover of TIME magazine). The objects are presented chronologically and described in two to four pages with illustrations, 150 beautiful archive images in all. Fact boxes note Location, Date, and Field, for example, epidemiology. Engaging text describes the artifacts in their social and cultural context, as well as their role in disease treatment and prevention. Centuries of invention and risk-taking have saved lives and advanced life expectancy. The first object is a Neolithic skull (ca 10,000 BCE) showing evidence of trephination, a hole deliberately cut into the skull of a living person and likely the first surgical practice. It was done widely well into the Renaissance, with surprising success, and is still done today, though rarely. The last object, like many others, was borne of tragedy. It is the protective gear designed for medical workers during the 2014 Ebola virus outbreak. The objects come in all shapes and sizes -- an X-ray diffraction image of a DNA molecule; the first tuberculosis sanatorium. They are the everyday and the extraordinary -- a thermometer; a thought-controlled prosthetic limb. They are of society and of controversy -- cigarette package health warnings; Sigmund Freud's couch. All have a fascinating and entertaining story to tell about medicine as it unfolded over millennia. A History of Medicine in 50 Objects is an essential choice for general and specialty collections. Like the other titles in The History of... series, it is an exceptional selection for reluctant readers. |
China Houses - Daz 3D
Chinese traditional village houses with two alleys, a square and its big centenary tree.A very detailed typical small canteen improvised in a house.Double-sided houses.130 Props.5 …
Chinese Mountain Temple - Daz 3D
Immerse your creations in the timeless beauty of ancient China with this detailed mountain temple environment. Featuring authentic architecture and serene mountain landscapes, this setting is …
Shaolin Temple - Daz 3D
The hallway leading to the temple throne is a symbol of power and rule in the China region, showcasing the might and reverence of ancient traditions. Towering pillars with gold trims line …
Daz 3D - 3D Models and 3D Software | Daz 3D
At Daz 3D, download our free 3D software and shop free and premium 3D models, animations, and more to create your realistic universe.
Chinese Temple Interior - Daz 3D
Immerse your creations in the timeless beauty of ancient China with this detailed mountain temple Inteiror environment. Featuring authentic architecture and a serene temple interior scene, this …
dForce MK Flying Outfit for Genesis 8 and 8.1 Females - Daz 3D
Dunhuang Flying is the most talented creation of Chinese artists and a miracle in the history of world art. She is the result of the long-term exchange and integration of Buddhism and …
dForce Lala DunHuang for Genesis 9 - Daz 3D
The outfit is inspired by the celestial maiden costumes depicted in the Dunhuang murals of the Mogao Grottoes in China. The design aims to faithfully recreate the popular image of the flying …
Sue Yee - Daz 3D
Daz 3D, 3D Models, 3D Animation, 3D Software. DAZ Productions, Inc. 7533 S Center View Ct #4664
Daz 3D
INCREDIBLE DETAIL. The more detailed a character is, the more realistic and life-like it becomes. Genesis 8 continues to expand the available HD morphs you’ve come to expect …
Daz 3D
Daz 3D, 3D Models, 3D Animation, 3D Software
China Houses - Daz 3D
Chinese traditional village houses with two alleys, a square and its big centenary tree.A very detailed typical small canteen improvised in a house.Double-sided houses.130 Props.5 …
Chinese Mountain Temple - Daz 3D
Immerse your creations in the timeless beauty of ancient China with this detailed mountain temple environment. Featuring authentic architecture and serene mountain landscapes, this setting is …
Shaolin Temple - Daz 3D
The hallway leading to the temple throne is a symbol of power and rule in the China region, showcasing the might and reverence of ancient traditions. Towering pillars with gold trims line …
Daz 3D - 3D Models and 3D Software | Daz 3D
At Daz 3D, download our free 3D software and shop free and premium 3D models, animations, and more to create your realistic universe.
Chinese Temple Interior - Daz 3D
Immerse your creations in the timeless beauty of ancient China with this detailed mountain temple Inteiror environment. Featuring authentic architecture and a serene temple interior scene, this …
dForce MK Flying Outfit for Genesis 8 and 8.1 Females - Daz 3D
Dunhuang Flying is the most talented creation of Chinese artists and a miracle in the history of world art. She is the result of the long-term exchange and integration of Buddhism and …
dForce Lala DunHuang for Genesis 9 - Daz 3D
The outfit is inspired by the celestial maiden costumes depicted in the Dunhuang murals of the Mogao Grottoes in China. The design aims to faithfully recreate the popular image of the flying …
Sue Yee - Daz 3D
Daz 3D, 3D Models, 3D Animation, 3D Software. DAZ Productions, Inc. 7533 S Center View Ct #4664
Daz 3D
INCREDIBLE DETAIL. The more detailed a character is, the more realistic and life-like it becomes. Genesis 8 continues to expand the available HD morphs you’ve come to expect …
Daz 3D
Daz 3D, 3D Models, 3D Animation, 3D Software
