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christgau's consumer guide: Christgau's Consumer Guide: Albums of the '90s Robert Christgau, 2000-10-15 The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from subjects for further research to everything rocks but nothing ever dies. Christgau's Consumer Guide is essential reading and reference for any dedicated listener. |
christgau's consumer guide: Christgau's Record Guide Robert Christgau, 1990 This is a guide to the rock albums of the 1980s with quotes from over 3,000 reviews. |
christgau's consumer guide: Going into the City Robert Christgau, 2015-02-24 One of our great essayists and journalists—the Dean of American Rock Critics, Robert Christgau—takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock ‘n’ roll before Elvis, settled east of Manhattan’s Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago ’68, and the first abortion speak-out. He’s caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin’s A Walker in the City, E. B. White’s Here Is New York, Joseph Mitchell’s Up in the Old Hotel, and Patti Smith’s Just Kids, it is a loving portrait of a lost New York. It’s an homage to the city of Christgau’s youth from Queens to the Lower East Side—a city that exists mostly in memory today. And it’s a love story about the Greenwich Village girl who roamed this realm of possibility with him. |
christgau's consumer guide: Is It Still Good to Ya? Robert Christgau, 2018-10-04 Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman. |
christgau's consumer guide: Grown Up All Wrong Robert Christgau, 1998 Two generations of American music lovers have grown up listening with Robert Christgau, attuned to his inimitable blend of judgment, acuity, passion, erudition, wit, and caveat emptor. His writings, collected here, constitute a virtual encyclopedia of popular music over the past fifty years. Whether honoring the originators of rock and roll, celebrating established artists, or spreading the word about newer ones, the book is pure enjoyment, a pleasure that takes its cues from the sounds it chronicles. A critical compendium of points of interest in American popular music and its far-flung diaspora, this book ranges from the 1950s singer-songwriter tradition through hip-hop, alternative, and beyond. With unfailing style and grace, Christgau negotiates the straits of great music and thorny politics, as in the cases of Public Enemy, blackface artist Emmett Miller, KRS-One, the Beastie Boys, and Lynyrd Skynyrd. He illuminates legends from pop music and the beginnings of rock and roll—George Gershwin, Nat King Cole, B. B. King, Chuck Berry, and Elvis Presley—and looks at the subtle transition to just plain “rock” in the music of Janis Joplin, the Rolling Stones, Eric Clapton, Aretha Franklin, James Brown, and others. He praises the endless vitality of Al Green, George Clinton, and Neil Young. And from the Rolling Stones to Sonic Youth to Nirvana, from Bette Midler to Michael Jackson to DJ Shadow, he shows how money calls the tune in careers that aren’t necessarily compromised by their intercourse with commerce. Rock and punk and hip-hop, pop and world beat: this is the music of the second half of the twentieth century, skillfully framed in the work of a writer whose reach, insight, and perfect pitch make him one of the major cultural critics of our time. |
christgau's consumer guide: Any Old Way You Choose it Robert Christgau, 2000 An invaluable compendium showcasing a new sub-genre of writing not yet contained by the established boundaries of journalism or criticism. |
christgau's consumer guide: The Rough Guide to Rock Peter Buckley, 2003 Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap. |
christgau's consumer guide: The Best of Kim Stanley Robinson Kim Stanley Robinson, 2010-08-01 Kim Stanley Robinson has been an ongoing force in the Science Fiction genre for over twenty years, with his novels (Year’s of Rice and Salt, Forty Signs of Rain) crossing over to the mainstream, and routinely appearing on the New York Times best sellers list. During the 80s and early nineties, his short fiction continued to push the boundaries of science fiction, defining the science-focused side of the science fiction genre. Award-winning editor Jonathan Strahan worked with Kim Stanley Robinson to select the stories that make up this landmark volume. In addition to these reprints, The Best of Kim Stanley Robinson features a brand-new short story, The Timpanist of the Berlin Philharmonic, 1942. |
christgau's consumer guide: Gimme Indie Rock Andrew Earles, 2014-09-15 Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre-- |
christgau's consumer guide: Spin Alternative Record Guide Eric Weisbard, Craig Marks, 1995 America's premiere alternative music magazine presents a book of outrageously opinionated reviews of the essential albums of punk, new wave, indie rock, grunge, and rap. Its abundantly illustrated, full-color pages provide in-depth and informative record reviews on the widest possible scale of alternative music. National ads/media. |
christgau's consumer guide: The Aesthetics Of Rock Richard Meltzer, 1987-03-22 This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every papa-ooma-mow-mow in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired. |
christgau's consumer guide: All Music Guide to the Blues Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, 2003 Reviews and rates the best recordings of 8,900 blues artists in all styles. |
christgau's consumer guide: Rock Critics' Choice Loraine Alterman, 1978 |
christgau's consumer guide: When That Rough God Goes Riding Greil Marcus, 2010 Readhowyouwant 16 point large print. Van Morrison, says Greil Marcus, remains a singer who can be compared to no other in the history of modern popular music. When Astral Weeks was released in 1968, it was largely ignored. When it was re-released as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song. |
christgau's consumer guide: The New Trouser Press Record Guide Ira A. Robbins, 1985 An idiosyncratic review of the most exciting modern music--new wave to no wave, hardcore to hip-hop.--Jacket. |
christgau's consumer guide: The Rolling Stone Record Guide Dave Marsh, John Swenson, 1979-01-01 This comprehensive reference rates and describes albums released in the U.S |
christgau's consumer guide: Lightning Striking Lenny Kaye, 2022-01-11 “We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti Smith An insider’s take on the evolution and enduring legacy of the music that rocked the twentieth century Memphis 1954. New Orleans 1957. Philadelphia 1959. Liverpool 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991. Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters, and visionaries; how each generation came to be; how it was discovered by the world. Whether describing Elvis Presley’s Memphis, the Beatles’ Liverpool, Patti Smith’s New York, or Kurt Cobain’s Seattle, Lightning Striking reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who’s on stage, along with the movers and shakers, the hustlers and hangers-on--and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye’s acclaimed knowledge and experience as a working musician, Lightning Striking is an ear-opening insight into our shared musical and cultural history, a magic carpet ride of rock and roll’s most influential movements and moments. |
christgau's consumer guide: Sayonara Amerika, Sayonara Nippon Michael K. Bourdaghs, 2012 From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture. |
christgau's consumer guide: Rock Albums Of The 70s Robert Christgau, 1990-08-22 Robert Christgau on James Brown: When he modulates to the bridge it's like the Spirit of God moving upon the face of the waters. After that he could describe his cars for three [LP] sides and get away with it. Christgau on Carly Simon: If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht,' 'apricot,' and 'gavotte.' Christgau on Van Morrison: This is a man who gets stoned on a drink of water and urges us to turn our radios all the way into the mystic. Visionary hooks his specialty. Christgau on Lou Reed: Reed Sounds like he's imitating his worst enemy, himself. (Lou Reed on Robert Christgau: What a moron! Studying rock and roll. I can't believe it!) An indispensable book, Christgau's Rock Albums the '70s is the definitive guide to nearly 3,000 albums of the decade that brought us progressive rock, country rock, glam rock, funk, disco, punk, heavy metal, and new wave. |
christgau's consumer guide: A Brief History of Rock, Off the Record Wayne Robins, 2016-03-31 The birth of rock ‘n’ roll signaled the blossoming of a new teenage culture, dividing generations and introducing a new attitude of rebellion and independence. From Chuck Berry to the Beatles, from punk rock to hip hop, rock ‘n’ roll has continuously transformed alongside or in reaction to social, cultural, and political changes. A Brief History of Rock, Off the Record is a concise introduction to rock history and the impact it has had on American culture. It is an easy-to-read, vivid account written by one of rock’s leading critics. Pulling from personal interviews over the years, Wayne Robins interweaves the developments in rock music with his commentary on the political and social events and movements that defined their decades. |
christgau's consumer guide: Alternative Rock Dave Thompson, 2000 Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs. |
christgau's consumer guide: The Accidental Evolution Of Rock'n'roll Chuck Eddy, 1997-03-22 History, jokebook, buying guide, book of lists, and treatise all rolled into one, The Accidental Evolution of Rock'n'Roll is most of all a joyride through the wildest music ever made. Whether discussing Def Leppard or Nirvana, Vanilla Ice or Public Enemy, Donna Summer or Bob Dylan, Chuck Eddy is an unparalleled master at deciphering unknown tongues and disentangling musical accidents. In this lavishly and hilariously illustrated book, he reveals the roots of rap, disco, power ballads, bubblegum, suburban country, and noise-rock; why selling out is good and honesty is never what it seems; the similarities between disco and garage rock and between reggae and heavy metal; whether songs can ever really mean anything; what math rock has in common with amputation rock and orgasm rock; and much, much more. By eventually encompassing the whole wacky world of popular music, this book is destined to change it forever. |
christgau's consumer guide: Musicians and Composers of the 20th Century , 2009 |
christgau's consumer guide: Major Labels Kelefa Sanneh, 2021-10-05 One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. |
christgau's consumer guide: Real Life Rock Greil Marcus, 2015-01-01 The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance. |
christgau's consumer guide: The Widower's Notebook Jonathan Santlofer, 2018-07-10 Written with unexpected humor and great warmth, The Widower's Notebook is a portrait of a marriage, an account of the complexities of finding oneself single again after losing your spouse, and a story of the enduring power of familial love. This is deeply moving ... beautifully written and modulated, with a dollop of droll, black humor. It is such an achievement, like running uphill against a strong wind.--Joyce Carol Oates On a summer day in New York Jonathan Santlofer discovers his wife, Joy, gasping for breath on their living room couch. After a frenzied 911 call, an ambulance race across Manhattan, and hours pacing in a hospital waiting room, a doctor finally delivers the fateful news. Consumed by grief, Jonathan desperately tries to pursue life as he always had--writing, social engagements, and working on his art--but finds it nearly impossible to admit his deep feelings of loss to anyone, not even his to beloved daughter, Doria, or to himself. As Jonathan grieves and heals, he tries to unravel what happened to Joy, a journey that will take him nearly two years. |
christgau's consumer guide: Another Little Piece of My Heart Richard Goldstein, 2015-04-09 In 1961, Richard Goldstein saw Bob Dylan perform for the first time at Carnegie Hall. Rock music was in its infancy, and revolution was in the air. Criticism of the genre didn't yet exist but, as it began to change music and politics for ever, the serious discussion of rock became a thriving institution. Aged just twenty-two in 1966, and the first rock critic in New York, Goldstein became a pivotal figure in the industry. Forging close relationships with huge names – Jim Morrison, Brian Wilson and Janis Joplin to name just three – his life became a whirlwind of politics, sex and rock and roll. Another Little Piece of My Heart is an unparalleled document of rock and revolution. |
christgau's consumer guide: Then It Fell Apart Moby, 2019-04-30 *Featured in The Times' 'Best Books of the Year So Far' 2019*'Somehow this chronicle of a long, dark night of the soul also involves funny stories involving Trump, Putin, and a truly baffling array of degenerates.' Stephen Colbert***What do you do when you realise you have everything you think you've ever wanted but still feel completely empty?What do you do when it all starts to fall apart? The second volume of Moby's extraordinary life story is a journey into the dark heart of fame and the demons that lurk just beneath the bling and bluster of the celebrity lifestyle. In summer 1999, Moby released the album that defined the millennium, PLAY. Like generation-defining albums before it, PLAY was ubiquitous, and catapulted Moby to superstardom. Suddenly he was hanging out with David Bowie and Lou Reed, Christina Ricci and Madonna, taking ecstasy for breakfast (most days), drinking litres of vodka (every day), and sleeping with super models (infrequently). It was a diet that couldn't last. And then it fell apart. The second volume of Moby's memoir is a classic about the banality of fame. It is shocking, riotously entertaining, extreme, and unforgiving. It is unedifying, but you can never tear your eyes away from the page. |
christgau's consumer guide: Screaming for Change Lars J. Kristiansen, Joseph R. Blaney, Philip J. Chidester, Brent K. Simonds, 2012-07-10 Screaming for Change advances an understanding of punk rock by going beyond description of punk as a musical, political, social, and cultural genre of communication. Previous scholarship about punk rock has primarily dealt with those boundaries of genre. Previous scholars neglected to examine the ideology of punk across the decades and continents. That ideology, in a word, is deviance. Through Gramscian textual analysis, this book uncovers this ideology of deviance with some surprises along the way. Students and scholars of punk rock will value the book's attention to both well known and more esoteric punk artists. Punk is arguable the most studied subculture to ever launch itself onto the larger social agenda as a possible counterbalance to the mainstream cultural hegemony. During the late 1970s, punk scenes sprouted up in large numbers all over the globe, and it appears that deep feelings of discontent towards the inherent alienation present in the capitalist system were the motivational seed that facilitated their growth. Unconvinced that the historical accounts have been successful in adequately describing and proficiently capturing the essence of punk, this study examines the phenomenon in slightly different terms. This study proposes that punk should be understood as a way of seeing the world, as a way of reasoning, or, essentially, as a philosophy on its own terms. |
christgau's consumer guide: Ministry Al Jourgensen, 2015-09-08 Ministry is a memoir both ugly and captivating, revealing Al Jourgensen as a man who lived a hard life his own way without making compromises. He survived prolonged drug addiction -- twenty-two years of chronic heroin, cocaine, and alcohol abuse, to be more precise -- before cleaning up, straightening out, and finding new reasons to live. During his career, Jourgensen has engaged in all of the rock 'n' roll clich's regarding decadence and debauchery and invented new forms of previously unachieved nihilism. Despite this and his addictions, he created seven seminal albums, including the bonafide, hugely influential classic The Land of Rape and Honey, 1989's The Mind is a Terrible Thing to Taste, and 1992's blockbuster Psalm 69: The Way to Succeed. Ministry imparts the epic life of Al Jourgensen, a survivor who tempted fate, beat the odds, persevered, and put the pieces back together after unraveling completely. |
christgau's consumer guide: Ocean of Sound David Toop, 1995 Ocean of Sound begins in 1889 at the Paris Exposition when Debussy first heard Javanese music performed. A culture absorbed in perfume, light and ambient sound developed in response to the intangibility of 20th century communications. David Toop traces the evolution of this culture, through Erik Satie to the Velvet Undergound; Miles Davis to Jimi Hendrix. David Toop, who lives in London, is a writer, musician and recording artist. His other books are Rap Attack 3 and Exotica, |
christgau's consumer guide: Audiotopia Josh Kun, 2005-11 “With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and theorist of inter-ethnic dialogue in US music, literature, and visual art. This book is a guide to how scholarship will look in the future—the first fully realized product of a new generation of scholars thrown forth by tumultuous social ferment and eager to talk about the world that they see emerging around them.”—George Lipsitz, author of Time Passages: Collective Memory and American Popular Culture The range and depth of Audiotopia is thrilling. It's not only that Josh Kun knows so much-it's that he knows what to make of what he knows.—Greil Marcus, author of Lipstick Traces: A Secret History of the 20th Century The way Josh Kun writes about what he hears, the way he unravels word, sound, and power is breathtaking, provocative, and original. A bold, expansive, and lyrical book, Audiotopia is a record of crossings, textures, tangents, and ideas you will want to play again and again.—Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation |
christgau's consumer guide: Elvis Costello Dai Griffiths, 2007 Elvis Costello has produced large and significant body of work, and he is one of the most influential artists in the rock genre. This book explores his work over a period of 30 years, covering everything from 'Radio Sweetheart' to 'Country Darkness'. |
christgau's consumer guide: Signifying Rappers Mark Costello, David Foster Wallace, 1997 The author of Infinite Jest and his co-writer discuss rap and popular culture, power, money, racial politics, and language in the first book to seriously consider rap and its position as a vital force in American culture. Brilliantly written . . . (with) great wit, insight, and in-your-face energy.--Review of Contemporary Fiction. |
christgau's consumer guide: Jazz Gene Seymour, 1996-03 A history of jazz, from its roots in blues, ragtime, and swing to its various contemporary manifestations, discussing the major performers and the music's reflection of the experiences of African Americans. |
christgau's consumer guide: Yeah Yeah Yeah Bob Stanley, 2023-09-21 'Stanley is both a fine writer and an impassioned celebrant of pop in all its mongrel, misfit glory.' STUART MACONIE, THE TIMES There have been many books on pop music but none have attempted to chart its entire story, from the dawn of the charts in the fifties to pop's digital switchover in the year 2000, from Billy Fury and Roxy Music to TLC and Britney via Led Zeppelin and Donna Summer. Audacious and addictive, Yeah Yeah Yeah is a landmark work that will remind you while you fell in love with it in the first place. |
christgau's consumer guide: Rainbow in the Dark Ronnie James Dio, 2021-07-27 Ronnie James Dio was a heavy metal icon and frontman of three of the best-selling, most influential and famous rock bands in history: Rainbow, Black Sabbath and his own multi-million selling band, Dio. Rainbow in the Dark is a rollercoaster ride through the extraordinary highs and lows of Dio's life, and takes us from his early days as a street gang leader and Doo-wop singer in '60s Vegas through to his breakout success with Rainbow and Black Sabbath in the '70s and the stadiums of US metal in the '80s - ending in Dio's dressing room at Madison Square Garden, in June 1986, at the peak of his worldwide fame with Dio. Tragically Dio passed away from cancer in 2010, but had already begun writing a memoir before his death. Edited by the world-renowned music biographer Mick Wall, with the involvement of Dio's wife of over 35 years and personal manager Wendy Dio, Rainbow in the Dark will honour and feature Dio's never-before-seen original manuscript, while drawing on the extraordinary collection of print and audio interviews with the man himself to produce a vivid, raw and faithful portrait of one of the world's greatest ever rock legends. |
christgau's consumer guide: Air Guitar Dave Hickey, 1997 Essays explore the influence of art in twentieth-century American culture, including jazz, basketball, professional wrestling, magic, gambling, entrepreneurship, series television and automotive design. |
christgau's consumer guide: Maurice Sendak's Really Rosie Starring the Nutshell Kids Maurice Sendak, 2009-07-31 On the front steps and in the cellar of ten-year-old producer-director Rosie's Brooklyn row house, Rosie herself and her Nutshell friends put on a musical extravaganza. |
christgau's consumer guide: MusicHound Rock Gary Graff, Daniel Durchholz, 1999 Designed to help discriminating music lovers get the most for their money, MusicHound Rock: The Essential Album Guide is the first in a series of guides which identify the most important or essential recordings in a particular genre. |
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Consumer’s Guide to Continuing Care Communities
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Buying a Franchise: A Consumer Guide - Boston University …
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Consumer Tips on Certified Homemaker Home Health Aides
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CONSUMER GUIDE: FAIR HOUSING - National Association of …
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A Consumer’s Guide Get Your Power from theSun - NREL
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d U p! a e R How to be an Informed Consumer
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SEIA Consumer Guide to Solar Power - NASEO
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Consumer Guide to Home Improvement
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A Consumer's Guide to the Lanterman Act - English
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Consumer’s Guide to Continuing Care Communities
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TRUST - Better Business Bureau
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PB 1-844-USA-GOV1 (844-872-4681) 2015 Consumer Action Handbook I January 2015 Welcome to the Consumer Action Handbook. Every day, Americans navigate tough choices about the …
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Consumers A Guide for - hcq.org.au
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Dear Consumer: - Mass.gov
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