Advertisement
cindy sherman society portraits: Cindy Sherman Cindy Sherman, 2013 An in-depth look at the disturbing and abject sides of the American photo artist's oeuvre. Throughout her career, Cindy Sherman (*1954 in Glen Ridge, New Jersey) has been interested in the derailed and deviant sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, and surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography, and society portraiture. This richly illustrated publication seeks to highlight and acknowledge these aspects of her work based on selected examples and accompanied by texts by well-known authors, filmmakers, and artists who likewise deal with the grotesque, the uncanny, and the extraordinary in their artistic practice.--Publisher's website. |
cindy sherman society portraits: Cindy Sherman Cindy Sherman, Amada Cruz, Elizabeth A. T. Smith, Amelia Jones, 1997 Published to accompany exhibition held at the Museum of Contemporary Art, Los Angeles, 2/11/97 - 1/2/98; and the Museum of Contemporary Art, Chicago, 28/2/98 - 31/5/98. |
cindy sherman society portraits: Cindy Sherman Eva Respini, Cindy Sherman, 2012 This retrospective exhibiton presents over one hundred and eighty works covering a thirty five year period. |
cindy sherman society portraits: Glenn Brown Glenn Brown, Jean-Marie Gallais, Galerie Max Hetzler, 2011 British painter Glenn Brown's fourth exhibition at Galerie Max Hetzler in Berlin took place at the gallery's temporary space: a small, well-lit apartment in the Charlottenburg district. This superbly produced, oversized publication records both the works and their intimate installation with extraordinary gatefolds that scrutinize the sensuous surfaces of Brown's paintings and sculptures. Full of technical virtuosity and grotesque exaggeration, these works based on reproductions of historical art include a traditional flower painting mutated into bouquets of orifices; a portrait of an old man in sickly colors; fragmented female torsos; and sculptures smothered in thick chunks of oil paint. The extraordinary tension between relish and repulsion achieved by the sculptures can provoke extreme reactions of delight or fascination, as this volume reveals. |
cindy sherman society portraits: Cindy Sherman Paul Moorhouse, 2019 This book, which accompanies a major exhibition at the National Portrait Gallery, considers Cindy Sherman's oeuvre through the lens of portraiture. Featuring key examples of her work - from her earliest photographs through to her most recent - it explores the mercurial relationship between appearance and reality Cindy Sherman is among the most influential artists of her generation. Using herself as model, wearing a range of costumes and portraying herself in invented situations, she interrogates the imagery employed by the mass media, po pular culture and fine art. Television, advertising, magazines, fashion and Old Master paintings all form part of her visual language. Whether using make-up, costumes, props and prosthetics to manipulate her own appearance, or devising elaborate tableaux, her entire body of 40 years' work constitutes a highly distinctive response to contemporary and earlier culture, whose stylistic tropes she appropriates and quotes. This book will explore the rich cultural sources that Sherman plunders in creating provocative and ambiguous images that lead us to question the things we see. Sherman's work is surveyed through two related themes. Examining Sherman's art within the context of portraiture it explores the way that identity is constructed from appearance. It also considers the nature of Sherman's involvement with a range of styles by positioning her work in the context of the pre-existing imagery that she appropriates. |
cindy sherman society portraits: Cindy Sherman Philipp Kaiser, 2016 The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work. --back cover. |
cindy sherman society portraits: Cindy Sherman , 2016 |
cindy sherman society portraits: The Essential Catherine Morris, 1999-10 For readers who are short on time, long on curiosity, and turned off by art-world jargon, Abrams presents a series of hip, entertaining books on artists and pop culture.* A fascinating account of the artist's life and work* Fresh anecdotes, both professional and personal* Concise sidebars on major players and cultural and social movements that shaped the artist's work* Superb, full-color reproductions |
cindy sherman society portraits: Bricks are Heavy Scott Redford, 2006 Bricks are heavy by Queensland artist Scott Redford surveying works of gayness/queer. |
cindy sherman society portraits: Gregory Crewdson: In a Lonely Place Gregory Crewdson, Craig Burnett, 2011-08-01 Although these series illustrate distinct subject matter, they share Crewdson's unique preoccupations and compelling aesthetic. Fireflies is the result of two solitary summer months spent photographing the fireflies that came alive at dusk each evening. Beneath the Roses depicts the homes, streets, and forests of unnamed small towns, revealing emotionally charged moments in the lives of seemingly ordinary individuals. In Sanctuary, haunting images of the legendary Italian film studio Cinecitta capture the beauty of the decaying film sets. Texts from curators of the exhibition and Crewdson himself offer fresh insight and examine the parallels between these seemingly disparate subjects. Celebrating some of the artist's greatest work, this volume is a must-have for any Crewdson fan and the perfect introduction to those discovering him for the first time. Praise for Gregory Crewdson: In a Lonely Place Whether one is exploring Crewdson's work for the first time, or revisiting his images, text from both the artist himself and the curators involved gives the reader a personal interaction with Crewdson that illustrates his passion for capturing the lives of others. --Huffington Post |
cindy sherman society portraits: Cindy Sherman, 1975-1993 Rosalind E. Krauss, Cindy Sherman, Norman Bryson, 1993 In this first presentation of the artist's complete work, leading contemporary art historian Rosalind Krauss reviews Cindy Sherman's remarkable series of photographic works - in which the artist has notoriously assumed various roles, from B-movie starlet to Old Master model - and the enormous influence these works have had on feminist thinking and on current dialogues about the strategies of contemporary art in general. Almost perversely, Krauss argues, Sherman's unsettling attempts to dissect the formation and perception of images have turned her artworks - and herself - into icons for feminists' and others' agendas. Krauss explores in depth the various approaches to Sherman's work taken by philosophers and art historians and asks if they have not often lost sight of the imagery itself - or, more specifically, the way the images are constructed. In a further essay, Norman Bryson, internationally known for his pioneering theories on the semiotics of looking, explores Sherman's most recent, horror-show images of mannequins (known as the Sex Pictures) and identifies their place in her continued out-of-body investigations. Along with a bibliography and chronology, more than 200 illustrations (140 in color), including numerous unpublished works, represent Sherman's complete career to date. |
cindy sherman society portraits: An Anatomy of Humor Arthur Asa Berger, 2017-07-05 Humor permeates every aspect of society and has done so for thousands of years. People experience it daily through television, newspapers, literature, and contact with others. Rarely do social researchers analyze humor or try to determine what makes it such a dominating force in our lives. The types of jokes a person enjoys contribute significantly to the definition of that person as well as to the character of a given society. Arthur Asa Berger explores these and other related topics in An Anatomy of Humor. He shows how humor can range from the simple pun to complex plots in Elizabethan plays.Berger examines a number of topics ethnicity, race, gender, politics each with its own comic dimension. Laughter is beneficial to both our physical and mental health, according to Berger. He discerns a multiplicity of ironies that are intrinsic to the analysis of humor. He discovers as much complexity and ambiguity in a cartoon, such as Mickey Mouse, as he finds in an important piece of literature, such as Huckleberry Finn. An Anatomy of Humor is an intriguing and enjoyable read for people interested in humor and the impact of popular and mass culture on society. It will also be of interest to professionals in communication and psychologists concerned with the creative process. |
cindy sherman society portraits: Man Ray Portraits Terence Pepper, Marina Warner, 2013 Published to accompany an exhibition held Feb. 7-May 27, 2013, at the National Portrait Gallery, London; June 22-Sept. 8, 2013, at the Scottish National Portrait Gallery, Edinburgh; Oct. 28, 2013-January 19, 2014, at the Pushkin Museum of Fine Arts, Moscow. |
cindy sherman society portraits: Women, Art, and Society Whitney Chadwick, 2002 This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world.--BOOK JACKET. |
cindy sherman society portraits: The Photograph as Contemporary Art Charlotte Cotton, 2009 An essential guide.--Seattle Post-Intelligencer |
cindy sherman society portraits: Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Peter Schjeldahl, 2019-06-04 Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book. |
cindy sherman society portraits: Gillian Wearing and Claude Cahun Sarah Howgate, Dawn Ades, 2017-04-25 Published to accompany an exhibition held at the National Portrait Gallery, London, 9 March-29 May 2017 |
cindy sherman society portraits: Criticizing Photographs Terry Barrett, Professor, 2011-03-24 This brief text is designed to help both beginning and advanced students of photography better develop and articulate thoughtful criticism. Organized around the major activities of criticism (describing, interpreting, evaluating, and theorizing), Criticizing Photographs provides a clear framework and vocabulary for students' critical skill development. |
cindy sherman society portraits: Cindy Sherman Cindy Sherman, Gabriele Schor, 2012 For more than thirty years now, Cindy Sherman has been visualizing a whole gamut of role models and female identities. ... Contrary to popular belief, the famous Untitled Film Stills (1978-80) are not her earliest works, but rather those photographs she took as a student in Buffalo between 1975 and 1977. During those years, Sherman made playing with disguises her artistic concept, producing numerous previously unknown photographs that unite a striking number of theatrical elements. Using a variety of wigs, make-up, mimicry, gestures, expressions, and costumes, Sherman reveals different social identities by playing different roles. Gabriele Schor, director of the SAMMLUNG VERBUND, has performed a scholarly assessment of the conceptual beginnings of her oeuvre and is now publishing a catalogue raisonné of her early work.--Publisher description. |
cindy sherman society portraits: Photography after Photography Abigail Solomon-Godeau, 2017-03-23 Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations. |
cindy sherman society portraits: Criticizing Photographs Terry Barrett, 2020-11-29 Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live. |
cindy sherman society portraits: Don't Kiss Me Claude Cahun, Jersey Heritage Trust, 2006 Edited by Louise Downie. Essays by James Stevenson, Katharine Conley, Gen Doy, Claire Follain, Tirza True Latimer, Jennifer Shaw and Kristine von Oehsen. |
cindy sherman society portraits: Baltimore Portraits Amos Badertscher, 1999 A collection of photographs documenting figures of Baltimore's queer underground from the 1970s to the early '90s. |
cindy sherman society portraits: Photography’s Last Century Jeff L. Rosenheim, 2020-03-09 Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century. |
cindy sherman society portraits: Portraits Michael Kimmelman, 1998 The chief art critic for The New York Times gives a painter's-, sculptor's-, and photographer's-eye view of art as he explores museums with some of today's most important artists. Photos throughout. |
cindy sherman society portraits: An-My Lê on Contested Terrain (Signed Edition) DAN. LEERS, 2020-06-16 An-My Lê On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh. Drawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets. This publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. Essays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize-winning author Viet Thanh Nguyen, address the ways in which Lê's quiet, nuanced work complicates the landscapes of conflict that have long informed American identity. Copublished by Aperture and Carnegie Museum of Art |
cindy sherman society portraits: The Body Beautiful in Ancient Greece British Museum, 2012 This book is published in conjunction with the exhibition The Body Beautiful in Ancient Greece, presented at the Portland Art Museum October 6, 2012/January 6, 2013. |
cindy sherman society portraits: Photography – A Feminist History Emma Lewis, 2021-11-11 *** 'An epic and fascinating book.' The Bookseller 'Emma Lewis' sprawling new book shines a light on overlooked feminist histories' - AnOther Magazine How did the abolitionist movement interact with women's entry into the field of photography? What does the medium have to do with menstrual taboos? Is there even such a thing as a 'feminist image'? Whether working in the studio or on the front line, women have contributed to every aspect of photography's short history. For some, gender is front and centre; for others, it's merely incidental. All have been affected by the power structures beyond their camera lenses. Far too many have been, and continue to be, overlooked. Mapping photographic developments against shifting gender rights and roles, Photography - A Feminist History shines a light on how photography has borne witness to women's movements and made the causes for which they fight visible, and how, in turn, different approaches to feminism have given us ways of understanding photographs. Authoritative and international in scope, Photography - A Feminist History features over 140 photographers, with ten thematic essays, and extended profiles on 75 key practitioners, many informed by conversations with the author. |
cindy sherman society portraits: Heroine-Ity Karen Finley, Martha Wilson, Katya Grokhovsky, 2021-01-29 Exhibition catalog for HEROINE-ITY exhibition at Eastern Art Gallery, ECSU that brings together a group of women who have been in the vanguard of feminist art making. They deploy their creative agency through role-play, costume, impersonation, and self-transformation to confront culturally entrenched forms of misogyny. They have in common a perfor- mative anchor: their bodies are the center of their work - a personal act of resistance to a repressive patriarchal society. |
cindy sherman society portraits: Women Photographers Boris Friedewald, 2014 This introduction to the greatest women photographers from the 19th century to today features the most important works of 60 artists, along with in-depth biographical and critical assessments. |
cindy sherman society portraits: Spencer Sweeney Priya Bhatnagar, 2015 Painter, DJ and nightlife promoter Spencer Sweeney (born 1973) has been an indelible and essential part of New York City's cultural landscape for almost two decades, connecting to longstanding roots in the city's music, art and life after dark. While many mourn the loss of the NYC they love, Sweeney has never fallen out of love with his city. This huge but affordable volume is filled with the evidence: pages of fascinating interviews with fellow faithfuls such as Alex Bag, Larry Clark, Abel Ferrara, John Giorno, Mary Heilmann, Harmony Korine, Johan Kugelberg, Jim Lambie, Glenn O'Brien, Will Oldham, Elizabeth Peyton, Rob Pruitt and Tony Shafrazi; archival photos documenting the countless moments, both legendary and obscure; and of course, hundreds of Sweeney's colorful paintings that synthesize life in New York in the second decade of the new century. |
cindy sherman society portraits: Indigenous Woman Martine Gutierrez, 2018-09-06 |
cindy sherman society portraits: Spiritual America Richard Prince, 1989 A distinction [Prince's] work brings out in particular is between pictures & what you do with pictures, between art & how art is used.-Stuart Morgan, Artscribe |
cindy sherman society portraits: Photography Visionaries Mary Warner Marien, 2015-05-05 Photography Visionaries is an inspiring guide to 75 of the most influential photographers from c.1900 to the present. Entertainingly written by an expert on photography, it provides a fascinating insight into the lives and careers of men and women working in a medium which perhaps more than any other in the visual arts has been deeply affected by technological change. The entries are arranged chronologically, instilling in the reader an understanding of what marks each photographer as a visionary. Each entry is less about providing a full biography of the person and more about creating a sense of excitement regarding their work and the lasting impact that it has had on photography. With the aid of an arresting selection of photographs, some well-known and others less so, this book offers a unique and engaging perspective on the development of photography through some of its most inventive practitioners. |
cindy sherman society portraits: Silver Lake Drive Alex Prager, 2018-06 Alex Prager is one of the truly original image makers of our time. Working fluidly between photography and film, she creates large-scale projects that combine elaborately built sets, highly staged, complex performances and a 'Hollywood' aesthetic to produce still and moving images that are familiar yet strange, utterly compelling and unerringly memorable. In her career she has won both popular acclaim and the recognition of the art establishment - her work can be found in the collections of MoMA and the Whitney Museum in New York as well as institutions worldwide. This book is the first career retrospective of this rising star. In 120 carefully curated photographs, it summarizes Prager's creative trajectory and offers an ideal introduction for the popular 'breakout' audience who may have only recently encountered her work. Structured around her project-orientated approach, Silver Lake Drive presents the very best images from her career to date: from the early Film Stills through her collaborations with the actor Bryce Dallas Howard on Week-end and Despair to the tour de force of Face in the Crowd - shot on a Hollywood sound stage with over 150 performers - and her 2015 commission for the Paris opera La Grande Sortie. Supported by an international exhibition schedule, and including an in-depth interview with Alex Prager by Nathalie Herschdorfer and supplementary essays by the curators of renowned museums and galleries, this book will be an essential addition to the collection of anyone who has followed Prager's career and all with an interest in and appreciation of contemporary art. |
cindy sherman society portraits: Pleasures and Terrors of Domestic Comfort Peter Galassi (Museumskurator), 1991 |
cindy sherman society portraits: Visions of the Self: Rembrandt and Now , 2020-09-15 A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting. |
cindy sherman society portraits: Horst Susanna Brown, 2014 A lifetime of style / Anna Wintour -- Introduction / Susanna Brown -- I. Paris style: 1930s Paris - fashion, art, elegance and imagination / Philippe Garner. Electric beauty / Susanna Brown -- II. Couture fashion in the 1930s: The aura of glamour : couture fashion / Claire Wilcox. Mainbocher corset / Susanna Brown -- III. Stage and screen: From limelight to starlight : portraits of stage and screen stars / Terence Pepper. Marlene Dietrich / Susanna Brown -- IV. Horst and Britain: An English interlude / Robin Muir. Royal still lifes / Susanna Brown -- V. Fashion in colour: Horst's world in colour / Shawn Waldron -- Vogue covers -- VI. Nature: Patterns from nature / Martin Barnes. Kodak negative album / Susanna Brown -- VII. Travel: Middle-Eastern diaries / Horst P. Horst and Valentine Lawford. Persepolis Bull / Susanna Brown -- VIII. The male nude: Hard bodies : male nudes / Oliver Winchester. The classical torso / Susanna Brown -- IX. Living in style: Conversation pieces : interiors of Horst and Lawford / Glenn Adamson. The house that Horst grew / Susanna Brown -- X. Carmen : an interview / Susanna Brown. |
cindy sherman society portraits: Cindy Sherman's Office Killer Dahlia Schweitzer, 2014 One of the twentieth century's most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Sherman's photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Sherman's only film, Office Killer, a piece that plays a significant role both in Sherman's body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-on the art world's reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Sherman's work. The first book on this neglected piece of an esteemed artist's oeuvre, Cindy Sherman's Office Killer rescues the film from critical oblivion and situates it next to the artist's other iconic works. |
cindy sherman society portraits: Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness , 2018 Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. These portraits reflect the journey, self-image, and possibilities of a black woman in today's global society. With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, this title is as much a manifesto of resistance as it is an autobiographical, artistic statement. |
Cindy Sherman. 1977 – 1982
In her Society Portraits (2008) the artist used a green screen to create grandiose environments for women of the upper echelons of society. These CGI backdrops add to the veneer-like charm …
Exhibition - Metamorphosis Cindy Sherman Photographs
Jul 31, 1996 · Pink Robes are closely-cropped color photographs of Sherman wearing only the vi- and lighting emphasizing particular parts of the figure. line of clothing; the resulting series. …
MoMA PRESENTS EXHIBITION COVERING CINDY …
With this series, Sherman underscores the transformative qualities of makeup, hair, expression, and pose, and the recognition of certain stereotypes as powerful transmitters of cultural clichés.
Teachers’ Resource - National Portrait Gallery
The exhibition Cindy Sherman at the National Portrait Gallery is a major new retrospective of her work and explores the development of her work from the mid-1970s to the present day.
Cindy Sherman - lavoz.us.com
EVA RESPINI What you see here is the artist herself posing in front of her own camera and, these characters, while they all look different, are, in fact, the artist herself. They have jumped out of …
Cindy Sherman et ses (auto)portraits de notre société
Comment cette artiste américaine, l’une des plus prolifiques du monde contemporain de la photographie, a pu se faire page blanche pour mieux être le miroir de la représentation …
Cindy Sherman: „Clowns“ und „History Portraits“
„Clowns“ und „History Portraits“ widmen sich zwei der wichtigsten Werkgruppen der US-amerikanischen Künstlerin (geb. 1954), die für ihre photographischen Inszenierungen und …
Cindy Sherman - me Collectors Room Berlin
At me Collectors Room Berlin we are delighted to present 65 photographic works by one of the most successful contem- porary artists of our age, in the exhibition: Cindy Sherman – Works …
Cindy Sherman: The Heroine with a Thousand Faces
Cindy Sherman takes pictures only of herself, but she always insists she doesn't make self-portraits. It would be truer to say that for the past 35 years, she's been producing a portrait of …
Cindy Sherman: Die Frau mit den vielen Gesichtern
stellt Sherman immer wieder andere Figuren und Typen dar und überrascht durch ihre außerordentliche Wandlungsfähigkeit: von der Leinwandschönheit über den Clown, Figuren …
Will the Real Cindy Sherman Please Stand Up? - MoMA
With an arsenal of wigs, costumes, makeup, prostheses, and props, Sherman has deftly altered her physique and surroundings to create a myriad of intriguing tableaus and characters, from …
Cindy Sherman History Portraits - IPT
Sherman in response to the question "What is the relationship between all those shes and yourself?" I've never thought of any of this work as some long expos about self-portraiture.
Cindy Sherman Retrospective BJP TC - Falmouth
Bringing together a total of 180 works across Sherman’s oeuvre spanning 40 years, from the mid-1970s to the present day, the exhibition marks various shifts and evolution within her practice.
Cindy Sherman Untitled #568 2016. Courtesy the artist and …
Cindy Sherman is a chameleon; her own image is at the centre of an astonishing array of character studies, developed over decades. Sherman has positioned photography as an …
Cindy Sherman and David Salle: History Portraits and …
Expanding this theme during a prolonged stay in Rome, Sherman made thirteen portraits based on Renaissance paintings which were exhibited alongside the French series at Metro Pictures, …
Cindy Sherman (American, b. 1954) – Artist Resources …
Cindy Sherman (American, b. 1954) – Artist Resources The Walker Art Center celebrated Sherman in the eponymous 2013 retrospectivefeaturing over 160 photographs from key series …
CINDY SHERMAN - Vancouver Art Gallery
Cindy Sherman (b. 1954) is one of the most important and influential artists working today. This major exhibition explores the development of Sherman’s work from the beginning of her career …
News Release - National Portrait Gallery
Society Portraits. In a revealing juxtaposition, Ingress celebrated portrait of Madame Moitessier has been borrowed especially for the exhibition and will be displayed alongside Shermans …
exhibits worth seeing right now Cindy Sherman's self …
years befo re Cindy Sherman (b. 1954)—who’s also in the show—began her first series of groundbreaking self-portraits, with her “Untitled Film Stills” series.
Cindy Sherman, Vancouver Art Gallery, Vancouver - Érudit
In this monumen-tal, square photograph, Sherman poses as a middle-aged woman with long brown hair. She is clearly wealthy, but she doesn’t have the pinched facial expression or …
Enrolled Agent Book Copy - archive.ncarb.org
Enrolled Agent Book User-Friendly Interface 4. Exploring eBook Recommendations from Enrolled Agent Book Personalized Recommendations Enrolled Agent Book User Reviews and Ratings
Cindy Sherman - JSTOR
Cindy Sherman is an artist whose initial work made a huge impact but has only intermittently appeared on America's cultural radar ever since. In the interests of remediating this oversight …
Daria IOAN A WOMAN’S 69 LOOKS – CINDY SHERMAN’S …
Abstract: The American photographer Cindy Sherman created a new form of pictorialism, using the film still as basis for a series of feminine portraits which confronted visual arts’ world with the …
The Other Self of the Imagination: Cindy Sherman’s ... - Springer
There is yet a further distinction that Cindy Sherman’s self-portraits that are not self-portraits undermine, namely the difference between “per - ... imposed upon it by the family and by …
METRO PICTURES
“Cindy Sherman 10/10 1981” on a paper label affixed to the reverse. “Untitled #96”, 1981 Chromogenic colour print, ... the Society Portraits, the Sex Pictures. Cindy is reluctant to discuss …
National Museum Of Modern Art [PDF]
Work Work Work and Cindy Sherman s Society Portraits to Lauren Greenfield s displays of ostentatious wealth Edward Burtynsky s oil fields Pablo Lopez Luz s views on a sprawling …
The Female identity being performed -- Gender rebellion in …
%PDF-1.5 %âãÏÓ 1 0 obj >/Font >/ProcSet[/PDF/Text/ImageC/ImageB/ImageI]/XObject >>>/Rotate 0>> endobj 2 0 obj > stream xœ¥]ë’+7nþ žB•Ä[Ó©£9}¿ì \4 ...
Convert Manual Garage Door To Automatic (2024)
Unveiling the Energy of Verbal Beauty: An Mental Sojourn through Convert Manual Garage Door To Automatic In a world inundated with screens and the cacophony of immediate connection, the …
Cindy Sherman and David Salle: History Portraits and …
exhibition of Cindy Sherman’s History Portraits (1988 – 1990) and David Salle’s Tapestry Paintings (1989 – 1991) inaugurates the new space. Dominant figures in contemporary art, both Cindy …
INVERTED ODYSSEYS - Monoskop
Cindy Sherman, as we now know, pushed dressing up to the extreme, mak-ing it absolutely essential to her art. Moreover, she also serves as model, pho-tographing herself in the various …
AN URBAN WALKABOUT WITH CINDY SHERMAN'S …
When I visited the Cindy Sherman exhibition at the Vancouver Art Gallery (VAG, 2019), I was struck by the artist’s practice of photographing herself dressed up while role playing a myriad of …
exhibits worth seeing right now Cindy Sherman's self …
years befo re Cindy Sherman (b. 1954)—who’s also in the show—began her first series of groundbreaking self-portraits, with her “Untitled Film Stills” series. Sherman is undoubtedly one …
Cindy Sherman, Museum of Modern Art, New York, February …
The standout works in the exhibition are Sherman’s newest photo-graphs, a 2008 series of society portraits that examines contemporary representations of “women of a certain age.” In these, …
History Portraits Cindy Sherman (2024)
The book delves into History Portraits Cindy Sherman. History Portraits Cindy Sherman is an essential topic that needs to be grasped by everyone, from students and scholars to the general …
Toma Emily Toma Isobel Gorman Unit 2: Contextual Studies
influenced contemporary iconic self-photographers such as Cindy Sherman. This current American photographer works as her own model to transform herself into a variety of personas to address …
Contemporary Identity Portraits: CONSTRUCTING A STORY
Cindy Sherman (born 1954) is an American artist whose work consists primarily ofphotographic self-portraits, depicting herself in many different contexts and as various imagined characters. …
Special Exhibition Audio Tour: Cindy Sherman: Imitation of Life
people Sherman is playing in her society portraits and is ready to share a few juicy details about their lives. Molly Ringwald, an actress, writer and singer who stars in Sherman’s feature length …
Narcissus -- The Evolution of Self-portraits in Image Times
Min-jun Yue create hidden self-portraits; artists like Cindy Sherman and Nan Goldin directly use photography techniques; meanwhile, as the new form of self-portrait, selfies in social networks ...
Intericonicity in Disguise in Madame Yevonde's Goddesses …
Image 2. Cindy Sherman, Untitled #225, 1990 Chromogenic color print, 48 x 33 inches. Edition of 6. Courtesy of the artist and Metro Pictures 1 Intericonicity as discussed in relation to Madame …
Intericonicity in Disguise in Madame Yevonde's Goddesses …
Image 2. Cindy Sherman, Untitled #225, 1990 Chromogenic color print, 48 x 33 inches. Edition of 6. Courtesy of the artist and Metro Pictures 1 Intericonicity as discussed in relation to Madame …
Cindy Sherman’ın Fotoğraflarında Gerçeklik Algısı - DergiPark
Cindy Sherman, Untitled Film Still No:11, 1978, MOMA(Museum of American Art-Amerikan Modern Sanatlar Müzesi ü New York Fotoğraf 4. Cindy Sherman, Untitled Film Still No:20, 1978, MOMA …
Cindy Sherman Untitled Film Stills - rpideveloper
May 4, 2013 · Friedlander, Winogrand Man Ray Portraits On the Edge Whitney Biennial 2022 Cindy Sherman The Book of Numbers Modern Contemporary Cindy Sherman Interfaces Cindy Sherman …
History Portraits Cindy Sherman Copy
Decoding History Portraits Cindy Sherman: Revealing the Captivating Potential of Verbal Expression In a period characterized by interconnectedness and an insatiable thirst for knowledge, the …
Old Masterpieces, New Mistress-pieces: Cindy Sherman's
Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women Caitlyn D. Marianacci Scripps College This Open Access Senior Thesis is …
History Portraits Cindy Sherman (2024)
the History Portraits Cindy Sherman is universally compatible in the same way as any devices to read. 1. Understanding the eBook History Portraits Cindy Sherman The Rise of Digital Reading …
SHERMAN Cindy American 1954- - phxartdocent.org
In her photographic portraits, Cindy Sherman plays all the roles. She was born in 1954, in a New Jersey suburb of New York City and grew up on Long Island, the ... of advertising media to …
WOMAN 69 UNTITLED - JSTOR
THE WOMAN69TIMES: CINDY SHERMAN'S UNTITLED FILM STILLS 'KencAy HJEAS CindySherman'sUntitledFilmStillsseriesconsistsof69photos ...
National Museum Of Modern Art (PDF) - now.acs.org
National Museum Of Modern Art: Civilization Holly Roussell,William A. Ewing,2023-10-05 Our fast changing world seen through the lenses of 140 leading
Which Statement Best Describes The Collective Self Portraits …
Self Portraits Of Cindy Sherman Extending Self-Esteem Theory and ResearchThe Mirror and the PaletteSelf-portraitsPortraits of Women in International LawExperimental Self-Portraits in Early …
RENCONTRE EXPRESSION ANALYSE CREATION,
Cindy Sherman La femme dans l’art contemporain Hommages et pastiches dans l’art C. Sherman, Série Untitled Film Still #21, 1978 Duane Hanson, Supermarket Lady, 1969 Shi Guowei, The …
Identity&Selfportraiture Picbod copy
Yasumasa Moriama:Actors (1996) After&Monroe&(1996)&&&&&. After&Minelli(1996)
L 15293 L - 24 H - F: 8, - kevinpearsh.com
CINDY SHERMAN Cindy Sherman, Untitled 323, 1996 Untitled #323, 1996. Épreuve couleur chromogène 147 x 99.1 cm.Collection Fondation ... History Portraits, Disasters, Headshots, …
CINDY SHERMAN'S REWORKING OF RAPHAEL'S …
CINDY SHERMAN'S REWORKING OF RAPHAEL'S FORNARINA AND CARAVAGGIO'S BACCHUS Joanna Woods-Marsden As a historian of early modern portraiture who was invited to comment …
Me, myself and I. The Self-Portrait in Postmodern Time - Zenodo
representations distinguishes also the work of Cindy Sherman, who has been creating photographic self-portraits since the end of the 1970s, highlighting and overturning the dominant models of …
Intericonicity in Disguise in Madame Yevonde's Goddesses …
Image 2. Cindy Sherman, Untitled #225, 1990 Chromogenic color print, 48 x 33 inches. Edition of 6. Courtesy of the artist and Metro Pictures 1 Intericonicity as discussed in relation to Madame …
News Release - National Portrait Gallery
exhibitions include Howard Hodgkin: Absent Friends (2017), Giacometti – Pure Presence (2016), The Great War in Portraits (2014), The Queen: Art and Image (2012), Gerhard Richter Portraits (2009) …
辛蒂‧雪曼《歷史人物肖像》中的女性人物形象與女性觀者
辛蒂‧雪曼(Cindy Sherman, 1954- )於1989 年至1990 年間,陸續發表了 ... 以古典藝術史肖像為主題的自拍作品,被藝評家和學者統稱為《歷史人物肖 像》(History Portraits/ Old Masters, ...
Feminist Art Empowering Voices and Challenging Norms in …
Cindy Sherman, a pioneer in this realm, is renowned for her conceptual self-portraits that deconstruct stereotypes and question the objectification of women. By manipulating her …
CINDY SHERMAN - cdn.bndlyr.com
and environments, Cindy Sherman shoots alone in her studio, serving as director, photographer, make-up artist, hairstylist and subject. Her decades-long performative practice has produced …
Identity&Selfportraiture Picbod copy
Yasumasa Moriama:Actors (1996) After&Monroe&(1996)&&&&&. After&Minelli(1996)
History Portraits Cindy Sherman Copy
History Portraits Cindy Sherman Cindy Sherman,Amada Cruz,Elizabeth ... disquieting interpretations of well established photographic genres such as film stills fashion photography and society …
Cindy Sherman et ses (auto)portraits de notre société
Il ne s’agit aucunement d’autoportraits de Sherman qui a elle-même participé à l’organisation de cette rétrospective, même si certains ont pu penser que la « vraie » Cindy Sherman avait pu se …
Cindy Sherman Untitled #568 2016. Courtesy the artist and …
Cindy Sherman is a chameleon; her own image is at the centre of an astonishing array of character studies, developed over decades. ... ‘clowns’ 2003–04, ‘society portraits’ 2008 and ‘murals’ …
Cindy Sherman et ses (auto)portraits de notre société
Il ne s’agit aucunement d’autoportraits de Sherman qui a elle-même participé à l’organisation de cette rétrospective, même si certains ont pu penser que la « vraie » Cindy Sherman avait pu se …
Does Magnesium Help With Acid Reflux (Download Only)
The book delves into Does Magnesium Help With Acid Reflux. Does Magnesium Help With Acid Reflux is a crucial topic that needs to be grasped by everyone, from students and scholars to the …
Le quotidien mis en scène - ac-besancon.fr
Cindy Sherman, Untitled #465 (« Society Portraits », 2008).©Cindy Sherman/Courtesy of the Artist and Metro Pictures, New York. Codes sociaux / stéréotypes Ruth Orkin, American Girl in Italy, …
The Complete Untitled Film Stills - cdn.bookey.app
Cindy Sherman, a pioneering American photographer and filmmaker, is renowned for her provocative and transformative contributions to contemporary art. Born in 1954 in Glen Ridge, …