| circus freaks in history: American Sideshow Marc Hartzman, 2006-09-21 A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow |
| circus freaks in history: Secrets of the Sideshows Joe Nickell, 2005-09-09 Joe Nickell - once a carnival pitchman, then a magician, private detective, and investigative writer - has pursued sideshow secrets for years and has worked the famous carnival midway at the Canadian National Exhibition. For this book, he interviewed showmen and performers, collected carnival memorabilia, researched published accounts of sideshows and their lore, and even performed some classic sideshow feats, such as eating fire and lying on a bed of nails as a cinderblock was broken on his chest. The result of these varied efforts, Secrets of the Sideshows tells the captivating story of the magic, tricks - real or illusory - and performers of the world's midway shows.--BOOK JACKET. |
| circus freaks in history: Truevine Beth Macy, 2016-10-18 The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even Ambassadors from Mars. Back home, their mother never accepted that they were gone and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today. |
| circus freaks in history: American Sideshow Marc Hartzman, 2006-09-21 A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow |
| circus freaks in history: Freak Show Robert Bogdan, 2014-12-10 This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the human curiosities found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens. |
| circus freaks in history: Circus and Carnival Ballyhoo A. W. Stencell, 2010 The follow-up to Seeing is Believing (ECW Press, 2002) tells the fascinating story of the carnival in words and pictures. Circus and Carnival Ballyhoo follows the development of the circus sideshow with interviews and stories from sideshow workers that explain the role of freaks, working acts, managers and talkers and explores how important grift was to circuses and how it became located inside the sideshow. |
| circus freaks in history: The Wonders John Woolf, 2019-05-02 The untold story of the Victorian freak show and circus, and the remarkable cast of characters who performed in them. |
| circus freaks in history: Nobody's Fool Bill Griffith, 2019-03-19 A graphic biography of the real-life sideshow performer who inspired Zippy the Pinhead: “An uplifting, wonderfully humane book.” —The New York Times From Coney Island and the Ringling Bros. Circus to small-town carnivals and big-city sideshows, Nobody’s Fool follows the long, legendary career of Schlitzie, today best known for his appearance in the cult classic film Freaks, the making of which is a centerpiece of the story. In researching Schlitzie’s life, Griffith has tracked down primary sources and archives throughout the country, conducting interviews with those who worked with him and had intimate knowledge of his personality, his likes and dislikes, how he responded to being a sideshow “freak,” and much more. This graphic biography provides never-before-revealed details of his life, offering a unique look into his world and contributions to popular culture, including the immortal phrase “Are we having fun yet?” “Virtuoso comic-strip artist Bill Griffith gives voice to a true outcast—the sideshow attraction born Simon Metz (probably) in the Bronx (probably) in 1901.” —The New York Times “The underlying message of Nobody’s Fool? I get it—underneath our grandiose opinions of ourselves we’re all pinheads and freaks . . . The best graphic novel of the year.” —R. Crumb “A captivating labor of love that integrates American sideshow history and autobiographical segments . . . an astonishing life, beautifully told. Or, as Schlitzie would say, it’s boffo!” —Booklist (starred review) “A masterpiece of absurdity and humanity. After all these years Schlitzie still triggers laughter and tears.” —Steve Heller, Print |
| circus freaks in history: Exploring the Cultural History of Continental European Freak Shows and ‘Enfreakment’ Anna Kérchy, 2013-02-14 This collection offers cultural historical analyses of enfreakment and freak shows, examining the social construction and spectacular display of wondrous, monstrous, or curious Otherness in the formerly relatively neglected region of Continental Europe. Forgotten stories are uncovered about freak-show celebrities, medical specimen, and philosophical fantasies presenting the anatomically unusual in a wide range of sites, including curiosity cabinets, anatomical museums, and traveling circus acts. The essays explore the locally specific dimensions of the exhibition of extraordinary bodies within their particular historical, cultural and political context. Thus the impact of the Nazi eugenics programs, state Socialism, or the Chernobyl catastrophe is observed closely and yet the transnational dimensions of enfreakment are made obvious through topics ranging from Jesuit missionaries’ diabolization of American Indians, to translations of Continental European teratology in British medical journals, and the Hollywood silver screen’s colonization of European fantasies about deformity. Although Continental European freaks are introduced as products of ideologically-infiltrated representations, they also emerge as embodied subjects endowed with their own voice, view, and subversive agency. |
| circus freaks in history: Freaks Daniel P Mannix, 2014-11-19 A noir classic about the era of the sideshow when freaks were the star attraction — respected and revered by other carnival members. Their stories are frankly and tenderly told by an author who lived and worked as a carny. |
| circus freaks in history: Freak Babylon Jack Hunter, 2005 A comprehensive study of freaks and freakshows, FREAK BABYLON also includes Doctor Frederick Treve's classic case history The Elephant Man and an illustrated account of the classic movie Freaks. |
| circus freaks in history: Sideshow U.S.A. Rachel Adams, 2001-12 A staple of American popular culture during the 19th and early 20th centuries, the freak show seemed to vanish after World War II. This book reveals the image of the freak show, with its combination of the grotesque, horrific and amusing specimens. |
| circus freaks in history: Fred G. Johnson Fred G. Johnson, 1989 |
| circus freaks in history: Freak Show Carl Hammer, Gideon Bosker, 1996 Step right up! The show's about to begin with this mesmerizing collection of outrageous banners from the heydey of traveling circus sideshows. From the turn of the century through the 1950s, circus sideshows boasted unbelievable freaks of nature, incredible transformations and death-defying acts. For collectors and nostalgia buffs, Freak Show celebrates this unique American commercial folk art. 90 full-color photos. |
| circus freaks in history: Freaks, Geeks, and Strange Girls Randy Johnson, 2004 This is a colourful history of the carnival sideshow and its distinctive banner art. With one hundred colour photographs, the book lovingly surveys this now vanished icon of early rural America, counterpointing classic freak show art with contemporary interpretations. Fifty archival black-and-white photos of sideshows provide a historical context for the banner illustrations. |
| circus freaks in history: Canadian Carnival Freaks and the Extraordinary Body, 1900-1970s Jane Nicholas, 2018-01-01 In Canadian Carnival Freaks and the Extraordinary Body, 1900-1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture |
| circus freaks in history: Circus of Wonders Elizabeth Macneal, 2022-02-01 From the #1 internationally bestselling author of the “lush, evocative Gothic” (The New York Times Book Review) The Doll Factory comes an atmospheric and spectacular novel about a woman transformed by the arrival of a Victorian circus of wonders—“as moving as it is deeply entertaining” (Daniel Mason, New York Times bestselling author). Step up, step up! In 1860s England, circus mania is sweeping the nation. Crowds jostle for a glimpse of the lion-tamers, the dazzling trapeze artists and, most thrilling of all, the so-called “human wonders.” When Jasper Jupiter’s Circus of Wonders pitches its tent in a poor coastal town, the life of one young girl changes forever. Sold to the ringmaster as a “leopard girl” because of the birthmarks that cover her body, Nell is utterly devastated. But as she grows close to the other performers, she finds herself enchanted by the glittering freedom of the circus, and by her own role as the Queen of the Moon and Stars. Before long, Nell’s fame spreads across the world—and with it, a chance for Jasper Jupiter to grow his own name and fortune. But what happens when her fame begins to eclipse his own, when even Jasper’s loyal brother Toby becomes captivated by Nell? No longer the quiet flower-picker, Nell knows her own place in the world, and she will fight for it. Circus of Wonders is a beautiful story about the “complex dance between exploitation and empowerment, and the question of what it really means to have control over your own life” (Naomi Ishiguro, author of Escape Routes). |
| circus freaks in history: Geek Love Katherine Dunn, 2011-05-25 National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same. |
| circus freaks in history: Freaks Annette Curtis Klause, 2010-05-11 If this is a dream, why does she seem so real? Though Abel Dandy was born to circus performers and grew up in a troupe of odd and inexplicable people, he has never felt limited by his normalcy--until now. Realizing he'll never be more amazing than the talented oddities around him, Abel can only dream of living a life richer than his own. But in his dreams a mysterious woman beckons him, calling him passionately by a name he doesn't know and speaking in a language he's never heard, but fully understands. Compelled by these visions and yearning to be more than ordinary, Abel embarks on a journey more frightening and wondrous than he ever imagined.... |
| circus freaks in history: The Last Sideshow Hanspeter Schneider, 2004 As an internationally acclaimed fashion photographer Hanspeter Schneider's professional life focuses on the artifice of beauty, so it's natural for him to challenge surface assumptions about model humans. For this collection he has chronicled an American community of travelling circus performers and found himself charmed and enlightened. His empathy with his old and often unusual subjects shines through the portraits as the circus folk present themselves to the camera as open books of humour, dignity and vivacity. |
| circus freaks in history: Staging Stigma M. Chemers, 2016-04-29 Staging Stigma is a captivating excursion into the bizarre world of the American freak show. Chemers critically examines several key moments of a performance tradition in which the truth is often stranger than the fiction. Grounded in meticulous historical research and cultural criticism, Chemers analysis reveals untold stories of freaks that will change the way we understand both performance and disability in America. This book is a must-have for serious students of freakery or anyone who is curious about the hidden side of American theatrical history. |
| circus freaks in history: The Circus in Winter Cathy Day, 2005-07-06 Over a half century, a small Indiana town hosts a circus troupe during the off-seasons in linked stories “as graceful as any acrobat’s high-wire act” (San Francisco Chronicle). A Story Prize Finalist From 1884 to 1939, the Great Porter Circus made the unlikely choice to winter in an Indiana town called Lima, a place that feels as classic as Sherwood Anderson's Winesburg, Ohio, and as wondrous as a first trip to the Big Top. In Lima, an elephant can change the course of a man's life—or the manner of his death. Jennie Dixianna entices men with her dazzling Spin of Death and keeps them in line with secrets locked in a cedar box. The lonely wife of the show’s manager has each room of her house painted like a sideshow banner, indulging her desperate passion for a young painter. And a former clown seeks consolation from his loveless marriage in his post-circus job at Clown Alley Cleaners. In this collection of linked stories spanning decades, Cathy Day follows the circus people into their everyday lives and brings the greatest show on earth to the page. “[An] exquisite story collection.” —The Washington Post “Often funny, always graceful, and rich with a mix of historical and imaginative detail.” —Tim O’Brien, author of The Things They Carried “Sublimely imaginative and affecting.” —The Boston Globe |
| circus freaks in history: Freakery Rosemarie Garland-Thomson, 1996-10 A groundbreaking anthology that probes the disposition towards the visually different Giants. Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal. Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show. In her introduction, Thomson traces the freak show from antiquity to the modern period and explores the constitutive, political, and textual properties of such exhibits. Freakery is a fresh, insightful exploration of a heretofore neglected aspect of American mass culture. |
| circus freaks in history: Circus Bodies Peta Tait, 2005-11-16 This pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies. Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement. Adeptly locating aerial performance within the wider cultural history of bodies and their identities, Circus Bodies explores this subject through a range of films such as Trapeze (1956) and Wings of Desire (1987) and Tait also examines live performances including: * the first trapeze performers: Léotard and the Hanlon Brothers * female celebrities; Azella, Sanyeah, black French aerialist LaLa, the infamous Leona Dare, and the female human cannonballs * twentieth-century gender benders; Barbette and Luisita Leers * the Codonas, Concellos, Gaonas, Vazquez and Pages troupes * imaginative aerial acts in Cirque de Soleil and Circus Oz productions. This book will prove an invaluable resource for all students and scholars interested in this fascinating field. |
| circus freaks in history: Images from the World Between Donna Gustafson, Ellen Handy, Eugene R. Gaddis, 2007 The circus as a focal point of twentieth-century American art. |
| circus freaks in history: Spectacle of Deformity Nadja Durbach, 2009-10-13 In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's prevailing taste for deformity. This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; Lalloo, the Double-Bodied Hindoo Boy, a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's missing link; the Last of the Mysterious Aztecs and African Cannibal Kings, who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities. |
| circus freaks in history: The Greatest Shows on Earth Linda Simon, 2014-11-12 Beautifully illustrated and filled with rich historical detail and colorful anecdotes, this is a vibrant history for all those who have ever dreamed of running away to the circus, now in paperback. “Step right up!” and buy a ticket to the Greatest Show on Earth—the Big Top, containing death-defying stunts, dancing bears, roaring tigers, and trumpeting elephants. The circus has always been home to the dazzling and the exotic, the improbable and the impossible—a place of myth and romance, of reinvention, rebirth, second acts, and new identities. Asking why we long to soar on flying trapezes, ride bareback on spangled horses, and parade through the streets in costumes of glitter and gold, this captivating book illuminates the history of the circus and the claim it has on the imaginations of artists, writers, and people around the world. Traveling back to the circus’s early days, Linda Simon takes us to eighteenth-century hippodromes in Great Britain and intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted with aerialists and clowns. She introduces us to P. T. Barnum, James Bailey, and the enterprising Ringling Brothers and reveals how they created the golden age of American circuses. Moving forward to the whimsical Circus Oz in Australia and to New York City’s Big Apple Circus and the grand spectacle of Cirque du Soleil, she shows how the circus has transformed in recent years. At the center of the story are the people—trick riders and tightrope walkers, sword swallowers and animal trainers, contortionists and clowns—that created the sensational, raucous, and sometimes titillating world of the circus. |
| circus freaks in history: The Genesis of Mass Culture J. Springhall, 2008-04-14 A thorough survey of the origins and development of the major distinct American commercial entertainments that emerged between over the course of the 19th century and into the 20th, including P.T. Barnum_s American Museum, freak show, and circus, as well as blackface minstrelry, Buffalo Bill_s Wild West Show, and vaudeville. |
| circus freaks in history: Learned Pigs & Fireproof Women Ricky Jay, 1998 A popular magician offers a guide to the most exotic entertainers in the history of showbusiness--from the amazing feats of handicapped individuals to the unusual talents of trained animals |
| circus freaks in history: Sideshow Various, 2009-07-14 Freaks, magicians, psychics, and the passing strange take center stage in ten original tales by top YA authors and graphic novelists. Molly is a bearded girl who joins the circus, only to find that her former tormentor faces a far hairier plight. Tia claims that her lamented mom is a three-thousand-year-old mummy, but is it really an act? Cody sets out to foil a pop psychic, but the shocking result is not what he planned for. And Tiffany’s grandma sees something wild in her future, but is the girl prepared for the powerful shape it will take? Whether the sideshow touts a two-headed rat or a turn-of-the-century American jargo, whether the subject discovers an odd kind of miracle or learns that the real freaks are outside the tent, these stories and graphic tales are by turns humorous and insightful, edgy and eerie, but always compulsively entertaining. |
| circus freaks in history: Terrible Magnificent Sociology Wade, Lisa, 2021-12-15 Using engaging stories and a diverse cast of characters, Lisa Wade memorably delivers what C. Wright Mills described as both the terrible and the magnificent lessons of sociology. With chapters that build upon one another, Terrible Magnificent Sociology represents a new kind of introduction to sociology. Recognizing the many statuses students carry, Wade goes beyond race, class, and gender, considering inequalities of all kindsÑand their intersections. She also highlights the remarkable diversity of sociology, not only of its methods and approaches but also of the scholars themselves, emphasizing the contributions of women, immigrants, and people of color. The book ends with an inspiring call to action, urging students to use their sociological imaginations to improve the world in which they live. |
| circus freaks in history: Alfred's Basic Adult Piano Course Willard A. Palmer, Morton Manus, Amanda Vick Lethco, 1997-12 This book begins with an extensive review of the chords and keys previously studied, using fresh and interesting material that will provide enjoyment as well as reinforcement. Particularly noteworthy is the systematic presentation of chords in all positions in both hands. Titles: America the Beautiful * Arkansas Traveler * The Battle Hymn of the Republic * Black is the Color of My True Love's Hair * Brahms Lullaby * Canon in D (Pachelbel) * Deep River * Down in the Valley * Farewell to Thee (Aloha Oe) * Fascination * A Festive Rondeau * Frankie and Johnnie * The Hokey-Pokey * The House of the Rising Sun * Introduction and Dance * La Cucaracha * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * The Marriage of Figaro * Morning Has Broken * Musetta's Waltz * Musette * Night Song * Nobody Knows the Trouble I've Seen * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Roman Holiday * Sakura * Scherzo * Space Shuttle Blues * Swingin' Sevenths * Theme from Symphony No. 6 (Tchaikovsky) * Tumbalalaika * Village Dance * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart |
| circus freaks in history: Julia Pastrana Christopher Hals Gylseth, Lars O Toverud, 2021-10-18 In a dusty corner at the Institute of Forensic Medicine in norway lie the remains of Julia Pastrana, half hidden in a black plastic sack, all but forgotten. Yet in the middle of the nineteeth century, this 'ape woman' was renowed, visited by scientists of international repute, and drawing the populace of three continents to the freakshows in which she starred. just 4ft 6in tall, she was covered in hair, with a protruding jaw; but she also spoke several languages, married, had a child, made money. This is the compelling and strange story of how a woman born in the backwoods of Mexico came to be one of the most infamous women in Europe and America and how, nearly 150 years after she first set foot upon the stage, Julia is still being shown to others. The exhibition goes on. |
| circus freaks in history: Dan Rice David Carlyon, 2004-05-14 Dan Rice had many lives. He was a pig presenter, a strongman, a lecturer, and a comic singer, all before joining the dazzling world of the circus. In 1855, he created Dan Rice's Great Show. Labeling himself the Great American Humorist, he toured the country and spoke out on issues of the day before large crowds. Swept up in a new cult of celebrity, he rose to become one of the most famous—and infamous—men in America. He even ran for president. So why have so few people ever heard of Dan Rice? Propelled by an urge toward refinement, American amusements began to stratify in the mid-19th century. The raucous antebellum jumble of performers, audiences, and forms split along a new performance hierarchy of high and low. Circus, though still vastly popular, became seen as lowbrow. In that changed world, Rice's aggressive humor and robust connection with a noisy, participatory audience became seen as crude—and worse—a civic threat. David Carlyon weaves a remarkably rich portrait of turbulent times that raised one ambitious, creative man to glorious heights and then, embarrassed by its enthusiasm, buried him in sentimentality and finally oblivion. |
| circus freaks in history: Life of P. T. Barnum Phineas Taylor Barnum, 1855 |
| circus freaks in history: Drew Friedman's Sideshow Freaks Drew Friedman, K. Bidus, 2010 Melvin Burkhart the Anatomical Wonder; Zip the Pinhead; Chang and Eng, the original Siamese twins; Johnny Eck, the King of the Freaks; Koo Koo the Birdgirl; and 45 more fascinating sideshow freaks both famous and obscure are immortalized in Drew Friedman's delightful portraits. Before the politically correct impulses of the 1970s squelched the grand American tradition of the sideshow -- people born with abnormalities and others, like Jolly Jere the Fat Man, who created their oddity -- exhibited themselves to the shock and thrill of millions in sideshows nationwide. As a youth in the late 60s and early 70s, Drew Friedman often visited Coney Island with his family, and he and his brothers always insisted on seeing the Freak Show. Drew Friedman's Sideshow Freaks presents 50 of his favorite historic human oddities -- famous and obscure -- in mesmerizing full-color portraits. As in Warts and All, Old Jewish Comedians, and More Old Jewish Comedians, Drew Friedman once again meticulously, brilliantly, and affectionately brings to life people in the show business, this time focusing on America's oddest performers. |
| circus freaks in history: James Taylor's Shocked and Amazed! James Taylor, Kathleen Kotcher, 2002 As the world's only publication devoted to sideshow, James Taylor's Shocked and Amazed! On & Off the Midway is chock-full of carnival and circus midway madness and mayhem. Hear the truth behind this uniquely American art form from the lips of the human marvels themselves! Shocked and Amazed! invites you to explore and satisfy your curiosity for the strange, the weird, the bizarre, the odd and the unusual.Witness never-before-seen photographs from the personal collections of sideshow superstars from yesteryear! Marvel at the sideshow stories presented personally for your pleasure by sideshow performers! Thrill to these titillating tales of laughter and woe on the sawdust trail from the likes of: Frank Lentini, who could kick a football the length of the midway with his third leg; Melvin Burkhart, the Human Blockhead who could pound six-inch spikes into his head; Harold Huge, the sideshow fat man who needs Six Gals to Hug Him, and a Boxcar to Lug Him; Percilla the Monkey Girl and her husband, Emmitt the Alligator Skin Man; Bill Durks, the Man with Three Eyes and many, many more. (7 x 10, 288 pages, b&w photos) |
| circus freaks in history: The Saturday Half-holiday Juvenile Protective Association of Chicago, 1918 |
| circus freaks in history: The Westside Park Murders Keith Roysdon, Douglas Walker, 2021-02-08 On a warm night in September 1985, teenagers Kimberly Dowell and Ethan Dixon were brutally murdered in Westside Park in Muncie, Indiana. Their killer has never been charged. Early on, police focused on a family member of one of the teens as a primary suspect. The investigation even ruled out fantastic scenarios, including a theory that the perpetrator was a Dungeons & Dragons devotee. The case grew cold. Only decades later did a dogged police investigator narrow the scope to a suspect whose name has never been publicly revealed until now. Keith Roysdon and Douglas Walker, authors of Wicked Muncie and Muncie Murder & Mayhem, have followed the investigation into the Westside Park murders for decades and, for the first time, report the complete and untold story. |
| circus freaks in history: Freaks & Fire J. Dee Hill, 2004 Freaks and Fire is a free-falling leap into the world of radical circus. Beyond the historical confines of Ringling Bros. and scorning the big-budget schemes of Cirque du Soleil, these tightly knit troupes focus on bringing audiences thrills spun around an ideological center. From the sick-out shockfests of the infamous Jim Rose Circus to the anarchic burlesque of the Bindlestiff Family Circus, J. Dee Hill brings readers into the diverse and all-consuming world of circus as commentary, lifestyle, and play. |
Circus - Wikipedia
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope …
Circus | Definition, History, Acts, & Facts | Britannica
May 26, 2025 · A circus is an entertainment or spectacle usually consisting of trained animal acts and exhibitions of human skill and daring. A circus is typically held in a circular performance …
Ringling Bros. and Barnum & Bailey Circus
Get ready to have the most amazing time at The Greatest Show On Earth®! The all-new Ringling Bros. and Barnum & Bailey® welcomes everyone, from kids to grown-ups, to a world of thrilling …
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Experience the amazing at Circus World! An incredible 64 acres showcasing the incredible history of the American Circus is yours to explore. From the world’s largest collection of restored …
Circus - Wikipedia
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, …
Circus | Definition, History, Acts, & Facts | Britannica
May 26, 2025 · A circus is an entertainment or spectacle usually consisting of trained animal acts and exhibitions of human skill and …
Ringling Bros. and Barnum & Bailey Circus
Get ready to have the most amazing time at The Greatest Show On Earth®! The all-new Ringling Bros. and Barnum & Bailey® …
UniverSoul Circus | Celebrating 31 Years of FUN
Celebrating 31 years of FUN under the Big Top!
Home - Circus World
Experience the amazing at Circus World! An incredible 64 acres showcasing the incredible history of the American Circus is yours to …
