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| citizen kane scene analysis: Orson Welles Randy Rasmussen, 2014-08-21 Orson Welles, a self-conscious storyteller who often invited his audience to question the methods and veracity of what they see and hear. He was that rare magician who both pulled the wool over our eyes, for our delight, and unravelled the wool before our eyes, encouraging us to ponder the nature of the magic itself. Many of the characters in Welles's movies can also be seen as magicians of a sort, creating impressions intended to manipulate other characters, or even themselves, in one direction or another. But unlike Welles, few of them voluntarily expose their tricks to the scrutiny of their victims. Six major Welles films--Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, The Trial, and Chimes at Midnight--receive a scene by scene analysis in this critical study. From a viewer's perspective it illuminates the dramatic rhythms of each film as they unfold on screen and from the soundtrack. Frequent analogies to other movies and pertinent quotations from the impressions of other commentators broaden the text, but always within the scene by scene progression dictated by the film under discussion. |
| citizen kane scene analysis: Closely Watched Films Marilyn Fabe, 2014-10-14 Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch--Page [4] of cover. |
| citizen kane scene analysis: Lost at the Con Bryan Young, 2011-05-18 Lost at the Con tells the tale of a drunken political journalist and his dangerous assignment to a science fiction and fantasy convention. Though he'd rather be at home drinking his liver to death, his spiteful editor delivers an ultimatum: take the assignment or lose the steady paycheck. Since Cobb can't afford to turn down the job, he heads to Atlanta and dives head first into the realm of Griffin*Con, renowned the world over as the Mardis Gras of geek conventions. There, he finds all of the science fiction, fantasy, and cosplay he would expect, but he also finds something more sinister: a seedy underbelly of geeky debauchery, slash fiction, booze, sex, and drugs. Can he make it through this assignment without snapping and winding up on the front page himself? Or will the entire experience change him in ways he never imagined possible? It's been called A masterful blend of fictional Gonzo journalism and geek culture that is sure to please audiences inside and outside the geek community. |
| citizen kane scene analysis: Autopsy Carl Richardson, 1992 Richardson deals chiefly with three films noirs: The Maltese Falcon (1941), The Naked City (1948), and Touch of Evil (1958). Treated in chronological order, these case studies show how essential location became to the grim assessment of reality for which noir's repertoire is noted. As the appropriately bleak title suggests, the main thrust of the inquiry is to find out what happened to arguably the most intriguing group of films ever produced by the American Film industry. Richardson makes abundant use of primary material, situates films in historical context, and examines them intertextually. This is the first study of its kind to delve into the use, misuse, and abuse of locations. Although it centers exclusively on film noir, the results suggest larger implications. |
| citizen kane scene analysis: The Making of Citizen Kane, Revised Edition Robert L. Carringer, 1996-10-24 Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs. |
| citizen kane scene analysis: Orson Welles's Last Movie Josh Karp, 2015-04-21 In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called the greatest home movie that no one has ever seen. |
| citizen kane scene analysis: Freud's On Narcissism Peter Fonagy, 2018-05-01 On Narcissism: An Introduction is a densely packed essay dealing with ideas that are still being debated today - from the role of narcissism in normal and pathological development and the relationship of narcissism to homosexuality, libido, romantic love, and self-esteem to issues of therapeutic intervention. The contributors place the work in the context of Freud's evolving thinking, point out its innovations, review its problematic aspects, and examine how its theoretical concepts have been elaborated more recently by analysts of diverse theoretic persuasions. In addition, they use Freud's text to chart new developments in psychoanalysis and point toward still unresolved problems. An introduction by Joseph Sandler, Ethel Spector Person, and Peter Fonagy provides a succinct overview of the material.Contributors: Willy Baranger, David Bell, R. Horacio Etchegoyen, Peter Fonagy, Leon Grinberg, Bela Grunberger, Heinz Henseler, Otto F. Kernberg, Paul H. Ornstein, Ethel Spector Person, Joseph Sandler, Hanna Segal, Nikolaus Treurniet, Clifford Yorke |
| citizen kane scene analysis: Citizen Trump Robert Orlando, 2021-06-15 Writer/director Robert Orlando, locked down during the Covid-19 pandemic, learned Citizen Kane was Trump’s favorite film, and the parallels were astonishing. Both Kane and Trump are swaggering masters of media, and both claim to stand for the working man. “Orson Welles, the boy genius of Kane, was possessing me from the grave,” states Orlando. In Orlando’s acclaimed documentary Citizen Trump, we witness Trump, like Kane, trying to escape unglamorous beginnings. A decades-long effort to rise as aspiring Hollywood mogul, real estate player, darling of gossip columnists, casino owner, dabbler in politics, and reality TV star. Each new stage was a rehearsal for his role as president. In this follow-up to the film, Orlando takes an even deeper dive into the nature of Trump’s background as an entertainer—and how it led to the miraculous upset of Clinton and his rise as president. Truth-be-told, Kane was crushed by scandal; Trump was not. He triumphed above front-page divorces, bankruptcies, unprecedented media attacks, and political chaos. Did his failed attempt at re-election end his star power? Citizen Trump gives us our looking glass. “Filmmaker Robert Orlando probes some of the secrets of Trump’s obsessions, and finds answers in what the president has described as his favorite film [Citizen Kane]…. Striking, very watchable. Fascinating film!” —Michael Medved, Movie Critic “Robert Orlando’s 2020 documentary shows Trump’s favorite film is a road map to his methods.” —Joseph Serwach, Medium “To do so, he tells President Trump’s life story in the cinematographic style of Citizen Kane, incorporating the iconic snow globe, the campaign poster, and even the mysterious word (‘Rosebud’) that is central to Orson Welles’ masterpiece.” —Gabriel Andrade, Merion West “Through the lens of the 1941 classic Citizen Kane, a documentary filmmaker seeks to understand the life journey of President Trump and his successful venture into politics.” —Josh Shepherd, The Federalist “This is the fascinating parallel that inspired Robert Orlando. The film is remarkable—truly in the literal sense. It’s visually engaging, if not riveting.” —Paul Kengor, The American Spectator |
| citizen kane scene analysis: Orson Welles's Citizen Kane James Naremore, 2004 'Citizen Kane' is a largely admired and significant film. This volume represents the essential writings on 'Kane'. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background and technical understanding to comprehend the film's larger cultural significance. |
| citizen kane scene analysis: Rosebud David Thomson, 1997-09-30 A New York Times Notable Book of the Year Easily the best book on Orson Welles. --The New Yorker Orson Welles arrived in Hollywood as a boy genius, became a legend with a single perfect film, and then spent the next forty years floundering. But Welles floundered so variously, ingeniously, and extravagantly that he turned failure into a sustaining tragedy--his thing, his song. Now the prodigal genius of the American cinema finally has the biographer he deserves. For, as anyone who has read his novels and criticism knows, David Thomson is one of our most perceptive and splendidly opinionated writers on film. In Rosebud, Thomson follows the wild arc of Welles's career, from The War of the Worlds broadcast to the triumph of Citizen Kane, the mixed triumph of The Magnificent Ambersons, and the strange and troubling movies that followed. Here, too, is the unfolding of the Welles persona--the grand gestures, the womanizing, the high living, the betrayals. Thomson captures it all with a critical acumen and stylistic dash that make this book not so much a study of Welles's life and work as a glorious companion piece to them. Insightful, controversial, and highly readable--Rosebud is biography at its best. --Cleveland Plain Dealer |
| citizen kane scene analysis: Ballet Shoes Noel Streatfeild, 2018-11-06 Three orphan girls. A pair of pink slippers. A lifetime in the spotlight. Read the classic that has captivated generations! Pauline, Petrova, and Posy love their quiet life together. They are orphans who have been raised as sisters, and when their new family needs money, the girls want to help. They decide to join the Children's Academy of Dancing and Stage Training to earn their keep. Each girl works hard following her dream. Pauline is destined for the movies. Posy is a born dancer. And Petrova? She finds she'd rather be a pilot than perform a pirouette. This beautiful children's classic is perfect for girls who love to dream about ballet, friendship, and finding their own special talents. Adult readers may remember them as the Shoes books from You've Got Mail! |
| citizen kane scene analysis: At the End of the Street in the Shadow Matthew Asprey Gear, 2016-02-16 The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense shadow oeuvre ranging from unfinished and unreleased films to unrealized treatments and screenplays. |
| citizen kane scene analysis: Presentation Zen Garr Reynolds, 2009-04-15 FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making slide presentations in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations. |
| citizen kane scene analysis: Adventures in the Screen Trade William Goldman, 2012-06-05 Enter Hollywood's inner sanctums in this gosippy and honest book, named one the top 100 film books of all time by The Hollywood Reporter, by the Academy Award-winning screenwriter and bestselling author of The Primcess Bride. No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of The Princess Bride, Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films . . . .into the plush offices of Hollywood producers . . ..into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, You'll be fascinated.. |
| citizen kane scene analysis: Directed by Steven Spielberg Warren Buckland, 2006-05-02 Although the blockbuster is the most popular and commercially successful type of filmmaking, it has yet to be studied seriously from a formalist standpoint. This is in opposition to classical Hollywood cinema and International Art cinema, whose form has been analyzed and deconstructed in great detail. Directed By Steven Spielberg fills this gap by examining the distinctive form of the blockbuster. The book focuses on Spielberg's blockbusters, because he is the most consistent and successful director of this type of film - he defines the standard by which other Hollywood blockbusters are judged and compared. But how did Spielberg attain this position? Film critics and scholars generally agree that Spielberg's blockbusters have a unique look and use visual storytelling techniques to their utmost effectiveness. In this book, Warren Buckland examines Spielberg's distinct manipulation of film form, and his singular use of stylistic and narrative techniques. The book demonstrates the aesthetic options available to Spielberg, and particularly the choices he makes in structuring his blockbusters. Buckland emphasizes the director's activity in making a film (particularly such a powerful director as Spielberg), including: visualizing the scene on paper via storyboards; staging and blocking the scene; selecting camera placement and movement; determining the progression or flow of the film from shot to shot; and deciding how to narrate the story to the spectator. Directed By Steven Spielberg combines film studies scholarship with the approach taken by many filmmaking manuals. The unique value of the book lies in its grounding of formal film analysis in filmmaking. |
| citizen kane scene analysis: An Introduction to Criticism Michael Ryan, 2012-02-13 An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically |
| citizen kane scene analysis: On the History of Film Style David Bordwell, 1997 Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change. |
| citizen kane scene analysis: The Citizen Kane Book Pauline Kael, Herman Jacob Mankiewicz, Orson Welles, 1971 |
| citizen kane scene analysis: Despite the System Clinton Heylin, 2006-06 Revealing the facts rather than the myths behind Orson Welles's Hollywood career, this groundbreaking history fills in the gaps behind the drama of one of the most well-known American filmmakers. |
| citizen kane scene analysis: Ozu's Tokyo Story David Desser, 1997-04-13 Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism. |
| citizen kane scene analysis: Film Studies Ed Sikov, 2010 American film scholar Ed Sikov discusses all aspects of narrative films, describing mise-en-scéne, the significance of montages, editing, lighting, the use of color and sound, and related topics; and providing practical advice, suggested assignments, and other resources. |
| citizen kane scene analysis: Reconstructing American Historical Cinema J. E. Smyth, 2009 Focusing on key films such as Cimarron (1931), The Public Enemy (1931), Scarface (1932), Ramona (1936), A Star Is Born (1937), Jezebel (1938), Young Mr. Lincoln (1939), Gone with the Wind (1939), Stagecoach (1939), and Citizen Kane (1941), Smyth explores historical cinema's connections to popular and academic historigraphy, historical fiction, and journalism, providing a rich context for the industry's commitment to American history. |
| citizen kane scene analysis: The Myth of the Robber Barons Burton W. Folsom, 1991-01-01 In his book The Myth of the Robber Barons, Folsom distinguishes between political entrepreneurs who ran inefficient businesses supported by government favors, and market entrepreneurs who succeeded by providing better and lower-cost products or services, usually while facing vigorous competition. |
| citizen kane scene analysis: Montage, Découpage, Mise en scène Laurent Le Forestier, Timothy Barnard, Frank Kessler, 2023-05-09 Montage, découpage, mise en scène: these three French terms are central to debates around film history and aesthetics in every language, yet the precise meaning of each and especially their relationship to one another remain a source of confusion for many. In this unique volume, film scholars Laurent Le Forestier, Timothy Barnard and Frank Kessler examine in lively, readable prose the history of these concepts in film theory and criticism and their genesis and development in practice during cinema's foundational first half-century and beyond—from early cinema to the modern mise en scène criticism of the 1950s and 60s by way of silent-era explorations of the theory and practice of montage and the early sound period's counter example of découpage. Each essay serves as an essential guide for students and specialists alike, combining historical overview with fresh ideas about film aesthetics today. |
| citizen kane scene analysis: How to Watch a Movie David Thomson, 2017-01-24 In his most inventive exploration of the medium yet, David Thomson—one of our most provocative authorities on all things cinema—shows us how to get more out of watching any movie. Guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on-screen—actors, shots, cuts, dialogue, music—to the specifics of how, where, and with whom we do the viewing, Thomson explicates the movie watching experience with his customary candor and wit. Delivering keen analyses of films ranging from Citizen Kane to 12 Years a Slave, in How to Watch a Movie, Thomson shows moviegoers how to more deeply appreciate both the artistry and the manipulation of film—and in so doing enriches our viewing experience immensely. |
| citizen kane scene analysis: Mank Richard Meryman, 1978 This is a detailed look at the up-and-down life of writer Herman Mankiewicz. |
| citizen kane scene analysis: What Is Cinema? André Bazin, 2005 These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. |
| citizen kane scene analysis: Acting in Film Michael Caine, 2000-02-01 (Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING! Gene Siskel |
| citizen kane scene analysis: Movies and Methods Bill Nichols, 1976 VOLUME 2: Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description. |
| citizen kane scene analysis: A Children's Illustrated History of Presidential Assassination Bryan L. Young, Erin Kubinek, Scout Young, 2014-03-27 Over the course of American history, there have been only four presidents who have been forced to sacrifice their lives for their country at the hands of an assassin. These great men have not been forgotten, and their stories are told here in fascinating detail for history lovers of all ages. But those four presidents are not the only ones who have been close to death in the line of duty to the American people. This book, A Children's Illustrated History of Presidential Assassination, delves into all of the major assassination attempts throughout the history of the United States, in vivid detail, illustrated by Erin Kubinek. |
| citizen kane scene analysis: How to Read a Film James Monaco, 2000 Explores the medium of film as both art and craft, sensibility and science, tradition and technology. |
| citizen kane scene analysis: Four Screenplays Syd Field, 2009-09-30 Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues |
| citizen kane scene analysis: The Brothers Mankiewicz Sydney Ladensohn Stern, 2019-10-02 Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this award-winning dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. |
| citizen kane scene analysis: Citizen Kane Diana Barnes, 2011-11 Insight Study Guides are written by experts and cover a range of popular literature, plays and films. Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries. |
| citizen kane scene analysis: Faulkner and Film Bruce F. Kawin, 1977 |
| citizen kane scene analysis: History Goes to the Movies Joseph H. Roquemore, 1999 Describes the accuracy, historical context, plot, and entertainment value of over three hundred significant films |
| citizen kane scene analysis: This Is Orson Welles Orson Welles, Peter Bogdanovich, Jonathan Rosenbaum, 1993-09-01 Orson Welles will leave you agreeing with Marlene Dietrich, who also said (using Welles' words from Touch of Evil): He was some kind of man. What does it matter what you say about people? |
| citizen kane scene analysis: The Film Appreciation Book Jim Piper, 2014-11-18 This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| citizen kane scene analysis: The Lean Forward Moment Norman Hollyn, 2008-12-23 In this groundbreaking book Norman Hollyn outlines his 'Lean Forward Moment Method' of storytelling that applies to all aspects of the film-making process and media production. Whether you are an editor, producer, director, cinematographer or visual effects pro, this book will provide the essential techniques you need to create engaging content that emotionally connects with your audience. The core storytelling techniques in this book, apply equally to all levels and types of film and media projects: feature films, television documentaries, fiction, web-based video games, commercials, event films and much more. As an Associate Professor at the School of Cinematic Arts at USC and having worked on movie projects with such Hollywood greats at Alan J Pakula, Sidney Lumet and Francis Ford Coppola, Norman Hollyn is uniquely qualified to provide you with the conceptual and practical tools to tell your story effectively. After the initial formative chapters, Norman examines the filmmaking process in its three main areas - preproduction, production and postproduction. Within each area he describes how the Lean Forward method can help with every step of the creative process (setup, scene description, the script, production design, direction, cinematography, editing, opticals and special effects, music and sound). He then brings together the concepts he discusses by providing real world examples from a drama, an action film, a documentary and a commercial. Norman Hollyn uses the ancient magic of alchemy to reveal the art of making a great film. Writing an outstanding primer on filmmaking, he provides an historical perspective from several iconic movies, revealing the innermost secrets of successful filmmakers. If you want to construct a film, you need this book! - MARTIN COHEN, President of Post Production, Paramount Pictures. Norman Hollyn's The Lean Forward Moment speaks volumes about the art and craft of filmmaking. His elegant explanations of editorial choices and creative decisions tell the full story. It is a serious work and it will be a resource for every emerging filmmaker - IAN CALDERON, Director of Digital Initiatives, Sundance Institute. Only a film editor, with a career of experience in the cockpit of the cutting room, could so clearly and completely explain how some storytelling efforts succeed and others fail. Fortunately, Norman Hollyn is such an editor, and he has given us the gift of explanation in the richly illustrated The Lean Forward Moment. - BILL KINDER, Editorial and Post Production Director. |
| citizen kane scene analysis: Who Wrote Citizen Kane? Warren Buckland, 2023-09-28 This book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities. Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing. The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles’ and of Mankiewicz’s writing? And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a ‘forensic’ examination. Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author – the combination of consistent and regular linguistic habits that make each author’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to Citizen Kane. |
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100 años de Citizen Impulsando los límites de la innovación; avances en la industria y tecnología de vanguardia, creando diseños excepcionales para todos los ciudadanos. Conoce Más
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100 Years of Citizen Pushing the boundaries of innovation: industry breakthroughs and cutting-edge technology, crafting exceptional designs for all citizens. Learn More
Men's Automatic Watches | CITIZEN
From the birth of its Eco-Drive light technology to today, Citizen looks for ways to support and celebrate the planet.
Citizen Watch Official Site
Shop with confidence when you purchase a CITIZEN watch directly from citizenwatch.com. We offer a 30-day money-back guarantee, as well as free and easy returns. For more information …
Citizen Watch Official Site | Store Locator
100 Years of Citizen Pushing the boundaries of innovation: industry breakthroughs and cutting-edge technology, crafting exceptional designs for all citizens. Learn More
Brand - CITIZEN
From the birth of its Eco-Drive light technology to today, Citizen looks for ways to support and celebrate the planet.
Relojes CITIZEN para caballero | CITIZEN
100 años de Citizen. Impulsando los límites de la innovación; avances en la industria y tecnología de vanguardia, creando diseños excepcionales para todos los ciudadanos. Conoce más …
Citizen de LATAM | CITIZEN
100 años de Citizen Impulsando los límites de la innovación; avances en la industria y tecnología de vanguardia, creando diseños excepcionales para todos los ciudadanos. Conoce más
Rebel Starfighter Black Dial Leather Strap CA0870-43W | CITIZEN
Jan 17, 2025 · This set also includes a striking collectible shield-shaped pin depicting another view of the iconic starfighter. The watch is sustainably powered by any light with Citizen’s Eco …
