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| blue and red political posters: Election Posters Around the Globe Christina Holtz-Bacha, Bengt Johansson, 2017-04-03 This book examines the history and role of election posters as one of the most crucial forms of political communication, especially in electoral campaigns, in a number of countries around the globe. The contributing authors present comparative research on electoral posters from countries from all five continents, summarizing international similarities and national differences. The book also discusses theoretical aspects and different methodological approaches that are used for studying the design, content and reception of election posters as a means of political communication. |
| blue and red political posters: Political Posters in Central and Eastern Europe, 1945-95 James Aulich, Marta Sylvestrová, 1999 Publikacja towarzysząca wystawie - Sign of the times: Manchester Metropolitan University, 17.11.1999 - 31.01.2000. |
| blue and red political posters: Posters, Propaganda, and Persuasion in Election Campaigns Around the World and Through History Steven A. Seidman, 2008 How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries. The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world. This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design. |
| blue and red political posters: The Political Portrait Luciano Cheles, Alessandro Giacone, 2020-06-10 The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history. |
| blue and red political posters: WPA Posters in an Aesthetic, Social, and Political Context Cory Pillen, 2020-03-09 This book examines posters produced by the Works Progress Administration (WPA), a federal relief program designed to create jobs in the United States during the Great Depression. Cory Pillen focuses on several issues addressed repeatedly in the roughly 2,200 extant WPA posters created between 1935 and 1943: recreation and leisure, conservation, health and disease, and public housing. As the book shows, the posters promote specific forms of knowledge and literacy as solutions to contemporary social concerns. The varied issues these works engage and the ideals they endorse, however, would have resonated in complex ways with the posters’ diverse viewing public, working both for and against the rhetoric of consensus employed by New Deal agencies in defining and managing the relationship between self and society in modern America. This book will be of interest to scholars in design history, art history, and American studies. |
| blue and red political posters: Citizen Designer Steven Heller, Veronique Vienne, 2018-05-22 Balancing Social, Professional, and Artistic Views What does it mean to be a designer in today's corporate-driven, overbranded global consumer culture? Citizen Designer, Second Edition, attempts to answer this question with more than seventy debate-stirring essays and interviews espousing viewpoints ranging from the cultural and the political to the professional and the social. This new edition contains a collection of definitions and brief case studies on topics that today's citizen designers must consider, including new essays on social innovation, individual advocacy, group strategies, and living as an ethical designer. Edited by two prominent advocates of socially responsible design, this innovative reference responds to the tough questions today's designers continue to ask themselves, such as: How can a designer affect social or political change? Can design become more than just a service to clients? At what point does a designer have to take responsibility for the client's actions? When should a designer take a stand? Readers will find dozens of captivating insights and opinions on such important issues as reality branding, game design and school violence, advertising and exploitation, design as an environmental driving force, and much more. This candid guide encourages designers to carefully research their clients; become alert about corporate, political, and social developments; and design responsible products. Citizen Designer, Second Edition, includes insights on such contemporary topics as advertising of harmful products, branding to minors, and violence and game design. Readers are presented with an enticing mix of opinions in an appealing format that juxtaposes essays, interviews, and countless illustrations of design citizenship. |
| blue and red political posters: Red to Blue Sanford Gottlieb, 2015-12-03 With a close eye on a rising star in the Democratic party, Congressman Chris Van Hollen, this book examines the movement toward a Democratic majority in American politics. Van Hollen, a state senator from suburban Maryland, was one of only two Democrats to defeat an incumbent Republican House member in the Republican sweep of 2002, the first congressional election after 9/11. He did it with the assistance of a grassroots army attracted by his outstanding leadership on progressive issues in the Maryland legislature and determined to take back the House from an increasingly right-wing Republican Party. The author had an inside view of Van Hollen's 2002 victory as campaign coordinator of his precinct. Gottlieb provides a detailed account of the nuts and bolts and spirit of the Van Hollen campaign and extends his analysis into 2008, the election year for which Nancy Pelosi appointed Van Hollen chief of the Democratic Congressional Campaign Committee, responsible for recruiting, assisting, and mentoring candidates in an effort to expand the Democratic majority in the House. Grassroots politics is a key to the Democrats' progress, whether at the congressional or presidential level. Chris Van Hollen points the way to achieving new alignments that could help move the country from red to blue. Including hundreds of interviews with voters, activists, candidates, campaign staffers, members of Congress, pollsters, journalists, and scholars, Red to Blue provides a nuanced understanding of America's shifting politics. |
| blue and red political posters: The Red and the Blue Steve Kornacki, 2018-10-02 From MSNBC correspondent Steve Kornacki, a lively and sweeping history of the birth of political tribalism in the 1990s—one that brings critical new understanding to our current political landscape from Clinton to Trump In The Red and the Blue, cable news star and acclaimed journalist Steve Kornacki follows the twin paths of Bill Clinton and Newt Gingrich, two larger-than-life politicians who exploited the weakened structure of their respective parties to attain the highest offices. For Clinton, that meant contorting himself around the various factions of the Democratic party to win the presidency. Gingrich employed a scorched-earth strategy to upend the permanent Republican minority in the House, making him Speaker. The Clinton/Gingrich battles were bare-knuckled brawls that brought about massive policy shifts and high-stakes showdowns—their collisions had far-reaching political consequences. But the ’90s were not just about them. Kornacki writes about Mario Cuomo’s stubborn presence around Clinton’s 1992 campaign; Hillary Clinton’s star turn during the 1998 midterms, seeding the idea for her own candidacy; Ross Perot’s wild run in 1992 that inspired him to launch the Reform Party, giving Donald Trump his first taste of electoral politics in 1999; and many others. With novelistic prose and a clear sense of history, Steve Kornacki masterfully weaves together the various elements of this rambunctious and hugely impactful era in American history, whose effects set the stage for our current political landscape. |
| blue and red political posters: Prop Art: Over 1000 Contemporary Political Posters Gary Yanker, 1972 |
| blue and red political posters: Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 Peter Schjeldahl, 2019-06-04 Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book. |
| blue and red political posters: Art in Places Various, 2018-06-01 The Living Arts Library is specially designed to stimulate children's interest and imagination in all aspects of the international arts. The activity-based approach encourages readers to try for themselves a variety of skills and techniques. |
| blue and red political posters: Political Communications John Bartle, Ivor Crewe, Brian Gosschalk, 2012-11-12 The dialogue conducted via the press, television, advertising and the opinion polls beween politicians and the people in the 1997 campaign and its run-up is analyzed here. Special attention is paid to the innovations and changes that marked the 1997 campaign. |
| blue and red political posters: Making Posters Scott Laserow, Natalia Delgado, 2020-09-03 Posters have the power to influence and inform - so how does a designer hone their creations to have the impact they need? With a special focus on conceptualization, internationally-acclaimed and award-winning designers Natalia Delgado and Scott Laserow takes you though planning, analyzing and creating posters that stop viewers in their tracks. Classic and contemporary examples from around the world show you what can be achieved at the cutting-edge of the medium - from protest and propaganda posters, through pop culture and Swiss style, to animated and interactive designs. Whether you need to promote the next president, advertise a brand or create awareness of a health crisis, Making Posters gives you the critical and practical skills to excel in one of the most widely seen forms of graphic design and make sure your work stands out from the crowd. |
| blue and red political posters: Heritage Slater Political Memorabilia and Americana Auction Catalog #619 Ivy Press, 2005-11 |
| blue and red political posters: The Rhetorical Rise and Demise of “Democracy” in Russian Political Discourse, Volume 3 David Cratis Williams, Marilyn J. Young, Michael K. Launer, 2024-02-20 In Volume Three of this four-volume series, we examine the rhetorical development that occurred during the first two terms of Vladimir Putin’s tenure as president of the Russian Federation. Initially, Putin appeared to follow in the path set by his predecessor, Boris Yeltsin, vowing that Russia was, at heart, a European nation and would be a westward facing democracy going forward. He even mentioned partnering with the EU and NATO. Eight years later, at the 2007 Munich Security Conference, Putin excoriated the West for, in his words, attempting to create a “unipolar world” in which NATO expansion threatened Russia’s security, the United States acted as the world’s sole “hegemon,” and Europe simply followed orders, relinquishing any sense of agency in its own affairs. |
| blue and red political posters: Social Forms: A Short History of Political Art Christian Viveros-Faune, 2018-12-20 In an increasingly polarized world, with shifting and extreme politics, Social Forms illustrates artists at the forefront of political and social resistance. Highlighting different moments of crisis and how these are reflected and preserved through crucial artworks, it also asks how to make art in the age of Brexit, Trump, and the refugee and climate crises. In Social Forms: A Short History of Political Art, renowned critic, curator, and writer Christian Viveros-Fauné has picked fifty representative artworks—from Francisco de Goya’s The Disasters of War (1810–1820) to David Hammons’s In the Hood (1993)—that give voice to some of modern art’s strongest calls to political action. In accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist’s background, and the historical impact of each contribution. At times artists create projects that subvert existing power structures; at other moments they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso’s Guernica and its place at the 1937 Worlds Fair, or Jenny Holzer’s Truisms (1977–1979), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with. Never professing to be a definitive history of political art, Social Forms delivers a unique and compelling portrait of how artists during the last 150 years have dealt with changing political systems, the violence of modern warfare, the rise of consumer culture worldwide, the prevalence of inequality and racism, and the challenges of technology. |
| blue and red political posters: George McGovern and the Democratic Insurgents Hal Elliott Wert, 2015-11-03 Compilation of political posters from the 1960s to the present-- |
| blue and red political posters: Red, White & Royal Blue Casey McQuiston, 2019-05-14 * Instant NEW YORK TIMES and USA TODAY bestseller * * GOODREADS CHOICE AWARD WINNER for BEST DEBUT and BEST ROMANCE of 2019 * * BEST BOOK OF THE YEAR* for VOGUE, NPR, VANITY FAIR, and more! * What happens when America's First Son falls in love with the Prince of Wales? When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius—his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S./British relations take a turn for the worse. Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals. What at first begins as a fake, Instragramable friendship grows deeper, and more dangerous, than either Alex or Henry could have imagined. Soon Alex finds himself hurtling into a secret romance with a surprisingly unstuffy Henry that could derail the campaign and upend two nations and begs the question: Can love save the world after all? Where do we find the courage, and the power, to be the people we are meant to be? And how can we learn to let our true colors shine through? Casey McQuiston's Red, White & Royal Blue proves: true love isn't always diplomatic. I took this with me wherever I went and stole every second I had to read! Absorbing, hilarious, tender, sexy—this book had everything I crave. I’m jealous of all the readers out there who still get to experience Red, White & Royal Blue for the first time! - Christina Lauren, New York Times bestselling author of The Unhoneymooners Red, White & Royal Blue is outrageously fun. It is romantic, sexy, witty, and thrilling. I loved every second. - Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones & The Six |
| blue and red political posters: Color for the Electronic Age Jan V. White, 1990 |
| blue and red political posters: Still Life with Rhetoric Laurie E. Gries, 2015-03-05 In Still Life with Rhetoric, Laurie Gries forges connections among new materialism, actor network theory, and rhetoric to explore how images become rhetorically active in a digitally networked, global environment. Rather than study how an already-materialized “visual text” functions within a specific context, Gries investigates how images often circulate and transform across media, genre, and location at viral rates. A four-part case study of Shepard Fairey’s now iconic Obama Hope image elucidates how images reassemble collective life as they actualize in different versions, enter into various relations, and spark a firework of activity across the globe. While intent on tracking the rhetorical life of a single, multiple image, Still Life with Rhetoric is most concerned with studying rhetoric in motion. To account for an image’s widespread circulation and emergent activities, Gries introduces iconographic tracking—a digital research method for tracing an image’s divergent rhetorical becomings. Yet Gries also articulates a dynamic set of theoretical principles for studying rhetoric as a distributed, generative, and unforeseeable event that is applicable beyond the study of visual rhetoric. With an eye toward futurity—the strands of time beyond a thing’s initial moment of production and delivery—Still Life with Rhetoric intends to be taken up by those interested in visual rhetoric, research methods, and theory. |
| blue and red political posters: Obey giant Shepard Fairey, La Base 01 (Paris), 2003 Andre the Giant Has a Posse is a street art campaign based on an original design by Frank Shepard Fairey created in 1989 while Fairey was a student at the Rhode Island School of Design (RISD). At the time Fairey declared the campaign to be an experiment in phenomenology. Over time the artwork has been reused in a number of ways and has become a world-wide pataphysical movement, following in the footsteps of Ivan Stang's Church of the SubGenius and populist WWII icon Kilroy Was Here. At the same time, Fairey's work has evolved stylistically and semantically into the OBEY Giant campaign. This book displays 10 years of graphic evolution - from the first photocopied Andre the Giant sticker that Shepard Fairey made at RISD to the giant billboard posters you see all around the world. A stunning full-colour documentation of Fairey's T `campaign' of postering and stencils It attempts to simultaneously bring the viewer to question propaganda absorption and to encourage a better use of public space. |
| blue and red political posters: The Graphic Communication Handbook Simon Downs, 2013-03-01 The Graphic Communication Handbook is a comprehensive and detailed introduction to the theories and practices of the graphics industry. It traces the history and development of graphic design, explores issues that affect the industry, examines its analysis through communications theory, explains how to do each section of the job, and advises on entry into the profession. The Graphic Communication Handbook covers all areas within the industry including pitching, understanding the client, researching a job, thumbnail drawings, developing concepts, presenting to clients, working in 2D, 3D, motion graphics and interaction graphics, situating and testing the job, getting paid, and getting the next job. The industry background, relevant theory and the law related to graphic communications are situated alongside the teaching of the practical elements. Features include: introductions that frame relevant debates case studies, examples and illustrations from a range of campaigns philosophical and technical explanations of topics and their importance. |
| blue and red political posters: Chinese Propaganda Posters: From Revolution to Modernization Stefan Landsberger, 2020-11-25 Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, spacecraft, high-rise buildings, gridlocked free-ways and projections of general affluence. Socialist Realism was phased out by design and mixed- media techniques that were influenced by Western advertising. This lavishly illustrated study traces the development of the style and content of the Chinese propaganda poster in the decade of reform, from its traditional origins to its use as a tool for political and economic purposes. |
| blue and red political posters: Collecting Prints, Posters, and Ephemera Ruth E. Iskin, Britany Salsbury, 2019-12-12 Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world. |
| blue and red political posters: Military Law Review , 1973 |
| blue and red political posters: DA Pam , 1973 |
| blue and red political posters: Communicating with the World Lihua Liu, 2022-12-30 This book analyses the creation and dissemination of discourse in China while examining how its media and the people interact and communicate with the rest of the world. It explores the interplay between language, meanings, social practices, culture and politics in the processes of discourse generation. The book critically studies intercultural communication and Chinese discourse models at the national, institutional and individual levels and the different modes of interaction between China and the world. With the help of several case studies the book analyses reports from the People’s Daily, interpersonal meaning in promotional videos and advertisements in China, rhetoric in the editorials of China Daily and the representation by international media like The Associated Press and The New York Times to explore differences between Chinese and the Western media reporting the same event. It also looks at the complex models through which the Chinese people—both as individuals and as a collective—communicate with and gain an understanding of the rest of the world. Rich in empirical case studies, this book will be an essential read for scholars and researchers of Chinese Studies, communication studies, media and cultural studies, international relations and political communication. |
| blue and red political posters: Design for Tomorrow—Volume 1 Amaresh Chakrabarti, Ravi Poovaiah, Prasad Bokil, Vivek Kant, 2021-04-26 This book showcases cutting-edge research papers from the 8th International Conference on Research into Design (ICoRD 2021) written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world. The theme of ICoRD‘21 has been “Design for Tomorrow”. The world as we know it in our times is increasingly becoming connected. In this interconnected world, design has to address new challenges of merging the cyber and the physical, the smart and the mundane, the technology and the human. As a result, there is an increasing need for strategizing and thinking about design for a better tomorrow. The theme for ICoRD’21 serves as a provocation for the design community to think about rapid changes in the near future to usher in a better tomorrow. The papers in this book explore these themes, and their key focus is design for tomorrow: how are products and their development be addressed for the immediate pressing needs within a connected world? The book will be of interest to researchers, professionals and entrepreneurs working in the areas on industrial design, manufacturing, consumer goods, and industrial management who are interested in the new and emerging methods and tools for design of new products, systems and services. |
| blue and red political posters: Colour: The Professional's Guide Karen Triedman, 2015-11-05 Colour is one of the most complex elements of design and it is also what people respond to first on an emotional level, whether they are surveying a restaurant interior or browsing an online catalogue. An in-depth understanding of colour is one of the most important and useful assets available to a visual professional. Working successfully with colour in a global community involves understanding colour theory and psychology, as well as geographical and historical reference. This information is covered thoroughly, with clear and precise explanations and examples. Colour: The Professional's Guide is comprehensive, offering informative techniques, examples, inspiration and, above all, exemplary solutions to fit the designer's every need, whatever their discipline. Beautifully illustrated with over 300 colour images, this guide removes the grey areas from the full colour world of contemporary design, providing designers from all disciplines with everything they need to become true, confident colourists. |
| blue and red political posters: Cargo of Orchids Susan Musgrave, 2011-09-21 Susan Musgrave’s bestselling third novel, Cargo of Orchids, examines the life of a woman on death row in the United States. Our narrator recalls what brought her to this place, where she awaits the last of her appeals. We learn that along with her cellmates, Frenchy and Rainy, this Mother Without a Heart, otherwise known as the Cocaine Queen, has been sentenced to death for the crime of killing her child. Unlike the others, the narrator has not had a life marked by abuse and hardship. When her story begins, she is translating a book about the kidnapping of a woman connected to a drug cartel. At the book launch, she meets her husband-to-be, a lawyer. When their marriage fizzles out, she falls in love with one of his clients, Angel, a Colombian from a drug cartel family, imprisoned in British Columbia on a drug-smuggling charge. Pregnant, the narrator is taken hostage by Angel’s wife to a hot and squalid island off the coast of Colombia; in an atmosphere of extreme violence, she is fed drugs until she becomes addicted to cocaine and useless to her child. When she winds up on death row, it is because the evidence in her trial suggests she sacrificed her baby for drugs. Her narrative – violent and bizarre, but also riveting and erotic – runs parallel to an account of life in “Death Clinic” at the Heaven Valley State Facility for Women. A moving story emerges of the friendship of three female inmates who share only the fact that they each have a date with the executioner. There is humour and emotion in their lives, however harsh their stories. When Musgrave was asked how humour finds its way into such an unlikely place, she replied, “It’s a survival technique. People make jokes when they survive tragedies – that’s how they deal with the world.” In this novel about prison and drug culture, filled with brutality and injustices, the compassion we feel for the narrator lends the story a moral message: that nobody is so simply bad as to deserve the death sentence. As the Gazette commented, the book puts “a human face on convicted criminals,” makes us face squarely the issue of capital punishment and assess how we judge guilt, innocence and the ambiguous space in between. The Calgary Straight called the book “a love letter to those who are serving time and the families who serve with them.” It’s also a book about unconditional love and how far we will go for it, according to Musgrave, who spent eight years writing this novel and knows plenty about prison life, having met and married her husband Stephen Reid during his incarceration in the 1980s. She had just finished a draft of the novel when Reid was arrested again following a bank robbery in 1999, just months after the CBC aired a Life and Times documentary about the couple. A brilliant mix of black humour, stark tragedy and poignant humanity, Cargo of Orchids is Musgrave’s first novel in over ten years. She has three times been nominated for the Governor General’s Award, once for fiction (The Charcoal Burners) and twice for poetry (A Man to Marry, a Man to Bury and Grave-Dirt and Selected Strawberries), and has published over twenty books. She likes novels with intense use of language and good plotting. “I want to give readers a harrowing ride,” she says. “I like to think of Cargo of Orchids as a suspense novel which is also an exploration of the heart.” |
| blue and red political posters: Posters for Peace Thomas W. Benson, 2015-06-18 By the spring of 1970, Americans were frustrated by continuing war in Vietnam and turmoil in the inner cities. Students on American college campuses opposed the war in growing numbers and joined with other citizens in ever-larger public demonstrations against the war. Some politicians—including Ronald Reagan, Spiro Agnew, and Richard Nixon—exploited the situation to cultivate anger against students. At the University of California at Berkeley, student leaders devoted themselves, along with many sympathetic faculty, to studying the war and working for peace. A group of art students designed, produced, and freely distributed thousands of antiwar posters. Posters for Peace tells the story of those posters, bringing to life their rhetorical iconography and restoring them to their place in the history of poster art and political street art. The posters are vivid, simple, direct, ironic, and often graphically beautiful. Thomas Benson shows that the student posters from Berkeley appealed to core patriotic values and to the legitimacy of democratic deliberation in a democracy—even in a time of war. |
| blue and red political posters: Printers' Ink; the ... Magazine of Advertising, Management and Sales , 1896 |
| blue and red political posters: New Mythologies in Design and Culture Rebecca Houze, 2016-05-19 Taking as its point of departure Roland Barthes' classic series of essays, Mythologies, Rebecca Houze presents an exploration of signs and symbols in the visual landscape of postmodernity. In nine chapters Houze considers a range of contemporary phenomena, from the history of sustainability to the meaning of sports and children's building toys. Among the ubiquitous global trademarks she examines are BP, McDonald's, and Nike. What do these icons say to us today? What political and ideological messages are hidden beneath their surfaces? Taking the idea of myth in its broadest sense, the individual case studies employ a variety of analytic methods derived from linguistics, psychoanalysis, anthropology, sociology, and art history. In their eclecticism of approach they demonstrate the interdisciplinarity of design history and design studies. Just as Barthes' meditations on culture concentrated on his native France, New Mythologies is rooted in the author's experience of living and teaching in the United States. Houze's reflections encompass both contemporary American popular culture and the history of American industry, with reference to such foundational figures as Thomas Jefferson and Walt Disney. The collection provides a point of entry into today's complex postmodern or post-postmodern world, and suggests some ways of thinking about its meanings, and the lessons we might learn from it. |
| blue and red political posters: Yellow Crocodiles and Blue Oranges David MacFadyen, 2005 In 1999, Boris Yeltsin passed a resolution to resurrect the biggest cartoon studio in Eastern Europe, Soiuzmul'tfil'm. From the mid-1930s until its forced demise in the mid-1990s, the studio had produced more than 1,500 films. Yeltsin felt it important that Soiuzmul'tfil'm be restored to its former glory, and even proposed keeping its original name, a nationally famous acronym made from the three Russian words for union (soiuz), animation (mul'tiplikatsiia) and film (fil'm). But the union referred to had vanished in 1991. Was reviving the studio a nostalgic paean to communism? David MacFadyen reveals that Soiuzmul'tfil'm, upon reopening, continued doing what it had since its inception in 1936, when it was the only Russian studio able to take cartoons from sketchbook to the silver screen. In a historical and theoretical reassessment of animated cinema in Russia since World War Two, Yellow Crocodiles and Blue Oranges examines a large number of Soviet cartoons to decipher what about them allowed them to survive under communism and continue to survive with equal success under capitalism.--BOOK JACKET. |
| blue and red political posters: Design D.J. Huppatz, 2019-10-17 Design is everywhere. It shapes not only our present but also our future. An essential introductory guide, Design: The Key Concepts covers fundamental design concepts: thinking, service, context, interaction, experience, and systems. Each concept is situated within a broad context, enabling the reader to understand design's contemporary practice and its relationship to issues such as new technology, social and economic development, globalization, and sustainability. Concepts are also explained by use of concise, illustrated case studies of contemporary objects, spaces, systems, and methods such as Uber, the iPhone, Kickstarter and IKEA. Chapter summaries and supporting discussion questions make this an engaging and accessible introduction for students and those new to the field. An annotated bibliography provides direction for further reading. |
| blue and red political posters: Political Graffiti in Critical Times Ricardo Campos, Yiannis Zaimakis, Andrea Pavoni, 2021-02-03 Whether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes. |
| blue and red political posters: Political Posters in Central and Eastern Europe 1945-1995 James Aulich, Marta Sylvestrova, 1999 The political poster was one of the most widely discredited and closely policed aspects of cultural life in the former communist bloc. The poster's history is a story of aesthetic, political and finally, national liberation. This comprehensively illustrated comparative analysis of political poster design--drawn from major collections in Belorussia, Croatia, Czech Republic, Germany, Hungary, Latvia, Lithuania, Poland, Russia, Slovenia, and the Ukraine--exemplifies the aesthetic diversity of the region under communist rule. |
| blue and red political posters: The Complete Works of D. H. Lawrence D. H. Lawrence, 2023-12-09 The Complete Works of D. H. Lawrence is a comprehensive collection of the renowned author's literary masterpieces, showcasing his unique blend of modernist writing with themes of love, sexuality, and the human condition. Through his works, Lawrence explores the complexities of relationships, societal norms, and the inner workings of the human psyche, all written in a poetic and introspective style that captivates readers. This collection not only reflects the literary context of the early 20th century but also delves into timeless themes that continue to resonate with readers today. D. H. Lawrence, known for his controversial and trailblazing writing, drew inspiration from his own life experiences and observations of the world around him. His desire to push boundaries and challenge societal conventions led him to create works that were ahead of their time and sparked discussion and debate among readers and critics alike. I highly recommend The Complete Works of D. H. Lawrence to those who appreciate thought-provoking and introspective literature that explores the complexities of human relationships and emotions. This collection is a must-read for anyone interested in delving into the mind of a literary icon who fearlessly tackled controversial topics with poetic grace and profound insight. |
| blue and red political posters: Mornings in Mexico D. H. Lawrence, 2021-11-09 Mornings in Mexico is a collection of travel essays by D. H. Lawrence, first published by Martin Secker in 1927. These brief works display Lawrence's gifts as a travel writer, catching the 'spirit of place' in his own vivid manner. Lawrence wrote the first four of these essays at the same time as he was completing and revising his Mexican novel The Plumed Serpent. Three of the others, about Puebloans, were written earlier in 1924 in New Mexico, and the final piece A Little Moonshine with Lemon came later as Lawrence remembered his New Mexico ranch (Kiowa Ranch) from Italy. |
| blue and red political posters: Mornings in Mexico by D. H. Lawrence - Delphi Classics (Illustrated) D. H. Lawrence, 2017-07-17 This eBook features the unabridged text of ‘Mornings in Mexico’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Mornings in Mexico’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles |
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Blue Federal Credit Union | For You. For Life. | Blue FCU
Blue is a Federal Credit Union on a do-good mission that serves over 140,000 members worldwide. We empower our members and communities to …
Blue - Wikipedia
The term blue generally describes colours perceived by humans observing light with a dominant wavelength that's between approximately 450 and 495 …
Eiffel 65 - Blue (Da Ba Dee) (Lyrics) - YouTube
Artist: Eiffel 65 Song: Blue (Da Ba Dee) Album: Europop Year: 1999 Official lyrics from music video...more.
BLUE Definition & Meaning - Merriam-Webster
The meaning of BLUE is of the color whose hue is that of the clear sky : of the color blue. How to use blue in a sentence.
144 Shades of Blue: Color Names, Hex, RGB, CMYK Codes
Below, you’ll find different shades of blue with names and their respective Hex, RGB, and CMYK codes if you want to use the colors for your website or …
