Advertisement
civil rights movement political cartoon: Civil Rights Mary E. Williams, 2002 Fulfills some or all of the high school national curriculum standards for social studies, English, world history, U.S. history, science, and health. |
civil rights movement political cartoon: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
civil rights movement political cartoon: Red Lines Cherian George, Sonny Liew, 2021-08-31 A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims. |
civil rights movement political cartoon: Four Turbulent Decades Joan Elaine Stack, Jules Feiffer, Tom Engelhardt, State Historical Society of Missouri, 2015-03-12 Momentous events from the civil rights movement and the President Kennedy assassination to 9/11 are distilled into elemental images in the work of Tom Engelhardt, longtime political cartoonist with the St. Louis Post-Dispatch. A selection of Engelhardt's evocative drawings from the State Historical Society's collection is accompanied by narratives from art historian Joan Stack that add context and reveal artistic influences and techniques. A commentary by Engelhardt and his friend Jules Feiffer, author, playwright, and Pulitzer Prize-winning political cartoonist, gives further insight into Engelhardt's career and the field of newspaper cartoons in the twentieth century. |
civil rights movement political cartoon: Saving the Liberty Bell Marty Rhodes Figley, 2004-08 Recounts how Johnny Mickley, an eleven-year-old boy, helped his father to keep the Liberty Bell safe from the British during the Revolutionary War. |
civil rights movement political cartoon: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
civil rights movement political cartoon: Blood Done Sign My Name Timothy B. Tyson, 2007-12-18 The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune |
civil rights movement political cartoon: Chronicles of a Two-Front War Lawrence Allen Eldridge, 2012-01-18 During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on. |
civil rights movement political cartoon: Latin America in Caricature John J. Johnson, 2013-12-06 “Not many readers will thank the author as he deserves, for he has told us more about ourselves than we perhaps wish to know,” predicted Latin America in Books of Latin America in Caricature—an exploration of more than one hundred years of hemispheric relations through political cartoons collected from leading U.S. periodicals from the 1860s through 1980. The cartoons are grouped according to recurring themes in diplomacy and complementing visual imagery. Each one is accompanied by a lengthy explanation of the incident portrayed, relating the drawing to public opinion of the day. Johnson’s thoughtful introduction and the comments that precede the individual chapters provide essential background for understanding U.S. attitudes and policies toward Latin America. |
civil rights movement political cartoon: Roosevelt and Churchill Franklin Delano Roosevelt, Harold D. Loewenheim, 1975 |
civil rights movement political cartoon: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
civil rights movement political cartoon: ¡Printing the Revolution! E. Carmen Ramos, 2020-12 Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata. |
civil rights movement political cartoon: A Ride to Remember Sharon Langley, Amy Nathan, 2020-01-07 The true story of how a 1963 ride on a carousel in Maryland made a powerful Civil Rights statement. A Ride to Remember tells how a community came together—both black and white—to make a change. When Sharon Langley was born in the early 1960s, many amusement parks were segregated, and African-American families were not allowed entry. This book reveals how in the summer of 1963, due to demonstrations and public protests, the Gwynn Oak Amusement Park in Maryland became desegregated and opened to all for the first time. Co-author Sharon Langley was the first African-American child to ride the carousel. This was on the same day of Martin Luther King Jr.’s March on Washington for Jobs and Freedom. Langley’s ride to remember demonstrated the possibilities of King’s dream. This book includes photos of Sharon on the carousel, authors’ notes, a timeline, and a bibliography. “Delivers a beautiful and tender message about equality from the very first page.” —Kirkus Reviews, Starred Review “Cooper’s richly textured illustrations evoke sepia photographs’ dreamlike combination of distance and immediacy, complementing the aura of reminiscence that permeates Langley and Nathan’s narrative.” —Publishers Weekly, Starred Review “A solid addition to U.S. history collections for its subject matter and its first-person historical narrative.” —School Library Journal |
civil rights movement political cartoon: America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s Elizabeth Hinton, 2021-05-18 “Not since Angela Davis’s 2003 book, Are Prisons Obsolete?, has a scholar so persuasively challenged our conventional understanding of the criminal legal system.” —Ronald S. Sullivan, Jr., Washington Post From one of our top historians, a groundbreaking story of policing and “riots” that shatters our understanding of the post–civil rights era. What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation’s streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors—and any attempt to understand our current crisis requires a reckoning with the recent past. Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton’s sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions—explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post–Jim Crow United States no longer holds. Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the “War on Crime,” sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California. The central lesson from these eruptions—that police violence invariably leads to community violence—continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation’s enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality. |
civil rights movement political cartoon: Th. Nast Albert Bigelow Paine, 1904 |
civil rights movement political cartoon: It's Life as I See it Dan Nadel, 2021-06-01 Originally published by Chicago's Black press, long neglected by mainstream publishing, and now included in a Museum of Contemporary Art Chicago exhibition, these comics showcase some of the finest Black cartoonists. Between the 1940s and 1980s, Chicago’s Black press—from The Chicago Defender to the Negro Digest to self-published pamphlets—was home to some of the best cartoonists in America. Kept out of the pages of white-owned newspapers, Black cartoonists found space to address the joys, the horrors, and the everyday realities of Black life in America. From Jay Jackson’s anti-racist time travel adventure serial Bungleton Green, to Morrie Turner’s radical mixed-race strip Dinky Fellas, to the Afrofuturist comics of Yaoundé Olu and Turtel Onli, to National Book Award–winning novelist Charles Johnson’s blistering and deeply funny gag cartoons, this is work that has for far too long been excluded and overlooked. Also featuring the work of Tom Floyd, Seitu Hayden, Jackie Ormes, and Grass Green, this anthology accompanies the Museum of Contemporary Art Chicago’s exhibition Chicago Comics: 1960 to Now, and is an essential addition to the history of American comics. The book's cover is designed by Kerry James Marshall. Published in conjunction with the Museum of Contemporary Art Chicago, on the occasion of Chicago Comics: 1960s to Now, June 19–October 3, 2021. Curated by Dan Nadel. |
civil rights movement political cartoon: The Matter of Black Lives Jelani Cobb, David Remnick, 2021-09-28 A collection of The New Yorker‘s groundbreaking writing on race in America—including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more—with a foreword by Jelani Cobb This anthology from the pages of the New Yorker provides a bold and complex portrait of Black life in America, told through stories of private triumphs and national tragedies, political vision and artistic inspiration. It reaches back across a century, with Rebecca West’s classic account of a 1947 lynching trial and James Baldwin’s “Letter from a Region in My Mind” (which later formed the basis of The Fire Next Time), and yet it also explores our current moment, from the classroom to the prison cell and the upheavals of what Jelani Cobb calls “the American Spring.” Bringing together reporting, profiles, memoir, and criticism from writers such as Chimamanda Ngozi Adichie, Elizabeth Alexander, Hilton Als, Vinson Cunningham, Henry Louis Gates, Jr., Malcolm Gladwell, Jamaica Kincaid, Kelefa Sanneh, Doreen St. Félix, and others, the collection offers startling insights about this country’s relationship with race. The Matter of Black Lives reveals the weight of a singular history, and challenges us to envision the future anew. |
civil rights movement political cartoon: Martin Luther King and the Montgomery Story Alfred Hassler, Benton Resnik, 2014 Now Top Shelf has teamed up with the Fellowship of Reconciliation to produce the first ever fully-authorized . . . edition[s] of this historic comic book, as a companion to the bestselling graphic novel March: Book One.--Publisher's website. |
civil rights movement political cartoon: Deogratias, A Tale of Rwanda J.P. Stassen, 2006-05-02 Deogratias is just a boy. Benina is just a girl. Teenagers just like teenagers everywhere. Only he is a Hutu, and she is a Tutsiso say their ID cards.We are in Rwanda in the days leading to a swift and gruesome genocide which the world will watch but do nothing to stop. In less than a hundred days, eight hundred thousand human beings will be hacked to death.Moment by moment, piece by piece, J.P. Stassen skillfully builds a masterpiece, an unforgettable tale that probes mans inhumanity to man. His eloquence, his storytelling power, and his sheer poetry elevate this harrowing story to the rank of a testimonial to one of the darkest chapters in recent human history.With great skill and understanding, Stassens Deogratias takes us back and forth in time, showing only before and after the killings and inexorably revealing the grip of madness and horror on one young boy and his country.Difficult, beautiful, honest, and heartbreaking, this is a masterwork by a major artist of our time. |
civil rights movement political cartoon: The Gilded Age Mark Twain, Charles Dudley Warner, 1904 |
civil rights movement political cartoon: Your Black Friend Ben Passmore, 2016 An open letter from your black friend to you about race, racism, friendship, and alienation--Back cover. |
civil rights movement political cartoon: Inner City Romance Guy Colwell, 2015-02-22 Guy Colwell’s 1970s underground comic book series Inner City Romance tread new territory: it was filled with stories about prison, black culture, ghetto life, the sex trade, and radical activism. It portrayed the unpleasant realities of life in the inner city, where opportunities were limited and being on the lowest end of the economic ladder meant that one’s vision of the American dream was more about survival than lifestyle choices. Every issue of Inner City Romance is included in this collection, as well as many of the highly detailed paintings Colwell created at the time. In an accompanying text piece, Colwell provides context for the material. |
civil rights movement political cartoon: Herblock Special Report Herbert Block, 1976-09 Now in trade paper--Herbert Block's hilarious memoir, with 250 of his greatest political cartoons, celebrating his 50th anniversary with The Washington Post. Eight page photo insert. |
civil rights movement political cartoon: Lillian Walker, Washington State Civil Rights Pioneer Lillian Allen Walker, John Charles Hughes, Washington (State). Office of the Secretary of State, 2010 |
civil rights movement political cartoon: Bloody Lowndes Hasan Kwame Jeffries, 2010-08-02 The treatment of eating disorders remains controversial, protracted, and often unsuccessful. Therapists face a number of impediments to the optimal care fo their patients, from transference to difficulties in dealing with the patient's family. Treating Eating Disorders addresses the pressure and responsibility faced by practicing therapists in the treatment of eating disorders. Legal, ethical, and interpersonal issues involving compulsory treatment, food refusal and forced feeding, managed care, treatment facilities, terminal care, and how the gender of the therapist affects treatment figure centrally in this invaluable navigational guide. |
civil rights movement political cartoon: V for Vendetta Book & Mask Set ALAN. MOORE, 2021-04-27 In a world without political freedom, personal freedom and precious little faith in anything comes a mysterious man in a white porcelain mask who fights political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil. The inspiration for the hit 2005 movie starring Natalie Portman and Hugo Weaving, this amazing graphic novel is packaged with a collectable reproduction of the iconic V mask. |
civil rights movement political cartoon: Picturing Political Power Allison K. Lange, 2021-09-27 For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward-- |
civil rights movement political cartoon: The Cartoon History of the Universe , 1980 |
civil rights movement political cartoon: Women's Suffrage Memorabilia Kenneth Florey, 2013-06-06 While historians have long recognized the importance of memorabilia to the Woman Suffrage movement, the subject has not been explored apart from a few restricted, albeit excellent, studies. Part of the problem is that such objects are scattered about in various collections and museums and can be difficult to access. Another is that most scholars do not have ready knowledge 1of the general nature and history of the type of objects (postcards, badges, sashes, toys, ceramics, sheet music, etc.) that suffragists produced. Then-new techniques in both printing and manufacturing created numerous possibilities for supporters to develop campaigns of visual rhetoric. This work analyzes 70 different categories of suffrage memorabilia, while providing numerous images of relevant objects along the way and discussing these innovative production methods. Most important, this study looks at period accounts, often fascinating, of how, why when, and where the memorabilia were used in both America and England. |
civil rights movement political cartoon: The Biglow Papers James Russell Lowell, 1866 |
civil rights movement political cartoon: Very Funny Ladies Liza Donnelly, 2022-03-01 It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine. |
civil rights movement political cartoon: Votes For Women Sandra Holton, Dr June Purvis, June Purvis, 2002-01-04 Votes for Women provides an innovative re-examination of the suffrage movement, presenting new perspectives which challenge the existing literature on this subject. This fascinating book charts the history of the movement in Britain from the nineteenth century to the postwar period, assessing important figures such as; * Emmeline Pankhurst and the militant wing * Millicent Garrett Fawcett, leader of the constitutional wing *Jennie Baines and her link with the international suffrage movements. |
civil rights movement political cartoon: Waging a Good War Thomas E. Ricks, 2022-10-04 #1 New York Times bestselling author and Pulitzer Prize winner Thomas E. Ricks offers a new take on the Civil Rights Movement, stressing its unexpected use of military strategy and its lessons for nonviolent resistance around the world. “Ricks does a tremendous job of putting the reader inside the hearts and souls of the young men and women who risked so much to change America . . . Riveting.” —Charles Kaiser, The Guardian In Waging a Good War, the bestselling author Thomas E. Ricks offers a fresh perspective on America’s greatest moral revolution—the civil rights movement of the 1950s and 1960s—and its legacy today. While the Movement has become synonymous with Martin Luther King, Jr.’s ethos of nonviolence, Ricks, a Pulitzer Prize–winning war reporter, draws on his deep knowledge of tactics and strategy to advance a surprising but revelatory idea: the greatest victories for Black Americans of the past century were won not by idealism alone, but by paying attention to recruiting, training, discipline, and organization—the hallmarks of any successful military campaign. An engaging storyteller, Ricks deftly narrates the Movement’s triumphs and defeats. He follows King and other key figures from Montgomery to Memphis, demonstrating that Gandhian nonviolence was a philosophy of active, not passive, resistance—involving the bold and sustained confrontation of the Movement’s adversaries, both on the ground and in the court of public opinion. While bringing legends such as Fannie Lou Hamer and John Lewis into new focus, Ricks also highlights lesser-known figures who played critical roles in fashioning nonviolence into an effective tool—the activists James Lawson, James Bevel, Diane Nash, and Septima Clark foremost among them. He also offers a new understanding of the Movement’s later difficulties as internal disputes and white backlash intensified. Rich with fresh interpretations of familiar events and overlooked aspects of America’s civil rights struggle, Waging a Good War is an indispensable addition to the literature of racial justice and social change—and one that offers vital lessons for our own time. |
civil rights movement political cartoon: Jackie Ormes Nancy Goldstein, 2008 In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . . ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector. |
civil rights movement political cartoon: Carry Me Home Diane McWhorter, 2001-06-29 Now with a new afterword, the Pulitzer Prize-winning dramatic account of the civil rights era’s climactic battle in Birmingham as the movement, led by Martin Luther King, Jr., brought down the institutions of segregation. The Year of Birmingham, 1963, was a cataclysmic turning point in America’s long civil rights struggle. Child demonstrators faced down police dogs and fire hoses in huge nonviolent marches against segregation. Ku Klux Klansmen retaliated by bombing the Sixteenth Street Baptist Church, killing four young black girls. Diane McWhorter, daughter of a prominent Birmingham family, weaves together police and FBI records, archival documents, interviews with black activists and Klansmen, and personal memories into an extraordinary narrative of the personalities and events that brought about America’s second emancipation. In a new afterword—reporting last encounters with hero Reverend Fred Shuttlesworth and describing the current drastic anti-immigration laws in Alabama—the author demonstrates that Alabama remains a civil rights crucible. |
civil rights movement political cartoon: Debating the Civil Rights Movement, 1945-1968 Steven F. Lawson, Charles M. Payne, 2006 No other book about the civil rights movement captures the drama and impact of the black struggle for equality better than Debating the Civil Rights Movement, 1945-1968. Two of the most respected scholars of African-American history, Steven F. Lawson and Charles M. Payne, examine the individuals who made the movement a success, both at the highest level of government and in the grassroots trenches. Designed specifically for college and university courses in American history, this is the best introduction available to the glory and agony of these turbulent times. Carefully chosen primary documents augment each essay giving students the opportunity to interpret the historical record themselves and engage in meaningful discussion. In this revised and updated edition, Lawson and Payne have included additional analysis on the legacy of Martin Luther King and added important new documents. |
civil rights movement political cartoon: Graphic Memories of the Civil Rights Movement Jorge Santos, 2019-06-25 A study of five graphic novels or memoirs that have reshaped the narrative of civil rights in America--and an examination of the format's power to allow readers to participate in the memory-making process. |
civil rights movement political cartoon: American Government 3e Glen Krutz, Sylvie Waskiewicz, 2023-05-12 Black & white print. American Government 3e aligns with the topics and objectives of many government courses. Faculty involved in the project have endeavored to make government workings, issues, debates, and impacts meaningful and memorable to students while maintaining the conceptual coverage and rigor inherent in the subject. With this objective in mind, the content of this textbook has been developed and arranged to provide a logical progression from the fundamental principles of institutional design at the founding, to avenues of political participation, to thorough coverage of the political structures that constitute American government. The book builds upon what students have already learned and emphasizes connections between topics as well as between theory and applications. The goal of each section is to enable students not just to recognize concepts, but to work with them in ways that will be useful in later courses, future careers, and as engaged citizens. In order to help students understand the ways that government, society, and individuals interconnect, the revision includes more examples and details regarding the lived experiences of diverse groups and communities within the United States. The authors and reviewers sought to strike a balance between confronting the negative and harmful elements of American government, history, and current events, while demonstrating progress in overcoming them. In doing so, the approach seeks to provide instructors with ample opportunities to open discussions, extend and update concepts, and drive deeper engagement. |
civil rights movement political cartoon: Racism in American Popular Media Brian D. Behnken, Gregory D. Smithers, 2015-03-24 This book examines how the media—including advertising, motion pictures, cartoons, and popular fiction—has used racist images and stereotypes as marketing tools that malign and debase African Americans, Latinos, American Indians, and Asian Americans in the United States. Were there damaging racist depictions in Gone with the Wind and children's cartoons such as Tom and Jerry and Mickey Mouse? How did widely known stereotypes of the Latin lover, the lazy Latino, the noble savage and the violent warrior American Indian, and the Asian as either a martial artist or immoral and tricky come about? This book utilizes an ethnic and racial comparative approach to examine the racism evidenced in multiple forms of popular media, enabling readers to apply their critical thinking skills to compare and analyze stereotypes, grasp the often-subtle sources of racism in the everyday world around us, and understand how racism in the media was used to unite white Americans and exclude ethnic people from the body politic of the United States. Authors Brian D. Behnken and Gregory D. Smithers examine the popular media from the late 19th century through the 20th century to the early 21st century. This broad coverage enables readers to see how depictions of people of color, such as Aunt Jemima, have been consistently stereotyped back to the 1880s and to grasp how those depictions have changed over time. The book's chapters explore racism in the popular fiction, advertising, motion pictures, and cartoons of the United States, and examine the multiple groups affected by this racism, including African Americans, Latino/as, Asian Americans, and American Indians. Attention is also paid to the efforts of minorities—particularly civil rights activists—in challenging and combating racism in the popular media. |
civil rights movement political cartoon: The World Encyclopedia of Cartoons Maurice Horn, 1999 Surveys on an international scale the entire cartoon field: caricature, editorial and political cartoons, sports cartoons, syndicated panels and animated cartoons. |
LAMPOONING INJUSTICE- PAUL CONRAD’S PERSPECTIVE ON …
This lesson explores some aspects of the civil rights movement through an analysis of several cartoons drawn for the Los Angeles Times during this pivotal period in United States History. It …
Civil Rights Movement Political Cartoon Full PDF
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
The Liberty Bell as a Symbol for the Civil Rights Era - U.S.
You may need to discuss or do a mini-lesson about how to read a political cartoon. * Refer to * Refer to Suffrage Lesson for Grades 6-12 for instruction on cartoon analysis.
Brown v. Board of Education - Wisconsin Historical Society
Students learn about the pivotal 1954 Brown v. Board of Education case by watching a PBS video, reading excerpts from the decision, and analyzing a political cartoon. They debate the …
Civil Rights Political Cartoon Copy
Civil Rights Political Cartoon Bill Sanders Civil Rights Mary E. Williams,2002 Fulfills some or all of the high school national curriculum standards for social studies
PAUL CONRAD’S PERSPECTIVE ON CIVIL RIGHTS
This lesson explores some aspects of the civil rights movement through an analysis of several cartoons drawn for the Los Angeles Times during this pivotal period in United States History.
A Voice from the Middle: The Civil Rights Cartoons of Clifford …
This cartoon from early 1964 reflects Georgia blacks' frustration that despite their efforts, federal voting rights legislation was still not a real-ity. It would come later that year with the Civil Rights …
Humor and Activism: Using Political Cartoons to Explore the …
Working with an art teacher, students will create a political cartoon that addresses either an historical or current political event or issue. Each student must provide a 50-100 word caption
Civil Rights Movement Political Cartoon [PDF]
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
Neutrality or Engagement? - Wisconsin Historical Society
Students analyze a political cartoon and a diary entry that highlight the risks taken by civil rights workers in the 1960s. They imagine themselves in similar situations and consider conflicting …
United States History and Government Regents Exam
Which reform movement is most closely associated with William Lloyd Garrison, Frederick Douglass, and Harriet Beecher Stowe? Base your answers to questions 11 and 12 on the …
Political Cartoons From The Reconstruction Era
Cartoon made many political statements through his political cartoons many of which appeared in Harper s Weekly This book includes annotated abridged illustrated versions of these and other …
Summer Institute Lesson Plan - Ohio State University
Summary: Students will be utilizing primary sources in the form of editorial cartoons and photographs from the Civil Rights Movement in order to understand the events of the time …
Civil Rights Movement Political Cartoon - archive.ncarb.org
How do I edit a Civil Rights Movement Political Cartoon PDF? Editing a PDF can be done with software like Adobe Acrobat, which allows direct editing of text, images, and other elements …
Civil Rights Movement Political Cartoon (Download Only)
information on each cartoon to help dispel the historical mysteries Berryman s cartoons were originally published as illustrations for the front page of theWashington Post and the …
6 Political Impacts of Reconstruction Primary Source Analysis …
The title of this cartoon is referring to how Andrew Johnson is doing his best to prevent Reconstruction efforts from happening while being lenient towards the South and ignoring the …
Civil Rights Movement Political Cartoon (Download Only)
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
Handout 1 - The Civil Rights Movement as Turning Point: A …
Question: Evaluate the extent to which the Civil Rights Movement marked a turning point in United States history. In your response, consider the impact of the movement politically, culturally and …
Civil Rights Movement Political Cartoon (Download Only)
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
1. Creator: Henry Block Title: “Hung Jury” Publication: …
Description: Despite great strides in Civil Rights during the mid-twentieth century, racism was still a social issue in the United States. In this cartoon, a woman and her daughter are seated on …
LAMPOONING INJUSTICE- PAUL CONRAD’S PERSPECTIVE ON …
This lesson explores some aspects of the civil rights movement through an analysis of several cartoons drawn for the Los Angeles Times during this pivotal period in United States History. It …
Civil Rights Movement Political Cartoon Full PDF
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
The Liberty Bell as a Symbol for the Civil Rights Era - U.S.
You may need to discuss or do a mini-lesson about how to read a political cartoon. * Refer to * Refer to Suffrage Lesson for Grades 6-12 for instruction on cartoon analysis.
Brown v. Board of Education - Wisconsin Historical Society
Students learn about the pivotal 1954 Brown v. Board of Education case by watching a PBS video, reading excerpts from the decision, and analyzing a political cartoon. They debate the …
Civil Rights Political Cartoon Copy
Civil Rights Political Cartoon Bill Sanders Civil Rights Mary E. Williams,2002 Fulfills some or all of the high school national curriculum standards for social studies
PAUL CONRAD’S PERSPECTIVE ON CIVIL RIGHTS
This lesson explores some aspects of the civil rights movement through an analysis of several cartoons drawn for the Los Angeles Times during this pivotal period in United States History.
A Voice from the Middle: The Civil Rights Cartoons of Clifford …
This cartoon from early 1964 reflects Georgia blacks' frustration that despite their efforts, federal voting rights legislation was still not a real-ity. It would come later that year with the Civil Rights …
Humor and Activism: Using Political Cartoons to Explore the …
Working with an art teacher, students will create a political cartoon that addresses either an historical or current political event or issue. Each student must provide a 50-100 word caption
Civil Rights Movement Political Cartoon [PDF]
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
Neutrality or Engagement? - Wisconsin Historical Society
Students analyze a political cartoon and a diary entry that highlight the risks taken by civil rights workers in the 1960s. They imagine themselves in similar situations and consider conflicting …
United States History and Government Regents Exam
Which reform movement is most closely associated with William Lloyd Garrison, Frederick Douglass, and Harriet Beecher Stowe? Base your answers to questions 11 and 12 on the …
Political Cartoons From The Reconstruction Era
Cartoon made many political statements through his political cartoons many of which appeared in Harper s Weekly This book includes annotated abridged illustrated versions of these and other …
Summer Institute Lesson Plan - Ohio State University
Summary: Students will be utilizing primary sources in the form of editorial cartoons and photographs from the Civil Rights Movement in order to understand the events of the time …
Civil Rights Movement Political Cartoon - archive.ncarb.org
How do I edit a Civil Rights Movement Political Cartoon PDF? Editing a PDF can be done with software like Adobe Acrobat, which allows direct editing of text, images, and other elements …
Civil Rights Movement Political Cartoon (Download Only)
information on each cartoon to help dispel the historical mysteries Berryman s cartoons were originally published as illustrations for the front page of theWashington Post and the …
6 Political Impacts of Reconstruction Primary Source Analysis …
The title of this cartoon is referring to how Andrew Johnson is doing his best to prevent Reconstruction efforts from happening while being lenient towards the South and ignoring the …
Civil Rights Movement Political Cartoon (Download Only)
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …
Handout 1 - The Civil Rights Movement as Turning Point: A …
Question: Evaluate the extent to which the Civil Rights Movement marked a turning point in United States history. In your response, consider the impact of the movement politically, culturally and …
Civil Rights Movement Political Cartoon (Download Only)
that invite students to explore American history from the early years of World War II to the civil rights movement Includes worksheets as well as historical and contextual information about …