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| civil war political cartoon: Lines of Contention J. G. Lewin, P.J. Huff, 2007-11-13 The political turmoil of the Civil War Era has been analyzed many times, but one area of this period's history is often overlooked: a large body of humorous, clever, and scathing editorial cartoons from publications such as Harper's Weekly, Vanity Fair, Punch, and Leslie's Illustrated. In Lines of Contention, the best of these cartoons has finally been collected into one place to illuminate the social, political, and cultural climate of Civil War—Era America. The cartoons have been pulled from both sides of the fence and provide insight into the incidents and opinions surrounding the war as well as the mind-sets and actions of all the major figures. Lines of Contention presents a unique history of the Civil War and its participants. |
| civil war political cartoon: The Lines are Drawn Kristen M. Smith, 1999 Collects a wide range of cartoons, comics, and caricatures related to the Civil War. Consists of Northern, Southern, and overseas social commentary critical to an enhanced understanding of this dark episode in American history. |
| civil war political cartoon: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
| civil war political cartoon: The National Joker Todd Nathan Thompson, 2015-07-08 Index -- About the Author -- Back Cover |
| civil war political cartoon: Compendium of the Impending Crisis of the South Hinton Rowan Helper, 1859 |
| civil war political cartoon: Thomas Nast John Chalmers Vinson, 2014 Included in this book are more than 150 examples of Nast's work which, together with the author's commentary, recreate the life and pattern of artistic development of the man who made the political cartoon a respected and powerful journalistic form. |
| civil war political cartoon: Civil Liberties and War Andrea C. Nakaya, 2006 Discussion of political cartoons and their reliance on and observation of the state of civil liberties throughout American history. |
| civil war political cartoon: Civil War Humor Cameron C. Nickels, 2011-02-03 In Civil War Humor, author Cameron C. Nickels examines the various forms of comedic popular artifacts produced in America from 1861 to 1865, and looks at how wartime humor was created, disseminated, and received by both sides of the conflict. Song lyrics, newspaper columns, sheet music covers, illustrations, political cartoons, fiction, light verse, paper dolls, printed envelopes, and penny dreadfuls—from and for the Union and the Confederacy—are analyzed at length. Nickels argues that the war coincided with the rise of inexpensive mass printing in the United States and thus subsequently with the rise of the country's widely distributed popular culture. As such, the war was as much a “paper war”—involving the use of publications to disseminate propaganda and ideas about the Union and the Confederacy's positions—as one taking place on battlefields. Humor was a key element on both sides in deflating pretensions and establishing political stances (and ways of critiquing them). Civil War Humor explores how the combatants portrayed Jefferson Davis and Abraham Lincoln, life on the home front, battles, and African Americans. Civil War Humor reproduces over sixty illustrations and texts created during the war and provides close readings of these materials. At the same time, it places this corpus of comedy in the context of wartime history, economies, and tactics. This comprehensive overview examines humor's role in shaping and reflecting the cultural imagination of the nation during its most tumultuous period. |
| civil war political cartoon: Seeking a Voice David B. Sachsman, S. Kittrell Rushing, Roy Morris (Jr.), Roy Morris, 2009 This volume chronicles the media's role in reshaping American life during the tumultuous nineteenth century by focusing specifically on the presentation of race and gender in the newspapers and magazines of the time. The work is divided into four parts: Part I, Race Reporting, details the various ways in which America's racial minorities were portrayed; Part II, Fires of Discontent, looks at the moral and religious opposition to slavery by the abolitionist movement and demonstrates how that opposition was echoed by African Americans themselves; Part III, The Cult of True Womanhood, examines the often disparate ways in which American women were portrayed in the national media as they assumed a greater role in public and private life; and Part IV, Transcending the Boundaries, traces the lives of pioneering women journalists who sought to alter and expand their gender's participation in American life, showing how the changing role of women led to various journalistic attempts to depict and define women through sensationalistic news coverage of female crime stories. |
| civil war political cartoon: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| civil war political cartoon: Political Cartoons of the American Civil War Robert G. Schultz, 2010-09-01 |
| civil war political cartoon: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| civil war political cartoon: Bleeding Kansas, Bleeding Missouri Jonathan Halperin Earle, Diane Mutti Burke, 2013 This multi-faceted study gives readers a more nuanced and comprehensive understanding of the violence that erupted--long before the first shot was fired at Fort Sumter--along the Missouri-Kansas border by blending the political and military with the social and intellectual history of the populace. The fifteen essays together explain why the divisiveness was so bitter and persisted so long, still influencing attitudes 150 years later-- |
| civil war political cartoon: Searching for Freedom After the Civil War G. Ward Hubbs, 2015-05-15 Examines the life stories and perspectives about freedom in relation to the figures depicted in an infamous Reconstruction-era political cartoon |
| civil war political cartoon: Dr. Seuss Goes to War Richard H. Minear, 2013-09-10 “A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel |
| civil war political cartoon: The Declaration of Independence Illustrated Thomas Jefferson, 2021-01-13 The United States Declaration of Independence (formally The unanimous Declaration of the thirteen united States of America) is the pronouncement adopted by the Second Continental Congress meeting in Philadelphia, Pennsylvania, on July 4, 1776 |
| civil war political cartoon: Contraband Christmas Nathaniel William Taylor Root, 1864 |
| civil war political cartoon: Doomed by Cartoon John Adler, Draper Hill, 2008-08-01 This volume is a collection of political cartoons by Thomas Nast that brought Boss Tweed to justice. The legendary Boss Tweed effectively controlled New York City from after the Civil War until his downfall in November 1871. A huge man, he and his Ring of Thieves appeared to be invincible as they stole an estimated $2 billion in today's dollars. In addition to the New York City and state governments, the Tweed Ring controlled the press except for Harper's Weekly. Short and slight Thomas Nast was the most dominant American political cartoonist of all time; using his pen as his sling in Harper's Weekly, he attacked Tweed almost single-handily, before The New-York Times joined the battle in 1870. The author focuses on the circumstances and events as Thomas Nast visualized them in his 160-plus cartoons, almost like a serialized but intermittent comic book covering 1866 through 1878. |
| civil war political cartoon: Abraham Lincoln Ginger Turner, Saral Tiwari, 2004-02 Graphic novel on the Presidency and the life of Abraham Lincoln |
| civil war political cartoon: Lincoln and the Power of the Press Harold Holzer, 2014-10-14 Examines Abraham Lincoln's relationship with the press, arguing that he used such intimidation and manipulation techniques as closing down dissenting newspapers, pampering favoring newspaper men, and physically moving official telegraph lines. |
| civil war political cartoon: Th. Nast Albert Bigelow Paine, 1904 |
| civil war political cartoon: Battle Lines Jonathan Fetter-Vorm, Ari Kelman, 2022-01-25 Featuring breathtaking panoramas and revelatory, unforgettable images, Battle Lines is an utterly original graphic history of the Civil War. A collaboration between the award-winning historian Ari Kelman and the acclaimed graphic novelist Jonathan Fetter-Vorm, Battle Lines showcases various objects from the conflict (a tattered American flag from Fort Sumter, a pair of opera glasses, a bullet, an inkwell, and more), along with a cast of soldiers, farmers, slaves, and well-known figures, to trace an ambitious narrative that extends from the early rumblings of secession to the dark years of Reconstruction. Employing a bold graphic form to illuminate the complex history of this period, Kelman and Fetter-Vorm take the reader from the barren farms of the home front all the way to the front lines of an infantry charge. A daring presentation of the war that nearly tore America apart, Battle Lines is a monumental achievement. |
| civil war political cartoon: Drawing Fire: The Editorial Cartoons of Bill Mauldin Todd Depastino, 2020-09 The first career-spanning volume of the work of two-time Pulitzer Prize winning cartoonist Bill Mauldin, featuring comic art from World War II, Korea, Vietnam and Operation Desert Storm, along with a half-century of graphic commentary on civil rights, free speech, the Cold War, and other issues. Army sergeant William Henry Bill Mauldin shot to fame during World War II with his grim and gritty Willie & Joe cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin's second and even third acts as one of America's premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, D.C.; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago's Pritzker Military Museum & Library.Edited by Mauldin's biographer, Todd DePastino, and featuring 150 images, Drawing Fire: The Editorial Cartoons of Bill Mauldin includes illuminating essays exploring all facets of Mauldin's career by Tom Brokaw, Cord A. Scott, G. Kurt Piehler, and Christina Knopf. |
| civil war political cartoon: Drawing the Line Marian Quartly, Richard Scully, 2009 Drawing the Line: Using Cartoons as Historical Evidence brings together essays from international scholars working with cartoons in their research and teaching. It is a showcase for some of the best recent scholarship in this field, with articles exploring racial and ethnic stereotypes, as well as representations of youth, gender and class across a number of key historical epochs. Cartoons are among the most vivid and familiar images of past politics and opinion, but tend to be used merely as 'illustrations' for historical works. Drawing the Line, however, provides a comprehensive introduction to the study of cartoons as sources in their own right. The British Regency Crisis, post-Civil War US politics, Anglo-Iraqi interaction in the Second World War, and Yugoslav Communist propaganda are just some of the themes through which the effective use of cartoons in historical writing is explored. Readers will also find guidance and suggestions for further research on cartoons in the extensive introductory and concluding sections. The book includes more than one hundred examples of the most brilliant cartoon art of the past, from eighteenth-century satirical prints, to the formalised satire of Punch, to the new and ever-evolving medium of webcomics. It will be an essential resource for students and teachers wanting to explore visual representations of the past, and will appeal to all readers interested in innovative ways of writing history. |
| civil war political cartoon: Honestly Abe Charles L. Brame, 2000 Honestly Abe is a unique biography of Abraham Lincoln presented in a new genre of political cartooning that is, cartoons drawn in the present about past events. Each page has a 21st century cartoon about an incident or comment of Abe's with a brief supplementary statement to assist the reader in getting the point. It is a painless, enjoyable way for adults, children, scholars, and amateurs to become familiar with Lincoln and his times. Lincoln has never been presented in this manner before. The first edition of Honestly Abe won the Benjamin Franklin biography in Canada and the United States for 1999. It is Old Abe in cartoons for all. -- Amazon.com. |
| civil war political cartoon: The Forbidden Book Enrique de la Cruz, Abe Ignacio, Jorge Emmanuel, Helen Toribio, 2014 Art. Asian & Asian American Studies. Filipino American Studies. Co-authored by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel, and Helen Toribio. THE FORBIDDEN BOOK uses over 200 political cartoons from 1898 to 1906 to chronicle a little known war between the United States and the Philippines. The war saw the deployment of 126,000 U.S. troops, lasted more than 15 years and killed hundreds of thousands of Filipinos beginning in February 1899. The book's title comes from a 1900 Chicago Chronicle cartoon of the same name showing then-President William McKinley putting a lock on a book titled True History of the War in the Philippines. Today, very few Americans know about the brutal suppression of Philippine independence or the anti-war movement led at that time by the likes of writer Mark Twain, peace activist Jane Addams, journalist Joseph Pulitzer, steel magnate Andrew Carnegie, labor leader Samuel Gompers, and Moorfield Storey, first president of the NAACP. The book reveals how the public was misled in the days leading to the war, shows illustrations of U.S. soldiers using the infamous water cure torture (today referred to as waterboarding), and describes a highly publicized court martial of soldiers who had killed prisoners of war. The election of 1900 pitted a pro-war Republican president against an anti-war Democratic candidate. In 1902, the Republican president declared a premature mission accomplished as the war was beginning to expand to the southern Philippines. The book shows political cartoons glorifying manifest destiny, demonizing the leader of the Filipino resistance President Emilio Aguinaldo, and portraying Filipinos, Puerto Ricans, Cubans, Hawaiians, Chamorros, and other colonials as dark-skinned savages in need of civilization. These images were used to justify a war at a time when three African Americans on average were lynched every week across the south and when the Supreme Court approved the separate but equal doctrine. More than a century later, the U.S.- Philippine War remains hidden from the vast majority of Americans. The late historian Howard Zinn noted, THE FORBIDDEN BOOK brings that shameful episode in our history out in the open... The book deserves wide circulation. |
| civil war political cartoon: Why Are We Still Married? Darrin Bell, 2017-12-18 The year 2016 in political cartoons by Darrin Bell of the Washington Post Writers Group, winner of the 2015 Robert F. Kennedy Journalism Award for Editorial Cartooning, and the 2016 Berryman Award. This was the year the country became more polarized than at any point since the Civil War. This was the year when fear defeated hope. But the election of Donald Trump was only a symptom. When police shot unarmed black men, half of us saw one thing, half of us saw another. When mass shootings struck yet again, half of us felt the other half's response was reprehensible. The two sides can't even agree on what facts are anymore. At what point, if any, is it ok to ask whether this relationship has run its course? Will it ever be ok to ask Why are we still married? These stunningly-drawn, full color cartoons are thoughtful and evocative. As Amy Lago of the Washington Post Writers Group put it, Bell deftly takes on the pressing social issues of the day, from gay rights, to rape victims who are not believed, to children flooding into the United States, hoping for a brighter future. Contains cartoons from Grab Them By the Pussy: the 2016 Election in Cartoons, and dozens of other cartoons (because contrary to popular belief, plenty of other things happened in 2016). |
| civil war political cartoon: Make Good the Promises Kinshasha Holman Conwill, Paul Gardullo, 2021-09-14 The companion volume to the Smithsonian’s National Museum of African American History and Culture exhibit, opening in September 2021 With a Foreword by Pulitzer Prize-winning author and historian Eric Foner and a preface by veteran museum director and historian Spencer Crew An incisive and illuminating analysis of the enduring legacy of the post-Civil War period known as Reconstruction—a comprehensive story of Black Americans’ struggle for human rights and dignity and the failure of the nation to fulfill its promises of freedom, citizenship, and justice. In the aftermath of the Civil War, millions of free and newly freed African Americans were determined to define themselves as equal citizens in a country without slavery—to own land, build secure families, and educate themselves and their children. Seeking to secure safety and justice, they successfully campaigned for civil and political rights, including the right to vote. Across an expanding America, Black politicians were elected to all levels of government, from city halls to state capitals to Washington, DC. But those gains were short-lived. By the mid-1870s, the federal government stopped enforcing civil rights laws, allowing white supremacists to use suppression and violence to regain power in the Southern states. Black men, women, and children suffered racial terror, segregation, and discrimination that confined them to second-class citizenship, a system known as Jim Crow that endured for decades. More than a century has passed since the revolutionary political, social, and economic movement known as Reconstruction, yet its profound consequences reverberate in our lives today. Make Good the Promises explores five distinct yet intertwined legacies of Reconstruction—Liberation, Violence, Repair, Place, and Belief—to reveal their lasting impact on modern society. It is the story of Frederick Douglass, Frances Ellen Watkins Harper, Hiram Revels, Ida B. Wells, and scores of other Black men and women who reshaped a nation—and of the persistence of white supremacy and the perpetuation of the injustices of slavery continued by other means and codified in state and federal laws. With contributions by leading scholars, and illustrated with 80 images from the exhibition, Make Good the Promises shows how Black Lives Matter, #SayHerName, antiracism, and other current movements for repair find inspiration from the lessons of Reconstruction. It touches on questions critical then and now: What is the meaning of freedom and equality? What does it mean to be an American? Powerful and eye-opening, it is a reminder that history is far from past; it lives within each of us and shapes our world and who we are. |
| civil war political cartoon: War on the Waters James M. McPherson, 2012-09-17 Although previously undervalued for their strategic impact because they represented only a small percentage of total forces, the Union and Confederate navies were crucial to the outcome of the Civil War. In War on the Waters, James M. McPherson has crafted an enlightening, at times harrowing, and ultimately thrilling account of the war's naval campaigns and their military leaders. McPherson recounts how the Union navy's blockade of the Confederate coast, leaky as a sieve in the war's early months, became increasingly effective as it choked off vital imports and exports. Meanwhile, the Confederate navy, dwarfed by its giant adversary, demonstrated daring and military innovation. Commerce raiders sank Union ships and drove the American merchant marine from the high seas. Southern ironclads sent several Union warships to the bottom, naval mines sank many more, and the Confederates deployed the world's first submarine to sink an enemy vessel. But in the end, it was the Union navy that won some of the war's most important strategic victories--as an essential partner to the army on the ground at Fort Donelson, Vicksburg, Port Hudson, Mobile Bay, and Fort Fisher, and all by itself at Port Royal, Fort Henry, New Orleans, and Memphis. |
| civil war political cartoon: Thomas Nast Cartoons [Classic Anthology] Thomas Nast, 2010-03-14 Thomas Nast Cartoons [Classic Anthology] is an illustrated collection of American caricaturist and satirist Thomas Nast's cartoons and illustrations from newspapers and magazines. |
| civil war political cartoon: Thomas Nast Lynda Pflueger, 2000 Traces the life of the German immigrant whos artistic talent helped him become a popular and influential political cartoonist. |
| civil war political cartoon: The Gilded Age Mark Twain, Charles Dudley Warner, 1904 |
| civil war political cartoon: Rum, Romanism, and Rebellion Mark Wahlgren Summers, 2003-08-15 The presidential election of 1884, in which Grover Cleveland ended the Democrats' twenty-four-year presidential drought by defeating Republican challenger James G. Blaine, was one of the gaudiest in American history, remembered today less for its political significance than for the mudslinging and slander that characterized the campaign. But a closer look at the infamous election reveals far more complexity than previous stereotypes allowed, argues Mark Summers. Behind all the mud and malarkey, he says, lay a world of issues and consequences. Summers suggests that both Democrats and Republicans sensed a political system breaking apart, or perhaps a new political order forming, as voters began to drift away from voting by party affiliation toward voting according to a candidate's stand on specific issues. Mudslinging, then, was done not for public entertainment but to tear away or confirm votes that seemed in doubt. Uncovering the issues that really powered the election and stripping away the myths that still surround it, Summers uses the election of 1884 to challenge many of our preconceptions about Gilded Age politics. |
| civil war political cartoon: Robinson Crusoe's Money, Or, The Remarkable Financial Fortunes and Misfortunes of a Remote Island Community David Ames Wells, 1876 |
| civil war political cartoon: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
| civil war political cartoon: The Biglow Papers James Russell Lowell, 1866 |
| civil war political cartoon: V for Vendetta Book & Mask Set ALAN. MOORE, 2021-04-27 In a world without political freedom, personal freedom and precious little faith in anything comes a mysterious man in a white porcelain mask who fights political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil. The inspiration for the hit 2005 movie starring Natalie Portman and Hugo Weaving, this amazing graphic novel is packaged with a collectable reproduction of the iconic V mask. |
| civil war political cartoon: The Civil War Begins , Although over one hundred fifty years have passed since the start of the American Civil War, that titanic conflict continues to matter. The forces unleashed by that war were immensely destructive because of the significant issues involved: the existence of the Union, the end of slavery, and the very future of the nation. The war remains our most contentious, and our bloodiest, with over six hundred thousand killed in the course of the four-year struggle. Most civil wars do not spring up overnight, and the American Civil War was no exception. The seeds of the conflict were sown in the earliest days of the republic’s founding, primarily over the existence of slavery and the slave trade. Although no conflict can begin without the conscious decisions of those engaged in the debates at that moment, in the end, there was simply no way to paper over the division of the country into two camps: one that was dominated by slavery and the other that sought first to limit its spread and then to abolish it. Our nation was indeed “half slave and half free,” and that could not stand. Regardless of the factors tearing the nation asunder, the soldiers on each side of the struggle went to war for personal reasons: looking for adventure, being caught up in the passions and emotions of their peers, believing in the Union, favoring states’ rights, or even justifying the simple schoolyard dynamic of being convinced that they were “worth” three of the soldiers on the other side. Nor can we overlook the factor that some went to war to prove their manhood. This has been, and continues to be, a key dynamic in understanding combat and the profession of arms. Soldiers join for many reasons but often stay in the fight because of their comrades and because they do not want to seem like cowards. Whatever the reasons, the struggle was long and costly and only culminated with the conquest of the rebellious Confederacy, the preservation of the Union, and the end of slavery. These campaign pamphlets on the American Civil War, prepared in commemoration of our national sacrifices, seek to remember that war and honor those in the United States Army who died to preserve the Union and free the slaves as well as to tell the story of those American soldiers who fought for the Confederacy despite the inherently flawed nature of their cause. The Civil War was our greatest struggle and continues to deserve our deep study and contemplation. |
| civil war political cartoon: The War for the Common Soldier Peter S. Carmichael, 2018-11-02 How did Civil War soldiers endure the brutal and unpredictable existence of army life during the conflict? This question is at the heart of Peter S. Carmichael's sweeping new study of men at war. Based on close examination of the letters and records left behind by individual soldiers from both the North and the South, Carmichael explores the totality of the Civil War experience--the marching, the fighting, the boredom, the idealism, the exhaustion, the punishments, and the frustrations of being away from families who often faced their own dire circumstances. Carmichael focuses not on what soldiers thought but rather how they thought. In doing so, he reveals how, to the shock of most men, well-established notions of duty or disobedience, morality or immorality, loyalty or disloyalty, and bravery or cowardice were blurred by war. Digging deeply into his soldiers' writing, Carmichael resists the idea that there was a common soldier but looks into their own words to find common threads in soldiers' experiences and ways of understanding what was happening around them. In the end, he argues that a pragmatic philosophy of soldiering emerged, guiding members of the rank and file as they struggled to live with the contradictory elements of their violent and volatile world. Soldiering in the Civil War, as Carmichael argues, was never a state of being but a process of becoming. |
| civil war political cartoon: Blue & Gray in Black & White Brayton Harris, 1999 Blue & Gray in Black & White is account of the techniques, tactics, and personalities of the news-gathering industry during the American Civil War. This cataclysmic event accelerated the transformation of the content of newspapers from pallid literature and opinion to robust, partisan reporting of vital events, real and imagined. The written record, however, is only part of the story. Much of the impact of Civil War journalism derives from its illustrations, and twenty-two examples of these are reproduced here. Harris also follows the war's most famous artists, including Winslow Homer, as they and their reporter brethren braved the dangers of the battlefield to capture some of our most memorable images of war. |
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知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
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I want to confine my talk to the latest developments in civil engineering. Today, I am going to give a talk on the application of computers in medicine. My topic today will deal with the …
什么是 BIM，它的具体作用是什么？ - 知乎
举例来说，土方工程使用civil 3d就是具体部分，使用revit来建立整栋大楼的三维模型等就是单体建筑；CIM（关于CIM现在有两种说法，一种是City Intelligent Model，城市智慧模型，这种说法 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
如何评价期刊nature water? - 知乎
We publish in the natural sciences (primarily Earth and environmental science), in engineering (including …
在一所大学里面 faculty, department, school 之间是什 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和 …
知乎 - 有问题，就会有答案
知乎是一个问答社区，用户可以在这里提出问题并获得答案。
参考文献为外文文献时应该采用什么格式啊? - 知乎
Winfield,Richard Dien.Law in Civil Society.Madison:U of Wisconsin P,1995. CMS格式. CMS格式，又叫芝加哥论文格 …
