| classics of british literature: Sense and Sensibility Jane Austen, 1864 |
| classics of british literature: Classics of British Literature Teaching Company, 2008-01-01 |
| classics of british literature: A Little History of Literature John Sutherland, 2013-11-05 From The Epic of Gilgamesh to Harry Potter, this rollicking romp through the world of literature reveals how writings from all over the world can transport us and help us to make sense of what it means to be human. |
| classics of british literature: Women Who Wrote Louisa May Alcott, Jane Austen, Charlotte Bronte, Emily Bronte, Gertrude Stein, Phillis Wheatley, 2020-06-09 Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names—Austen and Alcott, Brontë and Browning, Wheatley and Woolf—though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world. The perfect keepsake gift for the reader in your life Anthology of stories and poems Book length: approximately 90,000 words |
| classics of british literature: British Literature Hazelton Spencer, 1963 |
| classics of british literature: Skills for Literary Analysis (Teacher) James P. Stobaugh, 2013-08-01 The Teacher Guide for Skills for Literary Analysis: Lessons in Assessing Writing Structures. |
| classics of british literature: Mary Barton Elizabeth Gaskell, 1849 |
| classics of british literature: British Literature PLC Editors Staff, Perfection Learning (Firm), 2002 An exciting new British literature anthology with a focus on critical thinking |
| classics of british literature: The Human Body Anthony A. Goodman, 2007 Dr. Anthony Goodman presents a systematic survey of what can go wrong in the human body, why it goes wrong and how the body itself responds, as well as what doctors can do to intervene. |
| classics of british literature: British Literature and Culture in Second World Wartime Beryl Pong, 2020-05-14 British Literature and Culture in Second World Wartime excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. As a wartime between, but distinct from, those of the First World War and the Cold War, Second World wartime involves an anxiety that is both repetition and imaginary: both a dread of past violence unleashed anew, and that of a future violence still ungraspable. Identifying a constellation of temporalities and affects under three tropes—time capsules, time zones, and ruins—this volume contends that Second World wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It offers a synoptic, wide-ranging look at writers on the home front, including Henry Green, Elizabeth Bowen, Virginia Woolf, and Rose Macaulay, through a variety of genres, such as life-writing, the novel, and the short story. It also considers an array of cultural and archival material from photographers such as Cecil Beaton, filmmakers such as Charles Crichton, and artists such as John Minton. It shows how figures harnessed or exploited their media's temporal properties to formally register the distinctiveness of this wartime through a complex feedback between anticipation and retrospection, oftentimes fashioning the war as a memory, even while it was taking place. While offering a strong foundation for new readers of the mid-century, the book's overall theoretical focus on chronophobia will be an important intervention for those already working in the field. |
| classics of british literature: In Youth Is Pleasure Denton Welch, 2014-09-17 First published in 1945, In Youth Is Pleasure recounts a summer in the life of 15-year-old Orvil Pym, who is holidaying with his father and brothers in a Kentish hotel, with little to do but explore the countryside and surrounding area. 'I don't understand what to do, how to live': so says the 15-year-old Orvil - who, as a boy who glories and suffers in the agonies of adolescence, dissecting the teenage years with an acuity, stands as a clear (marvelously British) ancestor of The Catcher In The Rye's Holden Caulfield. A delicate coming-of-age novel, shot through with humour, In Youth Is Pleasure, has long achieved cult status, and earned admirers ranging from Alan Bennett to William Burroughs, Edith Sitwell to John Waters. 'Maybe there is no better novel in the world that is Denton Welch's In Youth Is Pleasure,' wrote Waters. 'Just holding it my hands... is enough to make illiteracy a worse crime than hunger.' |
| classics of british literature: How to Teach British Literature Elizabeth McCallum Marlow, 2017-01-26 How to Teach British Literature: A Practical Teaching Guide provides English teachers, home school parents, school administrators, or anyone interested in an in-depth study of the subject with a clear, concise discussion of British literature over the last thirteen centuries. The book includes resources such as study questions and tests with suggested answers, essay topics, audio-visual aids and web-based reference material, classroom activities and handouts. Throughout the book, the author suggests methods that encourage student participation and promote enjoyment so that young people learn to appreciate the sheer fun of literary study. This book provides a comprehensive methodology for teaching the subject that a teacher could apply to a year’s lesson plans without further investment in time. How to Teach British Literature: A Practical Teaching Guide by Elizabeth McCallum Marlow is a thorough, traditional approach to teaching classic British literature. The author’s emphases on reading and writing will aid teachers, novices, and veterans to build a solid curriculum. This volume includes many supplemental resources and student-centered activities. The guide is a valuable tool for teachers. —Jane Ferguson, M.Ed, Ed.S High School English Teacher and College English Instructor Truett McConnell College, GA University of Georgia, Athens, GA Elizabeth McCallum Marlow has developed a quality comprehensive guide for the teaching community based on her thirty-five years of experience and her passion for literature. Teaching professionals will find her tried and true practices to be invaluable. —Johnathan Arnold, MBA, M.Ed, D.Ed.Min Headmaster Covenant Christian Academy, Cumming, GA |
| classics of british literature: The Remains of the Day Kazuo Ishiguro, 2010-07-15 BOOKER PRIZE WINNER • From the winner of the Nobel Prize in Literature, here is “an intricate and dazzling novel” (The New York Times) about the perfect butler and his fading, insular world in post-World War II England. This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the great gentleman, Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's greatness, and much graver doubts about the nature of his own life. |
| classics of british literature: Where Angels Fear to Tread E.M. Forster, 1920 |
| classics of british literature: The History of the Common Law of England Matthew Hale, 1820 |
| classics of british literature: The Broadview Anthology of British Literature: Volume 3: The Restoration and the Eighteenth Century - Second Edition Joseph Black, Leonard Conolly, Kate Flint, Isobel Grundy, Don LePan, Roy Liuzza, Jerome McGann, Anne Lake Prescott, Barry Qualls, Claire Waters, 2012-08-28 In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the second edition of this volume a considerable number of changes have been made. Henry Fielding’s Tragedy of Tragedies has been added, as has a new section of material from eighteenth-century periodicals. A new Contexts section entitled “Transatlantic Currents” includes writings by such figures as Paine, Franklin, and Price, as well as material on the slave trade. The Contexts sections on “Town and Country” and on “Mind and God, Faith and Science” have also been expanded; a variety of writings on the Royal Society and other scientific matters have been added to the latter. Additional chapters from Equiano’s Interesting Narrative have been added, and there are new selections by Samuel Johnson (including his “Letter to Lord Chesterfield” and facsimile pages from the Dictionary). Book 3 from Gulliver’s Travels has been added; that work now appears in its entirety. There are also additional selections by Pope, Pepys, and Astell. The Castle of Otranto and The Witlings have been moved from the bound book to the website component of the anthology. (Both are available as volumes in the Broadview Editions series, and may be added at a very modest additional cost in a shrink-wrapped combination package.) |
| classics of british literature: Eve in Exile: The Restoration of Femininity Rebekah Merkle, 2016-09-27 The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for? |
| classics of british literature: The Rotters' Club Jonathan Coe, 2007-12-18 Birmingham, England, c. 1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade. |
| classics of british literature: Dracula Bram Stoker, 1982-04-12 String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again. |
| classics of british literature: The Cambridge Companion to British Fiction since 1945 David James, 2015-10-06 This Companion offers a compelling engagement with British fiction from the end of the Second World War to the present day. Since 1945, British literature has served to mirror profound social, geopolitical and environmental change. Written by a host of leading scholars, this volume explores the myriad cultural movements and literary genres that have affected the development of postwar British fiction, showing how writers have given voice to matters of racial, regional and sexual identity. Covering subjects from immigration and ecology to science and globalism, this Companion draws on the latest critical innovations to provide insights into the traditions shaping the literary landscape of modern Britain, thus making it an essential resource for students and specialists alike. |
| classics of british literature: Words Aptly Spoken Jen Greenholt, Classical Conversations MultiMedia, 2011-01-15 |
| classics of british literature: Cold comfort farm Stella Gibbons, 2020-05-05 Cold Comfort Farm is a comic novel by English author Stella Gibbons, published in 1932. It parodies the romanticised, sometimes doom-laden accounts of rural life popular at the time, by writers such as Mary Webb. Following the death of her parents, the book and 's heroine, Flora Poste, finds she is possessed of every art and grace save that of earning her own living. She decides to take advantage of the fact that no limits are set, either by society or one and 's own conscience, to the amount one may impose on one and 's relatives, and settles on visiting her distant relatives at the isolated Cold Comfort Farm in the fictional village of Howling in Sussex. The inhabitants of the farm – Aunt Ada Doom, the Starkadders, and their extended family and workers – feel obliged to take her in to atone for an unspecified wrong once done to her father. |
| classics of british literature: Classics in Film and Fiction Deborah Cartmell, 2000-03-20 Evaluates the term 'classic', discussing a wide range of films and texts including Jane Eyre, The Tempest and Alice in Wonderland. |
| classics of british literature: The Longman Anthology of British Literature David Damrosch, Kevin J. H. Dettmar, 2006 |
| classics of british literature: Lord of the Flies William Golding, 2012-09-20 A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home. |
| classics of british literature: The Art of the Short Story Dana Gioia, R. S. Gwynn, 2005 52 great authors, their best short fiction, and their insights on writing--Cover. |
| classics of british literature: Great Writers of the English Language GREAT., Mark Twain, F. SCOTT. FITZGERALD, JOHN. STEINBECK, ERNEST. HEMINGWAY, 1989 An illustrated overview of the life and works of a selected number of important writers in the English language from the sixteenth to the twentieth century. |
| classics of british literature: The Midnight Library Matt Haig, 2021-01-27 Good morning America book club--Jacket. |
| classics of british literature: Classics of British Literature John Sutherland, 2008 Professor John Sutherland, UCL Emeritus Lord Northcliffe Professor of Modern English Literature at University College London and Visiting Professor of Literature at the California Institute of Technology, presents a survey of the greatest works of British literature. |
| classics of british literature: British Literature for Christian Homeschoolers, Volume 1 Scott Clifton, 2019-10-10 Looking for an enjoyable, wholesome, self-directed literature program for your Christian homeschooled high schoolers? Set your teens up with some great reads--then watch them take off on their own and have fun doing it! You love your kids and want them to read the best stuff: true classics, not just any old writings that the world calls classics. Literature for Christian Homeschoolers is an exciting, faith-affirming, structured literature program with everything your students need for success. Scott Clifton--author, homeschool dad of seven, and high school co-op literature teacher since 2002--has scoured the world (and a few other planets) for just the kind of fiction and non-fiction you want your young person to read. These sets are packed with high-quality essays, novels, short stories, speeches, letters, and poems--including many hidden gems you've probably never even heard of! And each of the four Literature for Christian Homeschoolers sets (American, Classic, British, World) is designed to make reading fun and edifying for students, and a breeze for homeschooling parents. Here's what you'll get with Literature for Christian Homeschoolers: * Varied readings that will captivate and build up your teen student * A handy, 30-week, 4-days-per-week reading schedule * Intros, footnotes, and review questions (with answer keys!) * Easy-to-score quizzes (with answer keys!) * A Christian worldview throughout Buy Literature for Christian Homeschoolers for your homeschool family today! |
| classics of british literature: Gashmu Saith It Douglas Wilson, 2021-11-30 As Nehemiah rebuilt the walls of Jerusalem, Gashmu and the enemies of Israel mocked him: It is reported among the heathen, and Gashmu saith it, that thou and the Jews think to rebel... (Neh. 6:6). Too many Christians building communities today take the taunts of every modern-day Gashmu seriously. Community is a buzzword, and it turns out there's a lot of bad advice about how to build one. In Gashmu Saith It, Douglas Wilson includes forty years of experience for Christians wanting to build robust communities without retreat or compromise on the foundation of the Gospel. This book is full of wisdom: Get calluses. Be loyal. Fight sin. Build walls on the outside and a church in the middle. |
| classics of british literature: The Broadview Anthology of British Literature: The Victorian era Joseph Black, 2015 Shaped by sound literary and historical scholarship, The Broadview Anthology of British Literature takes a fresh approach to many canonical authors and includes a broad selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation ... Highlights of Volume 5: The Victorian Era include the complete texts of In Memoriam A.H.H., The Importance of Being Earnest, Carmilla, and Strange Case of Dr. Jekyll and Mr. Hyde, as well as Contexts sections on Work and Poverty, Women in Society, Sexuality in the Victorian Era, Nature and the Environment, The New Woman, and Britain, Empire, and a Wider World. The third edition also offers expanded representation of writers of color, including Mary Prince, Mary Seacole, Toru Dutt, and Rabindranath Tagore.--Provided by publisher. |
| classics of british literature: Cold Comfort Farm Clare West, Stella Gibbons, 1998-01-01 A school reader for secondary pupils, in the OXFORD BOOKWORMS. BLACK SERIES STAGE 6. This new series offers students at all levels the opportunity to extend their reading and appreciation of English. |
| classics of british literature: The Greatest British Classics Lewis Carroll, Charles Dickens, Oscar Wilde, Robert Louis Stevenson, William Shakespeare, George MacDonald, Bram Stoker, Charlotte Brontë, Emily Brontë, George Grossmith, Weedon Grossmith, Arthur Conan Doyle, Frances Hodgson Burnett, Joseph Conrad, Jane Austen, George Eliot, Laurence Sterne, Thomas Hardy, Jonathan Swift, Daniel Defoe, Henry Fielding, Kenneth Grahame, Wilkie Collins, William Makepeace Thackeray, John Milton, John Keats, James Joyce, Ann Ward Radcliffe, H. G. Wells, W. B. Yeats, J. M. Barrie, G. K. Chesterton, T. S. Eliot, D. H. Lawrence, E. M. Forster, Sir Walter Scott, George Bernard Shaw, Mary Shelley, P. B. Shelley, Elizabeth von Arnim, 2023-12-02 Good Press presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices: Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) Paradise Lost (John Milton) Gulliver's Travels (Jonathan Swift) Robinson Crusoe (Daniel Defoe) The History of Tom Jones, a Foundling (Henry Fielding) Tristram Shandy (Laurence Sterne) Pride & Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Vanity Fair (William Makepeace Thackeray) Ode to the West Wind (P. B. Shelley) Frankenstein (Mary Shelley) Odes (John Keats) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Middlemarch (George Eliot) David Copperfield (Charles Dickens) Great Expectations (Charles Dickens) Tess of the d'Urbervilles (Thomas Hardy) Jude the Obscure (Thomas Hardy) The Enchanted April (Elizabeth von Arnim) Sons and Lovers (D. H. Lawrence) The Mysteries of Udolpho (Ann Ward Radcliffe) Dracula (Bram Stoker) A Study in Scarlet (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Picture of Dorian Gray (Oscar Wilde) Alice in Wonderland (Lewis Carroll) The Secret Garden (Frances Hodgson Burnett) The Lion, the Witch, and the Wardrobe (C. S. Lewis) Diary of a Nobody (George and Weedon Grossmith) The Time Machine (H. G. Wells) The War of the Worlds (H. G. Wells) The Woman in White (Wilkie Collins) The Innocence of Father Brown (G. K. Chesterton) Howards End (E. M. Forster) The Waste Land (T. S. Eliot) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Arms and the Man (George Bernard Shaw) The Second Coming (W. B. Yeats) Ivanhoe (Sir Walter Scott) Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) The Wind in the Willows (Kenneth Grahame) Phantastes (George MacDonald) Peter and Wendy (J. M. Barrie) |
| classics of british literature: Classics in English Literature Lopa Sanyal, 2006 Classics in English Literature present the role of Classics in history of literature, its influence and the role Classic played in shaping English literature to its present form. The aim is to display a significant and representative selection of works in relation to the history and culture of the day. The book s primary focus is to explain in lucid, succinct and analytical language, the role of classics in English literature. The book covers the influence exerted by the ancient literature upon various aspects of literature such as Poetry, Drama, Fiction, Prose, Religious Works, Historiography and biographical studies. |
| classics of british literature: The History of British Literature on Film, 1895-2015 Greg M. Colón Semenza, Bob Hasenfratz, Robert J. Hasenfratz, 2017-01-26 From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history. |
| classics of british literature: British Literature and Classical Music David Deutsch, 2015-09-24 British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life. |
| classics of british literature: New Catalogue of British Literature. 1896-1897 Cedric Chivers, Armistead Cay, 1897 |
| classics of british literature: British Books , 1903 |
| classics of british literature: The Publishers' Circular and General Record of British Literature , 1859 |
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