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| classics in world literature: The Book of Great Books W. John Campbell, 2000 Provides a list of one hundred world classics, offering information on plot, characters, main themes, symbolism, and composition for each book. |
| classics in world literature: What Is World Literature? David Damrosch, 2018-06-05 World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of the masterpiece. The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales. |
| classics in world literature: The Heart of Learning Lawrence Williams, 2014 The Heart of Learning provides heart-centered guidance and essential information for teaching young children and for creating a nurturing and effective learning environment.Written by Lawrence Williams, Oak Meadow's co-founder and a pioneer in homeschooling and distance learning. |
| classics in world literature: World Literature I Laura Getty, Kyounghye Kwon, Rhonda Kelley, 2015-12-31 This peer-reviewed World Literature I anthology includes introductory text and images before each series of readings. Sections of the text are divided by time period in three parts: the Ancient World, Middle Ages and Renaissance, and then divided into chapters by location. World Literature I and the Compact Anthology of World Literature are similar in format and both intended for World Literature I courses, but these two texts are developed around different curricula. |
| classics in world literature: Amsterdam Stories Nescio, 2012-03-20 No one has written more feelingly and more beautifully than Nescio about the madness and sadness, courage and vulnerability of youth: its big plans and vague longings, not to mention the binges, crashes, and marathon walks and talks. No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Grönloh, the highly successful director of the Holland–Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories. |
| classics in world literature: Karl Marx and World Literature S. S. Prawer, 2014-06-03 “Very few men,” said Bakunin, “have read as much, and, it may be added, have read as intelligently, as M. Marx.” S. S. Prawer’s highly influential work explores how the world of imaginative literature—poems, novels, plays—infused and shaped Marx’s writings, from his unpublished correspondence, to his pamphlets and major works. In exploring Marx’s use of literary texts, from Aeschylus to Balzac, and the central role of art and literature in the development of his critical vision, Karl Marx and World Literature is a forensic masterpiece of critical analysis. |
| classics in world literature: Around the World in 80 Books David Damrosch, 2021-11-04 'Restlessly curious, insightful, and quirky, David Damrosch is the perfect guide to a round-the-world adventure in reading' Stephen Greenblatt A transporting and illuminating voyage around the globe, told through eighty classic and modern books 'It is always a pleasure to talk about books with David Damrosch, who has read all of them, and he is so eloquent and understanding about them all' Orhan Pamuk Inspired by Jules Verne's hero Phileas Fogg, David Damrosch, chair of Harvard's Department of Comparative Literature and founder of Harvard's Institute for World Literature, set out to counter a pandemic's restrictions on travel by exploring eighty exceptional books from around the globe. Following a literary itinerary from London to Venice, Tehran and points beyond, and via authors from Woolf and Dante to Nobel prizewinners Orhan Pamuk, Wole Soyinka, Mo Yan and Olga Tokarczuk, he explores how these works have shaped our idea of the world, and the ways the world bleeds into literature. To chart the expansive landscape of world literature today, Damrosch explores how writers live in two very different worlds: the world of their personal experience, and the world of books that have enabled great writers to give shape and meaning to their lives. In his literary cartography, Damrosch includes compelling contemporary works as well as perennial classics, hard-bitten crime fiction as well as haunting works of fantasy, and the formative tales that introduce us as children to the world we're entering. Taken together, these eighty titles offer us fresh perspective on perennial problems, from the social consequences of epidemics to the rising inequality that Thomas More designed Utopia to combat and the patriarchal structures within and against which many of these books' heroines have to struggle, from the work of Murasaki Shikibu a millennium ago to that of Margaret Atwood today. Around the World in 80 Books is a global invitation to look beyond ourselves and our surroundings, and to see our world and its literature in new ways. |
| classics in world literature: The Lliad Homer, 2018-02-17 The Iliad Ancient Greek:Ili�s, pronounced [i?.li.�s] in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. |
| classics in world literature: Poe Edgar Allan Poe, 1986 An illustrated collection of some of Poe's sinister tales, including The Black Cat, The Fall of the House of Usher, The Premature Burial, and a few of his poems. |
| classics in world literature: The Message To The Planet Iris Murdoch, 2010-04-27 For years, Alfred Ludens has pursued mathematician and philosopher Marcus Vallar in the belief that he possesses a profound metaphysical formula, a missing link of great significance to mankind. Luden's friends are more sceptical. Jack Sheerwater, painter, thinks Marcus is crazy. Gildas herne, ex-preist, thinks he is evil. Patrick Fenman, poet, is dying because he thinks Marcus has cursed him. Marcus has disappeared and must be found. But is he a genius, a hero struggling at the bounds of human knowledge? Is he seeking God, or is he just another victim of the Holocaust, which casts its shadow upon him and upon Ludens, both of them Jewish? Can human thinking discover the foundations of human consciousness? Iris Murdoch's endlessly inventive imagination has touched a fundamental question of our time. |
| classics in world literature: Tripmaster Monkey Maxine Hong Kingston, 2011-02-09 Driven by his dream to write and stage an epic stage production of interwoven Chinese novelsWittman Ah Sing, a Chinese-American hippie in the late '60s. |
| classics in world literature: The Great Civilized Conversation Wm. Theodore De Bary, 2013-06-25 Having spent decades teaching and researching the humanities, Wm. Theodore de Bary is well positioned to speak on its merits and reform. Believing a classical liberal education is more necessary than ever, he outlines in these essays a plan to update existing core curricula by incorporating classics from both Eastern and Western traditions, thereby bringing the philosophy and moral values of Asian civilizations to American students and vice versa. The author establishes a concrete link between teaching the classics of world civilizations and furthering global humanism. Selecting texts that share many of the same values and educational purposes, he joins Islamic, Indian, Chinese, Japanese, and Western sources into a revised curriculum that privileges humanity and civility. He also explores the tradition of education in China and its reflection of Confucian and Neo-Confucian beliefs. He reflects on history's great scholar-teachers and what their methods can teach us today, and he dedicates three essays to the power of The Analects of Confucius, The Tale of Genji, and The Pillow Book of Sei Shonagon in the classroom. |
| classics in world literature: An Ecology of World Literature Alexander Beecroft, 2015-01-06 What is a literature? How do literatures of different countries interact with each other? In this groundbreaking study, Alexander Beecroft develops a new way of thinking about world literature. Drawing on a series of examples and case studies, the book ranges from ancient epic to the contemporary fiction of Roberto Bolao and Amitav Ghosh. Beecroft identifies a series of literary ecologies, from small-scale societies to the planet as a whole, within which literary texts are produced and circulated. An Ecology of World Literature places in dialogue scholarship on ancient and modern, western and non-western texts, producing new and unexpected demands for literary study. |
| classics in world literature: Classical World Literatures Wiebke Denecke, 2014 Ever since Karl Jaspers's axial age paradigm, there have been a number of influential studies comparing ancient East Asian and Greco-Roman history and culture. However, to date there has been no comparative study involving multiple literary traditions in these cultural spheres. This book compares the dynamics between the younger literary cultures of Japan and Rome and the literatures of their venerable predecessors, China and Greece. How were writers of the younger cultures of Rome and Japan affected by the presence of an older reference culture, whose sophistication they admired, even as they anxiously strove to assert their own distinctive identity? How did they tackle the challenge of adopting the reference culture's literary genres, rhetorical refinement, and conceptual vocabulary for writing texts in different languages and within distinct political and cultural contexts? Classical World Literatures captures the striking similarities between the ways early Japanese authors wrote their own literature through and against the literary precedents of China, and the ways Latin writers engaged and contested Greek precedents. But it also brings to light suggestive divergences that are rooted in geopolitical, linguistic, sociohistorical, and aesthetic differences between early Japanese and Roman literary cultures. Proposing a methodology of deep comparison for the cross-cultural comparison of premodern literary cultures and calling for an expansion of world literature debates into the ancient and medieval worlds, Classical World Literatures is both a theoretical intervention and an invitation to read and re-read four major literary traditions in an innovative and illuminating light. |
| classics in world literature: A Companion to World Literature Ken Seigneurie, 2020-01-10 A Companion to World Literature is a far-reaching and sustained study of key authors, texts, and topics from around the world and throughout history. Six comprehensive volumes present essays from over 300 prominent international scholars focusing on many aspects of this vast and burgeoning field of literature, from its ancient origins to the most modern narratives. Almost by definition, the texts of world literature are unfamiliar; they stretch our hermeneutic circles, thrust us before unfamiliar genres, modes, forms, and themes. They require a greater degree of attention and focus, and in turn engage our imagination in new ways. This Companion explores texts within their particular cultural context, as well as their ability to speak to readers in other contexts, demonstrating the ways in which world literature can challenge parochial world views by identifying cultural commonalities. Each unique volume includes introductory chapters on a variety of theoretical viewpoints that inform the field, followed by essays considering the ways in which authors and their books contribute to and engage with the many visions and variations of world literature as a genre. Explores how texts, tropes, narratives, and genres reflect nations, languages, cultures, and periods Links world literary theory and texts in a clear, synoptic style Identifies how individual texts are influenced and affected by issues such as intertextuality, translation, and sociohistorical conditions Presents a variety of methodologies to demonstrate how modern scholars approach the study of world literature A significant addition to the field, A Companion to World Literature provides advanced students, teachers, and researchers with cutting-edge scholarship in world literature and literary theory. |
| classics in world literature: The Orestia Aeschylus, 2008-11 Aeschylus (525 BC-456 BC) was an ancient Greek playwright. He is often recognized as the father or the founder of tragedy, and is the earliest of the three Greek tragedians whose plays survive, the others being Sophocles and Euripides. Many of Aeschylusa works were influenced by the Persian invasion of Greece, which took place during his lifetime. His play The Persians remains a quintessential primary source of information about this period in Greek history. He wrote some 70 to 90 plays, but only seven tragedies have survived intact: The Persians, Seven Against Thebes, The Suppliants, the trilogy known as The Orestia, consisting of the three tragedies Agamemnon, The Libation Bearers and The Eumenides, and Prometheus Bound (whose authorship is disputed). |
| classics in world literature: Essays on World Literature Ismail Kadare, 2018-02-20 The Man Booker International–winning author of Broken April and The Siege, Albania’s most renowned novelist, and perennial Nobel Prize contender Ismail Kadare explores three giants of world literature—Aeschylus, Dante, and Shakespeare—through the lens of resisting totalitarianism. In isolationist Albania, which suffered under a Communist dictatorship for nearly half a century, classic global literature reached Ismail Kadare across centuries and borders—and set him free. The struggles of Hamlet, Dante, and Aeschylus’s tragic figures gave him an understanding of totalitarianism that shaped his novels. In these incisive critical essays informed by personal experience, Kadare provides powerful evidence that great literature is the enemy of dictatorship and imbues these timeless stories with powerful new meaning. With eloquent prose and the narrative drive of a great mystery novel, Kadare renews our readings of the classics and lends them a distinctly Albanian tint. Like Mark Twain’s Mississippi River, Márquez’s Macondo, and Faulkner’s Yoknapatawpha County, Kadare’s Albania emerges as a microcosm of civilization; here, blood vengeance in mountain communities reaches the dramatic heights of Hamlet’s dilemma, funereal rites take on the air of Greek tragedy, and political repression gives life the feel of Dante’s nine circles of Hell. Like Azar Nafisi’s Reading Lolita in Tehran, Essays on World Literature casts reading itself as a daring act of resistance to artistic suppression. Kadare’s insights into the Western canon secure his own place within it. |
| classics in world literature: Fahrenheit 451 Ray Bradbury, 1968 A fireman in charge of burning books meets a revolutionary school teacher who dares to read. Depicts a future world in which all printed reading material is burned. |
| classics in world literature: Contemporary World Literature Chinua Achebe, Isabel Allende, Gabriel García Márquez, Naguib Mahfouz, V. S. Naipaul, 2010-12-21 An extraordinary collection of renowned world literature including Nobel Prize winners and beloved fiction writers in beautiful, enduring hardcover editions with elegant cloth sewn bindings, gold stamped covers, and silk ribbon markers. Titles included: The African Trilogy by Chinua Achebe The Cairo Trilogy by Naguib Mahfouz A House for Mr. Biswas by V. S. Naipaul The House of Spirits by Isabel Allende Midnight’s Children by Salman Rushdie One Hundred Years of Solitude by Gabriel García Márquez |
| classics in world literature: The Midnight Library Matt Haig, 2021-01-27 Good morning America book club--Jacket. |
| classics in world literature: MASTERPIECES OF WORLD LITERATURE IN DIGEST FORM , 1952 |
| classics in world literature: The Classics of World Literature in One Volume Johann Wolfgang von Goethe, Stendhal, Jules Verne, Gustave Flaubert, Lewis Carroll, Henrik Ibsen, Charles Dickens, Plato, Honoré de Balzac, Mark Twain, Harriet Beecher Stowe, Rabindranath Tagore, Fyodor Dostoyevsky, Walt Whitman, Niccolò Machiavelli, Oscar Wilde, Robert Louis Stevenson, James Fenimore Cooper, Edgar Allan Poe, William Shakespeare, Giovanni Boccaccio, Confucius, George MacDonald, Bram Stoker, Charlotte Brontë, Emily Brontë, Henry David Thoreau, Jack London, Henry James, Louisa May Alcott, Victor Hugo, Arthur Conan Doyle, Frances Hodgson Burnett, Joseph Conrad, Jane Austen, Herman Melville, George Eliot, Laurence Sterne, Thomas Hardy, Jonathan Swift, Edith Wharton, Benito Pérez Galdós, Daniel Defoe, Henry Fielding, Alexandre Dumas, Kalidasa, Kenneth Grahame, Marcel Proust, Willa Cather, Nathaniel Hawthorne, Homer, Gaston Leroux, Charles Baudelaire, Wilkie Collins, William Makepeace Thackeray, Voltaire, Kate Chopin, Apuleius, John Milton, Frederick Douglass, Laozi, John Keats, James Joyce, Ann Ward Radcliffe, Kahlil Gibran, Kakuzo Okakura, Soseki Natsume, Princess Der Ling, H. G. Wells, W. B. Yeats, J. M. Barrie, G. K. Chesterton, T. S. Eliot, L. M. Montgomery, C. S. Lewis, D. H. Lawrence, E. M. Forster, H. P. Lovecraft, Marcus Aurelius, Friedrich Nietzsche, Lewis Wallace, Ivan Turgenev, Anton Chekhov, Leo Tolstoy, Nikolai Gogol, Sir Walter Scott, George Bernard Shaw, Miguel de Cervantes, Mary Shelley, Cao Xueqin, Emile Zola, Válmíki, Bankim Chandra Chatterjee, P. B. Shelley, Elizabeth von Arnim, Herman Hesse, Dante, Pedro Calderon de la Barca, Sun Tzu, Inazo Nitobé, George Weedon Grossmith, 2022-11-13 DigiCat presents to you this unique collection of the greatest classics of all time: Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Robinson Crusoe (Daniel Defoe) Pride & Prejudice (Jane Austen) Frankenstein (Mary Shelley) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Great Expectations (Charles Dickens) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Ivanhoe (Sir Walter Scott) Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Peter and Wendy (J. M. Barrie) The Adventures of Huckleberry Finn (Mark Twain) The Call of the Wild (Jack London) Moby-Dick (Herman Melville) Little Women (Louisa May Alcott) Walden (Henry David Thoreau) Leaves of Grass (Walt Whitman) The Raven (Edgar Allan Poe) Anne of Green Gables (L. M. Montgomery) Iliad & Odyssey (Homer) The Republic (Plato) Faust, a Tragedy (Johann Wolfgang von Goethe) Siddhartha (Herman Hesse) Thus Spoke Zarathustra (Friedrich Nietzsche) 20,000 Leagues Under the Sea (Jules Verne) Journey to the Centre of the Earth (Jules Verne) Les Misérables (Victor Hugo) The Hunchback of Notre Dame (Victor Hugo) The Flowers of Evil (Charles Baudelaire) The Count of Monte Cristo (Alexandre Dumas) A Doll's House (Henrik Ibsen) Anna Karenina (Leo Tolstoy) War and Peace (Leo Tolstoy) Crime and Punishment (Fyodor Dostoevsky) The Brothers Karamazov (Fyodor Dostoyevsky) Dead Souls (Nikolai Gogol) Don Quixote (Miguel de Cervantes) Dona Perfecta (Benito Pérez Galdós) The Life of Lazarillo de Tormes (Anonymous) Life is a Dream (Pedro Calderon de la Barca) The Divine Comedy (Dante) Decameron (Giovanni Boccaccio) The Prince (Machiavelli) Arabian Nights Gitanjali (Rabindranath Tagore) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki (Válmíki) Tao Te Ching (Laozi) Art of War (Sun Tzu) The Analects of Confucius (Confucius) Hung Lou Meng or, The Dream of the Red Chamber (Cao Xueqin) Two Years in the Forbidden City (Princess Der Ling) Bushido, the Soul of Japan (Inazo Nitobé) The Book of Tea (Kakuzo Okakura) Botchan (Soseki Natsume)... |
| classics in world literature: The Best of the World's Classics (All 10 Volumes) Henry Cabot Lodge, 2020-12-17 Musaicum Books presents this meticoulusly edited and formatted sellection of the greatest works of world literature, from ancient Greece and Rome to Modern American literature: Volume I – Greece Volume II – Rome Volume III – Great Britain and Ireland I Volume IV – Great Britain and Ireland II Volume V – Great Britain and Ireland III Volume VI – Great Britain and Ireland IV Volume VII – Continental Europe I Volume VIII – Continental Europe II Volume IX – America I Volume X – America II |
| classics in world literature: The Red and the Black (World's Classics Series) Stendhal, 2023-12-26 This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The Red and the Black tells the story of Julien Sorel's life in a monarchic society of fixed social class. It is a historical psychological novel which chronicles the attempts of a provincial young man to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy. He ultimately allows his passions to betray him. The novel has a two-fold literary purpose, being both a psychological portrait of the romantic protagonist, Julien Sorel, and an analytic, sociological satire of the French social order under the Bourbon Restoration. |
| classics in world literature: CLASSICS FOR HOLIDAYS - Ultimate Collection Johann Wolfgang von Goethe, Stendhal, Jules Verne, Gustave Flaubert, Lewis Carroll, Theodor Storm, Henrik Ibsen, Charles Dickens, Plato, Honoré de Balzac, Mark Twain, Harriet Beecher Stowe, Rabindranath Tagore, Fyodor Dostoyevsky, Walt Whitman, Niccolò Machiavelli, Oscar Wilde, Robert Louis Stevenson, James Fenimore Cooper, Edgar Allan Poe, William Shakespeare, Giovanni Boccaccio, Confucius,, George MacDonald, Charlotte Brontë, Anne Brontë, Emily Brontë, Henry David Thoreau, Jack London, Henry James, Louisa May Alcott, Victor Hugo, Arthur Conan Doyle, Frances Hodgson Burnett, Joseph Conrad, Jane Austen, Herman Melville, George Eliot, Laurence Sterne, Thomas Hardy, Jonathan Swift, Edith Wharton, Benito Pérez Galdós, Daniel Defoe, Henry Fielding, Alexandre Dumas, Rudyard Kipling, William Dean Howells, Kalidasa, Kenneth Grahame, Marcel Proust, Washington Irving, Juan Valera, Willa Cather, Nathaniel Hawthorne, Homer, Gaston Leroux, Charles Baudelaire, William Makepeace Thackeray, Voltaire, Kate Chopin, Apuleius, John Milton, Charlotte Perkins Gilman, Frederick Douglass, Laozi, John Keats, James Joyce, Ann Ward Radcliffe, Kahlil Gibran, Kakuzo Okakura, Soseki Natsume, Princess Der Ling, L. Frank Baum, H. G. Wells, W. B. Yeats, J. M. Barrie, G. K. Chesterton, T. S. Eliot, L. M. Montgomery, C. S. Lewis, D. H. Lawrence, E. M. Forster, H. P. Lovecraft, F. Scott Fitzgerald, Marcus Aurelius, Friedrich Nietzsche, Lewis Wallace, Ivan Turgenev, Anton Chekhov, Leo Tolstoy, Nikolai Gogol, Sir Walter Scott, George Bernard Shaw, Miguel de Cervantes, Mary Shelley, Cao Xueqin, Emile Zola, Válmíki, Bankim Chandra Chatterjee, P. B. Shelley, Elizabeth von Arnim, Herman Hesse, Dante, Pedro Calderon de la Barca, Sun Tzu, Inazo Nitobé, Bram Stoke, George Weedon Grossmith, Willkie Collins, 2023-12-11 CLASSICS FOR HOLIDAYS - Ultimate Collection is an anthology that stands as a testament to the enduring power of classic literature, curating a remarkable array of narratives that span genres, cultures, and centuries. The collection boasts an unparalleled diversity, encompassing the breadth of human experience and imagination in its selection of works by some of the most influential figures in literary history. From the tragic insights of Greek epics to the sharp wit of 19th-century satire, the anthology engages with an array of themes such as love, betrayal, exploration, and the intricate dynamics of social life. Standout pieces capture the essence of their time while also speaking to universal truths, making this collection a rich tapestry of human thought and creativity. The contributing authors and editors, hailing from various corners of the globe and periods in history, bring with them their unique voices and perspectives, enriching the anthology's thematic concerns. These individuals were not just writers but also philosophers, poets, and playwrights who participated in, or even spearheaded, significant cultural and literary movements. Their collective works provide insights into the historical and cultural contexts that shaped them, offering readers a panoramic view of humanity's intellectual heritage. The ensemble of these voices creates a dialogue across time and space, illuminating the interconnectedness of human experiences. This collection is recommended to readers eager to immerse themselves in the extravagance of classic literature. CLASSICS FOR HOLIDAYS - Ultimate Collection offers a unique opportunity to explore a multitude of perspectives, styles, and themes, all within a single volume. It serves both as an educational resource and a gateway to the past, celebrating the depth and diversity of human expression. Readers are encouraged to delve into this anthology not only for its sheer literary value but also for the dialogue it fosters between the remarkable authors' works, making it an essential addition to any library. |
| classics in world literature: Feminism as World Literature Robin Truth Goodman, 2022-11-03 The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces. |
| classics in world literature: This Is a Classic Regina Galasso, 2023-01-26 This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics. |
| classics in world literature: Postcolonialism After World Literature Lorna Burns, 2019-05-16 Postcolonial studies took shape in response to the nationalist and decolonization movements of the twentieth century. Today, a resurgent interest in world literature reflects an increased awareness of globalization. These twin projects are torn between a criticism that finds in the text the trace of capitalist modernity and one that accounts for the revolutionary potential of literature to challenge our global present. Postcolonialism After World Literature exposes what is at stake in this critical choice through a line of philosophical enquiry – Bruno Latour, Gilles Deleuze, and Jacques Rancière – that poses an alternative to the materialist strand of world literary criticism pioneered by Pascale Casanova and Franco Moretti. Engaging with these theorists and others, Lorna Burns contests world-systems theory as the basis for thinking about contemporary postcolonial and world literatures, and proposes a renewed framework that promotes literature's capacity to provoke dissent; to imagine new forms of belonging and relation for both national and world citizens; and to stage the shared equality of all. Moving between theory and the novels of Roberto Bolaño, J. M. Coetzee, Kamel Daoud, Dany Laferrière, Pauline Melville, Arundhati Roy and Kamila Shamsie, Postcolonialism After World Literature presents the case for rethinking world literature in light of the legacies of postcolonialism, and for reshaping postcolonial studies in an era of world literature. Lorna Burns is Lecturer in Postcolonial Literatures at the University of St Andrews, UK. She is the author of Contemporary Caribbean Writing and Deleuze (Bloomsbury, 2012). |
| classics in world literature: Masterpieces of the World's Literature, Ancient and Modern ... Harry Thurston Peck, Frank R. Stockton, Julian Hawthorne, 1899 |
| classics in world literature: The Classical World , 1907 |
| classics in world literature: Central American Literatures as World Literature Sophie Esch, 2023-10-05 Challenging the notion that Central American literature is a marginal space within Latin American literary and world literary production, this collection positions and discusses Central American literature within the recently revived debates on world literature. This groundbreaking volume draws on new scholarship on global, transnational, postcolonial, translational, and sociological perspectives on the region's literature, expanding and challenging these debates by focusing on the heterogenous literatures of Central America and its diasporas. Contributors discuss poems, testimonios, novels, and short stories in relation to center-periphery, cosmopolitan, and Internationalist paradigms. Central American Literatures as World Literature explores the multiple ways in which Central American literature goes beyond or against the confines of the nation-state, especially through the indigenous, Black, and migrant voices. |
| classics in world literature: The Nobleman and Other Romances Isabelle de Charriere, 2012-03-27 The only available English translation of writings by an Enlightenment-era Dutch aristocrat, writer, composer-and woman. Born Dutch, noble, and free-spirited, Isabelle de Charrière (also known as Belle de Zuylen) was an enlightened woman whose writings-not unlike Jane Austen's-tackled the intricacies of high society, particularly in matters of love. Published when she was only twenty- two, The Nobleman is aPersuasion-like tale whose heroine challenges her stodgy father in order to marry a man of unassuming ancestry. But Charrière did not confine herself to simple marriage plots and country courtships. Another story, Eagonlette and Suggestina, is a thinly veiled critique of Marie Antoinette, cleverly disguised as a fairy tale. The Nobleman and Other Romances will delight fans of Jane Austen and Enlightenment-era French literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| classics in world literature: The Detroit Educational Bulletin Detroit (Mich.). Board of Education, 1926 |
| classics in world literature: World Literature Reader Theo D'haen, César Domínguez, Mads Rosendahl Thomsen, 2012-06 World Literature is an increasingly influential subject in literary studies, which has led to the re-framing of contemporary ideas of ‘national literatures’, language and translation. World Literature: A Reader brings together thirty essential readings which display the theoretical foundations of the subject, as well as showing its conceptual development over a two hundred year period. The book features: an illuminating introduction to the subject, with suggested reading paths to help readers navigate through the materials texts exploring key themes such as globalization, cosmopolitanism, post/trans-nationalism, and translation and nationalism writings by major figures including J. W. Goethe, Karl Marx, Friedrich Engels, Longxi Zhao, David Damrosch, Gayatri Chakravorty Spivak, Pascale Casanova and Milan Kundera. The early explorations of the meaning of ‘Weltliteratur’ are introduced, while twenty-first century interpretations by leading scholars today show the latest critical developments in the field. The editors offer readers the ideal introduction to the theories and debates surrounding the impact of this crucial area on the modern literary landscape. |
| classics in world literature: Romeo and Juliet William Shakespeare, 2021-03 These violent delights have violent ends And in their triumph die, like fire and powder, Which, as they kiss, consume. When Romeo first lays eyes on the bewitching Juliet, it's love at first sight. But though their love runs true and deep, it is also completely forbidden. With family and fate determined to keep them apart, will Romeo and Juliet find a way to be together? William Shakespeare's masterpiece is one of the most enduring stories of star-crossed love of all time. Beautifully presented for a modern teen audience with both the original play and a prose retelling of the beloved story, this is the must-have edition of a timeless classic. |
| classics in world literature: ANGELS OR DEMONS - 50 Feminist Classics in One Volume Louisa May Alcott, Kate Chopin, Fanny Burney, Mary Wollstonecraft, Jane Austen, Charlotte Brontë, Nathaniel Hawthorne, Rebecca Harding Davis, Henry James, Leo Tolstoy, Thomas Hardy, Elizabeth Gaskell, Charlotte Perkins Gilman, Henrik Ibsen, Grant Allen, Ethel Sybil Turner, Elizabeth Burgoyne Corbett, H. G. Wells, Gene Stratton-Porter, Willa Cather, Edith Wharton, Theodore Dreiser, Ada Cambridge, Mary Johnston, Marietta Holley, Elia Wilkinson Peattie, Virginia Woolf, Christopher Morley, Zona Gale, Elizabeth von Arnim, Edna Ferber, Rebecca Deming Moore, D. H. Lawrence, Margaret Oliphant, Sinclair Lewis, Margaret Deland, Nikolai Leskov, 2020-09-26 e-artnow presents to you this meticulously edited collection of world's greatest classics with the most influential female protagonists in literature:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Harding Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ Behind a Mask (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Daisy Miller (Henry James)_x000D_ The Bostonians (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ North and South (Elizabeth Gaskell)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ Herland (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ Hedda Gabler (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Burgoyne Corbett)_x000D_ Ann Veronica (H. G. Wells)_x000D_ A Girl of the Limberlost (Gene Stratton-Porter)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ O Pioneers! (Willa Cather)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Summer (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Jennie Gerhardt (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Lost Girl (D. H. Lawrence) _x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber) |
| classics in world literature: Against World Literature Emily Apter, 2014-06-10 Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the Untranslatable-the realm of those words that are continually retranslated, mistranslated, transferred from language to language, or especially resistant to substitution. In the place of World Literature-a dominant paradigm in the humanities, one grounded in market-driven notions of readability and universal appeal-Apter proposes a plurality of world literatures oriented around philosophical concepts and geopolitical pressure points. The history and theory of the language that constructs World Literature is critically examined with a special focus on Weltliteratur, literary world systems, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a book set to revolutionize the discipline of comparative literature. |
| classics in world literature: The Classical Weekly , 1924 |
| classics in world literature: Between(s) and Beyond(s) in Contemporary Albanian Literature Bavjola Shatro, 2016-09-23 This book focuses on contemporary Albanian poetry, given the important role it has continuously played in Albanian literature as a whole. It analyses particular literary periods and their representative poets from a comparative perspective. It raises meaningful questions that point to particularly interesting features of Albanian literature that call for in-depth study, taking into account research conducted in this field over the years by both Albanian and foreign scholars. However, this book’s focus on comparative literature and the perspectives that this academic practice offers for so-called small, marginal literatures in the realm of European literatures allows for a different and unique analysis. It provides both an introduction and a well-structured approach to contemporary Albanian literature and to some of the problems that it faces in today’s global context when national literatures, and especially those from the margins, have to reconsider their role and position in world literature. As such, the book will be of interest to scholars in the fields of comparative literature, East and South-Eastern European literature, Albanian literature, Balkan studies, poetry studies, and cultural studies, among others. |
| classics in world literature: Asian Classics on the Victorian Bookshelf Alexander Bubb, 2023-03-14 The interest among Victorian readers in classical literature from Asia has been greatly underestimated. The popularity of the Arabian Nights and The Rubaiyat of Omar Khayyam is well documented. Yet this was also an era in which freethinkers consulted the Quran, in which schoolchildren were given abridgements of the Ramayana to read, in which names like 'Kalidasa' and 'Firdusi' were carved on the façades of public libraries, and in which women's book clubs discussed Japanese poetry. But for the most part, such readers were not consulting the specialist publications of scholarly orientalists. What then were the translations that catalysed these intercultural encounters? Based on a unique methodology marrying translation theory with empirical techniques developed by historians of reading, this book shines light for the first time on the numerous amateur translators or 'popularizers', who were responsible for making these texts accessible and disseminating them to the Victorian general readership. Asian Classics on the Victorian Bookshelf explains the process whereby popular translations were written, published, distributed to bookshops and libraries, and ultimately consumed by readers. It uses the working papers and correspondence of popularizers to demonstrate their techniques and motivations, while the responses of contemporary readers are traced through the pencil marginalia they left behind in dozens of original copies. In spite of their typically limited knowledge of source-languages, Asian Classics argues that popularizers produced versions more respectful of the complexity, cultural difference, and fundamental untranslatability of Asian texts than the professional orientalists whose work they were often adapting. The responses of their readers, likewise, frequently deviated from interpretive norms, and it is proposed that this combination of eccentric translators and unorthodox readers triggered 'flights of translation', whereby historical individuals can be seen to escape the hegemony of orientalist forms of knowledge. |
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