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| bob crimp political party: Robert H. Michel Frank H. Mackaman, Sean Q. Kelly, 2023-08-18 As incredible as it might seem, there was a time when Congress worked—a time when partisan competition produced consensus and good public policy. At the center of it all, for four decades, was Robert H. Michel, the longest-serving Republican leader in the history of the US House of Representatives. In this book, top congressional scholars, historians, and political scientists provide a compelling picture of Bob Michel and the congressional politics of his day. Marshaling a wealth of biographical, historical, and political detail, they describe Michel’s House of Representatives and how the institution became what it is now. During the thirty-eight years that Michel represented Illinois’s 18th congressional district (January 3, 1957–January 3, 1995), the last fourteen as Republican leader in the House, his party was in the minority. Drawing on archival material that captures politics in the making, the authors of this volume show how Michel made the most of that minority status. They write about his legislative efforts, as with President Ronald Reagan’s tax cuts and President George H. W. Bush’s North American Free Trade Agreement negotiations. The resulting friction between Michel’s leadership on the national stage and his responsibilities to constituents back home almost cost him reelection in 1982, forcing a change in his “home style.” Their essays also cover Michel’s strategies for House minority leadership, his party’s proposals to reform the House, and his retirement one election before Republicans became the House majority party—the result of a generational and ideological shift to a more combative style of politics practiced by Michel’s successor, Newt Gingrich. An innovative approach to biography, with its examination of Bob Michel’s career from a variety of angles, this volume offers both an unusually nuanced portrait of one important politician and a uniquely informed perspective on politics in the latter half of the twentieth century. |
| bob crimp political party: The Boston Globe Index , 2001 |
| bob crimp political party: Melancholia and Moralism Douglas Crimp, 2004 Essays challenging the increasing denial of the AIDS crisis and the rise of conservative gay politics. In Melancholia and Moralism, Douglas Crimp confronts the conservative gay politics that replaced the radical AIDS activism of the late 1980s and early 1990s. He shows that the cumulative losses from AIDS, including the waning of militant response, have resulted in melancholia as Freud defined it: gay men's dangerous identification with the moralistic repudiation of homosexuality by the wider society. With the 1993 march on Washington for lesbian and gay rights, it became clear that AIDS no longer determined the agenda of gay politics; it had been displaced by traditional rights issues such as gay marriage and the right to serve in the military. Journalist Andrew Sullivan, notorious for pronouncing the AIDS epidemic over, even claimed that once those few rights had been won, the gay rights movement would no longer have a reason to exist. Crimp challenges such complacency, arguing that not only is the AIDS epidemic far from over, but that its determining role in queer politics has never been greater. AIDS, he demonstrates, is the repressed, unconscious force that drives the destructive moralism of the new, anti-liberation gay politics expounded by such mainstream gay writers as Larry Kramer, Gabriel Rotello, and Michelangelo Signorile, as well as Sullivan. Crimp examines various cultural phenomena, including Randy Shilts's bestseller And the Band Played On, the Hollywood films Silence of the Lambs and Philadelphia, and Magic Johnson's HIV infection and retirement from the Los Angeles Lakers. He also analyzes Robert Mapplethorpe's and Nicholas Nixon's photography, John Greyson's AIDS musical Zero Patience, Gregg Bordowitz's video Fast Trip, Long Drop, the Names Project Quilt, and the annual Day without Art. |
| bob crimp political party: Political Disappointment Sara Marcus, 2023-05-30 “Marcus shows the ways in which Black activists and writers, in particular, have continued to express their political desires. In doing so, she draws our attention to the centrality of disappointment in American political life.” —Keeanga-Yamahtta Taylor, New Yorker “Political Disappointment is an abundant text, overflowing with Sara Marcus’s considerable gifts. She is adept at presenting history and narrative with equal clarity; her writing is urgent but also optimistic. This is a book that is sometimes painful but never sacrifices hope or beauty.” —Hanif Abdurraqib Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment—the unfulfilled desire for change—into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus’s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. |
| bob crimp political party: Sports and Politics Frank Jacob, 2020-08-24 Sport is everything, but never solely sport. The commodification of human pleasure in or about many sports led to an increased political interest and dimension with regard to the major leagues and their stars. Corruption and scandals increased, while the human being in sports was and still is very often exploited or mistreated. These problems often relate to the political dimension as well. Consequently, it seems very promising and necessary alike to take a closer look at the interrelation of sports and politics. The present volume addresses this interrelation from different angles, when talking about issues like racism, gender inequality, or classism. |
| bob crimp political party: Queer Political Performance and Protest Benjamin Shepard, 2009-09-10 From the birth of the Gay Liberation through the rise of the AIDS Coalition to Unleash Power (ACT UP) in 1987, the global justice movement in 1994, the largest day of antiwar protest in world history in February 2003, the Republican National Convention protests in August 2004, and the massive immigrant rights rallies in the spring of 2006, the streets of cities around the world have been filled with a new theatrical model of protest. Elements of fun, creativity, pleasure, and play are cornerstones of this new approach toward protest and community building. No movement has had a larger influence on the emergence of play in social movement activity than the gay liberation and queer activism of the past thirty years. This book examines the role of play in gay liberation and queer activism, and the ways in which queer notions of play have influenced a broad range of social movements. |
| bob crimp political party: Science, Money, and Politics Daniel S. Greenberg, 2003-04-15 Greenberg explores how scientific research is funded in the United States, including why the political process distributes the funds the way it does and how it can be corrupted by special interests in academia, business, and political machines. |
| bob crimp political party: Harper's Weekly , 1881 |
| bob crimp political party: The Art of Coalition David W. Lovell, Andrew Blyth, 2022-06-01 Despite being described as ‘a remarkably successful partnership’ by John Howard and a ‘triumph of trust’ by his counterpart, Nationals leader and Deputy Prime Minister John Anderson, the art of coalition government is a delicate (and sometimes difficult) balancing of policy, politics and personalities. The relationship between the Liberal and Nationals parties ensured the Howard Government’s stability and provided a solid foundation for its legislative program between 1996 and 2007. While the Coalition partnership has been pivotal to Australian politics since the Second World War, under the Howard prime ministership — despite occasional tensions — the two parties changed key aspects of Australian life through gun control, telecommunications and taxation reform, and balancing the budget. In The Art of Coalition, Tom Frame, Zareh Ghazarian, Linda Courtenay Botterill, Paul Davey, Joel Fitzgibbon, Tony Abbott and others convey the complexities of maintaining a strong political partnership, and the importance of trust in an effective coalition. ‘This book is a valuable account of one of the successes of the Howard era – Coalition relations in office – with contributions from participants and commentators. It is more illuminating than ever given the more recent experience pointing to deepening difficulties between the coalition partners.’ — Paul Kelly ‘There are few aspects of the government I led that have been more consistently overlooked in academic scholarship than the highly effective coalition between the Liberal and National parties. This collection of perspectives is a timely reminder of the importance of consensus and co-operation in the pursuit of the national interest and the public good.’ — John Howard |
| bob crimp political party: The Community Performance Reader Petra Kuppers, Gwen Robertson, 2020-07-24 Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance. |
| bob crimp political party: The Last Gunfight Jeff Guinn, 2012-05-15 Originally published: New York: Simon & Schuster, 2011. |
| bob crimp political party: The Oregon Shanghaiers: Columbia River Crimping from Astoria to Portland Barney Blalock, 2014-04-08 In the hardscrabble early days of Portland's seaport, shanghaiing or crimping ran rampant. The proprietors of crooked saloons and sailors' boardinghouses coerced unwitting patrons to work on commercial ships. Shanghaiers like James Turk, Bunko Kelley and Billy Smith unashamedly forced men into service and stole the wages of their victims. By the 1890s, these shanghaiers had become powerful enough to influence the politics of Astoria and Portland, charging sea captains outrageous fees for unskilled laborers and shaping maritime trade around a merciless black market. For nearly a century, the exploits of these notorious crimpers have existed mainly in lore. Now historian Barney Blalock offers a lively and meticulously researched account of these colorful and corrupt men, revealing an authentic account of Oregon's malicious maritime legends. |
| bob crimp political party: New York Magazine , 1996-02-19 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| bob crimp political party: Geographies of Resistance Steve Pile, Michael Keith, 1997 Drawing on material from around the world this book attempts to explore how new geographies of resistance emerge and are articulated. New geographical spaces which have arisen out of different forms of resistance are explored. |
| bob crimp political party: Locked in the Cabinet Robert B. Reich, 2013-09-04 Locked in the Cabinet is a close-up view of the way things work, and often don't work, at the highest levels of government--and a uniquely personal account by the man whose ideas inspired and animated much of the Clinton campaign of 1992 and who became the cabinet officer in charge of helping ordinary Americans get better jobs. Robert B. Reich, writer, teacher, social critic--and a friend of the Clintons since they were all in their twenties--came to be known as the conscience of the Clinton administration and one of the most successful Labor Secretaries in history. Here is his sometimes hilarious, sometimes poignant chronicle of trying to put ideas and ideals into practice. With wit, passion, and dead-aim honesty, Reich writes of those in Washington who possess hard heads and soft hearts, and those with exactly the opposite attributes. He introduces us to the career bureaucrats who make Washington run and the politicians who, on occasion, make it stop; to business tycoons and labor leaders who clash by day and party together by night; to a president who wants to change America and his opponents (on both the left and the right) who want to keep it as it is or return it to where it used to be. Reich guides us to the pinnacles of power and pretension, as bills are passed or stalled, reputations built or destroyed, secrets leaked, numbers fudged, egos bruised, news stories spun, hypocrisies exposed, and good intentions occasionally derailed. And to the places across America where those who are the objects of this drama are simply trying to get by--assembly lines, sweatshops, union halls, the main streets of small towns and the tough streets of central cities. Locked in the Cabinet is an intimate odyssey involving a memorable cast--a friend who is elected President of the United States, only to discover the limits of power; Alan Greenspan, who is the most powerful man in America; and Newt Gingrich, who tries to be. Plus a host of others: White House staffers and cabinet members who can't find the loop ; political consultant Dick Morris, who becomes the loop ; baseball players and owners who can't agree on how to divide up $2 billion a year; a union leader who accuses Reich of not knowing what a screwdriver looks like; a heretofore invisible civil servant deep in the Labor Department whose brainchild becomes the law of the land; and a wondrous collection of senators, foreign ministers, cabinet officers, and television celebrities. And it is also an odyssey for Reich's wife and two young sons, who learn to tolerate their own cabinet member but not to abide Washington. Here is Reich--determined to work for a more just society, laboring in a capital obsessed with exorcising the deficit and keeping Wall Street happy--learning that Washington is not only altogether different from the world of ordinary citizens but ultimately, and more importantly, exactly like it: a world in which Murphy's Law reigns alongside the powerful and the privileged, but where hope amazingly persists. There are triumphs here to fill a lifetime, and frustrations to fill two more. Never has this world been revealed with such richness of evidence, humor, and warmhearted candor. |
| bob crimp political party: And The Band Played on Randy Shilts, 2000-04-09 An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country. |
| bob crimp political party: Time Briton Hadden, Henry R. Luce, 1988 |
| bob crimp political party: Four Hats in the Ring Lewis L. Gould, 2008-04-09 Imagine a presidential election with four well-qualified and distinguished candidates and a serious debate over the future of the nation! Sound impossible in this era of attack ads and strident partisanship? It happened nearly a century ago in 1912, when incumbent Republican William Howard Taft, former president Theodore Roosevelt running as the Progressive Party candidate, Democratic nominee Woodrow Wilson, and Socialist candidate Eugene V. Debs all spoke to major concerns of the American people and changed the landscape of national politics in the bargain. The presidential election of 1912 saw a third-party candidate finish second in both popular and electoral votes. The Socialist candidate received the highest percentage of the popular vote his party ever attained. In addition to year-round campaigning in the modern style, the 1912 contest featured a broader role for women, two exciting national conventions, and an assassination attempt on Roosevelt's life. The election defined the major parties for generations to come as the Taft-Roosevelt split pushed the Republicans to the right and the Democrats' agenda of reform set them on the road to the New Deal. Lewis L. Gould, one of America's preeminent political historians, tells the story of this dramatic race and explains its enduring significance. Basing his narrative on the original letters and documents of the candidates themselves, he guides his readers down the campaign trail through the factional splits, exciting primaries, tumultuous conventions and the turbulent fall campaign to Wilson's landslide electoral vote victory in November. It's all here-Gene Debs's challenge to capitalism, the progressive rivalry of Roosevelt and Robert La Follette, the debate between the New Freedom of Wilson and the New Nationalism of Roosevelt, and the resolve of Taft to defeat his one-time friend TR and keep the Republican Party in conservative hands. Gould combines lively anecdotes, the poetry and prose of the campaign, and insights into the clash of ideology and personality to craft a narrative that moves as fast as did the 1912 election itself. Americans sensed in 1912 that they stood at a turning point in the nation's history. Four Hats in the Ring demonstrates why the people who lived and fought this significant election were more right than they could ever have known. |
| bob crimp political party: New York Magazine , 1996-02-19 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| bob crimp political party: Appeal to Reason Craig Aaron, 2018-02-27 In These Times, the national, biweekly magazine of news and opinion, has provided groundbreaking coverage of the labor movement, the environment, feminism, grassroots politics, minority communities, and the media for twenty-five years. Filled with new writing commissioned specially for this anniversary volume, images, and text highlights of the last quarter-century in the magazine, Appeal to Reason: The First 25 Years of In These Times showcases contributors to the magazine like Noam Chomsky, David Brower, and Alice Walker, to name just a few. But it also asks an important question: Where do we go from here? For answers, Appeal to Reason turns to more than twenty leading progressive writers—including Barbara Ehrenreich, Juan Gonzalez, Salim Muwakkil, and Robert W. McChesney—who take a fresh look at the lessons of the past and suggest directions for the future. Exploring issues ranging from globalization and criminal justice to the environment and culture, Appeal to Reason lays a political and intellectual foundation for the debates, discussions, and movements of the next twenty-five years. |
| bob crimp political party: The Bulletin , 1996-07 |
| bob crimp political party: Political Theatre in Post-Thatcher Britain A. Kritzer, 2008-03-14 The 'in-yer-face' plays of the mid-1990s announced a new generation shaped by Thatcherism and defined by antipathy to social ideals and political involvement. They have generated thoughtful and lively responses from playwrights. The resulting dialogue has brought politics to the forefront of British drama and reinvigorated British theatre. |
| bob crimp political party: The Gangs Of New York Herbert Asbury, 2016-07-26 Herbert Asbury presents here a vivid and startling account of New York gangdom from its beginning in Revolutionary times to comparatively recent days. Here are the stories of the great gangs which terrorized the city and at times menaced its very existence—from the Bowery Boys and the Dead Rabbits to the Gophers and the Eastmans. Kid Dropper, Dopey Benny, Gyp the Blood and Owney Madden are a few of the gangster luminaries described, not to mention such female evildoers as Gallus Mag and Sadie the Goat. Nor have the underworld’s lesser lights been overlooked; for these pages are crowded with a host of gang warriors, pickpockets, tong leaders, murderers, politicians, gamblers, prostitutes, dive-keepers and a few would-be reformers. Mr. Asbury has created such a rich, factual background for this chronicle of crime and gangsterism that the book gains considerable stature as a revealing picture of New York City’s history through a century of frenzied growth and expansion. Whether you read it as such or merely for amusement, it is a swift, exciting experience. |
| bob crimp political party: The Pink Sheet on the Left , 1972 |
| bob crimp political party: Real Life Rock Greil Marcus, 2015-01-01 The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance. |
| bob crimp political party: Perfume River Robert Olen Butler, 2016-09-06 A powerful novel of a family haunted by the aftershocks of the Vietnam War—from the Pulitzer Prize–winning author of a A Good Scent from a Strange Mountain. “You share a war in one way. You pass it on in another.” Passionate student activism brought Robert Quinlan together with his future wife during the tumultuous years of the Vietnam War. But since then, the long-married Florida university professors have grown apart. Their crumbling relationship is mirrored by Robert’s estrangement from his brother . . . alienated by the same controversial war. Now, with their father—a World War II veteran—lying close to death, the rift in the family is sorely tested when Robert’s brother refuses to put the past aside and return to say goodbye. And when Robert mistakes a homeless stranger for a fellow Vietnam veteran, his unstable presence in their lives will further stir the emotional scars that shattered the Quinlan men . . . and take its toll on those they love most. “Butler’s Faulknerian shuttling back and forth across the decades has less to do with literary pyrotechnics than with cutting to the chase. Perfume River hits its marks with a high-stakes intensity . . . Butler’s prose is fluid, and his handling of his many time-shifts as lucid as it is urgent. His descriptive gifts don’t extend just to his characters’ traits or their Florida and New Orleans settings, but to the history he’s addressing.” —Michael Upchurch, New York Times Book Review “Butler moves easily among his characters to create a composite portrait of a family that has been wrecked by choices made during the Vietnam War.” —Beth Nguyen, San Francisco Chronicle “The story builds its force with great care . . . Its power is that we want to keep reading. The entire journey is masterfully rendered, Butler lighting a path back into the cave, completely unafraid.” —Benjamin Busch, Washington Post “Butler greatly enlarges our sense of what the Vietnam War cost to a generation . . . Perfume River tells a human story that sums up an entire era of American life.” —Miami Herald “Butler’s assured, elegant novel . . . speaks eloquently of the way the past bleeds into the present, history reverberates through individual lives, and mortality challenges our perceptions of ourselves and others.” —Publishers Weekly “A heartbreaking story of fathers and sons and their expectations and disappointments . . . Perfume River is a powerful work that asks profound questions about betrayal and loyalty.” —BookPage |
| bob crimp political party: In the Name of National Security Robert J. Corber, 1993-10-20 In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the perceived threat that Communists, lesbians, and homosexuals posed to national security. Through an analysis of the films of Alfred Hitchcock, combined with new research on the historical context in which these films were produced, Corber shows how Cold War liberals tried to contain the increasing heterogeneity of American society by linking questions of gender and sexual identity directly to issues of national security, a strategic move that the films of Hitchcock both legitimated and at times undermined. Drawing on psychoanalytic and Marxist theory, Corber looks at such films as Rear Window, Strangers on a Train, and Psycho to show how Hitchcock manipulated viewers' attachments and identifications to foster and reinforce the relationship between homophobia and national security issues. A revisionary account of Hitchcock's major works, In the Name of National Security is also of great interest for what it reveals about the construction of political reality in American history. |
| bob crimp political party: In the Republic of Happiness Martin Crimp, 2012-12-13 - What're you doing here Robert? - Well to be frank with you, I've really no idea. I thought I would just suddenly appear, so I did. I suddenly appeared. A family Christmas is interrupted by the unexpected arrival of Uncle Bob. Who is he? Why has he come? Why does his wife stay out in the car? And what is the meaning of his long and outrageous message? All we can be sure of is that the world will never be the same again. A provocative roll-call of contemporary obsessions, In the Republic of Happiness premiered at the Royal Court Theatre, London, in December 2012. |
| bob crimp political party: North Dakota History , 1976 Journal of the Northern Plains. |
| bob crimp political party: Over Our Dead Bodies Simon Chapman, 1998-01-01 Insiders account of the long campaign for gun law reform in Australia. It analyses why politicians across the board moved so quickly to support Howard's agenda, despite an historical reluctance to legislate in this area and despite intense pressure from an organised and vocal gun lobby. |
| bob crimp political party: Billboard , 1944-01-22 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| bob crimp political party: Financing the 1992 Election John Clifford Green, 2016-09-16 First Published in 1996. Routledge is an imprint of Taylor & Francis, an Informa company. |
| bob crimp political party: Purchasing Submission Philip Hamburger, 2021-09-07 From a leading constitutional scholar, an important study of a powerful mode of government control: the offer of money and other privileges to secure submission to unconstitutional power. The federal government increasingly regulates by using money and other benefits to induce private parties and states to submit to its conditions. It thereby enjoys a formidable power, which sidesteps a wide range of constitutional and political limits. Conditions are conventionally understood as a somewhat technical problem of Òunconstitutional conditionsÓÑthose that threaten constitutional rightsÑbut at stake is something much broader and more interesting. With a growing ability to offer vast sums of money and invaluable privileges such as licenses and reduced sentences, the federal government increasingly regulates by placing conditions on its generosity. In this way, it departs not only from the ConstitutionÕs rights but also from its avenues of binding power, thereby securing submission to conditions that regulate, that defeat state laws, that commandeer and reconfigure state governments, that extort, and even that turn private and state institutions into regulatory agents. The problem is expansive, including almost the full range of governance. Conditions need to be recognized as a new mode of powerÑan irregular pathwayÑby which government induces Americans to submit to a wide range of unconstitutional arrangements. Purchasing Submission is the first book to recognize this problem. It explores the danger in depth and suggests how it can be redressed with familiar and practicable legal tools. |
| bob crimp political party: Princeton Alumni Weekly , 1933 |
| bob crimp political party: Andy Warhol Donna M. De Salvo, Jessica Beck (Art museum curator), 2018-01-01 A unique 360‐degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928-1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production--from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today. |
| bob crimp political party: New York , 1996 |
| bob crimp political party: The Economist , 1996 |
| bob crimp political party: ISLA , 1995-05 Clippings of Latin American political, social and economic news from various English language newspapers. |
| bob crimp political party: Skiing , 1973-02 |
| bob crimp political party: Skiing , 1973-02 |
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