| body language in dance: A Practical Guide to Body Language Glenn Wilson, 2012-11-01 An INTRODUCING PRACTICAL GUIDE to understanding the body language of others and being aware of your own. INTRODUCING BODY LANGUAGE explains how to read other people and how to be more aware of what you are saying with your own body language. This easy to read guide teaches you how to understand non-verbal messages, dealing separately with different parts of the body, such as facial expressions, posture and hand movements. |
| body language in dance: Body - Language - Communication. Volume 1 Cornelia Müller, Alan Cienki, Ellen Fricke, Silva Ladewig, David McNeill, Sedinha Tessendorf, 2013-10-14 Volume I of the handbook presents contemporary, multidisciplinary, historical, theoretical, and methodological aspects of how body movements relate to language. It documents how leading scholars from differenct disciplinary backgrounds conceptualize and analyze this complex relationship. Five chapters and a total of 72 articles, present current and past approaches, including multidisciplinary methods of analysis. The chapters cover: I. How the body relates to language and communication: Outlining the subject matter, II. Perspectives from different disciplines, III. Historical dimensions, IV. Contemporary approaches, V. Methods. Authors include: Michael Arbib, Janet Bavelas, Marino Bonaiuto, Paul Bouissac, Judee Burgoon, Martha Davis, Susan Duncan, Konrad Ehlich, Nick Enfield, Pierre Feyereisen, Raymond W. Gibbs, Susan Goldin-Meadow, Uri Hadar, Adam Kendon, Antja Kennedy, David McNeill, Lorenza Mondada, Fernando Poyatos, Klaus Scherer, Margret Selting, Jürgen Streeck, Sherman Wilcox, Jeffrey Wollock, Jordan Zlatev. |
| body language in dance: To Dance is Human Judith Lynne Hanna, 1987-09-15 Exploring dance from the rural villages of Africa to the stages of Lincoln Center, Judith Lynne Hanna shows that it is as human to dance as it is to learn, to build, or to fight. Dance is human thought and feeling expressed through the body: it is at once organized physical movement, language, and a system of rules appropriate in different social situations. Hanna offers a theory of dance, drawing on work in anthropology, semiotics, sociology, communications, folklore, political science, religion, and psychology as well as the visual and performing arts. A new preface provides commentary on recent developments in dance research and an updated bibliography. |
| body language in dance: Body Language: The Disturbing Nature of Psychopaths and Sociopaths (The Hidden Communication Tool for Building Stronger Connections) Oscar Everett, 101-01-01 This book was written to help you decode body language. It was also written to help you control/command what you say with your body language. Understanding other people’s body language and reactions when flirting doesn’t have to be complex anymore. In this illustrated book, i will tell you what a woman means with no filters or sugar-coating. Plus, you’ll also get assignments to help you effectively practice what you learn. Here's a sneak peak of what you will learn.... • What signs send the wrong message to the onlooker/ interviewer/ boss/ spouse and how to avoid them • How to use this knowledge to project the image you want wherever you want • How to promote your career using this powerful tool • How to become more confident, assertive and outgoing • How to improve your relationships with friends and family • How to give off the right signals to a someone you admire by highlighting your true intentions • And much, much more! Body language 101 is a powerful tool that you can use in every aspect of your life. This book will give you an in depth insight into how to read body language to decipher the hidden agenda of any dialogue or interaction. Mastering the skills in this book will enhance your relationships with your spouse, partner or family members, it could even further your career by helping you to ace that interview or even help you to build a great rapport with your work colleagues or boss. |
| body language in dance: Body - Language - Communication. Volume 2 Cornelia Müller, Alan Cienki, Ellen Fricke, Silva Ladewig, David McNeill, Sedinha Tessendorf, 2014-10-29 Volume II of the handbook offers a unique collection of exemplary case studies. In five chapters and 99 articles it presents the state of the art on how body movements are used for communication around the world. Topics include the functions of body movements, their contexts of occurrence, their forms and meanings, their integration with speech, and how bodily motion can function as language. By including an interdisciplinary chapter on ‘embodiment’, volume II explores the body and its role in the grounding of language and communication from one of the most widely discussed current theoretical perspectives. Volume II of the handbook thus entails the following chapters: VI. Gestures across cultures, VII. Body movements: functions, contexts and interactions, VIII. Gesture and language, IX. Embodiment: the body and its role for cognition, emotion, and communication, X. Sign Language: Visible body movements as language. Authors include: Mats Andrèn, Richard Asheley, Benjamin Bergen, Ulrike Bohle, Dominique Boutet, Heather Brookes, Penelope Brown, Kensy Cooperrider, Onno Crasborn, Seana Coulson, James Essegby, Maria Graziano, Marianne Gullberg, Simon Harrison, Hermann Kappelhoff, Mardi Kidwell, Irene Kimbara, Stefan Kopp, Grigoriy Kreidlin, Dan Loehr, Irene Mittelberg, Aliyah Morgenstern, Rafael Nuñez, Isabella Poggi, David Quinto-Pozos, Monica Rector, Pio Enrico Ricci-Bitti, Göran Sonesson, Timo Sowa, Gale Stam, Eve Sweetser, Mark Tutton, Ipke Wachsmuth, Linda Waugh, Sherman Wilcox. |
| body language in dance: Seductive Body Language: Non-Verbal Seduction Guide Edwin Rodriguez, SEDUCTIVE BODY LANGUAGE: 💋 NON VERBAL SEDUCTION GUIDE ► Learn the secrets of body language through gestures: Analyze people, attract, persuade, conquer.🔥 Do you want to know when a woman is in love with you and what to do to make them all fall in love? • How to interpret the body language of others? • Express yourself as confident? • Be seen as a leader? • Conquer the girl you like? • Know what you are communicating to the world with your image, and how girls react to it? • With over 50 high quality professional images Learn how to read and influence with body language and how to conquer by the hand of an experienced seducer with 12 years of study in the art of seduction. Discover the secrets that will allow you to reach an advanced level of seduction like Alvaro Reyes, Mario Luna or Mistery. Unique with real stories, tips, case studies, reports and tricks learned over more than 10 years in seduction communities, DayGame and NightGame practice. -Improve your self-confidence -Overcome the fear of rejection and go for the girl -You will never fail your performances again -Learn the right mindset to be a seductive lover (sex provider) -Greater control over your own emotional intelligence You will be more sociable and influential It is popularly said that 80% of communication is non-verbal, even more significant is the tone of voice, it is more important the way we say things than what we say, knowing that we miss great information by focusing only on the words, we note the importance of understanding and learning to read body language. Apply the techniques described here to conquer that girl you want so much. Written by Edwin Rodriguez, NLP Coach and seduction artist, with contributions from Actitud Alpha, the most influential team of seducers in the Colombian Caribbean. Prologue by Sergio Cruzado, the most known Peruvian therapist and seducer in the world. ENJOY IT AND SEDUCE THEM NOW, WITH JUST ONE CLICK ON: Buy Now Many reasons in case you still have doubts: Seductive Body Language Non-Verbal Seduction Guide Actitud Alpha Edwin Rodriguez, Sr Body language analysis Attracting women Persuasion techniques Conquering love Interpreting body language Confidence expression Leadership skills Conquering the desired girl Image communication Reactions of women to your image High-quality professional images Advanced seduction techniques Real stories Tips and tricks Case studies Seduction communities DayGame and NightGame Improving self-confidence Overcoming fear of rejection Emotional intelligence control Sociability and influence Non-verbal communication NLP Coach Seduction artist Enjoyment and seduction ENJOY IT AND SEDUCE THEM NOW, WITH JUST ONE CLICK ON: Buy Now |
| body language in dance: Body Language Basics Shelly Hagen, 2011-12-15 Stare or glare—which is it? If you can’t read the visual clues of body language, you could lose a lot in the translation. Body Language Basics makes you fluent in no time. Whether you’re trying to get a read on a new client’s willingness to make a deal or wondering if your date’s down-turned gaze indicates disinterest or coyness, Body Language Basics shows you how to get a better read on the subconscious signals people send your way. |
| body language in dance: Dancing with Horses Klaus Ferdinand Hempfling, 2012-10-01 Dominance without punishment, collection without rein pressure, these apparent contradictions are explained as this charismatic new author demonstrates his revolutionary method of teaching and training based upon precisely defined body language. The method, a way of communicating in a visual language understood by the horse, assists the rider to develop a 'presence' and to achieve interaction with the horse. It is classically based and embodies both holistic and spiritual principles. Packed with marvellous colour photographs this book has already been a bestseller in Germany, France, Spain and Scandinavia and will enthral every horse owner. |
| body language in dance: Experiencing Dance Marty Sprague, Helene Scheff, Susan McGreevy-Nichols, Kelly Berick, 2024-10-15 Experiencing Dance: From Student to Dance Artist, Third Edition, is geared toward students in dance II, III, and IV classes. It places teachers in the role of facilitator and opens up a world of creativity and analytical thinking as students explore dance as an art form. |
| body language in dance: Experiencing Dance Helene Scheff, Marty Sprague, Susan McGreevy-Nichols, 2014-04-08 Experiencing Dance: From Student to Dance Artist, Second Edition, takes off where its previous edition—a best-selling high school text for students enrolled in dance classes—left off. Geared to students in dance II, III, and IV classes, this text places teachers in the role of facilitator and opens up a world of creativity and analytical thinking as students explore the art of dance. Through Experiencing Dance, students will be able to do the following: • Encounter dance through creating, performing, responding to, analyzing, connecting with, and understanding dance through its 45-plus lessons. • Experience dance as performers, choreographers, and audience members. • Learn about dance in historical and cultural contexts, in community settings, and as career options. • Go through a complete and flexible high school curriculum that can be presented in one or more years of instruction. • Meet state and national standards in dance education and learn from a pedagogically sound scope and sequence that allow them to address 21st-century learning goals. • Use Spotlight and Did You Know? special elements that will enhance the learning experience and connect studio learning to the real world of dance. Experiencing Dance will help students engage in movement experiences as they learn and apply dance concepts through written, oral, and media assignments. These assignments help them gain a perspective of dance as an art form and provide the content for students to develop interactive dance portfolios. The text contains 15 chapters in five units. Each chapter offers at least three lessons, each containing the following material: • Move It! introduces students, through a movement experience, to a lesson concept. • Vocabulary provides definitions of key terms. • Curtain Up offers background information to help students understand lesson topics and concepts. • Take the Stage presents dance-related assignments for students to produce and share. • Take a Bow engages students in response, evaluation, and revision activities to process their work and concepts presented in the chapter. Each lesson includes Spotlight and Did You Know? special elements that help students extend their learning and deepen their understanding of historical and cultural facts and prominent dancers, dance companies, and professionals in careers related to dance. Each chapter includes a chapter review quiz. Quizzes incorporate true-or-false, short-answer, and matching answer questions. Finally, each chapter ends with a capstone assignment. Students will delve into major topics such as these: • Identifying your movement potential as a dancer • Understanding dance science and its application through studying basic anatomy and injury prevention in relation to dance training • Developing proper warm-ups and cool-downs and integrating fitness principles and nutrition information into healthy dancing practices • Expressing through various dance styles and forms the roles of the dancer, the historical and cultural heritage of the dance, and the dance’s connections to community and society • Developing and performing dance studies and choreography in a variety of styles and forms and then producing the dance using production elements for a variety of settings • Preparing for a future as a dancer, choreographer, or a career that is otherwise connected to dance • Advocating for dance in your community and beyond The text is bolstered by web resources for both students and teachers. These resources enhance the students’ learning experience while enabling teachers to prepare for, conduct, and manage their classes. The student web resource contains these features: • Journaling prompts • Extended learning activities • Web search suggestions for further research • Worksheets and assignments to either print out or complete online (via editable Word files) • Interactive chapter review quizzes (these are completed online and students get immediate feedback) • Video clips • Vocabulary terms with and without definitions to aid in self-quizzing and review The teacher web resource contains everything that is on the student web resource, plus the following: • A printable full-color poster for the classroom • PowerPoint presentations for each chapter • Answer keys for worksheets and quizzes • A full electronic version of the student textbook In addition, Experiencing Dance is available in both print and interactive iBook versions. The iBook version has embedded chapter-opening and instructional video clips as well as interactive quizzes (in which students immediately receive feedback on their answers). This updated text, with its solid instruction and comprehensive lessons, new resources, and extended learning experiences, will help students at levels II, III, and IV increase their understanding of, expertise in, and enjoyment of dance. |
| body language in dance: Body Language in the Greek and Roman Worlds Douglas Cairns, 2005-12-31 A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies. |
| body language in dance: Dance, Sex, and Gender Judith Lynne Hanna, 1988-05-15 Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender.—Randy Martin, Journal of the History of Sexuality |
| body language in dance: Performing Identities GeoffreyV. Davis, 2017-07-05 Performing Identities brings together essays by scholars, artists and activists engaged in understanding and conserving rapidly disappearing local knowledge forms of indigenous communities across continents. It depicts the imaginative transactions evident in the interface of identity and cultural transformation, raising the issue of cultural rights of these otherwise marginalized communities. |
| body language in dance: Digital Body Language Erica Dhawan, 2021-05-11 An instant Wall Street Journal Bestseller The definitive guide to communicating and connecting in a hybrid world. Email replies that show up a week later. Video chats full of “oops sorry no you go” and “can you hear me?!” Ambiguous text-messages. Weird punctuation you can’t make heads or tails of. Is it any wonder communication takes us so much time and effort to figure out? How did we lose our innate capacity to understand each other? Humans rely on body language to connect and build trust, but with most of our communication happening from behind a screen, traditional body language signals are no longer visible -- or are they? In Digital Body Language, Erica Dhawan, a go-to thought leader on collaboration and a passionate communication junkie, combines cutting edge research with engaging storytelling to decode the new signals and cues that have replaced traditional body language across genders, generations, and culture. In real life, we lean in, uncross our arms, smile, nod and make eye contact to show we listen and care. Online, reading carefully is the new listening. Writing clearly is the new empathy. And a phone or video call is worth a thousand emails. Digital Body Language will turn your daily misunderstandings into a set of collectively understood laws that foster connection, no matter the distance. Dhawan investigates a wide array of exchanges—from large conferences and video meetings to daily emails, texts, IMs, and conference calls—and offers insights and solutions to build trust and clarity to anyone in our ever changing world. |
| body language in dance: Dance Words Valerie Preston-Dunlop, 2016-01-28 In her unique collection of the verbal language of dance practitioners and researchers, Valerie Preston-Dunlop presents a comprehensive view of people in dance: what they do, their movement, their sound, and the space in which they work - from the standpoint of the performers, choreographers, audiences, administrators, and teachers. The words and phrases of their technical and vernacular languages, which are used to communicate what is essentially a non-verbal activity, have been collected in rehearsal classes and workshops by interviews, and from published sources. In this first collection of its kind Valerie Preston-Dunlop extends her selection of verbal language to include the various social and theatrical domains of dance. |
| body language in dance: Dance Psychology for Artistic and Performance Excellence Jim Taylor, Elena Estanol, 2015-06-25 The dance world is filled with technique books, which certainly serve an important role in helping dancers improve their performance. But the market has been conspicuously void of instruction on a vital aspect of dance performance: the mental aspect. Developing Psychological Strength in All Dancers Jim Taylor, a veteran sport and dance psychologist and author, and Elena Estanol, a dancer, instructor, and sport and dance psychologist, bring their experience and knowledge to Dance Psychology for Artistic and Performance Excellence to help dancers at all levels develop psychological strength to maximize their performance. Dance Psychology for Artistic and Performance Excellence will help dancers in these ways: • Understand how to use the mental aspects of dance to their advantage. • Learn simple techniques to raise their dancing to a new level. • Refine their technique and overcome performance challenges. Individualized Program and Web Resource Tools Dancers will build a strong foundation for performance by employing the dance-specific psychological strategies. The individualized program will help dancers reach their potential in artistry and excellence in school, the dance profession, and dance-related careers. The book comes with a companion web resource containing 40 worksheets that will help dancers grow mentally through reflection and self-examination. Dancers will be able to use these tools to refine their technique and overcome performance challenges. Scientifically Proven Psychological Methods Dance Psychology for Artistic and Performance Excellence incorporates some updated content from Taylor’s original best-selling book Psychology of Dance. Through the authors’ research and experience with dancers over the past two decades, this book offers the latest in scientifically proven psychological methods and practices that dancers have used to achieve optimal performance. As the authors write in their preface: What separates good dancers from the best dancers lies in how mentally prepared they are to perform their best, despite circumstances that dance and life throw at them. Dancers who are the most motivated to train, who have the greatest confidence in themselves, who perform best under pressure, who stay focused on their performance, who keep their emotions under control, and who are able to direct their emotions to elevate their performance and technique to true artistry are the most successful and revered. Key Psychological Concepts Explored To help dancers elevate their performance, the authors explore these concepts in the context of dance performance and provide practical exercises for each concept: • Self-knowledge • Motivation • Confidence • Intensity • Focus • Emotions • Goal setting • Imagery The authors also examine the foundations of dance psychology and delve into special concerns for dancers, including stress and burnout, pain and injury, and disordered eating. Making Your Mind the Most Powerful Tool Once you get to a certain level, your mind is your most powerful tool—or your most harmful weapon. Dance Psychology for Artistic and Performance Excellence will help dancers turn their minds into powerful tools not only to improve their technical and artistic performance but also to enhance their enjoyment, bring greater fulfillment, and enrich their lives personally and professionally. This text is an important contribution to the Human Kinetics dance list because it equips dancers with the psychological tools they need for success. |
| body language in dance: Dance, Modernity and Culture Helen Thomas, 2003-09-02 By examining the development of modern dance in the USA in the inter-war period, Thomas develops a framework for analysing dance from a sociological perspective. She applies her approach to, among others, St Denis, Ted Shawn, and Martha Graham. |
| body language in dance: Writing in Motion Kenneth King, 2003 Kenneth King is one of America’s most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and some of his most influential dances have been dedicated to and in dialogue with the work of such philosophers as Susanne K. Langer, Edmund Husserl and Friedrich Nietzsche. Since the 1960s, he has performed his dance to texts both spoken and prerecorded—texts intended to stand separately as literary works. Writing in Motion spans more than thirty years and is collected here for the first time. It includes essays, performance scripts of King’s own work, art criticism, philosophy and cultural commentary. Dense with movement, these writings explode and reconfigure the familiar, crack syntax open, and invent startling new words. Dancing, to King, is “writing in space, and writing is a dance of ideas. Whether referencing Aristotle, Langer, Simone de Beauvoir, MTV, Maurice Blanchot or Marshall McLuhan, King’s delightfully lavish prose is very much “in motion.” |
| body language in dance: Anthropology and the Dance Drid Williams, 2004 Drid Williams explores dance and dance-related subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment. |
| body language in dance: Popular Culture in the Middle East and North Africa Walid El Hamamsy, Mounira Soliman, 2013 This book explores the current historical moment through works of popular culture produced in, and on, the Middle East and North Africa region, Turkey, and Iran. Essays consider gender, racial, political, and other issues in film, cartoons, talk shows, music, dance, blogs, graphic novels, fiction, fashion, and advertisements. |
| body language in dance: J.M. Coetzee’s Revisions of the Human Kai Wiegandt, 2020-01-22 “Kai Wiegandt’s study offers a nuanced, thoroughgoing and deeply engaging account of novelist J.M. Coetzee’s revision of our core ideas of the human—not least the human sense of uniqueness that we have invested in our belief in reason and conviction of God-likeness. He persuasively analyses the careful ways through which Coetzee deploys narrative as a mode of thinking through such human and post-human questions, so developing a fresh and original approach Wiegandt calls ‘anthropological realism’. Drawing on thinkers from across the French, German and Anglophone traditions, Wiegandt has produced a fiercely insightful and committedly interdisciplinary study.” — Elleke Boehmer, Professor of World Literature in English, University of Oxford “J.M. Coetzee’s Revisions of the Human offers a bold and compelling argument that is sure to make a serious intervention in Coetzee criticism. Wiegandt introduces several new fields of enquiry in relation to Coetzee’s fiction; the discussions thus reframe well-worn debates in an innovative way, making for unexpected insights in seemingly familiar critical terrain. The book opens up a valuable and thought-provoking perspective on Coetzee’s work, and will be of particular interest to the philosophically-minded Coetzee specialist.” — Carrol Clarkson, Professor and Chair of Modern English Literature, University of Amsterdam Tracking skilfully across the shifting terrain of J. M. Coetzee’s fictions, Kai Wiegandt draws out their philosophical and literary intertexts in this lucid, erudite and compelling book, and thereby illuminates a fundamental concern that has persisted throughout Coetzee’s career: to probe and push our ideas of what it is to be human. — Jarad Zimbler, author of J. M. Coetzee and the Politics of Style This study argues that the most consistent concern in Coetzee’s oeuvre is the question of what makes us human. Ideas of the human that stress language use, reason, self-consciousness, autonomy and God-likeness are revised in his novels via a ‘poetic of testing’ which pits intertextually referenced ideas against each other in polyphonic narratives. In addition to examining the philosophical provenance of questions of the human in the work of such thinkers as Plato, Hegel, Heidegger, Barthes and Foucault, the study charts Coetzee’s reconfiguration of elements drawn from major literary precursors like Cervantes, Heinrich von Kleist, Kafka and Beckett. Its leading argument is that Coetzee revises the Enlightenment idea of the human as a disengaged, autonomous thinker by demonstrating the limitations of reason; that he instead offers a view of humanity as engaged agency, a view most compatible with ideas developed in the discourse of post humanism, theories of materiality and social practice theory; and that his revisions depend on narrative form as much as they recommend a narrative approach to ideas in general. |
| body language in dance: The Mirror and the Palette Jennifer Higgie, 2021-03-30 Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In THE MIRROR AND THE PALETTE, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. This is a dazzlingly original and ambitious book by one of the most well-respected art critics at work today. |
| body language in dance: Advances in Real-Time Intelligent Systems Pit Pichappan, |
| body language in dance: The Routledge Companion to Dance Studies Helen Thomas, Stacey Prickett, 2019-10-30 The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field. |
| body language in dance: Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture Simão, Emília, 2015-08-04 The popularization and cult-like following of electronic music has provoked new relations between men and machines, art and technology, and modern shamans and disc jockeys. New technologies and multimedia tools have awakened neo-ritual practices through the emergence of Psychedelic Trance parties, evoking tribal experiences inspired by a new shamanism, mediated by high-tech guide elements. Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture investigates the expansive scope of Electronic Music Dance Culture (EMDC), the rise of Psychedelic Trance culture, and their relationship with new digital platforms. Drawing from perspectives in sociology, anthropology, psychology, aesthetics and the arts, religious studies, information technologies, multimedia communication, shamanism, and ritualism, this book analyzes the impact of new technologies on individual and collective behaviors in cyberspace. This innovative reference source is ideal for use by academicians, researchers, upper-level students, practitioners, and theorists. Focusing on a variety of topics relating to sub-cultures, human behavior, and popular culture, this title features timely research on alternative culture, electronic music festivals, ethnography, music and religion, psychedelic drugs, Psytrance, rave culture, and trance parties. |
| body language in dance: Rumba Dance Encyclopedi Thomas L. Nelson, 2009-05 Kalif Brown is an inspiring basketball star, who has what it takes to make it to the NBA. He's a high school senior with big dreams. But his off the court lifestyle of drugs and guns, may land him in jail or dead. Growing up in a drug infested neighborhood filled with junkies, and criminals, doesn't make his situation any better. And like most young black men and women he's living in a single parent home with his mother. He doesn't have a father figure; therefore he turns to a local dealer to fill that image of a father. Kalif must make a choice. Will it be Hustling or Hooping? And he must make this decision fast because his dreams and life may depend on it. Many young inner city athletes and those not into sports, deal with the pressures of everyday life. And many find it hard to deal with especially if they don't have anyone to talk to. Hustling or Hooping may be a fictional book, but there is a Kalif Brown in every urban city in the U.S. Many young black men grow up fatherless, and turn to the streets for a family. The out come is usually negative. But many do make it out of their situations. This book is highly recommended for any young man, or woman who is growing up in a negative environment, and feels as though he or she cannot make that change for the good. This book can be a tool, to make that negative situation a positive one. But also this book reveals the consequences of not making that change for the better. |
| body language in dance: Talking Dance: Contemporary Histories from the South China Sea Ralph Buck, Nicholas Rowe, Toni Shapiro-Phim, 2016-05-12 The South China Sea has a rich and turbulent history. Today territorial disputes in the region including China, Taiwan, Vietnam, Philippines and Indonesia make it potentially one of the most dangerous points of conflict in Asia and millions of people have crossed its waters in search of safer shores. This new book reveals the ways in which the peoples of the South China Sea region have used dance as a means of contending with the immense political, economic and cultural rifts that have affected their lives. Drawing on the stories of indigenous dancers in southern China, the Philippines, Indonesia, Singapore, Malaysia, Thailand, Cambodia, Laos and Vietnam, it offers unique insights into the ways in which people have used creative movement as a means of understanding the divisions and alienation that conflict, diaspora and globalization have brought and as a first step towards reclaiming their identities and their worlds. |
| body language in dance: The Dance Dragon Dan Logan, 2017-05-30 |
| body language in dance: Sensing Corporeally Floyd Merrell, 2003-01-01 Focusing on analogical sensing, rather than digital reasoning, Merrell argues that human sensation and cognition should be thought of in terms of continually changing signs that can be accounted for in terms of topological forms. |
| body language in dance: The Dance Joan Cass, 2004-12-20 In dance, the choreographer creates, the dancer performs and the viewer observes. This work is a handbook for the viewer. By presenting historical and artistic perspectives of dance, dance events are made more approachable and appreciation for the art form is heightened. The choreographic components of body language, content, structure, music, design and interpretation are included. Also discussed is the development of critical reaction over time. Examples are drawn from Western theatrical dance and worldwide cultural variations. Terms are explained throughout the text, and an extensive bibliography gives sources in print and on tape for further study. Instructors considering this book for use in a course may request an examination copy here. |
| body language in dance: Cultural Specificity in Indonesian Film David Hanan, 2017-02-16 This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways. |
| body language in dance: The Place of Dance Andrea Olsen, 2014-01-30 The Place of Dance is written for the general reader as well as for dancers. It reminds us that dancing is our nature, available to all as well as refined for the stage. Andrea Olsen is an internationally known choreographer and educator who combines the science of body with creative practice. This workbook integrates experiential anatomy with the process of moving and dancing, with a particular focus on the creative journey involved in choreographing, improvising, and performing for the stage. Each of the chapters, or days, introduces a particular theme and features a dance photograph, information on the topic, movement and writing investigations, personal anecdotes, and studio notes from professional artists and educators for further insight. The third in a trilogy of works about the body, including Bodystories: A Guide to Experiential Anatomy and Body and Earth: An Experiential Guide, The Place of Dance will help each reader understand his/her dancing body through somatic work, create a dance, and have a full journal clarifying aesthetic views on his or her practice. It is well suited for anyone interested in engaging embodied intelligence and living more consciously. Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving. |
| body language in dance: Beyond Words Carol-Lynne Moore, Kaoru Yamamoto, 2012-03-12 Beyond Words presents movement observation and analysis techniques to examine every day human interactions, allowing performers to understand them in a new light. Carol-Lynne Moore and Kaoru Yamamoto build on the techniques they expertly displayed in the first edition of the book, maintaining a focus on the process of movement as opposed to discussions of static body language. The authors combine textual discussion with a new set of website-hosted video instructions to help readers develop an in-depth understanding of nonverbal communication. This new second edition is fully revised with a new introduction, and is illustrated throughout. It presents a fascinating insight into this vital field of study and will be an invaluable resource for scholars and practitioners in many areas of performance analysis, choreography and actor training-- |
| body language in dance: Primitive Expression and Dance Therapy France Schott-Billmann, 2014-12-05 This book provides a rigorous and comprehensive account of primitive expression in dance therapy, focusing on the use of rhythm and exploring the therapeutic potential inherent in the diverse traditions of popular dance, from tribal shamanic dance to styles such as rock, rap and hip-hop strongly present in our contemporary society. Drawing on the author’s vast experience in the field of dance therapy, the book examines biological, psychological and anthropological foundations of rhythm based therapies, considering their roots in biological rhythms such as the heartbeat and using such rhythms in therapy. Chapters include: • The link between animal and man: ethology • Shamanism • Gestural symmetry coupling with the other • Bilateralism as structuring dialogue • Rhythm dance therapy • New fields in the application of dance therapy. Clinical examples are provided throughout the book to comprehensively demonstrate how dance rhythm therapy can contribute to the use of the arts therapies. It offers a fresh perspective for researchers, psychotherapists and clinicians who want to use dance therapy techniques, as well as arts therapists and those who want to learn more about artistic and cultural dance. |
| body language in dance: Experimental Dance and the Somatics of Language Megan V. Nicely, 2023-11-13 This book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium. |
| body language in dance: Nor-tec Rifa! Alejandro L. Madrid, 2008 Marketed as a kind of 'ethnic' electronic dance music, Nor-tec samples sounds of traditional music from the north of Mexico transforming these sounds through computer technology used in European and American techno music and electronica. This is an account of this music and the city that fostered its birth. |
| body language in dance: New German Dance Studies Susan Manning, Lucia Ruprecht, 2012-05-21 Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket. |
| body language in dance: The Making of the Middle Class A. Ricardo López, 2012-01-18 The contributors question the current academic understanding of what is known as the global middle class. They see middle-class formation as transnational and they examine this group through the lenses of economics, gender, race, and religion from the mid-nineteenth century to today. |
| body language in dance: Zaida Zaida, Phoebe Carter, 2001 Your height – your weight – your body shape – your age – the colour of your eyes - do not matter when you want to learn to belly dance. You will feel healthier, more energetic and happier, than you have ever felt. You will feel you are a beautiful woman. You will feel self-assured. You will feel…JOY! Zaïda first started to belly dance at the age of 60 and has felt healthier and happier in the past 5 years than she ever did in the previous 6 decades. This book was written especially to encourage you …. the older woman…. to DANCE to experience your true, inner self to experience JOY! Try this form of gentle exercise for just a few months and you will never want to stop. 'Always yield to temptation, because it may not pass your way again' |
| body language in dance: K-pop Dance Chuyun Oh, 2022-07-01 This book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance. |
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