| boogie nights oral history: Focus On: 100 Most Popular New Line Cinema Films Wikipedia contributors, |
| boogie nights oral history: The Last Sultan Robert Greenfield, 2012-11-06 As the founder and head of Atlantic Records, Ahmet Ertegun signed and/or recorded many of the greatest musical artists of all time, from Ray Charles to Kid Rock. Working alongside his older brother, Nesuhi, one of the preeminent jazz producers of all time, and the legendary Jerry Wexler, Ertegun transformed Atlantic Records from a small independent record label into a hugely profitable multinational corporation. In successive generations, he also served as a mentor to record-business tyros like Phil Spector, David Geffen, and Lyor Cohen. Brilliant, cultured, and irreverent, Ertegun was as renowned for his incredible sense of personal style and nonstop A-list social life as his work in the studio. Blessed with impeccable taste and brilliant business acumen, he brought rock 'n roll into the mainstream while creating the music that became the sound track for the lives of multiple generations.--From publisher description. |
| boogie nights oral history: Celluloid Mischief Erich Goode, 2023-05-30 Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators. Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values. |
| boogie nights oral history: Philip Seymour Hoffman Peter Shelley, 2017-02-06 Philip Seymour Hoffman (1967-2014) was an American film, television and stage actor, film producer, and film and stage director, best known for his memorable supporting roles in independent films. Considered one of the best actors of his generation, he died of a drug overdose at age 46 after years of sobriety. He won the Academy Award for Best Actor for his titular role in Capote (2005), and Best Supporting nominations for Doubt (2008) and The Master (2012). This biography covers his life and career and provides an appendix listing his film, television and stage appearances. |
| boogie nights oral history: This Must Be the Place Jesse Rifkin, 2023-07-11 *A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all. |
| boogie nights oral history: House of Nutter Lance Richardson, 2018-05-01 The strange, illuminative true story of Tommy Nutter, the Savile Row tailor who changed the silhouette of men’s fashion—and his rock photographer brother, David, who captured it all on film. From an early age, there was something different about Tommy and David Nutter. Growing up in an austere apartment above a café catering to truck drivers, both boys seemed destined to lead rather humble lives in post-war London—Tommy as a civil servant, David as a darkroom technician. Yet the strength of their imagination (plus a little help from their friends) transformed them instead into unlikely protagonists of a swinging cultural revolution. In 1969, at the age of twenty-six, Tommy opened an unusual new boutique on the “golden mile” of bespoke tailoring, Savile Row. While shocking a haughty establishment resistant to change, “Nutters of Savile Row” became an immediate sensation among the young, rich, and beautiful, beguiling everyone from Bianca Jagger to the Beatles—who immortalized Tommy’s designs on the album cover of Abbey Road. Meanwhile, David’s innate talent with a camera vaulted him across the Atlantic to New York City, where he found himself in a parallel constellation of stars (Yoko Ono, Elton John) who enjoyed his dry wit almost as much as his photography. House of Nutter tells the stunning true story of two gay men who influenced some of the most iconic styles and pop images of the twentieth century. Drawing on interviews with more than seventy people—and taking advantage of unparalleled access to never-before-seen pictures, letters, sketches, and diaries—journalist Lance Richardson presents a dual portrait of brothers improvising their way through five decades of extraordinary events, their personal struggles playing out against vivid backdrops of the Blitz, an obscenity trial, the birth of disco, and the devastation of the AIDS crisis. A propulsive, deftly plotted narrative filled with surprising details and near-operatic twists, House of Nutter takes readers on a wild ride into the minds and times of two brilliant dreamers. |
| boogie nights oral history: A Brief History of Oral Sex David DePierre, 2017-06-09 The ancient Greeks and Romans considered it degrading to both parties yet depicted it prolifically in art and literature. The Early Christian Church called it the worst evil, punishable by seven years of penance and fasting (murder was one year). Nearly all of the 13 original American colonies had laws against it--except Georgia. A Victorian handbook for young brides advised how to dampen his desire to kiss in forbidden territory. Attitudes about oral sex have varied through the centuries and across cultures--a death sentence in some nations, a religious practice in others. This book explores its history as well as its impact on world events. |
| boogie nights oral history: Grindhouse Austin Fisher, Johnny Walker, 2016-09-22 The pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind's eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres. The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term's contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already knew. |
| boogie nights oral history: The Bee Gees David N. Meyer, 2013-07-09 The first narrative biography of the Bee Gees, the phenomenally popular vocal group that has sold more than 200 million records worldwide -- sales in the company of the Beatles and Michael Jackson. The Bee Gees is the epic family saga of brothers Barry, Robin, and Maurice Gibb, and it's riddled with astonishing highs—especially as they became the definitive band of the disco era, fueled by Saturday Night Fever and crashing lows, including the tragic drug-fueled downfall of youngest brother, Andy. In recent years, a whole new generation of fans has rediscovered the undeniable grooves and harmonies that made the Bee Gees and songs like Stayin' Alive, How Deep is Your Love, To Love Somebody, and I Started a Joke timeless. |
| boogie nights oral history: Rebels on the Backlot Sharon Waxman, 2013-02-19 The 1990s saw a shock wave of dynamic new directing talent that took the Hollywood studio system by storm. At the forefront of that movement were six innovative and daring directors whose films pushed the boundaries of moviemaking and announced to the world that something exciting was happening in Hollywood. Sharon Waxman, editor and chief of The Wrap.com and for Hollywood reporter for the New York Times spent the decade covering these young filmmakers, and in Rebels on the Backlot she weaves together the lives and careers of Quentin Tarantino, Pulp Fiction; Steven Soderbergh, Traffic; David Fincher, Fight Club; Paul Thomas Anderson, Boogie Nights; David O. Russell, Three Kings; and Spike Jonze, Being John Malkovich. |
| boogie nights oral history: Can't Slow Down Michaelangelo Matos, 2022-06-14 A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From Thriller to Purple Rain, Hello to Against All Odds, What's Love Got to Do with It to Wake Me Up Before You Go-Go, these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time. |
| boogie nights oral history: The Oxford Handbook of Jewishness and Dance Naomi M. Jackson, Rebecca Pappas, Toni Shapiro-Phim, 2021-11-30 Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research. |
| boogie nights oral history: As If! Jen Chaney, 2015-07-07 Will we ever get tired of Clueless? Ugh, as if! Acclaimed pop culture journalist Jen Chaney celebrates the twentieth anniversary of the classic film’s release in the first book of its kind, weaving together original interviews with writer and director Amy Heckerling; key cast members, including Alicia Silverstone (Cher), Paul Rudd (Josh), Stacey Dash (Dionne), Donald Faison (Murray), Elisa Donovan (Amber), Wallace Shawn (Mr. Hall), Twink Caplan (Ms. Geist and associate producer); and other crucial Clueless players like costume designer Mona May, casting director Marcia Ross, director of photography Bill Pope, former Paramount chairwoman Sherry Lansing, and many more. Cast and crew also pay heartfelt tribute to the late Brittany Murphy, who lit up the screen as Cher’s protégée, Tai. Chaney explores the influence of Jane Austen’s Emma as the unlikely framework for Heckerling’s script, the rigorous casting process (including the future stars who didn’t make the cut), the functional yet fashion-forward wardrobe, the unique slang that drew from the past and coined new phrases for the future, the sun-drenched soundtrack that set the tone, and—above all—the massive amount of work, creativity, and craft that went into making Clueless look so effortlessly bright and glossy. As If! illuminates why plaid skirts and knee socks will never go out of style, and why Clueless remains one of the most beloved comedies of all time. |
| boogie nights oral history: But Enough About Me Burt Reynolds, 2015-11-19 In But Enough About Me, legendary film actor and Hollywood superstar Burt Reynolds recalls the people who shaped his life and career, for better or for worse. From Robert Altman, Cary Grant, Clint Eastwood and Robert Mitchum to Bette Davis, Marlon Brando, Woody Allen and Kirsty Alley, Burt pays homage to those he loves and respected, acknowledges those who've stayed loyal, and calls out the assholes he can't forgive. Recalling his life and career spanning over 50 glorious years, the legendary actor gives special attention to the two great loves of his life, Dinah Shore and Sally Field, his son, Quinton, as well as to the countless people who got in his way on his journey to Hollywood domination. With chapters on his early childhood, how he discovered acting, played poker with Frank Sinatra, received directing advice from Orson Welles, his golden years in Hollywood, his comeback in the late 1990s, and how his life and art led him to found the Burt Reynolds Institute for Film and Theatre, But Enough About Me is a gripping and eye-opening story of one of cinema's true greats. |
| boogie nights oral history: Vanity Fair , 2010 |
| boogie nights oral history: Ensemble Mark Larson, 2019-08-13 This definitive history brings Chicago’s celebrated theater and comedy scenes to life with stories from some of its biggest stars spanning sixty-five years. Chicago is a bona fide theater town, bursting with vitality that thrills local fans and produces generation after generation of world-renowned actors, directors, playwrights, and designers. Now Mark Larson shares the rich theatrical history of Chicago through first-person accounts from the people who made it. Drawing from more than three hundred interviews, Larson weaves a narrative that expresses the spirit of Chicago’s ensemble ethos: the voices of celebrities such as Julia Louis-Dreyfus, Ed Asner, George Wendt, Michael Shannon, and Tracy Letts comingle with stories from designers, composers, and others who have played a crucial role in making Chicago theater so powerful, influential, and unique. Among many other topics, this book explores the early days of the fabled Compass Players and the legendary Second City in the ‘50s and ‘60s; the rise of acclaimed ensembles like Steppenwolf in the ‘70s; the explosion of storefront and neighborhood companies in the ‘80s; and the enduring global influence of the city as the center of improv training and performance. |
| boogie nights oral history: Vanity Fair 100 Years Graydon Carter, 2013-10-15 Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low—in this collection of images that graced the pages of magazine, and some published for the very first time. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. Edited by Vanity Fair editor Graydon Carter, this sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party. “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” —New York Times Book Review |
| boogie nights oral history: The Devil and John Holmes Mike Sager, 2020-06-19 John Curtis Holmes had the longest, most prolific career in the history of pornography. But after descending into a world of drugs and crime, he became the central figure in one of the most publicized mass murders in L.A. history, the 1981 Wonderland Avenue killings in Laurel Canyon. |
| boogie nights oral history: Desire and Consent in Representations of Adolescent Sexuality with Adults Maureen Turim, Diane Waldman, 2023-09-29 This book presents an innovative comparative view of how the issue of adolescent sexuality and consent is differently treated in various media. Analyzing teenage sexual encounters with adults across a variety of media, including films, television, novels, and podcasts, the volume takes a positive stance on the expression of teenage sexuality, while remaining sensitive to the power of adults to abuse and manipulate. The anthology treats these representations as negotiations between conflicting forces: desire, sexual self-knowledge, unequal power, and the law, the latter both actual legal statutes and internalized law in the philosophical and psychoanalytic sense. Questions of unequal power inherent in such relations are theorized. The authors examine variations of this configuration of sexual relations between teenagers and adults from different perspectives, to consider how various forms of expression rework it formally. These essays are attuned to both nuances of presentation and contexts of reception, and they consider how aesthetics play a role. Contributing to the general debate about the ways that societies construct and regulate adolescent sexuality, this book will be of great interest to scholars and students of media studies, cultural studies, film studies, television studies, sociology, and gender studies |
| boogie nights oral history: The Oxford Handbook of Dance and Reenactment Mark Franko, 2017-11-15 The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. |
| boogie nights oral history: Interrupting My Train of Thought Phil Dellio, 2014-09-06 Interrupting My Train of Thought collects thirty years of writing about pop music, movies, baseball, teaching, and a couple of presidential elections. It exists somewhere close to the intersection between criticism, autobiography, and rambling. |
| boogie nights oral history: SPIN , 2005-02 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| boogie nights oral history: Made Men Glenn Kenny, 2020-09-15 A revealing look at the making of Martin Scorsese’s iconic mob movie and its enduring legacy, featuring interviews with its legendary cast. When Goodfellas first hit the theatres in 1990, a classic was born. Few could anticipate the unparalleled influence it would have on pop culture, one that would inspire future filmmakers and redefine the gangster picture as we know it today. From the rush of grotesque violence in the opening scene to the iconic hilarity of Joe Pesci’s endlessly quoted “Funny how?” shtick, it’s little wonder the film is widely regarded as a mainstay in contemporary cinema. In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced the real modern gangster. Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, Made Men shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy has such a hold on American culture. A Library Journal Best Book of the Year A Sight and Sound Best Film Book of 2020 |
| boogie nights oral history: Writing for Visual Media Anthony Friedmann, 2021-11-28 Writing for Visual Media provides writers with an understanding of the nature of visual writing behind all visual media. Such writing is vital for directors, actors, and producers to communicate content to audiences. Friedmann provides an extended investigation into dramatic theory and how entertainment narrative works, illustrated by examples and detailed analysis of scenes, scripts, techniques, and storylines. This new edition has a finger on the pulse of the rapidly evolving media ecosystem and explains it in the context of writing and creating content. Friedmann lays out many of the complex professional, creative, and commercial issues that a writer needs to understand in order to tell engaging stories and construct effective and professional screenplays. This new edition includes: A new chapter on storytelling A fresh examination of dramatic theory and how to apply it to constructing screenplays Updated discussion of mobile platforms A lengthened discussion of copyright, ethics, and professional development issues An updated companion website with sample scripts and corresponding videos, an interactive glossary, sample storyboards and screenplays, links to industry resources, and materials for instructors such as slides, a syllabus, and a test bank. |
| boogie nights oral history: Music in the 20th Century (3 Vol Set) Dave DiMartino, 2016-04-15 This is an examination of the crucial formative period of Chinese attitudes toward nuclear weapons, the immediate post-Hiroshima/Nagasaki period and the Korean War. It also provides an account of US actions and attitudes during this period and China's response. |
| boogie nights oral history: This Is All a Dream We Dreamed Blair Jackson, David Gans, 2015-11-10 In This Is All a Dream We Dreamed, two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band’s story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Capturing the ebullient spirit at the group’s core, Jackson and Gans weave together a musical saga that examines the music and subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. This definitive book traces the Dead’s evolution from its humble beginnings as a folk/bluegrass band playing small venues in Palo Alto to the feral psychedelic warriors and stadium-filling Americana jam band that blazed all the way through to the 90s. Along the way, we hear from many who were touched by the Dead—from David Crosby and Miles Davis, to Ken Kesey, Carolyn “Mountain Girl” Garcia, and a host of Merry Pranksters, to legendary concert promoter Bill Graham, and others. Throughout their journey the Dead broke (and sometimes rewrote) just about every rule of the music business, defying conventional wisdom and charting their own often unusual course, in the process creating a business model unlike any seen before. Musically, too, they were pioneers, fusing inspired ideas and techniques with intuition and fearlessness to craft an utterly unique and instantly recognizable sound. Their music centered on collective improvisation, spiritual and social democracy, trust, generosity, and fun. They believed that you can make something real, spontaneous, and compelling happen with other musicians if you trust and encourage each other, and jam as if your life depended on it. And when it worked, there was nothing else like it. Whether you’re part of the new generation of Deadheads who are just discovering their music or a devoted fan who has traded Dead tapes for decades, you will want to listen in on the irresistible conversations and anecdotes shared in these pages. You’ll hear stories you haven’t heard before, possibly from voices that may be unfamiliar to you, and the tales that unfold will shed a whole new light on a long and inspiring musical odyssey. |
| boogie nights oral history: Houston Rap Tapes Lance Scott Walker, 2019-01-29 The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.” |
| boogie nights oral history: Hard Times Studs Terkel, 2011-07-26 From the Pulitzer Prize–winning author of The Good War: A masterpiece of modern journalism and “a huge anthem in praise of the American spirit” (Saturday Review). In this “invaluable record” of one of the most dramatic periods in modern American history, Studs Terkel recaptures the Great Depression of the 1930s in all its complexity. Featuring a mosaic of memories from politicians, businessmen, artists, striking workers, and Okies, from those who were just kids to those who remember losing a fortune, Hard Times is not only a gold mine of information but a fascinating interplay of memory and fact, revealing how the 1929 stock market crash and its repercussions radically changed the lives of a generation. The voices that speak from the pages of this unique book are as timeless as the lessons they impart (The New York Times). “Hard Times doesn’t ‘render’ the time of the depression—it is that time, its lingo, mood, its tragic and hilarious stories.” —Arthur Miller “Wonderful! The American memory, the American way, the American voice. It will resurrect your faith in all of us to read this book.” —Newsweek “Open Studs Terkel’s book to almost any page and rich memories spill out . . . Read a page, any page. Then try to stop.” —The National Observer |
| boogie nights oral history: Paul Thomas Anderson: Masterworks Adam Nayman, 2020-10-20 An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as one of American film's modern masters and the foremost filmmaking talent of his generation. Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world. |
| boogie nights oral history: West of Eden Jean Stein, 2016-02-04 West of Eden is the definitive story of Hollywood, told, in their own words, by the people on the inside: Lauren Bacall, Arthur Miller, Dennis Hopper, Frank Gehry, Ring Lardner, Joan Didion, Stephen Sondheim – all interviewed by Jean Stein, who grew up in the Forties in a fairytale mansion in the Hollywood Hills. The book takes us from the discovery of oil in the Twenties with the story of the tycoon Edward Doheny (There Will Be Blood) and traces the growth of corruption through the syndicates, the mob, and the movie studios – from the beginnings of the film industry to the end, with News Corp. and Rupert Murdoch (who bought the Stein mansion in 1985). West of Eden is about money, power, fame and terrible secrets: the doomed Hollywood of the late Fifties, early Sixties – ‘the rotten heart of paradise’. Like her last book, the best-selling Edie, this is an oral history told through brilliantly edited interviews. As this is Hollywood, it’s a book full of sex, drugs and celebrity glamour; but because it’s built from the firsthand accounts of people who were actually there, many of them writers, actors and artists, it’s also strangely claustrophobic, seductive, and completely compelling. |
| boogie nights oral history: Turn the Beat Around Peter Shapiro, 2015-06-23 A long-overdue paean to the predominant musical form of the 70s and a thoughtful exploration of the culture that spawned it Disco may be the most universally derided musical form to come about in the past forty years. Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In Turn the Beat Around, critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, Turn the Beat Around is the most comprehensive study of the Me Generation to date. |
| boogie nights oral history: Your Favorite Band Is Killing Me Steven Hyden, 2016-05-17 Steven Hyden explores nineteen music rivalries and what they say about life in this highly entertaining book (Rolling Stone) perfect for every passionate music fan. Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually -- what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing. Through Hendrix vs. Clapton, Hyden explores burning out and fading away, while his take on Miley vs. Sinead gives readers a glimpse into the perennial battle between old and young. Funny and accessible, Hyden's writing combines cultural criticism, personal anecdotes, and music history -- and just may prompt you to give your least favorite band another chance. |
| boogie nights oral history: Sexidemic Lawrence R. Samuel, 2013 Sexidemic is the first real cultural history of sexuality in the United States since the end of World War II. For a people who supposedly love sex, the author argues, Americans have had no shortage of problems with it. Since the end of World War II, in fact, we've had a contentious relationship with sexuality, the subject a source of considerable tension and controversy on both an individual and societal level. Rather than being a simple pleasure of life, something to be enjoyed, sex has served as a challenging and disruptive force in many Americans' everyday lives for the last two-thirds of a century. Our love affair with sex has thus been a rocky one, filled with bumps in the road that have caused major instability across our cultural landscape. Our individualistic, competitive, consumerist, and anxious national character is both reflected in and reinforced by this sexidemic, something few have recognized or perhaps want to admit. By charting the cultural trajectory of sex in America since the end of World War II, Sexidemic reveals how the nation's continual woes with sexuality helped make us an anxious, insecure people. The sex lives of many, perhaps most Americans have been in a perpetual state of crisis, a constant source of concern. We've fretted over every dimension of it, with problems in both quality and quantity. With this unhealthy view of sexuality, it was not surprising that we felt we needed a variety of potions and gadgets to make it happen or be pleasurable. In tracing the cultural trajectory of sex in our society, Samuel illustrates our bipolar approach to sexuality: low libido and sex addiction emerged as common disorders, and sex scandal after sex scandal has made headlines, especially over the last couple of years. Only money has surpassed sex as a source of stress for Americans; indeed, sex has come to be seen and treated as a commodity. In this timely work, the author traces the role sex plays in our society, how it shapes us and the world around us, and how we got where we are today in our views, treatment, and practice of sex and sexuality in our everyday lives. |
| boogie nights oral history: The Blues: A Very Short Introduction Elijah Wald, 2010-08-03 Praised as suave, soulful, ebullient (Tom Waits) and a meticulous researcher, a graceful writer, and a committed contrarian (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues. It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African tonal and rhythmic approaches, using a five-note blues scale. Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the down home Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre. |
| boogie nights oral history: The Viagra Alternative Marc Bonnard, 1999-10 For those men who wish to avoid the risks of Viagra, this handbook offers themost up-to-date on natural, safe, and long-term cures for impotence. |
| boogie nights oral history: Martin Scorsese in Ten Scenes Tim Grierson, 2015-11-05 From the violent mob tale and surreal dark comedy to the restrained period piece and Hollywood blockbuster, the five-decade career of Martin Scorsese has been compellingly varied. Recognised as one of the most innovative and exciting filmmakers of our time, Scorsese might have been denied Oscar success until 2007, for The Departed - but his films have always made an impact. An essential read for filmmakers, film students and movie fans alike, Martin Scorsese in Ten Scenes brings a fresh perspective to one of the greatest directors in the world. Selecting ten indelible scenes and exploring them from every angle, film critic Tim Grierson examines what it is about these sequences that makes them so unforgettable, to shed light on Scorsese's approach as a whole. With insights from the cast and crew who have worked most closely with him, and featuring rare behind-the-scenes material including scripts, storyboards and set designs, this book will give you a new understanding of the man whose films have inspired generations of moviegoers and filmmakers. |
| boogie nights oral history: Blossoms and Blood Jason Sperb, 2013-12-01 Monografie over het werk van de Amerikaanse regisseur en scenarioschrijver (1970). |
| boogie nights oral history: Did It! From Yippie to Yuppie Pat Thomas, 2017-04-26 This is a coffee table art book and biography of Yippie Jerry Rubin. This overstuffed coffee table book is not only the first biography of the infamous and ubiquitous Jerry Rubin―co-founder of the Yippies, Anti-Vietnam War activist, Chicago 8 defendant, social-networking pioneer, and a proponent of the Yuppie era―but a visual retrospective, with countless candid photos, personal diaries, and lost newspaper clippings. It includes correspondence with Abbie Hoffman, Norman Mailer, John Lennon & Yoko Ono, Eldridge Cleaver, the Weathermen, and interviews with more than 75 of Rubin’s friends, foes, and comrades. It reveals Rubins' and the Yippies’ historical-and-bizarre personal interactions with the likes of Allen Ginsberg, Bob Dylan, Charles Manson, Mick Jagger, and other iconic figures of the era. |
| boogie nights oral history: Record Makers and Breakers John Broven, 2011-08-11 This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more. |
| boogie nights oral history: Dream Boogie Peter Guralnick, 2014-11-04 From the acclaimed author of Last Train to Memphis, this is the definitive biography of Sam Cooke, one of most influential singers and songwriters of all time. Sam Cooke was among the first to blend gospel music and secular themes -- the early foundation of soul music. He was the opposite of Elvis: a black performer who appealed to white audiences, who wrote his own songs, who controlled his own business destiny. No biography has previously been written that fully captures Sam Cooke's accomplishments, the importance of his contribution to American music, the drama that accompanied his rise in the early days of the civil rights movement, and the mystery that surrounds his death. Bestselling author Peter Guralnick tells this moving and significant story, from Cooke's childhood as a choirboy to an adulthood when he was anything but. With appearances by Martin Luther King Jr., Malcolm X, James Brown, Harry Belafonte, Aretha Franklin, Fidel Castro, The Beatles, Sonny and Cher, Bob Dylan, and other central figures of this explosive era, Dream Boogie is a compelling depiction of one man striving to achieve his vision despite all obstacles -- and an epic portrait of America during the turbulent and hopeful 1950s and 1960s. The triumph of the book is the vividness with which Peter Guralnick conveys the astonishing richness of the black America of this era -- the drama, force, and feeling of the story. |
Boogie - Wikipedia
Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel …
BOOGIE Definition & Meaning - Merriam-Webster
The meaning of BOOGIE is boogie-woogie. How to use boogie in a sentence. boogie-woogie; earthy and strongly rhythmic rock music conducive to dancing; also : a period of or occasion …
Bougie or Boujee? Ending the Confusion Behind the Slang Terms
Apr 12, 2022 · Boujee, popularized by the song Bad and Boujee by Migos, primarily refers to Black people who have "swag" by making their own money. While the connotations differ by …
Boogie (2021) - IMDb
Boogie: Directed by Eddie Huang. With Taylor Takahashi, Taylour Paige, Pop Smoke, Perry Yung. Coming-of-age story of Alfred "Boogie" Chin, a basketball phenom living in Queens, …
BOOGIE Definition & Meaning | Dictionary.com
Slang: Disparaging and Offensive. a contemptuous term used to refer to a Black person. boogie-woogie. a lively form of rock 'n' roll, based on the blues. boogied, boogieing. to dance …
What Does 'Boogie' Mean in Slang? - SlangSphere.com
Aug 12, 2024 · The term ‘boogie’ is a lively slang word that has found its way into modern vernacular. While historically it has roots in music and dance, its usage has evolved, taking on …
BOOGIE | English meaning - Cambridge Dictionary
My wife and I would go for a bit of a boogie to 1980s tunes. I got up to have a bit of a boogie and was told to sit down. Occasionally they went over to someone's house and had a boogie session.
Boogie - definition of boogie by The Free Dictionary
Define boogie. boogie synonyms, boogie pronunciation, boogie translation, English dictionary definition of boogie. Slang intr.v. boog·ied , boog·y·ing , boog·ies 1. To dance to rock music. 2. …
What Does Boogie Mean? Exploring the Slang Definition and …
Dec 24, 2023 · What is the slang definition of “boogie”? When used as slang, “boogie” refers to dancing energetically, especially to upbeat music. It can also mean to have a great time or …
BOOGIE definition and meaning | Collins English Dictionary
They boogie their bodies to the thunderous sound of bounce music while looking good.
Boogie - Wikipedia
Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel …
BOOGIE Definition & Meaning - Merriam-Webster
The meaning of BOOGIE is boogie-woogie. How to use boogie in a sentence. boogie-woogie; earthy and strongly rhythmic rock music conducive to dancing; also : a period of or occasion …
Bougie or Boujee? Ending the Confusion Behind the Slang Terms
Apr 12, 2022 · Boujee, popularized by the song Bad and Boujee by Migos, primarily refers to Black people who have "swag" by making their own money. While the connotations differ by …
Boogie (2021) - IMDb
Boogie: Directed by Eddie Huang. With Taylor Takahashi, Taylour Paige, Pop Smoke, Perry Yung. Coming-of-age story of Alfred "Boogie" Chin, a basketball phenom living in Queens, …
BOOGIE Definition & Meaning | Dictionary.com
Slang: Disparaging and Offensive. a contemptuous term used to refer to a Black person. boogie-woogie. a lively form of rock 'n' roll, based on the blues. boogied, boogieing. to dance …
What Does 'Boogie' Mean in Slang? - SlangSphere.com
Aug 12, 2024 · The term ‘boogie’ is a lively slang word that has found its way into modern vernacular. While historically it has roots in music and dance, its usage has evolved, taking on …
BOOGIE | English meaning - Cambridge Dictionary
My wife and I would go for a bit of a boogie to 1980s tunes. I got up to have a bit of a boogie and was told to sit down. Occasionally they went over to someone's house and had a boogie session.
Boogie - definition of boogie by The Free Dictionary
Define boogie. boogie synonyms, boogie pronunciation, boogie translation, English dictionary definition of boogie. Slang intr.v. boog·ied , boog·y·ing , boog·ies 1. To dance to rock music. 2. …
What Does Boogie Mean? Exploring the Slang Definition and …
Dec 24, 2023 · What is the slang definition of “boogie”? When used as slang, “boogie” refers to dancing energetically, especially to upbeat music. It can also mean to have a great time or …
BOOGIE definition and meaning | Collins English Dictionary
They boogie their bodies to the thunderous sound of bounce music while looking good.
