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| club orient a photographic history: Club Orient a Photographic History Olaf Danielson, 2022-03-11 Club Orient was an iconic clothing-optional resort located on the beautiful Orient Beach in St. Martin FWI, long considered one of the best beaches in the Caribbean and the most significant nude beach in the Western Hemisphere.The resort opened for guests in 1981, and it was a place where you could shed your clothing, enjoy beautiful water, be invited to a patio cocktail party, and stay for a potluck. Many guests have memories of going for a walk, being invited for a drink by other guests, and returning five hours later. For many, it was the first place that they experienced naturism.Visited by an estimated 20,000 guests over its 36-year history, most who came to Club Orient fell in love with the place and what it represented and some so much so that they bought into the dream by purchasing a studio, a chalet, or a mini-suite. Although no picture or anything written can adequately do justice to fully capture this wonderful place, I hope this book and the many colorful pictures stimulates enough happy memories of vacations-past to put a smile on your face after the depression caused by the tragic destruction of the resort in 2017. If you were not fortuitous enough to visit these idyllic sands and magical waters, possibly this compilation can make you dream of what could have been. |
| club orient a photographic history: Pamphlet , 1937 |
| club orient a photographic history: Pamphlet United States. Office of Education, 1936 |
| club orient a photographic history: The Photographic Times , 1888 |
| club orient a photographic history: Photographic Times , 1888 |
| club orient a photographic history: The Atlas of Boston History Nancy S. Seasholes, 2019-10-10 Few American cities possess a history as long, rich, and fascinating as Boston’s. A site of momentous national political events from the Revolutionary War through the civil rights movement, Boston has also been an influential literary and cultural capital. From ancient glaciers to landmaking schemes and modern infrastructure projects, the city’s terrain has been transformed almost constantly over the centuries. The Atlas of Boston History traces the city’s history and geography from the last ice age to the present with beautifully rendered maps. Edited by historian Nancy S. Seasholes, this landmark volume captures all aspects of Boston’s past in a series of fifty-seven stunning full-color spreads. Each section features newly created thematic maps that focus on moments and topics in that history. These maps are accompanied by hundreds of historical and contemporary illustrations and explanatory text from historians and other expert contributors. They illuminate a wide range of topics including Boston’s physical and economic development, changing demography, and social and cultural life. In lavishly produced detail, The Atlas of Boston History offers a vivid, refreshing perspective on the development of this iconic American city. Contributors Robert J. Allison, Robert Charles Anderson, John Avault, Joseph Bagley, Charles Bahne, Laurie Baise, J. L. Bell, Rebekah Bryer, Aubrey Butts, Benjamin L. Carp, Amy D. Finstein, Gerald Gamm, Richard Garver, Katherine Grandjean, Michelle Granshaw, James Green, Dean Grodzins, Karl Haglund, Ruth-Ann M. Harris, Arthur Krim, Stephanie Kruel, Kerima M. Lewis, Noam Maggor, Dane A. Morrison, James C. O’Connell, Mark Peterson, Marshall Pontrelli, Gayle Sawtelle, Nancy S. Seasholes, Reed Ueda, Lawrence J. Vale, Jim Vrabel, Sam Bass Warner, Jay Wickersham, and Susan Wilson |
| club orient a photographic history: Refracted Visions Karen Strassler, 2010-04-20 A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Indonesia, she examines genres ranging from state identification photos to pictures documenting family rituals. Oriented to projects of selfhood, memory, and social affiliation, popular photographs recast national iconographies in an intimate register. They convey the longings of Indonesian national modernity: nostalgia for rural idylls and “tradition,” desires for the trappings of modernity and affluence, dreams of historical agency, and hopes for political authenticity. Yet photography also brings people into contact with ideas and images that transcend and at times undermine a strictly national frame. Photography’s primary practitioners in the postcolonial era have been Chinese Indonesians. Acting as cultural brokers who translate global and colonial imageries into national idioms, these members of a transnational minority have helped shape the visual contours of Indonesian belonging even as their own place within the nation remains tenuous. Refracted Visions illuminates the ways that everyday photographic practices generate visual habits that in turn give rise to political subjects and communities. |
| club orient a photographic history: Islands Magazine , 1992-06 |
| club orient a photographic history: The Guardian Index , 1998 |
| club orient a photographic history: Agatha Christie J.C. Bernthal, 2022-08-11 The undisputed Queen of Crime, Dame Agatha Christie (1890-1976) is the bestselling novelist of all time. As the creator of immortal detectives Hercule Poirot and Jane Marple, she continues to enthrall readers around the world and is drawing increasing attention from scholars, historians, and critics. But Christie wrote far beyond Poirot and Marple. A varied life including war work, archaeology, and two very different marriages provided the backdrop to a diverse body of work. This encyclopedic companion summarizes and explores Christie's entire literary output, including the detective fiction, plays, radio dramas, adaptations, and her little-studied non-crime writing. It details all published works and key themes and characters, as well as the people and places that inspired them, and identifies a trove of uncollected interviews, articles, and unpublished material, including details that have never appeared in print. For the casual reader looking for background information on their favorite mystery to the dedicated scholar tracking down elusive new angles, this companion will provide the most comprehensive and up-to-date information. |
| club orient a photographic history: Historical and Popular Culture Americana Heritage Auction Galleries (Dallas, Tex.), 2007 |
| club orient a photographic history: The Rotarian , 1994-04 Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine. |
| club orient a photographic history: Kansas History , 1984 |
| club orient a photographic history: Bringing Peace Home Karen Warren, Duane L. Cady, 1996 This collection of works is ambitious, well documented, thoroughly--though not turgidly--referenced, and comprehensively indexed. It is deeply disturbing and deeply engaging... --Australian Feminist Studies Contributors discuss the subtle and complex relationships between various notions of feminism and peace. Feminist peace issues are explored along a wide spectrum of personal and political issues--from the personal violations of rape, incest, and domestic abuse, to the violence of racism, sexism, economic exploitation, war, and genocide. |
| club orient a photographic history: Photography: History and Theory Jae Emerling, 2013-03-01 Photography: History and Theory introduces students to both the history of photography and critical theory. From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them. While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others. In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include: Roland Barthes, The Rhetoric of the Image (1964) Susan Sontag, Regarding the Pain of Others (2002) Michel Foucault on the archive (1969) Walter Benjamin, Little History of Photography (1931) Vilém Flusser, Towards a Philosophy of Photography (1983) A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography. |
| club orient a photographic history: Sources of Visual Aids for Instructional Use in Schools United States. Office of Education. Division of Special Problems, 1941 |
| club orient a photographic history: Orient Express History of a Legend G. Picon, 2019-08-16 The Orient Express, in the collective imagination, embodies the golden age of travel. The fabrics, the silverware, the woodwork; their evocative fragrance... all contribute to this particular atmosphere, created by the best craftsmen of the time. The experience on board is absolutely unique... - Sir Kenneth Branagh, from the foreword The first train to connect Paris to Constantinople - the gateway to the Orient and epitome of all its associated desires and fantasies - the Orient Express was an immediate success. Quickly nicknamed 'the king of trains, the train of kings', it had already become a legend in its own time. This unique train and its celebrated passengers (both real and fictional) have become one of the great cultural icons of our times and have helped to create a limitless source of stories and fantasies to feed our imaginations. It's a story told here through fabulous new photographs of the restoration workshops where the historic train carriages are being brought back to life, through archive photos of famous and exotic destinations, and portraits of the most famous passengers who were lucky enough to climb aboard. SELLING POINTS: * This beautifully illustrated book captures the history, the legends and the unique style of the most famous train on earth: The Orient Express * With never-before-seen archival material * With a preface by Sir Kenneth Branagh 216 colour and 119 b/w images |
| club orient a photographic history: Anthony's Photographic Bulletin , 1886 |
| club orient a photographic history: Popular Photography - ND , 1947-01 |
| club orient a photographic history: Fritz Henle Roy Flukinger, Fritz Henle, 2009-02-01 Beyond his mastery of the craft, however, Henle was driven by a lifelong urge to show people beauty. I am obsessed, he said, by showing them beauty.. |
| club orient a photographic history: Host Bibliographic Record for Boundwith Item Barcode 30112118003877 and Others , 1888 |
| club orient a photographic history: The Photographic News , 1895 |
| club orient a photographic history: Photographic Times and American Photographer , 1882 |
| club orient a photographic history: Contemporary Authors Christine Nasso, 1977 |
| club orient a photographic history: The Bicentennial of the United States of America American Revolution Bicentennial Administration, 1977 |
| club orient a photographic history: The Michigan Alumnus , 1935 In v.1-8 the final number consists of the Commencement annual. |
| club orient a photographic history: The Amateur Photographer & Cinematographer , 1941 |
| club orient a photographic history: Impressed by Light Roger Taylor, Larry John Schaaf, 2007 Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention calotype, a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited. |
| club orient a photographic history: Flying Magazine , 1961-05 |
| club orient a photographic history: The Insider's Guide to Beijing 2005-2006 Kaiser Kuo, 2008-09 |
| club orient a photographic history: The Times Index , 2005 Indexes the Times and its supplements. |
| club orient a photographic history: Camera , 1926 |
| club orient a photographic history: Anne Brigman Kathleen Pyne, 2020-06-23 The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States. |
| club orient a photographic history: The Rotarian , 1946-09 Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine. |
| club orient a photographic history: New York Magazine , 1986-06-23 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| club orient a photographic history: The British Journal of Photography , 2007 |
| club orient a photographic history: Proceedings: Twenty-Ninth Annual Convention of Rotary International , |
| club orient a photographic history: The Writer's Handbook , 2001 |
| club orient a photographic history: Club Government Seth Alexander Thevoz, 2018-03-30 The book phenomenon of `Club Government' in the mid-nineteenth century, when many of the functions of government were alleged to have taken place behind closed doors, in the secretive clubs of London's St. James's district, has not been adequately historicized. Despite `Club Government' being referenced in most major political histories of the period, it is a topic which has never before enjoyed a full-length study. Making use of previously-sealed club archives, and adopting a broad range of analytical techniques, this work of political history, social history, sociology and quantitative approaches to history seeks to deepen our understanding of the distinctive and novel ways in which British political culture evolved in this period. The book concludes that historians have hugely underestimated the extent of club influence on `high politics' in Westminster, and though the reputation of clubs for intervening in elections was exaggerated, the culture and secrecy involved in gentleman's clubs had a huge impact on Britain and the British Empire. |
| club orient a photographic history: History of Soy Flour, Flakes and Grits (510 CE to 2019) William Shurtleff; Akiko Aoyagi, 2019-02-17 The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 245 photographs and illustrations - mostly color. Free of charge in digital format on Google Books |
THE ORIENTALIST PHOTOGRAPH
History Matters A crucial link between the history of photography and Europe's knowledge about the Middle East has existed since the invention of the daguerreotype
Knutsford Photographic Society History KC edit
A Short History of Knutsford Photographic Society The following account is adapted from a presentation given by Roger Hume (our oldest member) to the Knutsford Photographic Society …
history of photography
Centuries of advances in chemistry and optics, including the invention of the camera obscura, set the stage for the world’s first photograph. In 1826, French scientist Joseph Nicéphore Niépce, …
Photography, History, and the Historian
Photographs appeared to extend to infinity the time frame during which one is able to look at—and interpret—the present. Photography’s relation to history, however, is not clear-cut.
History of Photographic Technologies - eg.bucknell.edu
March 22, 2018 History of Photograph Tech.-Dan Hyde 10 • With the introduction the negative-positive approach to photography, advances were needed in enlarging the negative’s image …
The Photographic Collectors’ Club of Great Britain …
Hywel Mathews presents a history of a talented photographer from the 1860s 30 Simple Camera Repairs. Terry Hardy gives some hints to those brave enough to repair cameras
A History Of Photography From 1839 To The Present
History of Photography Therese Mulligan,David Wooters,2011 A History of Photography William Johnson,Mark Rice,Carla Williams,Therese Mulligan,David Wooters,2012 This volume shows …
A History of the Dallas Camera Club Presented in 2014 on the …
The club has supported workshops, work groups, exhibitions, conferences, salons and competitions over the years for its members, PSA and GSCCC, and the Dallas photographic …
THE REPETITION OF PHOTO- GRAPHIC SUBJECT MATTER IN …
The beginnings of photography in the Orient were marked by a common aesthetic which evoked a common imaginary, imposed several centuries earlier by the paintings of the Orientalist …
The Big Picture: A History of Photography in Greater Cincinnati
Photographic Collections: The Cincinnati Art Museum’s photography collection spans the history of the medium, from early daguerreotypes and salt paper prints to photographs by …
Photography and Frames: A Historical Perspective - Picture …
invented and popular-ized the first commer-cial use of photograph-ic images transferred to glass with a three-dimensional effect. They were called “Daguerreotypes” and, although sometimes …
Tips for Club Photography - The Stamford Garden Club
First, The Litchfield Garden Club and Washington Garden Club were invited to photograph and tour the O&G Southbury Quarry with TJ Oneglia presenting the history, purpose and geology …
Cape Town Photographic Society - pssa.co.za
Despite the cumbersome equipment, members regularly went on photographic outings, with horse-drawn carts or ox wagons transporting the equipment — depending on the length of the …
History of Photography: Monographs Author Index - Cengage
A comprehensive and systematic catalogue of photographic apparatus. New York, H. H. Snelling. 1854 Reel: 7, No. 54 Anthony, E. & H.T. & Co., New York. Descriptive catalogue and price list …
History of photography (part 1): age of portraits
A World History of Photography (4th ed.), Abbeville Press, 2007.
Photographic Authenticity and the Ontology of the Image
The Calotype or Talbotype was the first photographic process that allowed multiple prints from a single negative plate. It was announced by H. F. Talbot in 1839 and patented in 1841.
On the Singularity of Early Photography
copy that defi ned the specifi city of the photographic image. History presents different regimes of ‘truth’ and forms of intelligibility in which the photograph’s epistemological role as a document …
A Photo History of the Clifton Neighborhood - cliftonlouky.org
An early rendering of east Louisville showing Clifton to the left. To orient yourself, trace the intersection of the Louisville and Cincinnati Railroad with the Louisville and Shelbyville …
Nineteenth Century New Jersey Photographers - Saretzky
Photography was introduced to the public in 1839, principally by Louis Jacques Mandé Daguerre in France and William Henry Fox Talbot in England.7 By the fall of 1839, there were …
The Big Picture: A History of Photography in Greater Cincinnati
The World As It Was 1865-1921: A Photographic Portrait from the Keystone-Mast Collection, California Museum of Photography, University of California, Summit Books, Simon & Schuster, …
THE ORIENTALIST PHOTOGRAPH
History Matters A crucial link between the history of photography and Europe's knowledge about the Middle East has existed since the invention of the daguerreotype
Knutsford Photographic Society History KC edit
A Short History of Knutsford Photographic Society The following account is adapted from a presentation given by Roger Hume (our oldest member) to the Knutsford Photographic Society …
history of photography
Centuries of advances in chemistry and optics, including the invention of the camera obscura, set the stage for the world’s first photograph. In 1826, French scientist Joseph Nicéphore Niépce, …
Photography, History, and the Historian
Photographs appeared to extend to infinity the time frame during which one is able to look at—and interpret—the present. Photography’s relation to history, however, is not clear-cut.
History of Photographic Technologies - eg.bucknell.edu
March 22, 2018 History of Photograph Tech.-Dan Hyde 10 • With the introduction the negative-positive approach to photography, advances were needed in enlarging the negative’s image …
The Photographic Collectors’ Club of Great Britain …
Hywel Mathews presents a history of a talented photographer from the 1860s 30 Simple Camera Repairs. Terry Hardy gives some hints to those brave enough to repair cameras
A History Of Photography From 1839 To The Present
History of Photography Therese Mulligan,David Wooters,2011 A History of Photography William Johnson,Mark Rice,Carla Williams,Therese Mulligan,David Wooters,2012 This volume shows …
A History of the Dallas Camera Club Presented in 2014 on …
The club has supported workshops, work groups, exhibitions, conferences, salons and competitions over the years for its members, PSA and GSCCC, and the Dallas photographic …
THE REPETITION OF PHOTO- GRAPHIC SUBJECT MATTER IN …
The beginnings of photography in the Orient were marked by a common aesthetic which evoked a common imaginary, imposed several centuries earlier by the paintings of the Orientalist …
The Big Picture: A History of Photography in Greater Cincinnati
Photographic Collections: The Cincinnati Art Museum’s photography collection spans the history of the medium, from early daguerreotypes and salt paper prints to photographs by …
Photography and Frames: A Historical Perspective - Picture …
invented and popular-ized the first commer-cial use of photograph-ic images transferred to glass with a three-dimensional effect. They were called “Daguerreotypes” and, although sometimes …
Tips for Club Photography - The Stamford Garden Club
First, The Litchfield Garden Club and Washington Garden Club were invited to photograph and tour the O&G Southbury Quarry with TJ Oneglia presenting the history, purpose and geology …
Cape Town Photographic Society - pssa.co.za
Despite the cumbersome equipment, members regularly went on photographic outings, with horse-drawn carts or ox wagons transporting the equipment — depending on the length of the …
History of Photography: Monographs Author Index - Cengage
A comprehensive and systematic catalogue of photographic apparatus. New York, H. H. Snelling. 1854 Reel: 7, No. 54 Anthony, E. & H.T. & Co., New York. Descriptive catalogue and price list …
History of photography (part 1): age of portraits
A World History of Photography (4th ed.), Abbeville Press, 2007.
Photographic Authenticity and the Ontology of the Image
The Calotype or Talbotype was the first photographic process that allowed multiple prints from a single negative plate. It was announced by H. F. Talbot in 1839 and patented in 1841.
On the Singularity of Early Photography
copy that defi ned the specifi city of the photographic image. History presents different regimes of ‘truth’ and forms of intelligibility in which the photograph’s epistemological role as a document …
A Photo History of the Clifton Neighborhood
An early rendering of east Louisville showing Clifton to the left. To orient yourself, trace the intersection of the Louisville and Cincinnati Railroad with the Louisville and Shelbyville …
Nineteenth Century New Jersey Photographers - Saretzky
Photography was introduced to the public in 1839, principally by Louis Jacques Mandé Daguerre in France and William Henry Fox Talbot in England.7 By the fall of 1839, there were …
The Big Picture: A History of Photography in Greater Cincinnati
The World As It Was 1865-1921: A Photographic Portrait from the Keystone-Mast Collection, California Museum of Photography, University of California, Summit Books, Simon & Schuster, …
