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| books on writing horror: On Writing Horror Mort Castle, 2006-11-04 The masters of horror have united to teach you the secrets of success in the scariest genre of all! In On Writing Horror, Second Edition, Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and many others tell you everything you need to know to successfully write and publish horror novels and short stories. Edited by the Horror Writers Association (HWA), a worldwide organization of writers and publishing professionals dedicated to promoting dark literature, On Writing Horror includes exclusive information and guidance from 58 of the biggest names in horror writing to give you the inspiration you need to start scaring and exciting readers and editors. You'll discover comprehensive instruction such as: • The art of crafting visceral violence, from Jack Ketchum • Why horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert Weinberg • Tips for avoiding one of the biggest death knells in horror writing—predicable clichés—from Ramsey Campbell • How to use character and setting to stretch the limits of credibility, from Mort Castle With On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long. |
| books on writing horror: Writing in the Dark Tim Waggoner, 2020-09-16 In this comprehensive textbook devoted to the craft of writing horror fiction, award-winning author Tim Waggoner draws on thirty years' experience as a writer and teacher. Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written. Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research. Writing in the Dark derives from Waggoner's longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique. |
| books on writing horror: Red Rain R.L. Stine, 2012-10-09 The New York Times bestselling author of the Goosebumps and Fear Street series delivers a terrifying horror novel for adults centered on a town in the grip of a sinister revolt. After travel writer Lea Sutter barely survives a merciless hurricane on a tiny island off the South Carolina coast, she impulsively brings two orphaned twin boys home with her to Long Island. Samuel and Daniel seem amiable and intensely grateful at first, but no one in Lea’s family anticipates the twins’ true evil nature—or predicts that within a few weeks’ time her husband, a controversial child psychologist, will be implicated in two brutal murders. “The horror is grisly” (Associated Press) in legendary author R.L. Stine’s “creepy, fun read” (Library Journal)—an homage to the millions of adult fans who grew up reading his classic series and a must-read for every fan of deviously inventive chillers. |
| books on writing horror: On Writing Horror Mort Castle, 2006-11-18 Group agencies by specialty, geography, and openness to submissions. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com). |
| books on writing horror: The Savior's Sister Jenna Moreci, 2020-09-29 The Savior's Sister is utterly unputdownable. It's compulsive, addictive, and mesmerizing. If you love romance, fantasy, and bloodshed, ignore your TBR pile, this is the only dark fantasy novel you need. - Sacha Black, BESTSELLING fantasy and nonfiction writing craft author In the thrilling companion to one of Book Depository's Best Books of All Time, experience the peril and heart-stopping romance through Leila's fresh perspective. Leila Tūs Salvatíraas, Savior of Thessen and magical Queen of Her realm, is worshiped by all. Except Her father. He wants Her dead. The Sovereign's Tournament-a centuries-long tradition designed to select The Savior's husband-is days away, but Brontes's plan to overthrow his daughter ignites, shifting the objective of the competition from marriage to murder. With the help of Her sisters and some unexpected allies, Leila must unravel Brontes's network and prevent Her own assassination. But as the body count rises, She learns the deception runs far deeper than She imagined. When She finds Herself falling for one of the tournament competitors, Her father finds himself another target for murder. Can Leila save Herself and Her beloved, or is their untimely end-and the corruption of Her realm-inevitable? TRIGGER WARNINGS: This book contains graphic violence, sexual situations, physical abuse, adult language, and references to suicide. The Savior's Sister is one of those gritty, sexy (and occasionally violent) books you can't put down. I can't wait to see what's next for Leila and Tobias. - Meg LaTorre, FOUNDER of iWriterly and science fiction and fantasy author |
| books on writing horror: Writing the Horror Movie Marc Blake, Sara Bailey, 2013-07-18 Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio's franchises of the '30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting. |
| books on writing horror: The Secrets of Story Matt Bird, 2016-11-01 You've just boarded a plane. You've loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him--in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story. We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller. So how can you write a story that audiences will embrace? The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn't want to hear it. The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these: • Concept: Is the one-sentence description of your story uniquely appealing? • Character: Can your audience identify with your hero? • Structure and Plot: Is your story ruled by human nature? • Scene Work: Does each scene advance the plot and reveal character through emotional reactions? • Dialogue: Is your characters' dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds? • Tone: Are you subtly setting, resetting, and upsetting expectations? • Theme: Are you using multiple ironies throughout the story to create meaning? To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both--and so much more--with The Secrets of Story. |
| books on writing horror: The Conspiracy against the Human Race Thomas Ligotti, 2018-10-02 In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality. There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world. His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work. |
| books on writing horror: We Hear Voices Evie Green, 2020-12-01 An eerie horror debut about a little boy who recovers from a mysterious illness and inherits an imaginary friend who makes him do violent things... Kids have imaginary friends. Rachel knows this. So when her young son, Billy, miraculously recovers from a horrible flu that has proven fatal for many, she thinks nothing of Delfy, his new invisible friend. After all, her family is healthy and that's all that matters. But soon Delfy is telling Billy what to do, and the boy is acting up and lashing out in ways he never has before. As Delfy's influence is growing stranger and more sinister by the day, and rising tensions threaten to tear Rachel's family apart, she clings to one purpose: to protect her children at any cost—even from themselves. We Hear Voices is a gripping near-future horror novel that tests the fragility of family and the terrifying gray area between fear and love. |
| books on writing horror: How To Write A Horror Movie Neal Bell, 2020-03-20 How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter’s trade - including structure, dialogue, humor, mood, characters, and pace – can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943’s I Walked With A Zombie and recent terrifying films that have given the genre renewed attention like writer/director Jordan Peele’s critically acclaimed and financially successful Get Out. Since fear is universal, the book considers films from around the world including the ‘found-footage’ [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008) and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror-movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays. |
| books on writing horror: Monsters Emerald Fennell, 2015-09-03 'Disturbingly compelling' Guardian A blackly comic tale about two children you would never want to meet - from the script writer for Killing Eve Season Two and director of Promising Young Woman Set in the Cornish town of Fowey, all is not as idyllic as the beautiful seaside town might seem. The body of a young woman is discovered in the nets of a fishing boat. It is established that the woman was murdered. Most are shocked and horrified. But there is somebody who is not - a twelve-year-old girl. She is delighted; she loves murders. Soon she is questioning the inhabitants of the town in her own personal investigation. But it is a bit boring on her own. Then Miles Giffard, a similarly odd twelve-year-old boy, arrives in Fowey with his mother, and they start investigating together. Oh, and also playing games that re-enact the murders. Just for fun, you understand... A book about two twelve-year-olds that is definitely not for kids. |
| books on writing horror: On Writing Stephen King, 2014-12 |
| books on writing horror: Make Room! Make Room! Harry Harrison, 2010-07-01 A detective hunts down a killer in a dystopian, overpopulated NYC in this classic science fiction novel that inspired the film Soylent Green. Originally published in 1966, Make Room! Make Room! imagines a world at the end of the twentieth century where Earth is so overwhelmed by rampant population growth that it teeters on the edge of self-destruction. In New York City alone, thirty-five million people are squeezed into its packed boroughs, scrambling like rats for the world’s dwindling resources. The only food available is a product called soylent. And while the government tries to maintain order, the rich get richer and the poor stay underfoot. Finding a killer in this broken world is one hell of a job. But that’s exactly what Det. Andy Rusch has been assigned to do. If he can stay alive long enough, he might just solve the biggest case he’s ever been on—unless humanity finally fulfills its promise and destroys itself first. |
| books on writing horror: The Wordsworth Book of Horror Stories Various, 2005-01-05 A superb collection of some of the greatest tales of the genre; many are classics while others are lesser-known gems unearthed from the vintage era of the supernatural. |
| books on writing horror: Writing Sci-Fi, Fantasy, & Horror For Dummies Rick Dakan, Ryan G. Van Cleave, 2022-03-09 Take your shot at becoming the next Tolkien, Asimov, or King with this simple roadmap to transforming your fiction into works of art Writing Sci-Fi, Fantasy, & Horror For Dummies is your skeleton key to creating the kind of fiction that grips readers and compels them to keep turning pages (even if it's well past their bedtime!) You'll start with the basics of creative writing—including character, plot, and scene—and strategies for creating engaging stories in different forms, such as novels, short stories, scripts, and video games. After that, get beginner-friendly and straightforward advice on worldbuilding, before diving headfirst into genre-specific guidance for science fiction, horror, and fantasy writing. This book also offers: Strategies for editing and revising your next work to get it into tip-top shape for your audience Ways to seek out second opinions from editors, experts, and even sensitivity readers Techniques for marketing and publication, working with agents, and advice for writers going the self-publishing route The perfect beginner's guide for aspiring writers with an interest in horror, fantasy, or science fiction, Writing Sci-Fi, Fantasy, & Horror For Dummies is the first and last resource you need before you start building your next story about faraway lands, aliens, and fantastic adventures. |
| books on writing horror: Writing Horror and the Body Linda Badley, 1996-06-18 In this sequel to Film, Horror, and the Body Fantastic, Badley examines horror fiction as a fantastic genre in which images of the body and the self are articulated and modified. Badley places horror fiction in its cultural context, drawing important connections to theories of gender and sexuality. As our culture places increasing importance on body image, horror fiction has provided a language for imagining the self in new ways—often as ungendered, transformed, or re-generated. Focusing on the works of Stephen King, Clive Barker, and Anne Rice, Badley approaches horror as a discourse that articulates the anxieties of our culture. |
| books on writing horror: Effective Programming Jeff Atwood, 2012-07-04 ABOUT THE BOOK Jeff Atwood began the Coding Horror blog in 2004, and is convinced that it changed his life. He needed a way to keep track of software development over time - whatever he was thinking about or working on. He researched subjects he found interesting, then documented his research with a public blog post, which he could easily find and refer to later. Over time, increasing numbers of blog visitors found the posts helpful, relevant and interesting. Now, approximately 100,000 readers visit the blog per day and nearly as many comment and interact on the site. Effective Programming: More Than Writing Code is your one-stop shop for all things programming. Jeff writes with humor and understanding, allowing for both seasoned programmers and newbies to appreciate the depth of his research. From such posts as The Programmer's Bill of Rights and Why Cant Programmers... Program? to Working With the Chaos Monkey, this book introduces the importance of writing responsible code, the logistics involved, and how people should view it more as a lifestyle than a career. TABLE OF CONTENTS - Introduction - The Art of Getting Shit Done - Principles of Good Programming - Hiring Programmers the Right Way - Getting Your Team to Work Together - The Batcave: Effective Workspaces for Programmers - Designing With the User in Mind - Security Basics: Protecting Your Users' Data - Testing Your Code, So it Doesn't Suck More Than it Has To - Building, Managing and Benefiting from a Community - Marketing Weasels and How Not to Be One - Keeping Your Priorities Straight EXCERPT FROM THE BOOK As a software developer, you are your own worst enemy. The sooner you realize that, the better off you'll be.I know you have the best of intentions. We all do. We're software developers; we love writing code. It's what we do. We never met a problem we couldn't solve with some duct tape, a jury-rigged coat hanger and a pinch of code. But Wil Shipley argues that we should rein in our natural tendencies to write lots of code: The fundamental nature of coding is that our task, as programmers, is to recognize that every decision we make is a trade-off. To be a master programmer is to understand the nature of these trade-offs, and be conscious of them in everything we write.In coding, you have many dimensions in which you can rate code: Brevity of codeFeaturefulnessSpeed of executionTime spent codingRobustnessFlexibility Now, remember, these dimensions are all in opposition to one another. You can spend three days writing a routine which is really beautiful and fast, so you've gotten two of your dimensions up, but you've spent three days, so the time spent coding dimension is way down.So, when is this worth it? How do we make these decisions? The answer turns out to be very sane, very simple, and also the one nobody, ever, listens to: Start with brevity. Increase the other dimensions as required by testing. I couldn't agree more. I've given similar advice when I exhorted developers to Code Smaller. And I'm not talking about a reductio ad absurdum contest where we use up all the clever tricks in our books to make the code fit into less physical space. I'm talking about practical, sensible strategies to reduce the volume of code an individual programmer has to read to understand how a program works. Here's a trivial little example of what I'm talking about: if (s == String.Empty)if (s == ) It seems obvious to me that the latter case is... ...buy the book to read more! |
| books on writing horror: The Deep Nick Cutter, 2015-01-13 Afraid of the dark? You should be ... Part horror, part psychological nightmare, The Deep by Nick Cutter is a novel fans of Stephen King and Clive Barker won't want to miss. A plague is destroying the world's population. The 'Gets makes people forget. First it's the small things, like where you left your keys ... then the not-so-small things, like how to drive. And finally your body forgets how to live. But now an unknown substance with extraordinary power to heal has been discovered in the depths of the Pacific Ocean. Nicknamed ambrosia, it might just be the miracle cure the world has been praying for. A research lab has been established eight miles below the sea's surface, but all contact with the team has been lost. Dr Luke Nelson's brother is down there and as desperation for a cure outweighs common sense, he agrees to descend through the lightless fathoms ... perhaps to face an evil blacker than anything he could have imagined. |
| books on writing horror: Unseaming Mike Allen, 2014-10-07 NOW WITH NEW BONUS CONTENT! 2014 Shirley Jackson Award finalist for best collection 2014 This Is Horror Award finalist for best collection 2015 Chesley Award finalist for best cover Mike Allen has put together a first class collection of horror and dark fantasy. Unseaming burns bright as hell among its peers. --Laird Barron, author of The Beautiful Thing That Awaits Us All Allen's stories deliver solid shivering terror tinged with melancholy sorrow over the fragility of humankind. --Publishers Weekly, starred review The stories ... range from the sly to the splatteringly horrific, with every nuance of dread and menace in between. --Library Journal, starred review Everyone in the world awakens covered in blood-and no one knows where the blood came from. A childhood doll arrives to tear its owner's reality limb from limb. A portal to the spirit realm stretches wide on the Appalachian Trail, and something more than human crawls through on eight legs. Words of comfort change to terrifying sounds as a force from outside time speaks through them. The buttons in the bin will unseam your flesh to bare your nastiest secrets. Opening with The Button Bin, a finalist for the Nebula Award for Best Short Story, and culminating with its sequel, The Quiltmaker, which Bram Stoker Award and Shirley Jackson Award winner Laird Barron has hailed as Mike Allen's masterpiece, this debut collection gathers fourteen horror tales that, in the words of Barron's introduction, rival anything committed to paper by the likes of contemporary masters such as Clive Barker, Ramsey Campbell, or Caitlín Kiernan. This is raw, visceral, and sometimes bloody stuff. Primal stuff. More praise for Unseaming: Throughout Unseaming, reality is usually in bad shape right from the start-and from there things proceed to go downhill. Such is the general background and trajectory of life in Mike Allen's fictional world. More could be said, of course, but there's one thing that I feel especially urged to say: these stories are fun. Not good fun, and certainly not good clean fun. They are too unnerving for those modifiers, too serious, like laughter in the dark-unnerving, serious laughter that leads you through Mr. Allen's funhouse. The reality in there is also in bad shape, deliberately so, just for the seriously unnerving fun of it. The prose is poetic, except it's nonsense poetry, the poetry of deteriorating realities, intermingling realities, realities without Reality. And all the while that unnerving, serious laughter keeps getting louder and louder. Are we having fun yet? --Thomas Ligotti, author of Teatro Grottesco and The Spectral Link Allen can write as lyrically and as viscerally as the best of them ... an exceptional debut collection. --Locus Mike Allen's Unseaming confirms his status as a poet who writes in dread and awe rather than ink. His most recurrent themes are those of wrenching loss and transformative retribution, with a liberal helping of the literal fear of God(s); sowing out a hundred different apocalypses, personal and otherwise, these stories reap an unforgettable crop of nightmares, sketching a chimeric universe in which shape-changing is less a rumour or an option than a sad, simple inevitability. Not to be missed. --Gemma Files, author of We Will All Go Down Together Mike Allen blends a poet's attention to language with a crime reporter's instinct for the darker precincts of human behavior...These stories glow with demonic energy, and what they illuminate are the faces of our secret selves, screaming back at us from the mirror's depths. --John Langan, author of The Wide, Carnivorous Sky and Other Monstrous Geographies Offbeat, gruesome conceits and expert delivery. --Asimov's Science Fiction One of the most original practitioners of the body horror subgenre since Clive Barker's Books of Blood. --Rue Morgue |
| books on writing horror: Scowler Daniel Kraus, 2013-03-12 From the New York Times bestselling author of Whalefall, The Shape of Water with Guillermo del Toro, Rotters, and more, comes this equal parts haunting and horrifying horror novel that gves readers insight into the mind of a controlling homicidal man and the son who must stop him. Marvin Burke is one of the great monsters of literature, a figure of immense, credible terror and savagery.--Cory Doctorow, author of Little Children and coeditor of Boing Boing Imagine your father is a monster. Would that mean there are monsters inside you, too? Nineteen-year-old Ry Burke, his mother, and little sister eke out a living on their dying family farm. Ry wishes for anything to distract him from the grim memories of his father’s physical and emotional abuse. Then a meteorite falls from the sky, bringing with it not only a fragment from another world but also the arrival of a ruthless man intent on destroying the entire family. Soon Ry is forced to defend himself by resurrecting a trio of imaginary childhood protectors: kindly Mr. Furrington, wise Jesus, and the bloodthirsty Scowler. |
| books on writing horror: Carnosaur Harry Adam Knight, Will Errickson, 2022-09-06 It stood over six feet tall and was the color of dried blood. It was absurdly reminiscent of some giant plucked bird, like an ostrich-but it had the head of a reptile. The partly opened mouth revealed rows of curved, pointed teeth. It was a walking impossibility-a creature that had died out sixty-five million years ago-but it was alive. And it wasn't the only one. In a sleepy rural town, one man's dream had become everyone else's nightmare-and dinosaurs once more roamed the earth. First published in 1984, six years before Michael Crichton's Jurassic Park, Harry Adam Knight's Carnosaur is a gory dinosaur-filled romp sure to delight fans of '80s paperback horror fiction. |
| books on writing horror: One Rainy Night Richard Laymon, 2012-04-12 A freak rainstorm results in carnage... One Rainy Night is a spine-chilling horror novel from the highly acclaimed Richard Laymon, perfect for fans of Dean Koontz and Clive Barker. 'Laymon is unique. A phenomenon. A genius of the grisly and the grotesque' - Joe Citro, The Blood Review The strange black rain falls like a shroud on the small town of Bixby. It comes down in torrents, warm and unnatural. And as it falls, the town changes. One by one, the inhabitants fall prey to its horrifying effect. One by one, they become filled with hate and rage... and the need to kill. Formerly friendly neighbours turn to crazed maniacs. A stranger at a gas station shoves a nozzle down a customer's throat and pulls the trigger. A soaking-wet line of movie-goers smashes its way into the theatre to slaughter the people inside. A loving wife attacks her husband, still beating his head against the floor long after he's dead. As the rain falls, blood flows in the gutters - and terror runs through the streets. What readers are saying about One Rainy Night: 'The action does not stop for a second, dragging you brutally along at a breakneck pace. Do not start this book unless you have time to finish it NOW, you will not want to put it down!' 'Laymon throws in a collection of colourful characters that are brought to vivid life with their individual, loveable and instantly identifiable traits' 'The novel lasts for a total of 410 blood soaked pages, of which all 410 of these will keep your heart racing, as you sit there perched on the edge of your seat' |
| books on writing horror: The Stand Stephen King, 2008-06-24 #1 BESTSELLER • The apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published. • The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity. |
| books on writing horror: Writers Workshop of Horror 2 Michael Knost, 2021-09 Writers Workshop of Horror 2 is a collection of essays and interviews focusing on the art and craft of writing horror and dark fantasy. From bestselling authors like Stephen King, Anne Rice, and R. L. Stine, to up-and-coming writers just making their mark, this anthology is chock-full of advice and information writers of any level will find valuable and useful. Writers Workshop of Horror 2 is helmed by Michael Knost, the Bram Stoker Award-winning editor that brought you Writers Workshop of Horror, Writers Workshop of Science Fiction & Fantasy, and Author's Guide to Marketing with Teeth. |
| books on writing horror: Yours to Tell Steve Rasnic Tem, Melanie Tem, 2017-04-11 Steve Rasnic Tem and Melanie Tem are no strangers to the writing business. In this book they go over everything from the mechanics of writing, to how to find the time to write, to dealing with all the paper writers tend to collect. They discuss plot, point of view, setting, characterization, and more. |
| books on writing horror: Floating Staircase Ronald Malfi, 2011-10-01 Following the success of his latest novel, Travis Glasgow and his wife Jodie buy their first house in the seemingly idyllic western Maryland town of Westlake. At first, everything is picture perfect—from the beautiful lake behind the house to the rebirth of the friendship between Travis and his brother, Adam, who lives nearby. Travis also begins to overcome the darkness of his childhood and the guilt he’s harbored since his younger brother’s death—a tragic drowning veiled in mystery that has plagued Travis since he was 13. Soon, though, the new house begins to lose its allure. Strange noises wake Travis at night, and his dreams are plagued by ghosts. Barely glimpsed shapes flit through the darkened hallways, but strangest of all is the bizarre set of wooden stairs that rises cryptically out of the lake behind the house. Travis becomes drawn to the structure, but the more he investigates, the more he uncovers the house’s violent and tragic past, and the more he learns that some secrets cannot be buried forever. |
| books on writing horror: Ordinary Horror David Searcy, 2002 Frank Delabano wants to get rid of the mysterious burrowing pests that are menacing the roses in his small backyard. He sends away for an organic remedy advertised in the local paper. Gopherbane, a South American plant, is guaranteed to be effective while harmless to pets and everything else. But a series of horrific incidents gradually builds to an apocalyptic climax. |
| books on writing horror: Horror: Another 100 Best Books Stephen Jones, Kim Newman, 2005-09-21 Horror: Another 100 Best Books features one hundred of the top names in the horror field discussing one hundred of the most spine-chilling novels ever written. Each entry includes a synopsis of the work as well as publication history, biographical information about the author of each title, and recommended reading and biographical notes on the contributor. Author Ramsey Campbell also offers a new foreword to the book describing the evolution of horror over the past two decades — from the way it's written by a crop of new and exciting writers to the way it's received by a new market of readers. Horror: Another 100 Best Books will be the definitive guide to the tremendous library of horror fiction available today —a reference that no fan can live without. |
| books on writing horror: Disappearance at Devil's Rock Paul Tremblay, 2016-06-21 From Paul Tremblay, the author of A Head Full of Ghosts, comes a contemporary psychological suspense concerning a family shaken to its core after the mysterious disappearance of a teenage boy. “A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare,” raved Stephen King about Paul Tremblay’s previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers. Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park. The search isn’t yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy’s disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil’s Rock. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them. As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock. |
| books on writing horror: Not for Nothing Stephen Graham Jones, 2014 A woefully overmatched PI must confront his past and solve a murder in rural Texas. |
| books on writing horror: The Art of Horror Stephen Jones, 2015 THE ART OF HORROR: AN ILLUSTRATED HISTORY |
| books on writing horror: The Cabin at the End of the World Paul Tremblay, 2018-06-26 Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures “Tremblay’s personal best. It’s that good.” — Stephen King Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.” Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay. |
| books on writing horror: The Wickford Doom Chris Priestley, 2015 When Harry and his mother inherit a house from a mysterious relative of his father's following his death in the War, they travel across the country to discover the bequeathing was a cruel trick - the house has fallen into the sea. But it seems there's even more afoot at Wickford Hall than they first imagined, as tales of lost children and evil paintings soon capture Harry's imagination. Is there something evil lurking in the land? And can Harry defeat it before it swallows him up too? |
| books on writing horror: The Horror Writer Ramsey Campbell, John Palisano, Lisa Morton, 2019-12-28 THE MOST DEFINITIVE GUIDE INTO THE TRIALS AND TRIBULATIONS OF BEING A HORROR WRITER SINCE STEPHEN KING'S 'ON WRITING'... We have assembled some of the very best in the business from whom you can learn so much about the craft of horror writing: Bram Stoker Award(c) winners, bestselling authors, a President of the Horror Writers' Association, and myriad contemporary horror authors of distinction. The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characters without resorting to clichéd jump scares and well-worn gimmicks. Also covered is the delicate subject of handling rejection with good grace, and how to use those inevitable not quite the right fit for us at this time letters as an opportunity to hone your craft. Plus... perceptive interviews to provide an intimate peek into the psyche of the horror author and the challenges they work through to bring their nefarious ideas to the page. And, as if that - and so much more - was not enough, we have for your delectation Ramsey Campbell's beautifully insightful analysis of the tales of HP Lovecraft. Featuring: Ramsey Campbell, John Palisano, Chad Lutzke, Lisa Morton, Kenneth W. Cain, Kevin J. Kennedy, Monique Snyman, Scott Nicholson, Lucy A. Snyder, Richard Thomas, Gene O'Neill, Jess Landry, Luke Walker, Stephanie M. Wytovich, Marie O'Regan, Armand Rosamilia, Kevin Lucia, Ben Eads, Kelli Owen, Jasper Bark, and Bret McCormick. And interviews with: Steve Rasnic Tem, Stephen Graham Jones, David Owain Hughes, Tim Waggoner, and Mort Castle. |
| books on writing horror: The Amulet Michael McDowell, 2013 When a rifle range accident leaves Dean Howell disfigured and in a vegetative state, his wife Sarah finds her dreary life in Pine Cone, Alabama made even worse. After long and tedious days on the assembly line, she returns home to care for her corpselike husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son's mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it's too late . . . |
| books on writing horror: It's Alive Chuck Palahniuk, F. Paul Wilson, Clive Barker, 2018-12-10 Book two in Crystal Lake Publishing's The Dream Weaver series picks up where the Bram Stoker Award-nominated Where Nightmares Come From: The Art Of Storytelling In The Horror Genre left off. |
| books on writing horror: Writing Horror Edo Van Belkom, 2000 Takes you through the process of creating horror, including the art of suspending reader disbelief, the creation of atmosphere and believable characters, and the seven steps of plotting. |
| books on writing horror: Brian Lumley's Necroscope Brian Lumley, 2006-04-01 Necroscope is one of the most popular vampire novels of the past twenty years, spawning more than a dozen sequels, and establishing Brian Lumley as a master of edge of your seat, fast-paced horror. |
| books on writing horror: Her Soul to Take Harley Laroux, 2024-02-20 FEATURING NEW EXCLUSIVE BONUS CONTENT! Like Buffy or The Vampire Diaries but with tons more spice, a titillating fork-tongued demon, and a ritualistic monster cult, the edgy dark romance that set Tiktok on fire is now here as a special edition with bonus content for fans of Scarlett St. Claire, Penelope Douglas, and Katee Robert. The demon didn't just want my body. He wanted my soul. Leon: My reputation among magicians is unblemished. Killer, they call me; killing is what I’m best at. One wrong move and you’re dead. Except her. The one I was supposed to take, the one I should have killed. The cult that once controlled me wants her, but I’m not about to lose my new toy to them. Rae: I’ve always believed in the supernatural. Hunting for ghosts is my passion, but summoning a demon was never part of the plan. Monsters are roaming the woods, and something ancient—something evil—is waking up . . . and calling my name. I don’t know who I can trust, or how deep this darkness goes. All I know is my one shot at survival is the demon stalking me, and he doesn’t just want my body—he wants my soul. |
| books on writing horror: The Howling of the Dead Stephanie E. Jensen, 2021-08-23 Brayden and his girlfriend, Kylee, decide to move into the cabin that he inherited from his recently deceased aunt. However, they never guessed they would be plagued by pure evil. Throughout their time living there, they ask themselves the same questions: what menacing force lives in the cabin? And what does Brayden's aunt have to do with it? |
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