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| boston society film critics: A List Jay Carr, 2008-08-05 People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays -- most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee -- name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric critic's choice movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up. |
| boston society film critics: The Advocate , 2006-03-28 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| boston society film critics: The X List Jami Bernard, 2009-04-20 National Society of Film Critics dares to go where few mainstream critics have gone before-to the heart of what gets the colored lights going, as they say in A Streetcar Named Desire. Here is their take on the films that quicken their (and our) pulses-an enterprise both risky and risque, an entertaining overview of the most arousing films Hollywood has every produced. But make no mistake about it: This isn't a collection of esoteric critic's choice movies. The films reflect individual taste, rubbing against the grain of popular wisdom. And, because of the personal nature of the erotic forces at play, these essays will reveal more about the individual critics than perhaps they have revealed thus far to their readers. The Society is a world-renowned, marquee-name organization embracing some of America's most distinguished critics, more than forty writers who have followings nationally as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis.Yes, The X List will have something for every lover of film-and for every lover. |
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| boston society film critics: Altman on Altman David Thompson, 2011-04-07 In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career. Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye, Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, underscored his comeback. Now he recalls the highs and lows of his career trajectory to David Thompson in this definitive interview book, part of Faber's widely acclaimed Directors on Directors series. 'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan, Metro London |
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| boston society film critics: The Concise Routledge Encyclopedia of the Documentary Film Ian Aitken, 2013 This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues. |
| boston society film critics: The Best Old Movies for Families Ty Burr, 2007-02-13 If a child can watch Barney, can’t that same child also enjoy watching Charlie Chaplin or the Marx Brothers? And as they get older, wouldn’t they grow to like screwball comedies (His Girl Friday), women’s weepies (Imitation of Life), and westerns (The Searchers)? The answer is that they’ll follow because they’ll have learned that “old” does not necessarily mean “next channel, please.”Here is an impassioned and eminently readable guide that introduces the delights of the golden age of movies. Ty Burr has come up with a winning prescription for children brought up on Hollywood junk food. FOR THE LITTLE ONES (Ages 3—6): Fast-paced movies that are simple without being unsophisticated, plainspoken without being dumbed down. Singin’ in the Rain and Bringing Up Baby are perfect.FOR THE ONES IN BETWEEN (Ages 7—12): “Killer stories,” placing easily grasped characters in situations that start simply and then throw curveballs. The African Queen and Some Like It Hot do the job well.FOR THE OLDER ONES (Ages 13+): Burr recommends relating old movies to teens’ contemporary favorites: without Hitchcock, there could be no The Texas Chainsaw Massacre, without Brando, no Johnny Depp. |
| boston society film critics: Reeled In: Pre-existing Music in Narrative Film Jonathan Godsall, 2018-10-09 How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment. |
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| boston society film critics: Scorsese Jim Sangster, 2012-08-31 Martin Scorsese’s obsession with sin and redemption, conflict and violence runs through much of his work. This essential guide to Scorsese explores his career from his early student works, including It’s Not Just You, Murray!: through his personal examinations of his Italian American heritage in Mean Streets, Italianamerican and Goodfellas: the extreme violence of Raging Bull, Taxi Driver and Cape Fear: and the religious themes – from a director who originally wanted to be a priest – of The Last Temptation of Christ and Kundun. Including all Scorsese’s films up to Gangs of New York, this is a comprehensive study of the work of this widely respected film maker. Also covering his influences, the controversy surrounding his films, exhaustive music lists and long-time collaborations, this is an extensive analysis of the most consistently passionate, committed and inventive film director of the last thirty years. |
| boston society film critics: Celluloid Ceiling Gabrielle Kelly, Cheryl Robson, 2014-05-27 An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere. ***** BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW - Diane, Amazon ***** Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking. - D.A. Morris, Amazon ***** This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world. - UCF Film The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, The Celluloid Ceiling, could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors. - Matthew Hammett Knott, indiewire |
| boston society film critics: Encyclopedia of Motion Picture Sound Marty McGee, 2015-06-08 Ever since 1927, when The Jazz Singer broke the silence of the silver screen, sound has played an integral role in the development and appreciation of motion pictures. This encyclopedia covers the people, processes, innovations, facilities, manufacturers, formats and award-winning films that have made sound such a crucial part of the motion picture experience. Every film that has won a sound-related Academy Award is included here, with detailed critical commentary. Every sound mixer or editor who has been honored by the Academy has his or her own entry and filmography, and career biographies are provided for key developers including Jack Foley, Ray Dolby, George Lucas, and more. |
| boston society film critics: The Silence of the Lambs Cynthia J. Miller, 2016-10-27 One of only three films to-date to win Academy Awards in all five major categories, The Silence of the Lambs marked a sea change in horror films when it debuted, shifting the genre from teen slasher fare of the 1970s to the sophisticated psychological horror that characterizes acclaimed films today. Praised by some as the first true feminist thriller, it has drawn criticism from others for perpetuating narratives of crimes against women and demonizing its queer character. Regardless of the controversy, this film is a perennial favorite and even made it into AFI’s list of top 100 movies of all time. In The Silence of the Lambs: Critical Essays on a Cannibal, Clarice, and a Nice Chianti, editor Cynthia J. Miller compiles fifteen essays, contributed by authors from a wide range of disciplines, which are divided into three sections, each approaching the film from a different vantage point: “Situating the Silence” looks at the film in its cultural and historical context—as an adaptation, popular culture icon, and as an element in genre and character history; “Dissecting Evil” takes a closer look at portrayals of evil in the film, in both Hannibal Lecter and Buffalo Bill; and “Minds, Hearts, and Body Parts” offers critical explorations of gender, patriarchy, class, Orientalism, and humor as lenses for continued contemporary analysis of this classic film. Written accessibly, this collection of essays also introduces readers to forensics, semantics, and the psychology of serial killers. The Silence of the Lambs: Critical Essays on a Cannibal, Clarice, and a Nice Chianti will be of interest to scholars and fans of horror, thriller, and crime drama films, as well as those interested in film history and the legacy of “Hannibal the Cannibal” in popular culture. |
| boston society film critics: The Directors Robert J. Emery, 2003-01-01 The Directors, Take Three offers dozens of masterful insights on the craft of directing from such renowned filmmakers as Robert Altman, Wes Craven, Alan Parker, Tim Burton, Steven Spielberg, and Barry Levinson. Here are details of their experiences making a variety of classic films from Nashville to Nightmare on Elm Street, Rain Man to Raging Bull, and Pee Wee's Big Adventure to Schindler's List. You'll discover directors' earliest reactions to scripts for films that became classics; how legendary scenes were staged and shot; behind-the-scenes stories of the unknown actors who landed major roles and went on to become superstars; the underdog films that confounded expectations; directors' unique approaches to their art; and much, much more. This magnificent series also includes each director's filmography, complete listings of major awards, and cast credits for every film discussed. A fabulous source of insights, anecdotes, and industry secrets for film buffs everywhere! |
| boston society film critics: e-Pedia: Captain America: Civil War Contributors, Wikipedia, 2017-02-11 This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, and Daniel Brühl. In Captain America: Civil War, disagreement over international oversight of the Avengers fractures them into opposing factions—one led by Steve Rogers and the other by Tony Stark. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 634 related (linked) Wikipedia articles to the title article. This book does not contain illustrations. |
| boston society film critics: Nicolas Cage compiled from Wikipedia pages and published by DrGoogelberg, 2012-07-30 Nicolas Cage - His Life and MoviesCompiled from Wikipedia entries and published by Dr Googelberg.Read interesting details about the life and the movies of this popular actor. |
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| boston society film critics: The Cinema of Errol Morris David Resha, 2015-04-08 The Cinema of Errol Morris offers close analyses of the director's films—from box office successes like The Thin Blue Line and The Fog of War to Morris's early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha's reappraisal of Morris's films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality—in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage. Hardcover is un-jacketed. |
| boston society film critics: De Niro Shawn Levy, 2015-10-27 REMARKABLE BIOGRAPHY OF AN ICON There’s little debate that Robert De Niro is one of the greatest screen actors of his generation, perhaps of all time--if not, in fact, the greatest. His work, particularly in the first 20 years of his career, is unparalleled. Mean Streets, the Godfather Part II, Taxi Driver, the Deer Hunter, and Raging Bull all dazzled moviegoers and critics alike, displaying a talent the likes of which had rarely--if ever--been seen. De Niro became known for his deep involvement in his characters, assuming that role completely into his own life, resulting in extraordinary, chameleonic performances. Yet little is known about the off-screen De Niro--he is an intensely private man, whose rare public appearances are often marked by inarticulateness and palpable awkwardness. It can be almost painful to watch at times, in powerful contrast to his confident movie personae. In this elegant and compelling biography, bestselling writer Shawn Levy writes of these many De Niros--the characters and the man--seeking to understand the evolution of an actor who once dove deeply into his roles as if to hide his inner nature, and who now seemingly avoids acting challenges, taking roles which make few apparent demands on his overwhelming talent. Following De Niro's roots as the child of artists (his father, the abstract painter Robert De Niro Sr., was widely celebrated) who encouraged him from an early age to be independent of vision and spirit, to his intense schooling as an actor, the rise of his career, his marriages, his life as a father, restauranteur, and businessman, and, of course, his current movie career, Levy has written a biography that reads like a novel about a character whose inner turmoil takes him to heights of artistry. His many friendships with the likes of Martin Scorsese, Meryl Streep, Harvey Keitel, Shelley Winters, Francis Ford Coppola, among many others, are woven into this extraordinary portrait of DeNiro the man and the artist, also adding a depth of understanding not before seen. Levy has had unprecedented access to De Niro's personal research and production materials, creating a new impression of the effort that went into the actor's legendary performances. The insights gained from DeNiro’s intense working habits shed new perspective on DeNiro’s thinking and portrayals and are wonderful to read. Levy also spoke to De Niro's collaborators and friends to depict De Niro's transition from an ambitious young man to a transfixing and enigmatic artist and cultural figure. Shawn Levy has written a truly engaging, insightful, and entertaining portrait of one of the most wonderful film artists of our time, a book that is worthy of such a great talent. |
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| boston society film critics: Hollywood Winners & Losers A to Z Mark Thise, 2008-01-01 The ultimate film reference (and trivia) book, Hollywood Winners and Losers features almost 900 separate entries for every actor and actress ever to be nominated for an Academy Award. From icons to would-be superstars and the forgotten faces that had only a moment in the sun, every personality is listed here along with their best-known films, real names, bios, and little-known facts. More than just a reference guide or bet-settler, this is a perennial coffee-table read, perfect for film fans of all ages. It simply cannot be beat. |
| boston society film critics: Virgin Film: Ridley Scott James Clarke, 2012-04-24 This indispensable guide provides a thorough chronological examination of Ridley Scott's directorial career. All of Scott's films are included, along with information on his frequent collaborators, his thoughts on his own films, and a section on his unrealised projects. This is the essential reference guide to one of mainstream cinema's most diverse directors. |
| boston society film critics: George Clooney Kimberly Potts, 2011-09-01 (Applause Books). He's famous for twice being People magazine's Sexiest Man Alive, for his penchant for practical jokes and his vow never to remarry, as well as for his Oscar-winning and Emmy-nominated acting career. But George Clooney's reputation as a celebrity belies his essential seriousness, as a businessman, a humanitarian, and, of course, in his ascendancy to the Hollywood A-list. In this updated biography of one of Hollywood's most colorful leading men, pop culture expert Kimberly Potts traces Clooney's life from small-town boy to big-screen idol. Clooney slowly and deliberately built a resume that took him from TV stardom on ER to a winning film career as a serious actor, writer, producer and director. Along the way Potts fills us in on Clooney's early attempts to break into film (including his Batman flop), his many well-publicized romances, and his political and humanitarian efforts, including cofounding the antigenocide organization Not On Our Watch. Potts also discusses Clooney's shrewd strategy of alternating blockbuster movie roles with less lucrative passion projects such as Syriana and Good Night, and Good Luck that reflect his personal ethics. He won an Academy Award for the former and rave reviews for the latter, and has continued to earn accolades and Oscar nominations for smart dramas such as Michael Clayton and Up in the Air . Including fresh interviews, essential Clooney photographs, an updated filmography and timeline, and a list of his favorite 100 films, this is the book no Clooney fan will want to be without. |
| boston society film critics: Swimming Upstream: A Lifesaving Guide to Short Film Distribution Sharon Badal, 2012-07-26 Short films have come into their own, not least in part due to the incredible new ways to distribute them, including the Web, cell phones, new festivals devoted to shorts--even television and theatres. This is the ultimate guide for anyone who's made a short film and wonders what to do next. Whether your short film is meant to be a calling card, a segue to a feature film, or you just want to recoup some of the costs, this book describes the potential paths for distribution. Written by the short film programmer of the Tribeca Film Festival and featuring contributions from top film festival directors, as well as studio, marketing, and technology executives, this book shows you what's important to the decision makers and gatekeepers. This is the definitive handbook filled with insider information available nowhere else. |
| boston society film critics: Mexican National Cinema Andrea Noble, 2005 Examining key film texts and genres, and set in a broad historical and theoretical context, this student-friendly study provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico. |
| boston society film critics: Agnes Varda Kelley Conway, 2015-11-15 Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors. |
| boston society film critics: The Great Sports Documentaries Michael Peters, 2018-01-16 Sports and competition have been film subjects since the dawn of the medium. Olympic sports documentaries have been around nearly as long as the games themselves; films about surfing, boxing, roller derby, motorcycle racing and bodybuilding were theatrical successes during the 1960s and 1970s. The author surveys the history of the sports documentary subgenre, covering more than 100 award-winning films of 40+ different competitions, from traditional team sports to dogsled racing to ballroom dancing. |
| boston society film critics: Friends , |
| boston society film critics: Reel Winners Richard Crouse, 2005-10-22 Do you know which televised awards show gives a prize for Favourite Smile? Or which Oscar host announced that he was going to raffle off a car during the ceremony? Do you know who won the Golden Raspberry Award for Worst Actress of the 20th Century? In Reel Winners, Richard Crouse, Reel to Real movie critic and CBC Radio’s titan of trivia, gives you the lowdown on movie awards, from eight decades of Hollywood self-congratulation to international awards to the toasts from the fringe (like The Skinnies, which celebrate actors and their skin conditions). Reel Winners is the definitive guide to the inside scoop on movie awards. |
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| boston society film critics: Reel Women Jane Sloan, 2007-03-26 In the last several decades, the number of films featuring female protagonists has increased significantly. Many of these films reflect the vast cultural and sociological changes that have taken place since the early 1960s, highlighting not only a wide spectrum of female characters depicted onscreen, but the creative work of women behind the camera as well. In Reel Women: An International Directory of Contemporary Feature Films about Women, media librarian Jane Sloan has assembled an impressive list of more than 2400 films—from nearly 100 countries—that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female directors, producers, and screenwriters involved in its production. Reel Women also contains a critical survey in which Sloan charts the changes women have undergone both on screen and off, as moviemaking and audience sensibilities have evolved in the last forty-plus years. Listing many more films on the subject of women than can be found in any other source, this reference brings together important titles from area studies and genre markets along with titles associated with women's cinema and feminist film. In addition to title and actor indexes, the book contains a subject index that provides detailed access to place names, historical characters, time periods, and storylines, as well as the backgrounds—religious, racial, and ethnic—of the main characters. This directory is an ideal reference tool for researchers studying the evolution of female characters in films around the world, from Afghanistan to Zimbabwe. It is also a resource for casual viewers who are looking for films that reflect the diversity of women's roles that can be found in independent and national cinemas as well as commercial blockbusters. |
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| boston society film critics: Steven Spielberg A Short Unauthorized Biography Fame Life Bios, 2022-02-18 Steven Spielberg: A Short Unauthorized Biography is a short unauthorized biography produced from electronic resources researched that includes significant events and career milestones. Ideal for fans of Steven Spielberg and general readers looking for a quick insight about one of today's most intriguing celebrities. This must-read short unauthorized biography chronicles: Who is Steven Spielberg Things People Have Said about Steven SpielbergSteven Spielberg is BornGrowing Up with Steven SpielbergSteven Spielberg Personal RelationshipsThe Rise of Steven SpielbergSignificant Career MilestonesSteven Spielberg Friends and FoesFun Facts About Steven SpielbergHow The World Sees Steven Spielberg Steven Spielberg A Short Unauthorized Biography is one of the latest short unauthorized biographies from Fame Life Bios. Check it out now! |
| boston society film critics: Acting Claudia Springer, Julie Levinson, 2015-08-18 Screen performances entertain and delight us but we rarely stop to consider actors’ reliance on their craft to create memorable characters. Although film acting may appear effortless, a host of techniques, artistic conventions, and social factors shape the construction of each role. The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, Wild West stars, and athletes captured in motion, to the present when audiences marvel at the seamless blend of human actors with CGI. Experts in the field take readers behind the silver screen to learn about the craft of film acting in six eras: the silent screen (1895–1928), classical Hollywood (1928–1946), postwar Hollywood (1947–1967), the auteur renaissance (1968–1980), the New Hollywood (1981–1999), and the modern entertainment marketplace (2000–present). The contributors pay special attention to definitive performances by notable film stars, including Lillian Gish, Dick Powell, Ginger Rogers, Beulah Bondi, Marilyn Monroe, Marlon Brando, Jack Nicholson, Robert De Niro, Nicholas Cage, Denzel Washington, and Andy Serkis. In six original essays, the contributors to this volume illuminate the dynamic role of acting in the creation and evolving practices of the American film industry. Acting is a volume in the Behind the Silver Screen series—other titles in the series include Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special/Visual Effects; Producing; Screenwriting; and Sound. |
| boston society film critics: Producing Jon Lewis, 2016-01-14 Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the first book to provide a comprehensive overview of the roles that producers have played in Hollywood, from the dawn of the twentieth century to the present day. It introduces readers to the colorful figures who helped to define and reimagine the producer’s role, including inventors like Thomas Edison, moguls like Darryl F. Zanuck, entrepreneurs like Walt Disney, and mavericks like Roger Corman. Readers also get an inside look at the less glamorous jobs producers have often performed: shepherding projects through many years of development, securing financial backers, and supervising movie shoots. The latest book in the acclaimed Behind the Silver Screen series, Producing includes essays written by seven film scholars, each an expert in a different period of cinema history. Together, they give readers a full picture of how the art and business of producing films has changed over time—and how the producer’s myriad job duties continue to evolve in the digital era. |
| boston society film critics: Hollywood Nation James L. Hirsen, 2006 In an updated study, a conservative spokesperson and author of Tales from the Left Coast offers an insightful look at how the line between news and entertainment has become blurred, as well as how the situation has allowed the liberal media to present their political views within entertainment product. Reprint. 15,000 first printing. |
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Boston.com: Local breaking news, sports, weather, and things to do
What Boston cares about right now: Get breaking updates on news, sports, and weather. Local alerts, things to do, and more on Boston.com.
Boston - Wikipedia
Boston [a] is the capital and most populous city in the Commonwealth of Massachusetts in the United States. The city serves as the cultural and financial center of New England, a region of …
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Visiting Boston | Boston.gov
May 10, 2024 · There are a variety of free walks and trails throughout the City of Boston. The City has a wealth of museums, with everything from the Museum of Fine Arts to the Old State …
Boston | History, Population, Map, Climate, & Facts | Britannica
6 days ago · Boston, city, capital of the commonwealth of Massachusetts, and seat of Suffolk county, in the northeastern United States. It lies on Massachusetts Bay, an arm of the Atlantic …
Meet Boston | Your Official Guide to Boston
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Discover the Freedom Trail’s landmarks, trendy restaurants and new high-tech campuses of the USA’s most prestigious universities. Check out top things to do in Boston, Massachusetts.
Boston, Massachusetts - WorldAtlas
Apr 9, 2022 · Boston is a city in the northeastern United States that serves as the capital of the Commonwealth of Massachusetts and the seat of Suffolk County. It has an area of 46 square …
Boston.com: Local breaking news, sports, weather, and things to do
What Boston cares about right now: Get breaking updates on news, sports, and weather. Local alerts, things to do, and more on Boston.com.
Boston - Wikipedia
Boston [a] is the capital and most populous city in the Commonwealth of Massachusetts in the United States. The city serves as the cultural and financial center of New England, a region of …
30 Top-Rated Things to Do in Boston | U.S. News Travel
Jun 6, 2025 · As Massachusetts' capital and the birthplace of the American Revolution, there's no shortage of historical sites for travelers to explore within Boston's city limits (and beyond). …
Visiting Boston | Boston.gov
May 10, 2024 · There are a variety of free walks and trails throughout the City of Boston. The City has a wealth of museums, with everything from the Museum of Fine Arts to the Old State …
Boston | History, Population, Map, Climate, & Facts | Britannica
6 days ago · Boston, city, capital of the commonwealth of Massachusetts, and seat of Suffolk county, in the northeastern United States. It lies on Massachusetts Bay, an arm of the Atlantic …
Meet Boston | Your Official Guide to Boston
Explore the city for history buffs, sports fanatics, music lovers, foodies, cultural travelers, and, truthfully, anyone. Whether you're visiting by air, by land, or by sea, find everything you need …
Boston Bucket List: 30 Best Things To Do in Boston - Earth …
Aug 22, 2017 · Here's a list of the best things to do in Boston, including the Freedom Trail, Fenway Park, the North End, whale watching, and more.
THE 15 BEST Things to Do in Boston (2025) - Tripadvisor
Things to Do in Boston, Massachusetts: See Tripadvisor's 743,229 traveler reviews and photos of Boston tourist attractions. Find what to do today, this weekend, or in June. We have reviews of …
Boston - Explore Culture & Historical Sites in Boston ... - Visit The …
Discover the Freedom Trail’s landmarks, trendy restaurants and new high-tech campuses of the USA’s most prestigious universities. Check out top things to do in Boston, Massachusetts.
Boston, Massachusetts - WorldAtlas
Apr 9, 2022 · Boston is a city in the northeastern United States that serves as the capital of the Commonwealth of Massachusetts and the seat of Suffolk County. It has an area of 46 square …
