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| boyz n the hood vs menace to society: Bill Duke Bill Duke, 2018-11-09 While many film fans may not be familiar with Bill Duke’s name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke’s extraordinary accomplishments off-screen—as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg. From his Broadway debut in 1971 to the establishment of the Duke Media Foundation, which trains and mentors young filmmakers, Duke has been breaking the rules of what it means to triumph in the entertainment industry. Recalling pivotal moments in his life, Bill Duke: My 40-Year Career on Screen and behind the Camera is the story only Bill Duke could tell. |
| boyz n the hood vs menace to society: Film Noir and Los Angeles Sean W. Maher, 2020-08-31 This book combines film studies with urban theory in a spatial exploration of twentieth century Los Angeles. Configured through the dark lens of noir, the author examines an alternate urban history of Los Angeles forged by the fictional modes of detective fiction, film noir and neo noir. Dark portrayals of the city are analyzed in Raymond Chandler’s crime fiction through to key films like Double Indemnity (1944) and The End of Violence (1997). By employing these fictional elements as the basis for historicising the city’s unrivalled urban form, the analysis demonstrates an innovative approach to urban historiography. Revealing some of the earliest tendencies of postmodern expression in Hollywood cinema, this book will be of great relevance to students and researchers working in the fields of film, literature, cultural and urban studies. It will also be of interest to scholars researching histories of Los Angeles and the American noir imagination. |
| boyz n the hood vs menace to society: La Haine (Mathieu Kassovitz, 1995) Ginette Vincendeau, 2005 |
| boyz n the hood vs menace to society: The History of Gangster Rap Soren Baker, 2018-10-02 Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C. |
| boyz n the hood vs menace to society: South Central Dreams Pierrette Hondagneu-Sotelo, Manuel Pastor, 2021-07-13 Race, place, and identity in a changing urban America Over the last five decades, South Los Angeles has undergone a remarkable demographic transition. In South Central Dreams, eminent scholars Pierrette Hondagneu-Sotelo and Manuel Pastor follow its transformation from a historically Black neighborhood into a predominantly Latino one, providing a fresh, inside look at the fascinating—and constantly changing—relationships between these two racial and ethnic groups in California. Drawing on almost two hundred interviews and statistical data, Hondagneu-Sotelo and Pastor explore the experiences of first- and second-generation Latino residents, their long-time Black neighbors, and local civic leaders seeking to build coalitions. Acknowledging early tensions between Black and Brown communities. they show how Latino immigrants settled into a new country and a new neighborhood, finding various ways to co-exist, cooperate, and, most recently, demonstrate Black-Brown solidarity at a time when both racial and ethnic communities have come under threat. Hondagneu-Sotelo and Pastor show how Latino and Black residents have practiced, and adapted innovative strategies of belonging in a historically Black context, ultimately crafting a new route to place-based identity and political representation. South Central Dreams illuminates how racial and ethnic demographic shifts—as well as the search for identity and belonging—are dramatically shaping American cities and neighborhoods around the country. |
| boyz n the hood vs menace to society: Expanding the Black Film Canon Lisa Doris Alexander, 2019-08-30 If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as black film per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement—such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones—they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles—costarring and co-written by Richard Pryor—is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment—and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades. |
| boyz n the hood vs menace to society: Documenting the Black Experience Novotny Lawrence, 2014-11-07 History taught at the elementary, middle, high school and even college levels often excludes significant events from African American history, such as the murder of Emmett Till or the murder of four black girls by the Ku Klux Klan in the Sixteenth Street Baptist Church bombing in Birmingham. Such events are integral parts of history that continue to inform America's racial politics. Their exclusion is a problem that this work addresses by bringing more visibility to documentary films focusing on the events. Books treating the history of documentary films follow a similar pattern, omitting the efforts of filmmakers who have continued to focus on African American history. This book works to make documentary discourse more complete, bringing attention to films that cover the African American experience in four areas--civil rights, sports, electronic media, and the contemporary black struggle--demonstrating how the issues continue to inform America's racial politics. |
| boyz n the hood vs menace to society: Race in American Film [3 volumes] Daniel Bernardi, Michael Green, 2017-07-07 This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history. |
| boyz n the hood vs menace to society: Performing Identity/performing Culture Greg Dimitriadis, 2009 Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice is the first book-length ethnography of young people and their uses of hip hop culture. Originally published in 2001, this second edition is newly revised, expanded, and updated to reflect contemporary currents in hip hop culture and critical scholarship, as well as the epochal social, cultural, and economic shifts of the last decade. Drawing together historical work on hip hop and rap music as well as four years of research at a local community center, Greg Dimitriadis argues here that contemporary youth are fashioning notions of self and community outside of school in ways educators have largely ignored. His studies are broad-ranging: how two teenagers constructed notions of a Southern tradition through their use of Southern rap artists like Eightball & MJG and Three 6 Mafia; how young people constructed notions of history through viewing the film Panther, a film they connected to hip hop culture more broadly; and how young people dealt with the life and death of hip hop icon Tupac Shakur, constructing resurrection myths that still resonate and circulate today. |
| boyz n the hood vs menace to society: Maverick Movies Daniel Herbert, 2023-11-21 A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today. |
| boyz n the hood vs menace to society: WJEC Eduqas Film Studies for A Level & AS – Student Book - Revised Edition Ellen Cheshire, Laura Barbey, Maxine Crampton, Mark Ramey, Jenny Stewart, Lisa Wardle, 2024-10-18 Written by experienced Film Studies authors and teachers, this Student Book provides the core knowledge and exemplification you will need throughout your Film Studies course and will help to prepare you thoroughly for your exams. - Concepts are explored through in-depth case study chapters on 14 films from the specification including: Casablanca, Bonnie and Clyde, La La Land, Beasts of the Southern Wild, Trainspotting, Sightseers, Mustang, Taxi Tehran, Stories We Tell, Sunrise, Buster Keaton shorts, Pulp Fiction, Daisies and Saute ma Ville, as well as references to many other films - A dedicated chapter on the Non-Examined Assessment production element of the specification provides practical tips on film production - Independent Activities provide direction and suggestions for study outside the classroom to broaden knowledge of the genres under study - Study Tips give advice on skills and highlight best practice when revising for your exams - Key Definitions introduce and reinforce key terminology and examples of how they should be used are provided - Exam-style questions enable you to test yourself and help you refine your exam technique - Sample extracts from student essays with expert commentaries help you to improve your exam technique |
| boyz n the hood vs menace to society: Under a Bad Sign Jonathan Munby, 2011-06-15 What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America. |
| boyz n the hood vs menace to society: Black on Black Celeste A. Fisher, 2006 Fisher provides insight into how meaning is determined by a multicultural audience in response to a particularly controversial representation of blackness in America. Her research provides a greater understanding of how hood films are interpreted, and her inquiries help to explain the violence that accompanied the screenings of some of these films. Black on Black is suitable for scholars and students interested in the subject, as well as anyone interested in film, race, multiculturalism, and identity politics.--BOOK JACKET. |
| boyz n the hood vs menace to society: Cinematic Sociology Jean-Anne Sutherland, Kathryn Feltey, 2013 Cinematic Sociology is a one-of-a-kind resource that helps students to view films sociologically while also providing much-needed pedagogy for teaching sociology through film. In this engaging text, the authors take readers beyond watching movies and help them see films sociologically while also developing critical thinking and analytical skills that will be useful in college coursework and beyond. The book's essays from expert scholars in sociology and cultural studies explore the ways social life is presented--distorted, magnified, or politicized--in popular film. Contributor to the SAGE Teaching Innovations and Professional Development Award |
| boyz n the hood vs menace to society: Screening the City Mark Shiel, Tony Fitzmaurice, 2003 In this provocative collection of essays, a diverse selection of films are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early 20th century. |
| boyz n the hood vs menace to society: White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema Pete Deakin, 2019-10-15 White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski’s, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent “crisis” came a definitive body of some twenty-five Hollywood “crisis” titles; each film with a representational concern for the apparent “masculine malaise”. Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive—or even authentic—was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful. |
| boyz n the hood vs menace to society: Black, White, and in Color Sasha Torres, 2018-06-05 This book examines the representation of blackness on television at the height of the southern civil rights movement and again in the aftermath of the Reagan-Bush years. In the process, it looks carefully at how television's ideological projects with respect to race have supported or conflicted with the industry's incentive to maximize profits or consolidate power. Sasha Torres examines the complex relations between the television industry and the civil rights movement as a knot of overlapping interests. She argues that television coverage of the civil rights movement during 1955-1965 encouraged viewers to identify with black protestors and against white police, including such infamous villains as Birmingham's Bull Connor and Selma's Jim Clark. Torres then argues that television of the 1990s encouraged viewers to identify with police against putatively criminal blacks, even in its dramatizations of police brutality. Torres's pioneering analysis makes distinctive contributions to its fields. It challenges television scholars to consider the historical centrality of race to the constitution of the medium's genres, visual conventions, and industrial structures. And it displaces the analytical focus on stereotypes that has hamstrung assessments of television's depiction of African Americans, concentrating instead on the ways in which African Americans and their political collectives have actively shaped that depiction to advance civil rights causes. This book also challenges African American studies to pay closer and better attention to television's ongoing role in the organization and disorganization of U.S. racial politics. |
| boyz n the hood vs menace to society: Reading Race Norman K Denzin, 2002-03-29 In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination. |
| boyz n the hood vs menace to society: The Palgrave Handbook of Multilingualism and Language Varieties on Screen Irene Ranzato, |
| boyz n the hood vs menace to society: Say It Loud! Robin R. Means Coleman, 2013-08-21 First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. |
| boyz n the hood vs menace to society: The Movies Laurence Goldstein, Ira Konigsberg, 1996 Lively essays, interviews, fiction, and poetry that focus on America's favorite subject--the movies. |
| boyz n the hood vs menace to society: (Re)Teaching Trayvon: Education for Racial Justice and Human Freedom Venus E. Evans Winters, Magaela C. Bethune, 2014-12-03 The authors bring you in this edited volume a collection of essays that address the relationship between racial violence, media, the criminal justice system, and education. This book is unique in that it brings together the perspectives of university professors, artists, poets, community activists, classroom teachers, and legal experts. With the Trayvon Martin murder and legal proceedings at the center of reflection and analysis, authors poignantly provide insight into how racial violence is institutionalized and consumed by the mass public. Authors borrow from educational theory, history, gender studies, sociology, cultural studies, the arts, legal scholarship, and personal reflection to begin the dialogue on how to move toward education for racial and social justice. The book is recommended for secondary educators, community organizers, undergraduate and graduate social science and education courses. |
| boyz n the hood vs menace to society: The Encyclopedia of Racism in American Films Salvador Jiménez Murguía, 2018-04-12 Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history. |
| boyz n the hood vs menace to society: Transnational Perspectives on Culture, Policy, and Education Cameron McCarthy, Cathryn Teasley, 2008 As multinational elites vie for economic and cultural dominance, neoliberal socio-economic policies are, in effect, not only reconfiguring political economies, but the ways in which culture is being produced and represented. In light of the global impact of these forms of domination, this collection of informed international scholarship examines world-hegemonic engagements with culture in all spheres of contemporary cosmopolitan life: the personal, the public, the popular, and the institutional. |
| boyz n the hood vs menace to society: Encyclopedia of Hip Hop Literature Tarshia L. Stanley, 2008-12-30 Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity. |
| boyz n the hood vs menace to society: Check It While I Wreck It Gwendolyn D. Pough, 2015-12-01 Hip-hop culture began in the early 1970s as the creative and activist expressions -- graffiti writing, dee-jaying, break dancing, and rap music -- of black and Latino youth in the depressed South Bronx, and the movement has since grown into a worldwide cultural phenomenon that permeates almost every aspect of society, from speech to dress. But although hip-hop has been assimilated and exploited in the mainstream, young black women who came of age during the hip-hop era are still fighting for equality. In this provocative study, Gwendolyn D. Pough explores the complex relationship between black women, hip-hop, and feminism. Examining a wide range of genres, including rap music, novels, spoken word poetry, hip-hop cinema, and hip-hop soul music, she traces the rhetoric of black women bringing wreck. Pough demonstrates how influential women rappers such as Queen Latifah, Missy Elliot, and Lil' Kim are building on the legacy of earlier generations of women -- from Sojourner Truth to sisters of the black power and civil rights movements -- to disrupt and break into the dominant patriarchal public sphere. She discusses the ways in which today's young black women struggle against the stereotypical language of the past (castrating black mother, mammy, sapphire) and the present (bitch, ho, chickenhead), and shows how rap provides an avenue to tell their own life stories, to construct their identities, and to dismantle historical and contemporary negative representations of black womanhood. Pough also looks at the ongoing public dialogue between male and female rappers about love and relationships, explaining how the denigrating rhetoric used by men has been appropriated by black women rappers as a means to empowerment in their own lyrics. The author concludes with a discussion of the pedagogical implications of rap music as well as of third wave and black feminism. This fresh and thought-provoking perspective on the complexities of hip-hop urges young black women to harness the energy, vitality, and activist roots of hip-hop culture and rap music to claim a public voice for themselves and to bring wreck on sexism and misogyny in mainstream society. |
| boyz n the hood vs menace to society: Youth Culture and Sport Michael D. Giardina, Michele K. Donnelly, 2012-08-06 Youth Culture and Sport critically interrogates and challenges contemporary articulations of race, class, gender, and sexual relations circulating throughout popular iterations of youth sporting culture in late-capitalism. Written against the backdrop of important changes in social, cultural, political, and economic dynamics taking place in corporate culture’s war on kids, this exciting new volume marks the first anthology to critically examine the intersection of youth culture and sport in an age of global uncertainty. Bringing together leading scholars from cultural studies, gender studies, sociology, sport studies, and related fields, chapters range in scope from 'action' sport subcultures and community redevelopment programs to the cultural politics of white masculinity and Nike advertising. It is a must read for anyone interested in gaining a better understanding of the role sport plays in the construction of experiences, identities, practices, and social differences of contemporary youth culture. |
| boyz n the hood vs menace to society: Stereotypes in Literatures and Cultures Rahilya Geybullayeva, 2010 Annotation Imaginative representations of different cultures are one of the major stumbling blocks to understanding, deepening the gap between people as they are passed from one text to another, especially in periods of historical transition. These transfers are sometimes innocent, while at other times they serve political agendas. The sample of images and estimations of others becomes a priority and, frequently for this reason, stereotypical. This is the subject of investigation for the majority of the authors in this collection. This book with articles presented here is an attempt to understand the core of confirmed or standardized social norms. The book contains articles in English and in Russian language. |
| boyz n the hood vs menace to society: The 'Hood Comes First Murray Forman, 2024-08-06 |
| boyz n the hood vs menace to society: Philosophy, Black Film, Film Noir Dan Flory, 2008-01-01 Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies--Provided by publisher. |
| boyz n the hood vs menace to society: Why We Make Movies George Alexander, 2007-12-18 A sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander’s cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike, Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today’s silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES • MICHAEL SCHULTZ • CHARLES BURNETT • SPIKE LEE • ROBERT TOWNSEND • FRED WILLIAMSON • ERNEST DICKERSON • KEENEN IVORY WAYANS • ANTOINE FUQUA • BILL DUKE • FORREST WHITAKER • JULIE DASH • KASI LEMMONS • GINA PRINC-BLYTHEWOOD • JOHN SINGLETON • GEORGE TILLMAN Jr. • REGINALD HUDLIN • WARRINGTON HUDLIN • MALCOLM LEE • EUZHAN PALCY • DOUG McHENRY • DEBRA MARTIN CHASE • St. CLAIR BOURNE • STANLEY NELSON • WILLIAM GREAVES • KATHE SANDLER • CAMILLE BILLOPS • HAILE GERIMA • GORDON PARKS |
| boyz n the hood vs menace to society: Black City Cinema Paula Massood, 2011-01-19 In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the race films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film. |
| boyz n the hood vs menace to society: How the Streets Were Made Yelena Bailey, 2020-10-12 In this book, Yelena Bailey examines the creation of the streets not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging. Where historical and sociological research has examined these realities regarding economic and social disparities, this book analyzes the streets through the lens of marketing campaigns, literature, hip-hop, film, and television in order to better understand the cultural meanings associated with the streets. Because these media represent a terrain of cultural contestation, they illustrate the way the meaning of the streets has been shaped by both the white and black imaginaries as well as how they have served as a site of self-assertion and determination for black communities. |
| boyz n the hood vs menace to society: Criminalization, Representation, Regulation Deborah Brock, Amanda Glasbeek, Carmela Murdocca, 2014-09-30 What is a crime and how do we construct it? The answers to these questions are complex and entangled in a web of power relations that require us to think differently about processes of criminalization and regulation. This book draws on Foucault's concept of governmentality as a lens to analyze and critique how crime is understood, reproduced, and challenged. It explores the dynamic interplay between practices of representation, processes of criminalization, and the ways that these circulate to both reflect and constitute crime and justice. |
| boyz n the hood vs menace to society: Somebody Scream! Marcus Reeves, 2009-03-17 For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's Rapper's Delight. With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap—from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)—and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation. |
| boyz n the hood vs menace to society: Thinking about Movies Peter Lehman, William Luhr, 2018-10-01 A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before. |
| boyz n the hood vs menace to society: The New Film History J. Chapman, M. Glancy, S. Harper, 2007-04-25 The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films. |
| boyz n the hood vs menace to society: Delinquency in Society Robert Regoli, John Hewitt, Matt DeLisi, 2010 Delinquency in Society, Eighth Edition provides a systematic introduction to the study of juvenile delinquency, criminal behavior, and status offending youths. This text examines the theories of juvenile crimes and the social context of delinquency including the relevance of families, schools, and peer groups. Reorganized and thoroughly updated to reflect the most current trends and developments in juvenile delinquency, the Eighth Edition includes discussions of the history, institutional context, and societal reactions to delinquent behavior. Delinquency prevention programs and basic coverage of delinquency as it relates to the criminal justice system are also included to add context and support student comprehension. |
| boyz n the hood vs menace to society: Encyclopedia of Crime and Punishment David Levinson, 2002 Authoritative and comprehensive, this multivolume set includes hundreds of articles in the field of criminal justice. Impressive arrays of authors have contributed to this resource, addressing such diverse topics as racial profiling, money laundering, torture, prisoner literature, the KGB, and Sing Sing. Written in an accessible manner and attractively presented, the background discussions, definitions, and explanations of important issues and future trends are absorbing. Interesting sidebars and facts,reference lists, relevant court cases, tables, and black-and-white photographs supplement the entries. Appendixes cover careers in criminal justice, Web resources, and professional organizations. A lengthy bibliography lists relevant works.--The Best of the Best Reference Sources, American Libraries, May 2003. |
| boyz n the hood vs menace to society: Violence and American Cinema J. David Slocum, 2013-09-13 American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning. |
THE BOYZ Members Profile (Updated!) - Kpop Profiles
THE BOYZ (더보이즈) is a 11-member South Korean boy group under ONE HUNDRED, consisting of Sangyeon, Jacob, Younghoon, Hyunjae, Juyeon, Kevin, New, Q, JuHaknyeon, …
Boy'z - 维基百科，自由的百科全书
Boy'z 是 英皇娛樂 旗下的 男子音樂組合，成員為 張致恆 及 關智斌。 2005年關智斌退出組合後先後增添新成員 麥子豪 及 陳偉霆，2006年時改名為 Sun Boy'z，至2008年陳偉霆及麥子豪退出 …
The Boyz (South Korean band) - Wikipedia
The Boyz (Korean: 더보이즈) is a South Korean boy band formed by IST Entertainment (initially formed exclusively by Cre.ker Entertainment before merging with what was formerly known as …
THE BOYZ members kpop profile (2025 updated) | kpopping
Mar 17, 2025 · The Boyz is an eleven-member boy group under ONE HUNDRED. They made their official debut on December 6, 2017, with the EP titled "The First." Before debuting, the …
THE BOYZ - YouTube
THE BOYZ Official YouTube
THE BOYZ | Kpop Wiki - Fandom
Oct 19, 2017 · THE BOYZ (더보이즈) is an 11-member boy group under ONE HUNDRED. Formed by Cre.ker Entertainment and originally as 12, they debuted on December 6, 2017 …
THE BOYZ Members Profile & Facts - karchives
THE BOYZ is a K-pop boy band made up of eleven members – SANGYEON, JACOB, YOUNGHOON, HYUNJAE, JUYEON, KEVIN, NEW, Q, Ju Haknyeon, SUNWOO and ERIC. …
THE BOYZ Members Profile, Ages, Heights, & (Updated Facts!)
Nov 25, 2024 · The Boyz members are Sangyeon, Jacob, Younghoon, Hyunjae, Juyeon, Kevin, New, Q, JuHaknyeon, Sunwoo, and Eric. The 11-member K-pop boy group debuted on …
THE BOYZ Gets Yelled At In Viral Clip—Fans Rush To Defend
2 days ago · THE BOYZ’s Juyeon at the airport. | @MaTiNi115/X. Dear Deobis, First of all, I’m sorry for making you wait so long. I should have come to you a bit sooner for your sake, but I …
The Boyz: K-pop group members chat 'Phantasy' second album …
Nov 30, 2023 · USA TODAY chats with K-pop group The Boyz about their artistic identity, trilogy album "Phantasy" and its concepts.
THE BOYZ Members Profile (Updated!) - Kpop Profiles
THE BOYZ (더보이즈) is a 11-member South Korean boy group under ONE HUNDRED, consisting of Sangyeon, Jacob, Younghoon, Hyunjae, Juyeon, Kevin, New, Q, JuHaknyeon, …
Boy'z - 维基百科，自由的百科全书
Boy'z 是 英皇娛樂 旗下的 男子音樂組合，成員為 張致恆 及 關智斌。 2005年關智斌退出組合後先後增添新成員 麥子豪 及 陳偉霆，2006年時改名為 Sun Boy'z，至2008年陳偉霆及麥子豪退出 …
The Boyz (South Korean band) - Wikipedia
The Boyz (Korean: 더보이즈) is a South Korean boy band formed by IST Entertainment (initially formed exclusively by Cre.ker Entertainment before merging with what was formerly known as …
THE BOYZ members kpop profile (2025 updated) | kpopping
Mar 17, 2025 · The Boyz is an eleven-member boy group under ONE HUNDRED. They made their official debut on December 6, 2017, with the EP titled "The First." Before debuting, the …
THE BOYZ - YouTube
THE BOYZ Official YouTube
THE BOYZ | Kpop Wiki - Fandom
Oct 19, 2017 · THE BOYZ (더보이즈) is an 11-member boy group under ONE HUNDRED. Formed by Cre.ker Entertainment and originally as 12, they debuted on December 6, 2017 …
THE BOYZ Members Profile & Facts - karchives
THE BOYZ is a K-pop boy band made up of eleven members – SANGYEON, JACOB, YOUNGHOON, HYUNJAE, JUYEON, KEVIN, NEW, Q, Ju Haknyeon, SUNWOO and ERIC. …
THE BOYZ Members Profile, Ages, Heights, & (Updated Facts!)
Nov 25, 2024 · The Boyz members are Sangyeon, Jacob, Younghoon, Hyunjae, Juyeon, Kevin, New, Q, JuHaknyeon, Sunwoo, and Eric. The 11-member K-pop boy group debuted on …
THE BOYZ Gets Yelled At In Viral Clip—Fans Rush To Defend
2 days ago · THE BOYZ’s Juyeon at the airport. | @MaTiNi115/X. Dear Deobis, First of all, I’m sorry for making you wait so long. I should have come to you a bit sooner for your sake, but I …
The Boyz: K-pop group members chat 'Phantasy' second album …
Nov 30, 2023 · USA TODAY chats with K-pop group The Boyz about their artistic identity, trilogy album "Phantasy" and its concepts.
