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| colliers photographic history of the european war: Collier's Photographic History of the European War , 1918 |
| colliers photographic history of the european war: Collier's Photographic History of the European War, Including Sketches and Drawings Made on the Battle Fields Cora W. Taylor, Francis Joseph Reynolds, 1918 |
| colliers photographic history of the european war: Collier's Photographic History of the European War , 1916 |
| colliers photographic history of the european war: Collier's Photographic History of the European War. Including Sketches and Drawings Made on the Battle Field Francis J (Francis Joseph) Reynolds, C W Taylor, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| colliers photographic history of the european war: Collier's Photographic History of the European War C Taylor, Francis Reynolds, 2021-07-25 This book captures the first few years of World War 1 or as it was previously called the European War in sketches and photographs. This edition is a Historical Preservation Reprint intended to preserve the original work of Francis J. Reynolds and C. W. Taylor published by P. F. Collier & Son in 1916 |
| colliers photographic history of the european war: Collier's Photographic History of the European War , 1917 Every army and waring nation is depicted. Here are shown the German, Austrian, British, French, Belgian, Russian, Serbian, Italian, Turkish, Bulgarian, Japanese, in fact, all armies in the field, seen as they are in their daily life and strife. Here, too, are the pathetic dramas of the ruined cities, villages, cathedrals, and palaces of Belgium and northern France, and the flight of refugees in all the lands ravaged by war. War on land is portrayed as never before, since never in the history of the world has there been such vast and varied material to draw upon. Equally complete are here shown the instruments of the twentieth century's new phases of the war-- war waged in the air-- war waged not only at sea, but beneath the waves--Page 3 |
| colliers photographic history of the european war: Collier's Photographic History of the European War C. W. Taylor, 1917 |
| colliers photographic history of the european war: Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971 New York Public Library. Research Libraries, 1979 |
| colliers photographic history of the european war: Antiquarian Bookman , 1965 |
| colliers photographic history of the european war: World War I [5 volumes] Spencer C. Tucker, 2014-10-28 Offering exhaustive coverage, detailed analyses, and the latest historical interpretations of events, this expansive, five-volume encyclopedia is the most comprehensive and detailed reference source on the First World War available today. One hundred years after the beginning of World War I in 1914, this conflict still stands as perhaps the most important event of the 20th century. World War I toppled all of the existing empires at the time, transformed the Middle East, and vaulted the United States to becoming the world's leading economic power. Its effects were profound and lasting—and included outcomes that led to World War II. This multivolume encyclopedia provides a wide-ranging examination of World War I that covers all of the important battles; key individuals, both civilian and military; weapons and technologies; and diplomatic, social, political, cultural, military, and economic developments. Suitable as a reference tool for high school and undergraduate students as well as faculty members and graduate-level researchers, World War I: The Definitive Encyclopedia and Document Collection offers accessible, in-depth information and up-to-date analyses in a format that lends itself to quick and easy use. The set comprises alphabetically arranged, cross-referenced entries accompanied by further reading selections as well as a comprehensive bibliography. A fifth volume provides chronologically arranged documents and an A–Z index. |
| colliers photographic history of the european war: Chronicles of Oklahoma James Shannon Buchanan, 1956 |
| colliers photographic history of the european war: World War I: E Spencer Tucker, 2005 A political, social, and military history--Covers. |
| colliers photographic history of the european war: Target Patton Robert K. Wilcox, 2008-12-02 The death of General George S. Patton is shrouded in mystery. While officially the result of an unfortunate car accident, the evidence points to a far more malevolent plot: murder. So says investigative and military journalist Robert K. Wilcox in his book: Target: Patton: The Plot to Assassinate General George S. Patton. Written like a WWII spy thriller and meticulously researched, Target: Patton leads you through that fateful December day in 1945, revealing a chilling plan to assassinate General Patton. Backing up this shocking story with facts, photos, and eyewitness statements, Wilcox reveals long-hidden documents and accounts that explain how secrets Patton knew--and his strong anti-Soviet views--may have cost him his life. |
| colliers photographic history of the european war: Dictionary Catalog of the University Library, 1919-1962 University of California, Los Angeles. Library, 1963 |
| colliers photographic history of the european war: Photography Mary Warner Marien, 2006 Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover. |
| colliers photographic history of the european war: AB Bookman's Weekly , 1994 |
| colliers photographic history of the european war: Photography, Reconstruction and the Cultural History of the Postwar European City Tom Allbeson, 2020-11-16 Examining imagery of urban space in Britain, France and West Germany up to the early 1960s, this book reveals how photography shaped individual architectural projects and national rebuilding efforts alike. Exploring the impact of urban photography at a pivotal moment in contemporary European architecture and culture, this book addresses case studies spanning the destruction of the war to the modernizing reconfiguration of city spaces, including ruin photobooks about bombed cities, architectural photography of housing projects and imagery of urban life from popular photomagazines, as well as internationally renowned projects like UNESCO’s Paris Headquarters, Coventry Cathedral and Berlin’s Gedächtniskirche. This book reveals that the ways of seeing shaped in the postwar years by urban photography were a vital aspect of not only discourses on the postwar city but also debates central to popular culture, from commemoration and modernization to democratization and Europeanization. This book will be a fascinating read for researchers in the fields of photography and visual studies, architectural and urban history, and cultural memory and contemporary European history. |
| colliers photographic history of the european war: Life Magazine and the Power of Photography Katherine A. Bussard, Kristen Gresh, 2020 The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays. |
| colliers photographic history of the european war: Special Libraries , 1965 Vols. for -1980 include Annual directory issue. |
| colliers photographic history of the european war: The Arab Imago Stephen Sheehi, 2016-04-12 The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium. |
| colliers photographic history of the european war: Beans, Bullets, and Black Oil Worrall Reed Carter, 1953 |
| colliers photographic history of the european war: Hobbies , 1973 |
| colliers photographic history of the european war: The Story of the Great War Francis Joseph Reynolds, Allen Leon Churchill, Francis Trevelyan Miller, 1916 |
| colliers photographic history of the european war: Snapdragon Liesl Bradner, Phil Stern, 2018-05-31 Prior to Phil Stern's death on December 13, 2014, his original, unfinished, tattered wartime memoir was discovered, stashed away in an old folio box in his cluttered Hollywood bungalow. Best remembered for his iconic images of James Dean, Marilyn Monroe, and JFK's inauguration, his remarkable service during World War II as a combat photographer with Darby's Rangers has remained largely unknown. Until now. Stern's catchy 1940s lingo, honest and intimate observations, and humor, paired with his striking combat photography, transport the reader 70 years back in time to meet the hardscrabble Rangers and experience some of the key battles of the Mediterranean Theater. Snapdragon is an artifact of that time, told not by a man reminiscing in his twilight years, but by a young soldier fresh from the battlefields. |
| colliers photographic history of the european war: Alden's Illustrated Family Miscellany, and Oxford Monthly Record , 1864 |
| colliers photographic history of the european war: Diplomatic Documents Relating to Italy's Aggression Against Greece Greece. Hypourgeio Exōterikōn, 1943 |
| colliers photographic history of the european war: Ships Monthly , 2003 |
| colliers photographic history of the european war: Scapa and a Camera C. W. Burrows, 2007-07-01 Features photos of the Royal Navy at Scapa showing the day-to-day aspects of base life as well as its fleet. This book contains images which depict the scuttling of the German High Seas Fleet. |
| colliers photographic history of the european war: Slightly Out Of Focus Robert Capa, 2015-11-06 In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier’s magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces — John G. Morris, Magnum Photos’ first executive editor, called Capa “the century’s greatest battlefield photographer” — and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.—Print Ed. |
| colliers photographic history of the european war: Collier's Weekly Norman Hapgood, Nugent Robinson, Robert Joseph Collier, 1904 |
| colliers photographic history of the european war: Collier's Once a Week , 1904 |
| colliers photographic history of the european war: The Army Communicator , 1995 |
| colliers photographic history of the european war: The Meaning of Success Jo Bostock, 2014-03-06 The Meaning of Success: Insights from Women at Cambridge makes a compelling case for a more inclusive definition of success. It argues that in order to recognise, reward and realise the talents of both women and men, a more meaningful definition of success is needed. Practical ways of achieving this are explored through interviews with female role models at the University of Cambridge. First-person stories bring alive the achievements and challenges women experience in their working lives, and the effect gender has on careers. The book stimulates a debate about how to bring about a more inclusive working environment. |
| colliers photographic history of the european war: Killing Hope William Blum, 2022-07-14 In Killing Hope, William Blum, author of the bestselling Rogue State: A Guide to the World's Only Superpower, provides a devastating and comprehensive account of America's covert and overt military actions in the world, all the way from China in the 1940s to the invasion of Iraq in 2003 and - in this updated edition - beyond. Is the United States, as it likes to claim, a global force for democracy? Killing Hope shows the answer to this question to be a resounding 'no'. |
| colliers photographic history of the european war: Visual Anthropology John Collier, Malcolm Collier, 1986 This book provides reliable research methods from the systematic gathering of data through analysis of photographic records to transfer of insights to ethnographic records, with an emphasis on developing the skills of thorough observation rather than on technical skill. |
| colliers photographic history of the european war: Trust in Numbers Theodore M. Porter, 2020-08-18 A foundational work on historical and social studies of quantification-- |
| colliers photographic history of the european war: The Commissar Vanishes David King, 1999-03-15 A New York Times Notable Book, 1997 The lavishly illustrated and often darkly hilarious retelling of Soviet history through the doctored photographs under Stalin. The Commissar Vanishes has been hailed as a brilliant, indispensable record of an era. The Commissar Vanishes offers a unique and chilling look at how one man--Joseph Stalin--manipulated the science of photography to advance his own political career and erase the memory of his victims. Over the past thirty years David King has assembled the world's largest archive of doctored Soviet photographs, the best of which appear here, in a book Tatyana Tolstaya, in The New York Review of Books, called an extraordinary, incomparable volume. |
| colliers photographic history of the european war: The Vertigo Years Philipp Blom, 2010-11-02 Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history. |
| colliers photographic history of the european war: The Engineer , 1856 |
| colliers photographic history of the european war: Silhouettes of Allied and Enemy Airplanes United States. American Expeditionary Forces, Air Service, 1918 |
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