Advertisement
| comedian owns feminist studies major: Who Stole Feminism? Christina Hoff Sommers, 1995-05 Reviewers of this book have praised Christina Hoff Sommer's well-reasoned argument against many feminists' reliance on misleading, politically motivated 'facts' about how women are victimised. |
| comedian owns feminist studies major: The Unruly Woman Kathleen Rowe Karlyn, 2011-01-20 Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman—often a voluptuous, noisy, joke-making rebel or woman on top—uses humor and excess to undermine patriarchal norms and authority. At the heart of the book are detailed analyses of two highly successful unruly women—the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the suffering heroine portrayed in classical melodramas. |
| comedian owns feminist studies major: Comedy and the Feminine Middlebrow Novel Erica Brown, 2015-10-06 Elizabeth von Arnim and Elizabeth Taylor wrote witty and entertaining novels about the domestic lives of middle-class women. Widely read and enjoyed, their work was often dismissed as middlebrow. Brown argues their skilful use of comedy and irony provided the receptive reader with subversive commentary on the cruelties and disappointments of life. |
| comedian owns feminist studies major: Specters of Slapstick and Silent Film Comediennes Maggie Hennefeld, 2018-03-27 Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics. |
| comedian owns feminist studies major: Minds of Our Own Wendy Robbins, Meg Luxton, Margrit Eichler, Francine Descarries, 2009-08-02 This book of personal essays by over forty women and men who founded women’s studies in Canada and Québec explores feminist activism on campus in the pivotal decade of 1966-76. The essays document the emergence of women’s studies as a new way of understanding women, men, and society, and they challenge some current preconceptions about “second wave” feminist academics. The contributors explain how the intellectual and political revolution begun by small groups of academics—often young, untenured women—at universities across Canada contributed to social progress and profoundly affected the way we think, speak, behave, understand equality, and conceptualize the academy and an academic career. A contextualizing essay documents the social, economic, political, and educational climate of the time, and a concluding chapter highlights the essays’ recurring themes and assesses the intellectual and social transformation that their authors helped set in motion. The essays document the appalling sexism and racism some women encounter in seeking admission to doctoral studies, in hiring, in pay, and in establishing the legitimacy of feminist perspectives in the academy. They reveal sources of resistance, too, not only from colleagues and administrators but from family members and from within the self. In so doing they provide inspiring examples of sisterly support and lifelong friendship. |
| comedian owns feminist studies major: A Comedian and an Activist Walk into a Bar Caty Borum Chattoo, Lauren Feldman, 2020-03-24 Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age. |
| comedian owns feminist studies major: Comedy and the Woman Writer Judy Little, 2015-08-01 Recent critics have affirmed the difficulty—perhaps the impossibility—of defining modern comedy; at the same time, some feminist scholars are seeking to understand the special comedy often present in literature written by women. Comedy and the Woman Writer responds to both these concerns of recent criticism: feminist literary theory and theories of comedy. Judy Little develops a critical apparatus for identifying feminist comedy in recent fiction, especially the radical political and psychological implications of this comedy, and then applies and tests her theory by examining the novels of Virginia Woolf and Muriel Spark. Despite recent scholarly attention to Woolf, the profound comedy of her work has been largely overlooked, and the comic fiction of Spark has seldom had the responsible and attentive criticism that it deserves. The introductory chapter draws upon anthropology and sociology, as well as literary criticism and the fiction of feminist writers such as Woolf, Doris Lessing, and Monique Wittig, to define a modern feminist comedy. Four central chapters then explore the implications of this comedy in the novels of Woolf and Spark. Little distinguishes between, on the one hand, several varieties of traditional comedy and satire and, on the other, the festive or “liminal” comedy to which feminist comedy belongs. Both Woolf and Spark mock centuries-old mythic patterns and behaviors deriving from basic social norms, as well as the values emerging from these norms. It is one thing, the author points out, to find “manners” amusing, to scourge vices, or to mock the follies of lovers; it is a much more drastic act of the imagination to mock the very norms against which comedy has traditionally judged vices, follies, and eccentricities. While the comedy of Woolf and Spark has some precedent in festive or liminal celebrations, during which even basic values and behavior are abandoned, feminist comedy displays its radical nature by implying that there is no resolution to the inverted overturned world, the world in revolutionary transition. The final chapter considers briefly, in the light of the critical model of feminist comedy, the work of several other twentieth-century writers, including Jean Rhys, Penelope Moritmer, and Margaret Drabble. The presence of radical comedy in the fiction of these and other writers suggests the need for continuing attention to the theory of feminist comedy proposed in this study. |
| comedian owns feminist studies major: League of Super Feminists Miron Malle, 2021-05-04 This primer on feminism and media literacy teaches young readers why it matters The League of Super Feminists is an energetic and fierce comic for tweens and younger teens. Cartoonist Mirion Malle guides readers through some of the central tenets of feminism and media literacy including consent, intersectionality, privilege, body image, inclusivity and more; all demystified in the form of a witty, down-to-earth dialogue that encourages questioning the stories we're told about identity. Malle’s insightful and humorous comics transport lofty concepts from the ivory tower to the eternally safer space of open discussion. Making reference to the Bechdel test in film and Peggy McIntosh’s dissection of white privilege through the metaphor of the “invisible knapsack,” The League of Super Feminists is an asset to the classroom, library, and household alike. Knights and princesses present problems associated with consent; superheroes reveal problematic stereotypes associated with gender; and grumpy onlookers show just how insidious cat-calling culture can be. No matter how women dress, Malle explains, there seems to always be someone ready to call it out. The League of Super Feminists articulates with both poise and clarity how unconscious biases and problematic thought processes can have tragic results. Why does feminism matter? Are feminists man-haters? How do race and feminism intersect? Malle answers these questions for young readers, in a comic that is as playful and hilarious as it is necessary. |
| comedian owns feminist studies major: Performing Gender and Comedy Shannon Hengen, 2014-01-02 First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy. |
| comedian owns feminist studies major: Feminist Foremothers in Women's Studies, Psychology, and Mental Health Ellen Cole, Esther D Rothblum, Phyllis Chesler, 2014-05-12 Feminist Foremothers in Women’s Studies, Psychology, and Mental Health is by and about the more recent wave of feminist foremothers; those who were awakened in the 1960s and ’70s to the realization that something was terribly wrong. These are the women who created the fields of feminist therapy, feminist psychology, and women’s mental health as they exist today. The 48 women share their life stories in the hope that they will inspire and encourage readers to take their own risks and their own journeys to the outer edges of human possibility. Authors write about what led up to their achievements, what their accomplishments were, and how their lives were consequently changed. They describe their personal stages of development in becoming feminists, from unawareness to activism to action. Some women focus on the painful barriers to success, fame, and social change; others focus on the surprise they experience at how well they, and the women’s movement, have done. Some well-known feminist foremothers featured include: Phyllis Chesler Gloria Steinem Kate Millett Starhawk Judy Chicago Zsuszanna Emese Budapest Andrea Dworkin Jean Baker Miller Carol Gilligan In Feminist Foremothers in Women’s Studies, Psychology, and Mental Health, many of the women see in hindsight how prior projects and ideas and even dreams were the forerunners to their most important work. They note the importance of sisterhood and the presence of other women and the loneliness and isolation experienced when they don’t exist. They note the validation they have received from grassroots feminists in contrast to disbelief from professionals. Although these women have been and continue to be looked up to as foremothers, they realize how little recognition they’ve been given from society-at-large and how much better off their male counterparts are. Some foremothers write about the feeling of being different, not meshing with the culture of the time and about challenging the system as an outsider, not an insider. These are women who had few mentors, who had to forge their own way, “hit the ground running.” Their stories will challenge readers to press on, to continue the work these foremothers so courageously started. Throughout the pages of Feminist Foremothers in Women’s Studies, Psychology, and Mental Health runs a sense of excitement and vibrancy of lives lived well, of being there during the early years of the women’s movement, of making sacrifices, of taking risks and living to see enormous changes result. Throughout these pages, too, sounds a call not to take these changes for granted but to recognize that feminists, rather than arguing over picayune issues or splitting politically correct hairs, are battling for the very soul of the world. |
| comedian owns feminist studies major: Interwar Women’s Comic Fiction Nicola Darwood, Nick Turner, 2020-01-10 This collection of essays examines the work of five intermodernist writers. Some were established authors before the First World War and others continued to write after the Second World War, but this book focuses particularly on their writing between 1918 and 1939. Elizabeth von Arnim, Stella Benson, Bradda Field, Ivy Compton-Burnett, Stella Gibbons and Winifred Watson had much in common: they all wrote novels full of comic moments, which often challenged the cultural politics of the interwar period. Drawing on the literary and critical contexts of each novel, the essays here discuss the use of comic structures that enabled the authors to critique the dominant patriarchal structures of their time, and offer an alternative, sometimes subversive, view of the world in which their characters reside. This book contributes to the growing scholarly interest in interwar fiction, focusing principally on novelists who have fallen out of public view. It widens our understanding both of the authors and of the continuing, highly topical debate about interwar women novelists. |
| comedian owns feminist studies major: The New Trail of Tears Naomi Schaefer Riley, 2021-11-30 If you want to know why American Indians have the highest rates of poverty of any racial group, why suicide is the leading cause of death among Indian men, why native women are two and a half times more likely to be raped than the national average and why gang violence affects American Indian youth more than any other group, do not look to history. There is no doubt that white settlers devastated Indian communities in the 19th, and early 20th centuries. But it is our policies today—denying Indians ownership of their land, refusing them access to the free market and failing to provide the police and legal protections due to them as American citizens—that have turned reservations into small third-world countries in the middle of the richest and freest nation on earth. The tragedy of our Indian policies demands reexamination immediately—not only because they make the lives of millions of American citizens harder and more dangerous—but also because they represent a microcosm of everything that has gone wrong with modern liberalism. They are the result of decades of politicians and bureaucrats showering a victimized people with money and cultural sensitivity instead of what they truly need—the education, the legal protections and the autonomy to improve their own situation. If we are really ready to have a conversation about American Indians, it is time to stop bickering about the names of football teams and institute real reforms that will bring to an end this ongoing national shame. |
| comedian owns feminist studies major: The Routledge Companion to Gender and Sexuality in Comic Book Studies Frederick Luis Aldama, 2020-08-17 The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global, and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics, and Graphic Novels. A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Chapters cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics. Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper-level undergraduates, postgraduates, and researchers studying Comics Studies, Women’s and Gender Studies, Literary Studies, and Cultural Studies. |
| comedian owns feminist studies major: Reader's Guide to Women's Studies Eleanor Amico, 1998-03-20 The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as Health: General Works to entries on specific individuals or more focused topics such as Doctors. |
| comedian owns feminist studies major: Changing Subjects Gayle Greene, Coppélia Kahn, 2012-08-21 These twenty autobiographical essays by eminent feminist literary critics explore the process by which women scholars became feminist scholars, articulating the connections between the personal and political in their lives and work. They describe the experiences that radicalised women within academia and without, as students, professors, scholars, political activists, women. From these diverse histories a collective history emerges of the development of feminism as an intellectual and social movement, as a heuristic tool, as the redefinition of knowledge and power. This book presents a history of the field through the eyes of those who have created it. Offering a spectrum of experiences and critical positions that engage with current debates in feminism, it will be valuable to teachers and students of feminist theory, women’s studies, and the history of the women’s movement. It will interest female writers and scholars in all disciplines and anyone who cares about feminism and its future. |
| comedian owns feminist studies major: Feminist Cultural Theory Beverley Skeggs, 1995 This innovative new book brings together some of the leading writers on feminism to discuss their work and the key issues involved in feminist research. They draw on a range of different areas such as literature, film, law, television and history. |
| comedian owns feminist studies major: Women Making History Julia M. Allen, Jocelyn H. Cohen, 2023-10-16 In 1973, Jocelyn Cohen and Nancy Poore established Helaine Victoria Press to publish women's history postcards. Spurred by the energy of the second wave feminist movement, they learned how to research histories buried in old books and archives and how to print on a vintage letterpress. The press attracted more participants, closing only in 1991 in response to changing communication technologies. Drawing on feminist and material rhetorics, the authors of Women Making History demonstrate that, by creating postcards, Helaine Victoria Press aimed to do more than provide a convenient writing surface or even affect collective memory; instead, they argue, the press generated feminist memory. The cards, each with the picture of a woman or group of women from history, were multimodal. Pictures were framed in colors and borders appropriate to the era and subject. Lengthy captions offered details about the lives of the women pictured. Unlike other memorials, the cards were mobile; they traveled through the postal system, viewed along the way by the purchasers, mail sorters, mail carriers, and recipients. Upon arriving at their destinations, cards were often posted on office bulletin boards or refrigerators at home, where surroundings shaped their meanings. Women Making History shows that Helaine Victoria Press's cards, like the movement from which they emanated, were dynamic and participatory. They were, in short, a multidirectional, open ended, rhetorically evolving process of transforming feminist consciousness. The print edition includes many images from the press's records, and the digital edition offers additional images plus audio and video clips from press participants. This is the first book to demonstrate the relationships between the feminist art movement, the women in print movement, and the scholars studying women's history. Readers will be drawn to both the large quantity of illustrative materials and the theoretical framework of the book, as it provides an expanded understanding of rhetorical multimodality. Scholars of gender and women's studies, art history, media studies, and the history of rhetoric, as well as members of the public with interests in feminism, Lesbian feminist culture, postcards, fine letterpress printing, and papermaking will be inspired by this richly produced history. |
| comedian owns feminist studies major: Tired and Tested Sophie McCartney, 2022-02-03 Welcome to the jungle... When you've grown up thinking your twenties are all about working hard, playing hard and trying not to get pregnant, life comes at you fast when you go from hump to bump. So you thought adulthood would mean a high-flying career and a luxury lifestyle, but instead have ended up with a Lycra-based wardrobe and a deep fear of what lies at the bottom of the ball-pit in soft play? Join comedian Sophie McCartney as she voyages deep into the uncharted territories of mating, birthing, feral offspring, mums overdoing it at the watering hole, and the perilous viper's nest of the school WhatsApp group. With laugh out loud humour and eye-watering honesty, Sophie shows how whether you've had a day full of whining or a night full of wine, there's joy to be had in the perfectly imperfect wild ride into parenthood. |
| comedian owns feminist studies major: Women's Comedic Art as Social Revolution Domnica Radulescu, 2014-01-10 Though comic women have existed since the days of Baubo, the mythic figure of sexual humor, they have been neglected by scholars and critics. This pioneering volume tells the stories of five women who have created revolutionary forms of comic performance and discourse that defy prejudice. The artists include 16th-century performer Isabella Andreini, 17th-century improviser Caterina Biancolelli, 20th-century Italian playwright Franca Rame, and contemporary performance artists Deb Margolin and Kimberly Dark. All create humor that subverts patriarchal attitudes, conventional gender roles, and stereotypical images. The book ends with a practical guide for performers and teachers of theater. |
| comedian owns feminist studies major: Introduction to Sociology Through Comedy Julie Morris, 2024-05-02 Questioning society and one’s place in it is a common theme in both comedy and sociology. Understanding and subverting hierarchies and norms, exploring deviance and taboos, and relating lived experience to broader questions all hold a crucial place for them both. Introduction to Sociology Through Comedy teaches foundational sociological concepts using comedy, first considering the history of sociology before employing examples from comedians – including standalone comedy bits, sketches, characters, and scenes – to illustrate a specific theory, concept, or social phenomenon. The profession of comedy is then used as a case study for the application of sociological concepts, such as impression management, social stratification, racial segregation, deviance, and stigma, allowing readers to gain familiarity with the concepts while simultaneously practicing their application. This book explains why we laugh by applying theories of humor, which will bolster students’ understanding of sociological principles by forcing them to question their own assumptions – helping them to put why they laugh into sociological terms. |
| comedian owns feminist studies major: Religion in French Feminist Thought Morny Joy, Kathleen O'Grady, Judith L. Poxon, 2020-04-19 Religion in French Feminist Thought: Critical Perspectives brings together some of the leading modern religious responses to major French feminist writings on religion. It considers central figures such as Hélène Cixous, Julia Kristeva, Luce Irigaray and Catherine Clément, and its focus on questions of divinity, subjectivity, and ethics provides an accessible introduction to an area of growing philosophical interest. Illustrating the ways in which French feminism has become a valuable tool in feminist efforts to rethink religion, and responding to its promise as an intellectual resource for religious philosophy in the future, Religion in French Feminist Thought is ideal both for independent use and as a companion book to French Feminists on Religion (Routledge, 2001). |
| comedian owns feminist studies major: New Perspectives on Postclassical Comedy Antonis Petrides, 2020-05-15 PIERIDES II, Series Editors: Philip Hardie and Stratis Kyriakidis The re-emergence of Menander from the landfills of Egypt in the late-19th century and the subsequent discovery of the Bodmer Codex in the 1950s caused a sensation among scholars. After a period in which the primary editing and reconstruction of the substantially preserved plays and fragments was the main line of criticism, scholars were finally in a position to take a deep breath and look at Menander and New Comedy, both Greek and Roman, in wider contexts of interpretation and with fresh perspectives drawn from innovative work both in Classical and more modern studies. This book aims to showcase these new approaches to postclassical comedy. The individual contributions, six in total, approach New Comedy as theatrical performance, but also as a dynamic player in the socio-political discourses of the polis culture that gave birth to it. The chapters highlight continuities as well as discontinuities with the cultural and literary past of Athens and the Greek world, but mostly emphasise the progressiveness of New Comedy as a genre and its importance for the nascent culture of Hellenism and Rome thereafter. Blume’s introductory chapter tells the story of Menander’s re-emergence from the tenebrae in full detail. The other five chapters are dual in nature: expositional of a method, but also practical examples of it. They are arranged in a fashion which underlines the major theoretical underpinnings of New Comedy studies, as they are being developed in the present: Cultural Studies (David Konstan and Susan Lape), Intertextuality and Performance (Antonis K. Petrides and Rosanna Omitowoju), and Reception in Rome (Sophia Papaioannou). |
| comedian owns feminist studies major: The Committee for Gender Research , 1982 |
| comedian owns feminist studies major: Gender Issues and the Library Carol Smallwood, Lura Sanborn, 2017-11-20 With the legalization of same-sex marriage and the explosion of LGBTQ news coverage in recent years, gender studies is a subject of intense interest in popular media and a part of the curriculum at many colleges. Libraries realize the importance of supporting the field yet many have difficulty finding resources and programming ideas. This book provides case studies and a range of innovative solutions for better meeting patron needs. Twenty-seven chapters are arranged into sections covering Research and Library Instruction, History and Herstory, Programming, Collections and Beyond, and Resources. |
| comedian owns feminist studies major: Politics of Recognition and Representation in Indian Stand-Up Comedy Richa Chilana, |
| comedian owns feminist studies major: The Gendered Cyborg Fiona Hovenden, Linda Janes, Gill Kirkup, Kathryn Woodward, 2013-09-13 The Gendered Cyborg explores the relationship between representation, technoscience and gender, through the metaphor of the cyborg. The contributors argue that the figure of the cyborg offers ways of thinking about the relationship between culture and technology, people and machines which disrupt the power of science to enfore the categories through which we think about being human: male and female. Taking inspiration from Donna Haraway's groundbreaking Manifesto for Cyborgs, the articles consider how the cyborg has been used in cultural representation from reproductive technology to sci-fi, and question whether the cyborg is as powerful a symbol as is often claimed. The different sections of the reader explore: * the construction of gender categories through science * the interraction of technoscience and gender in contemporary science fiction film such as Bladerunner and the Alien series * debates around modern reproductive technology such as ultrasound scans and IVF, assessing their benefits and constraints for women * issues relating to artificial intelligence and the internet. |
| comedian owns feminist studies major: Analyzing the Marvel Universe Douglas Brode, 2024-10-30 Marvel, like other media universes, is a collection of highly profitable and audience-satisfying products that exist not only as individual items of popular culture but coalesce to form a unique and all-encompassing identity. Within media studies, elements of popular culture once dismissed as low-brow entertainment are now studied with the seriousness that has always been afforded classics like Shakespeare's plays and ancient myth. Indeed, DC and Marvel might be thought of as competing myth systems. This book is a collection of diverse essays covering all aspects of the Marvel Universe, from in-print graphic novels to film and television variations. Contributors present in-depth, original and inclusive interpretations of numerous individual elements of Marvel, including analysis of key characters, themes and aesthetic elements. They also offer a vision of the essential meaning of Marvel, including aspects that set it apart from the DC Universe and other media. Individual readings apply feminist, ethnic, and queer theory, among others, and deal with the lesser known aspects of Marvel's offerings in order to provide the definitive collection on this subject. Beginning with an introduction by the editor that provides a complete overview of the Marvel canon, this book offers the broadest and most in-depth collection on the subject to date. |
| comedian owns feminist studies major: The Modern Divine Comedy Book 2: Inferno 2 Ascending Andrew J. Farrara, 2022-10-13 This book explores and details the experiences and trials of both the Journalist Romano known here as the First Man Adam and his celestial ancient Persian guide Zarathustra while they travel to the Inferno and Limboland Arenas of the Pre-Historic Paleo Heroes; the Ancient Greek Gods & Goddesses; the Ancient Roman Gods & Goddesses; the Sumerian & Babylonian & Egyptian Gods; the Norse Viking Gods; the Indian Hindoo Vedic Gods; the Chinese Gods & Emperors; the Koreans; the Vietnamese; the Amerikan Experimental; the Cambodian & Laotian Encampments; the Burmese; the Hodgepodge of Nations On The Fringe Desiring Anonymity; the Japanese; the Irish Republican Army & Sinn Fein; the Native Americans; the Incas & Aztecs & Mayas; and Cuba & Nicaragua. |
| comedian owns feminist studies major: Satire, Comedy and Tragedy Richard C. Raymond, 2023-10-10 The first four chapters of the book provide a close reading of the satiric, comic, and tragic action of Laurence Sterne’s novel in the context of criticism from the twentieth and twenty-first centuries. Chapter 5 provides a summary of Chapters 1–4, focusing on Sterne’s purpose in revising satiric plot structures and in blurring the lines between fiction and autobiography. Chapters 6–8 then examine Sterne’s themes from TristramShandythat inform his letters, sermons, and other fiction; Chapter 9 discusses the international reception of TristramShandy and argues for using writing-to-learn strategies to teach Sterne’s greatest novel to undergraduate and graduate students. |
| comedian owns feminist studies major: The Art of Comedy and Social Critique in Nineteenth-century Germany Rinske Van Stipriaan Pritchett, 2005 During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today. |
| comedian owns feminist studies major: Women and the Comic Plot in Menander Ariana Traill, 2008-05-22 Taking a fresh look at mistaken identity in the work of an author who helped to introduce the device to comedy, in this book Professor Traill shows how the outrageous mistakes many male characters in Menander make about women are grounded in their own emotional needs. The core of the argument derives from analysis of speeches by or about women, with particular attention to the language used to articulate problems of knowledge and perception, responsibility and judgement. Not only does Menander freely borrow language, situations, and themes from tragedy, but he also engages with some of tragedy's epistemological questions, particularly the question of how people interpret what they see and hear. Menander was instrumental in turning the tragic theme of human ignorance into a comic device and inventing a plot type with enormous impact on the western tradition. This book provides original insights into his achievements within their historical and intellectual context. |
| comedian owns feminist studies major: How to Watch Television, Second Edition Ethan Thompson, Jason Mittell, 2020-03-31 A new edition that brings the ways we watch and think about television up to the present We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable. Addressing shows from TV’s earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds. To access additional essays from the first edition, visit the links tab at nyupress.org/9781479898817/how-to-watch-television-second-edition/. |
| comedian owns feminist studies major: Sexuality Meg-John Barker, 2021-02-05 'Sexuality delivers the goods, making the history and theory of sexuality downright sexy ... I learned more in one session with this book than I've figured out in a lifetime.' Christine Burns MBE, author of Trans Britain They're back! Writer Meg-John Barker and artist Jules Scheele once again team up in this cheeky and informative comic-book follow-up to Queer and Gender. Sex is everywhere. It's in the stories we love - and the stories we fear. It defines who we are and our place in society ... at least we're told it ought to. Sex and sexuality can seem like a house of horrors, full of monsters and potential pitfalls. We often live with fear, shame and frustration when it comes to our own sexuality, and with judgement when it comes to others'. Sex advice manuals, debates over sex work and stories of sexual dysfunction only add to our anxiety. With compassion, humour, erudition and a touch of the erotic, Meg-John Barker and Jules Scheele shine a light through the darkness and unmask the monsters. 'The art introduces a set of reoccurring characters, tongue-in-cheek references to the Scooby-Doo gang, who journey through a haunted house confronting and unmasking the villains: patriarchy, white supremacy, ableism, and capitalism personified ... The sum: accessible, compassionate reading for readers wanting to think more deeply about sex, society, and how they intersect.' Publishers Weekly |
| comedian owns feminist studies major: Concise Major 21st-Century Writers Tracey L. Matthews, 2006 Presents alphabetized profiles of approximately seven hundred authors commonly studied in high school and college English courses, describing their lives and careers, listing their works, and providing mailing addresses. |
| comedian owns feminist studies major: Independent Offices and Department of Housing and Urban Development Appropriations for 1971 United States. Congress. House. Committee on Appropriations. Subcommittee on Independent Offices and Department of Housing and Urban Development, 1990 |
| comedian owns feminist studies major: The Routledge Comedy Studies Reader Ian Wilkie, 2019-10-10 The Routledge Comedy Studies Reader is a selection of the most outstanding critical analysis featured in the journal Comedy Studies in the decade since its inception in 2010. The Reader illustrates the multiple perspectives that are available when analysing comedy. Wilkie’s selections present an array of critical approaches from interdisciplinary scholars, all of whom evaluate comedy from different angles and adopt a range of writing styles to explore the phenomenon. Divided into eight unique parts, the Reader offers both breadth and depth with its wide range of interdisciplinary articles and international perspectives. Of interest to students, scholars, and lovers of comedy alike, The Routledge Comedy Studies Reader offers a contemporary sample of general analyses of comedy as a mode, form, and genre. |
| comedian owns feminist studies major: The University of Virginia Record University of Virginia, 2004 |
| comedian owns feminist studies major: Feminist Studies , 2003 |
| comedian owns feminist studies major: Comic Transactions James F. English, 2019-06-07 |
| comedian owns feminist studies major: Palgrave Advances in Oscar Wilde Studies Frederick S. Roden, 2004-09-30 Palgrave Advances in Oscar Wilde Studies is a comprehensive guide to recent critical approaches. Topics covered include Gay Studies, Feminist Criticism, Material Culture, Religion, Philosophy, Performance Studies, Aestheticism, Biography, Textual Studies and Postcolonial Theory. The book is designed to acquaint readers of all levels with the history of scholarship in a range of fields and suggest ways that Wilde's work offer new areas for research. The collection also provides a Chronology and detailed bibliography. |
Stand-Up - Comedy Central
Comedy Central's best stand-up specials including Dave Chappelle, John Oliver, Amy Schumer, Pete Davidson and more.
Comedy Central | Homepage - Shows & Schedules
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park.
Comedy Central Global | Homepage
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park.
Animation - Comedy Central
From Beavis and Butt-Head to South Park to TripTank and beyond, Comedy Central is a treasure trove of animated fan favorites.
Comedy Central The Daily Show Fan Page
The source for The Daily Show fans, with episodes hosted by Jon Stewart, Ronny Chieng, Jordan Klepper, Dulcé Sloan and more, plus interviews, highlights and The Weekly Show podcast.
TV Shows | Watch Shows Online | Comedy Central - Browse …
Search for standup specials, animated favorites, roasts, movies and more on cc.com.
The Daily Show Internship - Comedy Central
The Daily Show is looking for eager and adaptable candidates for our spring, summer and fall internship semesters.
Rosebud Baker - "The Mother Lode" - Extended Interview
Watch guest host Desi Lydic interview comedian Rosebud Baker about her special “The Mother Lode” in this extended interview.
How to Watch | Comedy Central
Comedy Central is offered through participating TV providers. Select your TV provider below for more information.
Sketch Comedy - Comedy Central
Comedy Central's best sketch comedy including Chappelle's Show, Key & Peele and Kroll Show.
Stand-Up - Comedy Central
Comedy Central's best stand-up specials including Dave Chappelle, John Oliver, Amy Schumer, Pete Davidson and more.
Comedy Central | Homepage - Shows & Schedules
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park.
Comedy Central Global | Homepage
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park.
Animation - Comedy Central
From Beavis and Butt-Head to South Park to TripTank and beyond, Comedy Central is a treasure trove of animated fan favorites.
Comedy Central The Daily Show Fan Page
The source for The Daily Show fans, with episodes hosted by Jon Stewart, Ronny Chieng, Jordan Klepper, Dulcé Sloan and more, plus interviews, highlights and The Weekly Show podcast.
TV Shows | Watch Shows Online | Comedy Central - Browse …
Search for standup specials, animated favorites, roasts, movies and more on cc.com.
The Daily Show Internship - Comedy Central
The Daily Show is looking for eager and adaptable candidates for our spring, summer and fall internship semesters.
Rosebud Baker - "The Mother Lode" - Extended Interview
Watch guest host Desi Lydic interview comedian Rosebud Baker about her special “The Mother Lode” in this extended interview.
How to Watch | Comedy Central
Comedy Central is offered through participating TV providers. Select your TV provider below for more information.
Sketch Comedy - Comedy Central
Comedy Central's best sketch comedy including Chappelle's Show, Key & Peele and Kroll Show.
