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| comedy central logo history: FCC Record United States. Federal Communications Commission, 2017 |
| comedy central logo history: Constant Comedy Art Bell, 2022-12-06 Discover the riveting, hilarious true story of the birth of Comedy Central in what New York Times bestselling author, Dan Lyons, calls the “funniest behind-the-scenes memoir I’ve ever read, full of crazy characters, plot twists, and suspense.” Award-Winning Finalist in the Narrative: Non-Fiction category of the 2020 Best Book Awards sponsored by American Book Fest In 1988, a young, mid-level employee named Art Bell pitched a novel concept—a television channel focused 100% on just one thing: comedy—to the chairman of HBO. The station that would soon become Comedy Central, with celebrated programs like South Park, Chapelle’s Show, The Daily Show, and The Colbert Report, was born. Constant Comedy takes readers behind the scenes into the comedy startup on its way to becoming one of the most successful and creative purveyors of popular culture in the United States. From disastrous pitch meetings with comedians to the discovery of talents like Bill Maher and Jon Stewart, this intimate biography peers behind the curtain and reveals what it’s really like to work, struggle, and ultimately succeed at the cutting edge of show business. |
| comedy central logo history: Our Story Called Life Peter Abrams, 2017-03-16 We all have a voice, a story, in our head that talks to us, every 20-30 seconds... When we wake up to find Donald Trump is president, corporations are more powerful than countries and everybody is unhappy... THE STORY NEEDS TO BE REWRITTEN. Our life is a story and it's time for an internal awakening of your inherent awesomeness, YOU HAVE ALL THE ANSWERS YOU NEED and you find them by looking within... It's time to become the author of your own destiny and the story-teller of your reality... It's time for your; PERSONAL REVOLUTION! He's a beautiful human being with a beautiful message; Peter's call for a personal revolution will change lives - Russell Brand Peter's first book un-apologetically asks the controversial questions many of us are too scared to ask - Independent |
| comedy central logo history: Colbert's America Sophia A. McClennen, 2011-11-30 Is the comedy of Stephen Colbert simply fun or is it powerful political satire? Does it entertain viewers or does it empower them? Or does it teach us that in today's media-saturated world those binaries make no sense? Colbert's America claims that Colbert's satire fosters critical thinking about social issues, encourages active citizenship, and entertains the viewer - all at the same time. The first book to cover the various themes and features of Colbert's America offers readers insight into the powerful ways that Colbert's comedy challenges the cult of ignorance that has threatened meaningful public debate and social dialogue since 9/11. |
| comedy central logo history: Historical Dictionary of Animation and Cartoons Nichola Dobson, 2020-06-15 Historical Dictionary of Animation and Cartoons is intended to provide an overview of the animation industry and its historical development. The animation industry has been in existence as long (some would argue longer) than cinema, yet it has had less exposure in terms of the discourse of moving-image history. This book introduces animation by considering the various definitions that have been used to describe it over the years. A different perception of animation by producers and consumers has affected how the industry developed and changed over the past hundred years. This second edition of Historical Dictionary of Animation and Cartoons contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on animators, directors, studios, techniques, films, and some of the best-known characters. This book is an excellent resource for students, researchers, and anyone wanting to know more about animation and cartoons. |
| comedy central logo history: Encyclopedia of Television Shows Vincent Terrace, 2018-01-14 This is a supplement to the author's Encyclopedia of Television Shows, 1925-2010. It covers 1,612 series broadcast between January 1, 2011, and December 31, 2016. Major networks--ABC, CBS, the CW, Fox and NBC--are covered along with many cable channels, such as AMC, Disney, Nickelodeon, Bravo, Lifetime, Discovery, TNT, Comedy Central and History Channel. Alphabetical entries provide storylines, casts, networks and running dates. A performer index is included. |
| comedy central logo history: The Conservative Heartland Jon K. Lauck, Catherine McNicol Stock, 2020-04-17 In the wake of the 2016 presidential election there was widespread shock that the Midwest, the Democrats’ so-called blue wall, had been so effectively breached by Donald Trump. But the blue wall, as The Conservative Heartland makes clear, was never quite as secure as so many observers assumed. A deep look at the Midwest’s history of conservative politics, this timely volume reveals how conservative victories in state houses, legislatures, and national elections in the early twenty-first century, far from coming out of nowhere, in fact had extensive roots across decades of political organization in the region. Focusing on nine states, from Iowa and the Dakotas to Indiana and Ohio, the essays in this collection detail the rise of midwestern conservatism after World War II—a trend that coincided with the transformation of the prewar Republican Party into the New Right. This transformation, the authors contend, involved the Midwest and the Sunbelt states. Through the lenses of race, class, gender, and sexuality, their essays explore the development of midwestern conservative politics in light of deindustrialization, environmentalism, second wave feminism, mass incarceration, privatization, and debates over same-sex marriage and abortion, among other issues. Together these essays map the region’s complex patchwork of viable rural and urban areas, variously subject to a wide array of conflicting interests and concerns; the perspective they provide, at once broad and in-depth, offers unique historical insight into the Midwest’s political complexity—and its status as the last real competitive battleground in presidential elections. |
| comedy central logo history: All Joking Aside Rebecca Krefting, 2014-09 A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline. |
| comedy central logo history: Reclaiming the Black Past Pero Dagbovie, 2018-11-13 In this information overloaded twenty-first century, it seems impossible to fully discern or explain how we know about the past. But two things are certain. Whether we are conscious of it or not, we all think historically on a routine basis. And our perceptions of history, including African American history, have not necessarily been shaped by professional historians. In this wide-reaching and timely book, Pero Gaglo Dagbovie argues that public knowledge and understanding of black history, including its historical icons, has been shaped by institutions and individuals outside academic ivory towers. Drawing on a range of compelling examples, Dagbovie explores how, in the twenty-first century, African American history is regarded, depicted, and juggled by diverse and contesting interpreters-from museum curators to film-makers, entertainers, politicians, journalists, and bloggers. Underscoring the ubiquitous nature of African American history in contemporary American thought and culture, each chapter unpacks how black history has been represented and remembered primarily during the Age of Obama, the so-called era of post-racial American society. Reclaiming the Black Past: The Use and Misuse of African American History in the 21st Century is Dagbovie's contribution to expanding how we understand African American history during the new millennium. |
| comedy central logo history: Vanity Fair , 2005-05 |
| comedy central logo history: Apocalypse John R. Hall, 2013-05-02 Winner of the American Sociological Association's 'Distinguished Book Award' in the Religion category. For most of us, Apocalypse suggests the cataclysmic end of the world. Yet in Greek apocalypse means revelation, and the real subject of the Book of Revelation is how the sacred arises in history at a moment of crisis and destiny. With origins in ancient religions, the apocalyptic has been a transformative force from the time of the Crusades, through the Reformation, the French Revolution and modern communism, all the way to the present day Islamic Jihad and War on Terror. In Apocalypse, John R. Hall explores the significance of apocalyptic movements and the role they have played in the rise of the West and The Empire of Modernity. This brilliant cross-disciplinary study offers a novel basis for rethinking our social order and its ambivalent relations to sacred history. Apocalypse will attract general readers seeking new understandings of the world in challenging times. Scholars and students will find a compelling synthesis that draws them into conversation with others interested in religion, theology, culture, philosophy, and phenomenology, as well as sociology, social theory, western civilization, and world history. |
| comedy central logo history: TV in the USA [3 volumes] Vincent LoBrutto, 2018-01-04 This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and reality TV? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter. |
| comedy central logo history: History of the Mass Media in the United States Margaret A. Blanchard, 2013-12-19 The influence of the mass media on American history has been overwhelming. History of the Mass Media in the United States examines the ways in which the media both affects, and is affected by, U.S. society. From 1690, when the first American newspaper was founded, to 1995, this encyclopedia covers more than 300 years of mass media history. History of Mass Media in the United States contains more than 475 alphabetically arranged entries covering subjects ranging from key areas of newspaper history to broader topics such as media coverage of wars, major conflicts over press freedom, court cases and legislation, and the concerns and representation of ethnic and special interest groups. The editor and the 200 scholarly contributors to this work have taken particular care to examine the technological, legal, legislative, economic, and political developments that have affected the American media. |
| comedy central logo history: The World, the Text, and the Indian Scott Richard Lyons, 2017-03-27 Advances critical conversations in Native American literary studies by situating its subject in global, transnational, and modernizing contexts. Since the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding Native American literature, culture, and politics it has not always attended to the important fact that Native texts and writers have also always been globalized. The World, the Text, and the Indian breaks from this framework by examining Native American literature not for its tribal-national significance but rather its connections to global, transnational, and cosmopolitan forces. Essays by leading scholars in the field assume that Native American literary and cultural production is global in character; even claims to sovereignty and self-determination are made in global contexts and influenced by global forces. Spanning from the nineteenth century to the present day, these analyses of theories, texts, and methodsfrom trans-indigenous to cosmopolitan, George Copway to Sherman Alexie, and indigenous feminism to book historyinterrogate the dialects of global indigeneity and settler colonialism in literary and visual culture. |
| comedy central logo history: Constant Comedy Art Bell, 2020-09-15 This insider’s memoir about the origins of Comedy Central is “a very, very funny book about an amazing piece of comedy history” (Jerry Zucker, cowriter and director of Airplane!). Finalist, 2020 Best Book Awards sponsored by American Book Fest In 1988, a young, mid-level employee named Art Bell pitched a novel concept—a television channel focused 100% on just one thing: comedy—to the chairman of HBO. The station that would soon become Comedy Central, with celebrated programs like South Park, Chapelle’s Show, The Daily Show, and The Colbert Report, was born. Constant Comedy takes you behind the scenes into the comedy startup on its way to becoming one of the most successful and creative purveyors of popular culture in the United States. From disastrous pitch meetings with comedians to the discovery of talents like Bill Maher and Jon Stewart, this intimate biography peers behind the curtain and reveals what it’s really like to work, struggle, and ultimately succeed at the cutting edge of show business. “The funniest behind-the-scenes memoir I’ve ever read, full of crazy characters, plot twists, and suspense.” —Dan Lyons, New York Times-bestselling author of Disrupted |
| comedy central logo history: No Jurisdiction Fareed Ben-Youssef, 2022-07-01 No Jurisdiction interweaves autobiography and analysis to explore how a disabled American of French-Arab descent justifies his love for the (super)heroes who destroy brown people like himself. Framing Hollywood genre films as a key to understanding a crisis-filled world shaped by the global War on Terror, Fareed Ben-Youssef shows how, in response to 9/11, filmmakers and lawmakers mobilized iconic characters—the cowboy, the femme fatale, and the superhero—to make sense of our traumas and inspire new legal landscapes. The competing visions of power produced in this dialogue between Hollywood entertainment and mainstream politics underscore genre cinema's multivalent purpose: to normalize state violence and also to critique it. Chapters devoted to the Western, film noir, superhero movies, and global films that deploy and comment on these genres offer compelling readings of films ranging from the more apparent (The Dark Knight, Sicario, and Logan) to the more unexpected (Sin City, Adieu Gary, The Broken Circle Breakdown, and Tokyo Sonata). Through narratives of states of emergency that include vaguely defined enemies, obscured battlefield boundaries, and blurred lines between victims and perpetrators, a new post-9/11 film canon emerges. No Jurisdiction is a deeply personal work of film scholarship, arguing that we can face our complicity and discover opportunities for resistance through our beloved genre movies. |
| comedy central logo history: Cable Visions Sarah Banet-Weiser, Cynthia Chris, Anthony Freitas, 2007-09 Looks beyond broadcasting's mainstream, toward cable's alternatives, to critically consider the capacity of commercial media to serve the public interest. This work offers an overview of the industry's history and regulatory trends, case studies of cable newcomers aimed at niche markets, and analyses of programming forms introduced by cable TV. |
| comedy central logo history: Embodying American Slavery in Contemporary Culture Lisa Woolfork, 2010-10-01 This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of bodily epistemology. Disrupting the prevailing view of traumatic knowledge that claims that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Lisa Woolfork cogently analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their recreations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past. |
| comedy central logo history: Television in the Streaming Era Jean Chalaby, 2023-04-06 This book explores the value chain that underpins the TV industry and reveals how digital technologies are accelerating the global shift. |
| comedy central logo history: Wiki Writing Matthew Barton, Robert Cummings, 2009-12-10 When most people think of wikis, the first---and usually the only---thing that comes to mind is Wikipedia. The editors of Wiki Writing: Collaborative Learning in the College Classroom, Robert E. Cummings and Matt Barton, have assembled a collection of essays that challenges this common misconception, providing an engaging and helpful array of perspectives on the many pressing theoretical and practical issues that wikis raise. Written in an engaging and accessible manner that will appeal to specialists and novices alike, Wiki Writing draws on a wealth of practical classroom experiences with wikis to offer a series of richly detailed and concrete suggestions to help educators realize the potential of these new writing environments. Robert E. Cummings began work at Columbus State University in August 2006 as Assistant Professor of English and Director of First-Year Composition. Currently he also serves as the Writing Specialist for CSU's Quality Enhancement Plan, assisting teachers across campus in their efforts to maximize student writing in their curriculum. He recently concluded a three-year research study with the Inter/National Coalition for Electronic Portfolio Research and continues to research in the fields of computers and writing, writing across the curriculum, writing in the disciplines, and curricular reform in higher education. Matt Barton is Assistant Professor, St. Cloud State University, Department of English-Rhetoric and Applied Writing Program. His research interests are rhetoric, new media, and computers and writing. He is the author of Dungeons and Desktops: A History of Computer Role-Playing Games and has published in the journals Text and Technology, Computers and Composition, Game Studies, and Kairos. He is currently serving as Associate Editor of Kairosnews and Managing Editor of Armchair Arcade. Wiki Writing will quickly become the standard resource for using wikis in the classroom. ---Jim Kalmbach, Illinois State University digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org. |
| comedy central logo history: The Essential Cult TV Reader David Lavery, 2014-07-11 The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future. |
| comedy central logo history: TV World , 1998-06 International business magazine for television. |
| comedy central logo history: In the Peanut Gallery with Mystery Science Theater 3000 Robert G. Weiner, Shelley E. Barba, 2014-01-10 The award-winning television series Mystery Science Theater 3000 (1988-1999) has been described as the smartest, funniest show in America, and forever changed the way we watch movies. The series featured a human host and a pair of robotic puppets who, while being subjected to some of the worst films ever made, provided ongoing hilarious and insightful commentary in a style popularly known as riffing. These essays represent the first full-length scholarly analysis of Mystery Science Theater 3000--MST3K--which blossomed from humble beginnings as a Minnesota public-access television show into a cultural phenomenon on two major cable networks. The book includes interviews with series creator Joel Hodgson and cast members Kevin Murphy and Trace Beaulieu. |
| comedy central logo history: Irony and Outrage Dannagal Goldthwaite Young, Dannagal G. Young, 2020 This text explores the aesthetics, underlying logics, and histories of two seemingly distinct genres - liberal political satire and conservative opinion talk - making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively. |
| comedy central logo history: The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction Cristina Ionica, 2020-01-21 The Affects, Cognition, and Politics of Samuel Beckett’s Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes theorizes the revolutionary and evolutionary import of Beckett’s works in a global context defined by increasingly ubiquitous and insidious mechanisms of capture, exploitation, and repression, alongside unprecedented demands for high-volume information-processing and connectivity. Part I shows that, in generating consistent flows of solidarity-based angry laughter, Beckett’s works sabotage coercive couplings of the subject to social machines by translating subordination and repression into processes rather than data of experience. Through an examination of Beckett’s attack on gender/ class-related normative injunctions, the book shows that Beckett’s works can generate solidarity and action-oriented affects in readers/ spectators regardless of their training in textual analysis. Part II proposes that Beckett’s works can weaken the cognitive dominance of constrictive “frames” in readers/ audiences, so that toxic ideological formations such as the association of safety and comfort with simplicity and “sameness” are rejected and more complex cognitive operations are welcomed instead—a process that bolsters the mind’s ability to operate at ease with increasingly complex, malleable, extensible, and inclusive frames, as well as with increasing volumes of information. |
| comedy central logo history: America According to Colbert S. McClennen, 2011-11-30 America According to Colbert: Satire as Public Pedagogy post 9/11 argues that, in contrast to the anti-intellectualism, the sensationalism, and the punditry that tend to govern most mass media today, Stephen Colbert's program offers his audience the opportunity to understand the context through which most news is reported and to be critical of it. |
| comedy central logo history: On the Word of a Jew Nina Caputo, Mitchell B. Hart, 2019-01-14 Fourteen essays examining the dynamics of trust and mistrust in Jewish history from biblical times to today. What, if anything, does religion have to do with how reliable we perceive one another to be? When and how did religious difference matter in the past when it came to trusting the word of another? In today’s world, we take for granted that being Jewish should not matter when it comes to acting or engaging in the public realm, but this was not always the case. The essays in this volume look at how and when Jews were recognized as reliable and trustworthy in the areas of jurisprudence, medicine, politics, academia, culture, business, and finance. As they explore issues of trust and mistrust, the authors reveal how caricatures of Jews move through religious, political, and legal systems. While the volume is framed as an exploration of Jewish and Christian relations, it grapples with perceptions of Jews and Jewishness from the biblical period to today, from the Middle East to North America, and in Ashkenazi and Sephardi traditions. Taken together these essays reflect on the mechanics of trust, and sometimes mistrust, in everyday interactions involving Jews. “Highly readable and compelling, this volume marks a broadly significant contribution to Jewish studies through the underexplored dynamic of trust.” —Rebekah Klein-Pejšová, author of Mapping Jewish Loyalties in Interwar Slovakia “An exemplary compendium on how to engage with a major concept—trust—while providing load of gripping new information, new theorization of otherwise well-covered material, and meticulous attention to textual and sociological sources.” —Gil Anidjar, author of Blood: A Critique of Christianity |
| comedy central logo history: Jet , 2001 |
| comedy central logo history: Playing Along Kiri Miller, 2012-02-09 Why don't Guitar Hero players just pick up real guitars? What happens when millions of people play the role of a young black gang member in Grand Theft Auto: San Andreas? How are YouTube-based music lessons changing the nature of amateur musicianship? This book is about play, performance, and participatory culture in the digital age. Miller shows how video games and social media are bridging virtual and visceral experience, creating dispersed communities who forge meaningful connections by playing along with popular culture. Playing Along reveals how digital media are brought to bear in the transmission of embodied knowledge: how a Grand Theft Auto player uses a virtual radio to hear with her avatar's ears; how a Guitar Hero player channels the experience of a live rock performer; and how a beginning guitar student translates a two-dimensional, pre-recorded online music lesson into three-dimensional physical practice and an intimate relationship with a distant teacher. Through a series of engaging ethnographic case studies, Miller demonstrates that our everyday experiences with interactive digital media are gradually transforming our understanding of musicality, creativity, play, and participation. |
| comedy central logo history: The Mythic Mr. Lincoln Jeff O’Bryant, 2021-09-10 Honest Abe. The rail-splitter. The Great Emancipator. Old Abe. These are familiar monikers of Abraham Lincoln. They describe a man who has influenced the lives of everyday people as well as notables like Leo Tolstoy, Marilyn Monroe, and Winston Churchill. But there is also a multitude of fictional Lincolns almost as familiar as the original: time traveler, android, monster hunter. This book explores Lincoln's evolution from martyred president to cultural icon and the struggle between the Lincoln of history and his fictional progeny. He has been Simpsonized by Matt Groening, charmed by Shirley Temple, and emulated by the Lone Ranger. Devotees have attempted to clone him or to raise him from the dead. Lincoln's image and memory have been invoked to fight communism, mock a sitting president, and sell products. Lincoln has even been portrayed as the greatest example of goodness humanity has to offer. In short, Lincoln is the essential American myth. |
| comedy central logo history: Ebony , 2005-12 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| comedy central logo history: American Political Humor [2 volumes] Jody C. Baumgartner, 2019-10-07 This two-volume set surveys the profound impact of political humor and satire on American culture and politics over the years, paying special attention to the explosion of political humor in today's wide-ranging and turbulent media environment. Historically, there has been a tendency to regard political satire and humor as a sideshow to the wider world of American politics—entertaining and sometimes insightful, but ultimately only of modest interest to students and others surveying the trajectory of American politics and culture. This set documents just how mistaken that assumption is. By examining political humor and satire throughout US history, these volumes not only illustrate how expressions of political satire and humor reflect changes in American attitudes about presidents, parties, and issues but also how satirists, comedians, cartoonists, and filmmakers have helped to shape popular attitudes about landmark historical events, major American institutions and movements, and the nation's political leaders and cultural giants. Finally, this work examines how today's brand of political humor may be more influential than ever before in shaping American attitudes about the nation in which we live. |
| comedy central logo history: The Impact of Media Violence on Children United States. Congress. Senate. Committee on Commerce, Science, and Transportation, 2012 |
| comedy central logo history: Cable Vision , 2001-02 |
| comedy central logo history: A History of Television News Parody in America Curt Hersey, 2022-07-26 In this book, Curt Hersey explores the history of U.S. media, demonstrating how news parody has entertained television audiences by satirizing political and social issues and offering a lighthearted take on broadcast news. Despite shifts away from broadcast and cable delivery, comedians like Samantha Bee, Michael Che, and John Oliver continue this tradition of delivering topical humor within a newscast format. In this history of the television news parody genre, Hersey critically engages with the norms and presentational styles of television journalism at the time of their production. News parody has increasingly become part of the larger journalistic field, with viewers often turning to this parodic programming as a supplement and corrective to mainstream news sources. Beginning in the 1960s with the NBC program That Was the Week That Was, the history of news parody is analyzed decade by decade by focusing on presidential and political coverage, as well as the genre’s critiques of television network and cable journalism. Case studies include Saturday Night Live’s “Weekend Update;” HBO’s Not Necessarily the News; Comedy Central’s original Daily Show, The Daily Show with Jon Stewart, and The Colbert Report; and HBO’s Last Week Tonight with John Oliver. Scholars of media history, political communication, and popular culture will find this book particularly useful. |
| comedy central logo history: The Hollywood Reporter , 2008 |
| comedy central logo history: We Don't Think You're Racist! Amanda Meadows, Robin Higgins, 2016-04-22 Finally, a book for white people! Do you fear being called racist more than anything, yet have no interest in self-examination or improvement of any kind? This helpful book of daily affirmations will soothe away your guilt over crossing the street when you saw... (whispers) a black guy. People of color smile to the reader with reassuring lines such as, “You can touch my hair... you can touch my hair all day,” and “If I’m ‘one of the good ones,’ then you’re clearly the best of the best.” You don’t have to be an ally as long as you feel like one. |
| comedy central logo history: Deconstructing South Park Brian Cogan, 2012 Deconstructing South Park: Critical Examinations of Animated Transgression is an edited collection by Brian Cogan that looks at the long and controversial run of one of the most subversive programs on television. South Park, while denounced by many as simply scatological, is actually one of the most nuanced and thoughtful programs on television. The contributors to South Park reveal that, through the lens of four foul-mouthed nine year olds, Trey Parker and Matt Stone have created one of the most astute forms of social and political commentary in television history. Deconstructing South Park, itself the most ambitious deconstruction of popular culture to date, analyzes how South Park is not only entertainment, but a commentary on American culture that tackles controversial issues far beyond the depth of most television. Specifically, the medium of animated sitcom allows the show's creators to contribute to cultural conversations regarding disability studies, religion, sexuality, celebrity, and more. If South Park deconstructs American culture, then Cogan and his contributors deconstruct the deconstructionists and reveal South Park in all its hilarious and often contradictory complexity. |
| comedy central logo history: TV Guide , 2003 |
| comedy central logo history: Marketing Strategy Jenna Tiffany, 2021-05-03 WINNER: The BookFest Spring Book Awards 2022 - Marketing category WINNER: Business Book Awards 2022 - Sales & Marketing category Tasked with creating marketing strategy? This book is for you. Learn about the most useful tools and models, dodge common mistakes, and optimize your marketing strategy success, with this practical and adaptable framework from award-winning thought-leader Jenna Tiffany. Create an effective marketing strategy for your business with Marketing Strategy, which offers a clear, easy-to-follow overview of why strategy is important, how to create it, how to implement it, and - crucially - how to measure its success. Packed with global examples and case studies, the book opens by discussing the role strategy plays in any organization's long-term vision. It also discusses the key models and frameworks that can be used to analyze the marketing environment, and offers information on segmentation, targeting and positioning. Importantly, it will outline some of the key challenges likely to crop up, and gives pre-emptive tools for avoiding them. Marketing Strategy is highly practical in approach. Chapters are supported by short tasks to complete throughout, to cement the reader's understanding of the concepts discussed. Put together, these tasks create an easy to follow, step-by-step framework for creating a marketing strategy. The framework is adaptable and can be applied to any industry or business. Marketing Strategy also includes input from leading marketing strategists including Mark Ritson and organizations such as Mailchimp, the CIM and DMA. |
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Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park. South Park Follow Colorado's favourite troublemakers on …
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Now Streaming. An animated revival of the live-action show Everybody Hates Chris, about Chris Rock's experiences as a skinny Black nerd, growing up as the oldest of three kids in a working …
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From Beavis and Butt-Head to South Park to TripTank and beyond, Comedy Central is a treasure trove of animated fan favorites.
Comedy Central
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Comedy Central | Homepage - Shows & Schedules
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park.
Comedy Central Global | Homepage
Comedy Central makes you laugh with satirical shows, stand-up special and classics, including The Daily Show and South Park. South Park Follow Colorado's favourite troublemakers on …
TV Shows | Watch Shows Online - Comedy Central
Search for standup specials, animated favorites, roasts, movies and more on cc.com.
Stand-Up - Comedy Central
Comedy Central's best stand-up specials including Dave Chappelle, John Oliver, Amy Schumer, Pete Davidson and more.
TV Shows | Watch Shows Online - Comedy Central
Now Streaming. An animated revival of the live-action show Everybody Hates Chris, about Chris Rock's experiences as a skinny Black nerd, growing up as the oldest of three kids in a working …
Sketch Comedy - Comedy Central
Comedy Central's best sketch comedy including Chappelle's Show, Key & Peele and Kroll Show.
TV Schedule | Channel Finder | Shows, Episodes - Comedy Central
Check Comedy Central listings for your favourite sitcoms and movies as well original shows like The Daily Show, Digman! and more.
Comedy Central The Daily Show Fan Page
4 hours ago · The source for The Daily Show fans, with episodes hosted by Jon Stewart, Ronny Chieng, Jordan Klepper, Dulcé Sloan and more, plus interviews, highlights and The Weekly …
Animation - Comedy Central
From Beavis and Butt-Head to South Park to TripTank and beyond, Comedy Central is a treasure trove of animated fan favorites.
Comedy Central
Localize / Custom. Try to keep it under 250 characters and include episode content.
