| brooklyn college mfa creative writing: MFA Vs NYC Chad Harbach, 2014-02-25 Writers write—but what do they do for money? In a widely read essay entitled MFA vs NYC, bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters. |
| brooklyn college mfa creative writing: A Touch of Jen Beth Morgan, 2021-07-13 A young couple's toxic Instagram crush spins out of control and unleashes a sinister creature in this twisted, viciously funny, bananas good story (Carmen Maria Machado). Um, holy shit...This novel will be the most fun you'll have this summer. —Emily Temple, Literary Hub Remy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former co-worker of Remy’s who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart. Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beachside paradise, threatening to erupt. As small disturbances escalate into outright horror, we find ourselves tumbling with Remy and Alicia into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like? Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves. |
| brooklyn college mfa creative writing: The Poets & Writers Guide to MFA Programs , 2015 This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process. |
| brooklyn college mfa creative writing: Safe as Houses Marie-Helene Bertino, 2012-10 The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In Free Ham, a young dropout wins a ham after her house burns down and refuses to accept it. Has my ham done anything wrong? she asks when the grocery store manager demands that she claim it. In Carry Me Home, Sisters of Saint Joseph, a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy North Of. In The Idea of Marcel, Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over. |
| brooklyn college mfa creative writing: The Creative Writing MFA Handbook Tom Kealey, 2005-01-01 Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice. |
| brooklyn college mfa creative writing: A Feather on the Breath of God Sigrid Nunez, 2005-12-27 From Sigrid Nunez, the National Book Award-winning author of The Friend, comes A Feather on the Breath of God: a mesmerizing story about the tangled nature of relationships between parents and children, between language and love A young woman looks back to the world of her immigrant parents: a Chinese-Panamanian father and a German mother. Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents' stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet--these are the elements that shape the young woman's imagination and her sexuality. |
| brooklyn college mfa creative writing: These Ghosts Are Family Maisy Card, 2021-01-05 PEN/Hemingway Award For Debut Novel Finalist Shortlisted for the 2020 Center for Fiction First Novel Prize A “rich, ambitious debut novel” (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi. Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. This “rich and layered story” (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a “beguiling…vividly drawn, and compelling” (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret. |
| brooklyn college mfa creative writing: Salvation City Sigrid Nunez, 2010-09-16 “A NOVEL FOR LIFE AFTER THE PANDEMIC…Scratches a particular imaginative itch that we are all experiencing at the precipice of a new era. -- The New Yorker From the National Book Award-winning author of The Friend comes a moving and eerily relevant novel that imagines the aftermath of a pandemic virus as seen through the eyes of a thirteen-year-old boy uncertain of his destiny. His family's sole survivor after a flu pandemic has killed large numbers of people worldwide, Cole Vining is lucky to have found refuge with the evangelical Pastor Wyatt and his wife in a small town in southern Indiana. As the world outside has grown increasingly anarchic, Salvation City has been spared much of the devastation, and its residents have renewed their preparations for the Rapture. Grateful for the shelter and love of his foster family (and relieved to have been saved from the horrid, overrun orphanages that have sprung up around the country), Cole begins to form relationships within the larger community. But despite his affection for this place, he struggles with memories of the very different world in which he was reared. Is there room to love both Wyatt and his parents? Are they still his parents if they are no longer there? As others around him grow increasingly fixated on the hope of salvation and the new life to come through the imminent Rapture, Cole begins to conceive of a different future for himself, one in which his own dreams of heroism seem within reach. Written in Sigrid Nunez's deceptively simple style, Salvation City is a story of love, betrayal, and forgiveness, weaving the deeply affecting story of a young boy's transformation with a profound meditation on the meaning of belief and heroism. |
| brooklyn college mfa creative writing: Island Bodies Rosamond S. King, 2014-05-13 In Island Bodies, Rosamond King examines sexualities, violence, and repression in the Caribbean experience. She analyzes the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture to show how many individuals contest traditional roles by maneuvering within and/or trying to change their society’s binary gender systems. She skillfully argues and demonstrates that these transgressions better represent Caribbean culture than the “official” representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes. Unique in its breadth and its multilingual and multidisciplinary approach, Island Bodies addresses homosexuality, interracial relations, transgender people, and women’s sexual agency in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. Additionally, King explores the paradoxical nature of sexuality across the region: discussing sexuality in public is often considered taboo, yet the tourism economy trades on portraying Caribbean residents as hypersexualized. Ultimately King reveals that despite the varied national specificity, differing colonial legacies, and linguistic diversity across the islands, there are striking similarities in the ways Caribglobal cultures attempt to restrict sexuality and in the ways individuals explore and transgress those boundaries. |
| brooklyn college mfa creative writing: Sempre Susan Sigrid Nunez, 2014-10-07 From the author of The Friend, winner of the 2018 National Book Award. The masterpiece of the ‘I knew Susan’ minigenre – A.O. Scott, The New York Times A poignant, intimate memoir of one of America’s most esteemed and fascinating cultural figures, and a deeply felt tribute. Sigrid Nunez was an aspiring writer when she first met Susan Sontag, already a legendary figure known for her polemical essays, blinding intelligence, and edgy personal style. Sontag introduced Nunez to her son, the writer David Rieff, and the two began dating. Soon Nunez moved into the apartment that Rieff and Sontag shared. As Sontag told Nunez, “Who says we have to live like everyone else?” Sontag’s influence on Nunez, who went on to become a successful novelist, would be profound. Described by Nunez as “a natural mentor” who saw educating others as both a moral obligation and a source of endless pleasure, Sontag inevitably infected those around her with her many cultural and intellectual passions. In this poignant, intimate memoir, Nunez speaks of her gratitude for having had, as an early model, “someone who held such an exalted, unironic view of the writer’s vocation.” Published more than six years after Sontag’s death, Sempre Susan is a startlingly truthful portrait of this outsized personality, who made being an intellectual a glamorous occupation. |
| brooklyn college mfa creative writing: The Last of Her Kind Sigrid Nunez, 2006-12-12 The paths of two women from different walks of life intersect amid counterculture of the 1960s in this haunting and provocative novel from the National Book Award-winning author of The Friend Named a Best Book of the Year by the San Francisco Chronicle and the Christian Science Monitor Sigrid Nunez's The Last of Her Kind introduces two women who meet as freshmen on the Columbia campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to make justice in a world where there are no innocent white people. But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work. The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, I have never stopped thinking about her. |
| brooklyn college mfa creative writing: Whiteout Conditions Tariq Shah, 2020-03-17 Ant is borderline obsessed with funerals, likening the events to weddings as gatherings he looks forward to. Yet, when a childhood friend passes, Ant’s veneer starts to crumble. Weirdly funny, Whiteout Conditions tracks Ant and his friend Vince as they make their way through Chicogoland’s suburbs, which, in Shah’s telling, are as harrowing as any arctic climate. —Wendy J. Fox, BuzzFeed '15 Small Press Books To Kick Off Your 2020 Reading Season' Ant is back in Chicago for a funeral, and he typically enjoys funerals. Since most of his family has passed away, he finds himself attracted to their endearing qualities: the hyperbolic language, the stoner altar boy, seeing friends in suits for the first time. That is, until the tragic death of Ray — Ant’s childhood friend, Vince's teenage cousin. Ray was the younger third-wheel that Ant and Vince were stuck babysitting while in high school, and his sudden death makes national news. In the depths of a brutal Midwest winter, Ant rides with Vince through the falling snow to Ray’s funeral, an event that has been accruing a sense of consequence. With a poet’s sensibility, Shah navigates the murky responsibilities of adulthood, grief, toxic masculinity, and the tragedy of revenge in this haunting Midwestern noir. |
| brooklyn college mfa creative writing: Morningside Heights Joshua Henkin, 2022-05-24 A New York Times Book Review Editors' Choice Book • When Ohio-born Pru Steiner arrives in New York in 1976, she follows in a long tradition of young people determined to take the city by storm. But when she falls in love with and marries Spence Robin, her hotshot young Shakespeare professor, her life takes a turn she couldn’t have anticipated. Thirty years later, something is wrong with Spence. The Great Man can’t concentrate; he falls asleep reading The New York Review of Books. With their daughter, Sarah, away at medical school, Pru must struggle on her own to care for him. One day, feeling especially isolated, Pru meets a man, and the possibility of new romance blooms. Meanwhile, Spence’s estranged son from his first marriage has come back into their lives. Arlo, a wealthy entrepreneur who invests in biotech, may be his father’s last, best hope. Morningside Heights is a sweeping and compassionate novel about a marriage surviving hardship. It’s about the love between women and men, and children and parents; about the things we give up in the face of adversity; and about how to survive when life turns out differently from what we thought we signed up for. |
| brooklyn college mfa creative writing: 2 A.M. at The Cat's Pajamas Marie-Helene Bertino, 2014-08-14 Madeleine Altimari is a sassy, smart-mouthed nine-year-old and an aspiring jazz singer, inwardly mourning the recent death of her mother. Little does she know that on Christmas Eve Eve she is about to have the most extraordinary day - and night - of her life. After bravely facing down some mean-spirited classmates and a galling rejection at school, Madeleine doggedly searches for Philadelphia's legendary jazz club The Cat's Pajamas, where she's determined to make her on-stage debut. Meanwhile, her fifth grade teacher Sarina Greene is nervously looking forward to a dinner party that will reunite her with an old high school crush. And across town at The Cat's Pajamas, club owner Jack Lorca discovers that his beloved haunt may have to close forever . . . As these three lost souls search for love, music and hope on the snow-covered streets of Philadelphia, together they will discover life's endless possibilities over the course of one magical night. A vivacious, charming and moving debut, 2am At The Cat's Pajamas will swell your heart and have you laughing out loud. |
| brooklyn college mfa creative writing: For Rouenna Sigrid Nunez, 2008-01-02 From the National Book Award-winning author of The Friend, one of the most celebrated novelists of her generation, the story of a woman's experiences in the Vietnam War After my first book was published, I received some letters. So begins Sigrid Nunez's haunting novel about the poignant and unusual friendship between a writer and a retired army nurse who seeks her out decades after their childhood in the same housing project. Among the letters the narrator receives is one from a Rouenna Zycinski, recalling their old connection and asking if they can meet.Though fascinated by the stories Rouenna tells about her life as a combat nurse in Vietnam, the narrator flatly declines her request that they collaborate on a memoir. It is only later, in the aftermath of Rouenna's shocking death, that the narrator is drawn to write about her friend--and her friend's war. Writing Rouenna's story becomes all-consuming, at once a necessity and the only consolation. For Rouenna, an unforgettable novel about truth, memory, and unexpected heroism by one of the most gifted writers of her generation, is also a remarkable and surprising new look at war. |
| brooklyn college mfa creative writing: The Kite and the String Alice Mattison, 2016-08-16 A targeted and insightful guide to the stages of writing fiction and memoir without falling into common traps, while wisely navigating the writing life, from an award-winning author and longtime teacher “A book-length master class.” —The Atlantic Writing well does not result from following rules and instructions, but from a blend of spontaneity, judgment, and a wise attitude toward the work—neither despairing nor defensive, but clear-eyed, courageous, and discerning. Writers must learn to tolerate the early stages, the dreamlike and irrational states of mind, and then to move from jottings and ideas to a messy first draft, and onward into the work of revision. Understanding these stages is key. The Kite and the String urges writers to let playfulness and spontaneity breathe life into the work—letting the kite move with the winds of feeling—while still holding on to the string that will keep it from flying away. Alice Mattison attends also to the difficulties of protecting writing time, preserving solitude, finding trusted readers, and setting the right goals for publication. The only writing guide that takes up both the stages of creative work and developing effective attitudes while progressing through them, plus strategies for learning more about the craft, The Kite and the String responds to a pressing need for writing guidance at all levels. |
| brooklyn college mfa creative writing: Stories from the Tenants Downstairs Sidik Fofana, 2022-08-16 WINNER of the Gotham Book Prize * Finalist for the Los Angeles Times Art Seidenbaum Award, and the Ernest J. Gaines Award for Literary Excellence * Longlisted for the Story Prize Named a BEST BOOK OF THE YEAR by NPR, Kirkus Reviews, Library Journal, Chicago Review of Books, LitHub, and Electric Lit “A standout achievement…American speech is an underused commodity in contemporary fiction and it’s a joy to find such a vital example of it here.” —The Wall Street Journal From a superb new literary talent, a rich, lyrical collection of stories about a tight-knit cast of characters grappling with their own personal challenges while the forces of gentrification threaten to upend life as they know it. At Banneker Terrace, everybody knows everybody, or at least knows of them. Longtime tenants’ lives are entangled together in the ups and downs of the day-to-day, for better or for worse. The neighbors in the unit next door are friends or family, childhood rivals or enterprising business partners. In other words, Harlem is home. But the rent is due, and the clock of gentrification—never far from anyone’s mind—is ticking louder now than ever. In eight interconnected stories, Sidik Fofana conjures a residential community under pressure. There is Swan, in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, in apartment 21J, is a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for the tight-knit cast of characters as they weave in and out of one another’s narratives, working to escape their pasts and blaze new paths forward for themselves and the people they love. All the while we brace, as they do, for the challenges of a rapidly shifting future. Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience in this “singular accomplishment from a writer to watch” (Library Journal, starred review). |
| brooklyn college mfa creative writing: Bright Shade Chelsea Harlan, 2022-09-06 Winner of the APR/Honickman First Book Award, selected by Pulitzer Prize-winner Jericho Brown. Bright Shade is an appreciation of the wild woods, the rolling hills, the Appalachian air, and the little rivers that were the setting of Chelsea Harlan's upbringing. The poems speak through the liminal space between the body and its relationships to other bodies, and the human relationship with nature--and so climate change is, inevitably, part of this book's undercurrent of grief. As the author navigates the high highs and the low lows of manic depression, Bright Shade articulates the wonder that accompanies sadness and the sadness that accompanies joy. Chelsea Harlan's work is humorous, indeed bittersweet (bright / shade), and a little strange in exactly the right way. |
| brooklyn college mfa creative writing: Property Julie Agoos, 2008 In her third book, Julie Agoos tells the story of a horrific local crime. |
| brooklyn college mfa creative writing: The Need Helen Phillips, 2019-07-09 ***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review). |
| brooklyn college mfa creative writing: Lifelines Heidi Diehl, 2019-06-18 “A graceful, attentive, and beautiful debut.” — George Saunders For fans of Meg Wolitzer and Maggie Shipstead: a sweeping debut novel following an American artist who returns to Germany—where she fell in love and had a child decades earlier—to confront her past at her former mother-in-law’s funeral It’s 1971 when Louise leaves Oregon for Düsseldorf, a city grappling with its nation’s horrific recent history, to study art. Soon she’s embroiled in a scene dramatically different from the one at home, thanks in large part to Dieter, a mercurial musician. Their romance ignites quickly, but life gets in the way: an unplanned pregnancy, hasty marriage, the tense balance of their creative ambitions, and—finally, fatally—a family secret that shatters Dieter, and drives Louise home. But in 2008 she’s headed to Dieter’s mother’s funeral. She never returned to Germany, and has since remarried, had another daughter, and built a life in Oregon. As she flies into the heart of her past, she reckons with the choices she made, and the ones she didn’t, just as her family—current and former—must consider how Louise’s life has shaped their own, for better and for worse. Exquisitely balanced, expansive yet wonderfully intimate, Lifelines explores the indelible ties of family; the shape art, history, and nationality give to our lives; and the ways in which we are forever evolving, with each step we take, with each turn of the Earth. |
| brooklyn college mfa creative writing: The World Without You Joshua Henkin, 2013-04-09 It's July 4, 2005, and the Frankel family is descending upon their beloved summer home in the Berkshires. They have gathered to memorialize Leo, the youngest of the four siblings and an intrepid journalist killed on that day in 2004, while on assignment in Iraq. But Leo’s parents are adrift in a grief that’s tearing apart their forty-year marriage, his sisters are struggling with their own difficulties, and his widow has arrived from California bearing a secret. Here award-winning writer Joshua Henkin unfolds this family story, as, over the course of three days, the Frankels contend with sibling rivalries and marital feuds, with volatile women and silent men — and, ultimately, with the true meaning of family. |
| brooklyn college mfa creative writing: Hybrida: Poems Tina Chang, 2019-05-14 “One of the most important books of poetry to come along in years.” —Craig Morgan Teicher, NPR Named a Best Book of 2019 by NPR and Publishers Weekly, Hybrida is a stirring and confident examination of mixed-race identity, violence, and history skillfully rendered through the lens of motherhood. In an agile blend of zuihitsu, ghazal, mosaic poems, and lyric essays, Tina Chang “evokes the bottomless love and terror of motherhood as she describes raising her mixed-race son” (New York Times). Ambitious and revelatory, Hybrida establishes Chang as one of the most vital voices of her generation. |
| brooklyn college mfa creative writing: Into Perfect Spheres Such Holes Are Pierced Catherine Barnett, 2016-05-30 The family response to the sudden deaths of the speaker's two young nieces is at the center of Catherine Barnett's award-winning first collection. This series of elegies records the transit of grief, observing with an unflinching eye how a singular traumatic event can permanently alter our understanding of time, danger, the material world and family. Marked by clarity and restraint, these lyric poems narrate a suspenseful, wrenching story that explores the depths and limits of empathy. “Living Room Altar” Except for the shirt pulled from the ocean, except for her hands, which keep folding the shirt, except for her body, which once held their bodies, my sister wants everything back now— If there were a god who could out of empty shells carried by waves to shore make amends— If the ocean saved in a jar could keep from turning to salt— She’s hearing things: bird calling to bird, cat outside the door, thorn of the blackberry against the trellis. These heart-breaking poems of an all-too-human life stay as absolute as the determined craft which made them. There is finally neither irony nor simple despair in what they record. Rather, it is the far deeper response of witness, of recognizing what must be acknowledged and of having the courage and the care to say so. —Robert Creeley |
| brooklyn college mfa creative writing: Enormous Smallness Matthew Burgess, 2015 Enormous Smallness is a nonfiction picture book about the poet E.E. cummings. Here E.E.'s life is presented in a way that will make children curious about him and will lead them to play with words and ask plenty of questions as well. Lively and informative, the book also presents some of Cummings's most wonderful poems, integrating them seamlessly into the story to give the reader the music of his voice and a spirited, sensitive introduction to his poetry. In keeping with the epigraph of the book -- It takes courage to grow up and become who you really are, Matthew Burgess's narrative emphasizes the bravery it takes to follow one's own vision and the encouragement E.E. received to do just that. Matthew Burgess teaches creative writing and composition at Brooklyn College. He is also a writer-in-residence with Teachers & Writers Collaborative, leading poetry workshops in early elementary classrooms since 2001. He was awarded a MacArthur Scholarship while working on his MFA, and he received a grant from The Fund for Poetry. Matthew's poems and essays have appeared in various journals, and his debut collection, Slippers for Elsewhere, was published by UpSet Press. His doctoral dissertation explores childhood spaces in twentieth century autobiography, and he completed his PhD at the CUNY Graduate Center in June 2014. Kris Di Giacomo is an American who has lived in France since childhood. She has illustrated over twenty-five books for French publishers, which have been translated into many languages. This is her sixth book to be published by Enchanted Lion Books. The others are My Dad Is Big And Strong, But . . . , Brief Thief, Me First , The Day I Lost My Superpowers, and |
| brooklyn college mfa creative writing: The Friend (National Book Award Winner) Sigrid Nunez, 2018-02-06 WINNER OF THE NATIONAL BOOK AWARD FOR FICTION ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY NOW A MAJOR MOTION PICTURE STARRING NAOMI WATTS “A beautiful book . . . a world of insight into death, grief, art, and love.” —Wall Street Journal “A penetrating, moving meditation on loss, comfort, memory . . . Nunez has a wry, withering wit.” —NPR “Dry, allusive and charming . . . the comedy here writes itself.” —The New York Times The New York Times bestselling story of love, friendship, grief, healing, and the magical bond between a woman and her dog. When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building. While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them. Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion. |
| brooklyn college mfa creative writing: The Lemon Table Julian Barnes, 2007-12-18 In this widely acclaimed collection of short stories, the bestselling, Booker Prize-winning author of The Sense of an Ending addresses the most poignant aspect of the human condition: growing old. A master at work…. Sweet, sour, bitter, wistful, ruminative, comic, elegiac … A joy to read. —San Francisco Chronicle The characters in The Lemon Table are facing the ends of their lives—some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner—and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound—a writer of astonishing powers of empathy and invention. |
| brooklyn college mfa creative writing: A Good Hard Look Ann Napolitano, 2011-07-07 From the New York Times bestselling author of Hello Beautiful and Dear Edward, a novel set in Flannery O'Connor's hometown of Milledgeville, and a tragedy that forever alters the town and the author herself A wholly believable world shaped by duty, small pleasures, and fateful choices.—O, The Oprah Magazine Forced by illness to leave behind a successful life in New York, literary icon Flannery O'Connor has returned to her family farm in the small town of Milledgeville, Georgia. With her health and time both limited, all she wants is to be left alone to write. But Flannery's plans are soon upended by Melvin Whiteson, a banker from Manhattan who has recently married the town belle. Melvin is at loose ends with his new life; though he has every opportunity, he's not sure where to begin. Flannery knows exactly what she wants, but is running out of time. Through their unusual and clandestine friendship, both will come to reflect on the decisions they have made and the paths they have chosen. Literary history and fiction gracefully intersect in this emotionally charged novel of small town Southern life, which asks us all to consider how we can live our lives to the fullest. |
| brooklyn college mfa creative writing: Museums and Digital Culture Tula Giannini, Jonathan P. Bowen, 2019-05-06 This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey! |
| brooklyn college mfa creative writing: The Ferrante Letters Sarah Chihaya, Merve Emre, Katherine Hill, Juno Jill Richards, 2020-01-07 Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends. |
| brooklyn college mfa creative writing: Matrimony Joshua Henkin, 2008-08-26 It's the fall of 1986, and Julian Wainwright, an aspiring writer, arrives at Graymont College in New England. Here he meets Carter Heinz, with whom he develops a strong but ambivalent friendship, and beautiful Mia Mendelsohn, with whom he falls in love. Spurred on by a family tragedy, Julian and Mia's love affair will carry them to graduation and beyond, taking them through several college towns, over the next fifteen years. Starting at the height of the Reagan era and ending in the new millennium, Matrimony is a stunning novel of love and friendship, money and ambition, desire and tensions of faith. It is a richly detailed portrait of what it means to share a life with someone-to do it when you're young, and to try to do it afresh on the brink of middle age. |
| brooklyn college mfa creative writing: When Watched Leopoldine Core, 2016-08-09 A National Book Foundation 5 Under 35 Honoree Whiting Award Winner PEN/Hemingway Award Finalist Lambda Literary Award Finalist Longlisted for the PEN/Robert W. Bingham Prize for Debut Fiction & The Story Prize “Core captures a precious slice of what it is to be human. . . . She reaches moments of extraordinary grace.” —The New York Times Book Review “Pick up this book and prepare to face sublime recognition.” —Rookie “Full of dazzling insight and empathy.” —Refinery 29 Refreshing, witty, and absolutely close to the heart, Core’s twenty stories, set in and around New York City, have an other-worldly quality along with a deep seriousness—even a moral seriousness. What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare. |
| brooklyn college mfa creative writing: When the Signals Come Home Jordan E. Franklin, 2021-03-15 Poetry. African & African American Studies. Women's Studies. Music. Winner of the 2020 Gatewood Prize. The first thing that greeted me when I read this stunning collection was the power of polyphonic verse here, so many voices and ranges: poems about family narrated with indelible soundtracks, deep building emotion, and with added bonus tracks structuring the poignant and perceptual throughout. I simply adore how music and place are deeply entwined, and the dedications and references create such a fierce expanse of scope and pitch making these poems a veritable collection of engaged poetics. WHEN THE SIGNALS COME HOME is full of potent signals, striking sonorous language, and resolute songs to accompany both addresses, dedications, and storytelling of longing, hope, and grief. We are immersed in popular music references from Prince to The Talking Heads in order to amplify the sonic detail and history of times in these poems. The deep ferocity in these poems is rich, particularly in how the speaker manages to address racial inequity, the strife of sickness and death, and the necessity of naming the racialized self in place, possession, poetry and in song.--Prageeta Sharma |
| brooklyn college mfa creative writing: A Symmetry: Poems Ari Banias, 2021-10-12 Winner of the 2022 Publishing Triangle Trans and Gender-Variant Literature Award A thrilling, discursive second collection from “a poet for this hour—bewildered, hopeful, and cracklingly alive” (Mark Doty). The poems in Ari Banias’s thrilling and discursive second collection, A Symmetry, unsettle the myth of a benevolently ordered reality. Through uncanny repetitions and elliptical inquiry, Banias contends with the inscriptions of nationhood, language, and ancestral memory in the architectures of daily experience. Refusing the nostalgias of classicism and the trap of authenticity, these poems turn instead to a Greece of garbage strikes and throwaway tourist pleasures, where bad gender means bad grammar, and a California coast where mansions offer themselves to be crushed under your thumb. A piece of citrus hurled into one poem’s apartment window rolls downhill and escapes the narrative altogether in another. Farmers destroy their own olive trees, strangers mesmerize us as they fold sheets into perfect corners, “artists who design border wall prototypes are artists / who say they “leave politics out of it.’” Climate collapse and debt accelerate, and desire transforms itself in the ruins. From within psychic interiors and iconic sites—the museum, the strip mall, the discotheque, the sea—A Symmetry attends to the intimate, social proportions of our material world and discerns the simmering potential of a present that “can be some other way. And is.” |
| brooklyn college mfa creative writing: A Delicate Aggression David O. Dowling, 2019-03-26 A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature. |
| brooklyn college mfa creative writing: The Lost Son Stephanie Vanderslice, 2022-03-14 How does a mother survive the unsurvivable? After her husband and the baby's nurse kidnap her infant son, Nicholas, and take him back to their native Germany, Julia Kruse must completely rebuild her life in America. The Lost Son chronicles Julia's journey from Depression-Era Queens, NY through World War II as she struggles to provide for herself and her remaining son, Johannes. Over the years, her search for Nicholas is thwarted at every turn, until she falls in love with chauffeur Paul Burns, whose boss might have the political connections to find her son and bring him home from the German front during the last days of the Third Reich, where Johannes is also fighting for the Allies. |
| brooklyn college mfa creative writing: Glossary of Unsaid Terms Victoria C. Flanagan, 2020-06 |
| brooklyn college mfa creative writing: The Wonder Garden Lauren Acampora, 2015 In a series of interconnected short stories, the residents of Old Cranbury, Connecticut face unseen battles and creeping truths, dreaming the massive dreams that each person holds close-- and that hold them close to each other. |
| brooklyn college mfa creative writing: The Writer and the Cross Darren J.N. Middleton, 2022-06-27 Spiritually engaged readers commonly look toward fiction to better understand the depth of a faithful life, and Christians are no exception. Many followers of Jesus value beautifully written, deftly characterized and pulse-quickening literary art that seems more satisfying than dry, tedious doctrinal textbooks. This book surveys 12 pieces of historical fiction that feature notable Christian thinkers. They include an illustrated children's book about St. Irenaeus of Lyons, a novel about Martin Luther's Reformation, a screenplay focusing on Dietrich Bonhoeffer and even a story about Pope Francis narrated in popular manga style. Rather than arcane literary analyses, this book provides thoughtful and sometimes painful interviews with the authors of the covered works. Most interviewees are little known or emerging writers. Some have published their work with a church or denominational press, others with a major publishing empire or popular print-on-demand platforms. Storytellers reflect on their literary choices and the contexts of their writing, sharing what modern Christians can learn from historical religious fiction. |
| brooklyn college mfa creative writing: The Insider's Guide to Graduate Degrees in Creative Writing Seth Abramson, 2018-06-14 There are so many different graduate creative writing programs out there! How do I find the right one for me? Bringing together data from both Master's and doctoral creative writing programs and interviews with program applicants, students, and faculty, this is a complete practical guide to choosing a graduate creative writing program and putting together a successful application. The Insider's Guide to Graduate Degrees in Creative Writing answers frequently asked questions on such topics as: · Application prerequisites · Program sizes and durations · Funding · Acceptance rates · Cost of living · Program curricula and demographics · Workshopping techniques · Student-faculty ratios · Residency options · Postgraduate fellowship placement · Postgraduate job placement · Programs' reputations and histories The book also includes comprehensive and up-to-date hard data on the hundreds of terminal-degree graduate creative writing programs available throughout the US, UK, and internationally, making this an essential read for anyone planning to pursue a low- or full-residency graduate creative writing degree. |
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