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| brooklyn institute of arts and science: The Museum News - Brooklyn Institute of Arts and Sciences Brooklyn Institute of Arts and Sciences, 1908 |
| brooklyn institute of arts and science: Year-book of the Brooklyn Institute of Arts and Sciences Brooklyn Institute of Arts and Sciences, 1902 Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of laws relating specifically to the corporation ... |
| brooklyn institute of arts and science: Yearbook of the Brooklyn Institute of Arts and Sciences Brooklyn Institute of Arts and Sciences, 1908 Containing the names of the officers and of members, a brief history of the institute, an account of the work ... and a copy of the laws relating specifically to the corporation. |
| brooklyn institute of arts and science: The Bulletin of the Brooklyn Institute of Arts and Sciences Brooklyn Institute of Arts and Sciences, 1911 |
| brooklyn institute of arts and science: Wedgwood Hensleigh Cecil Wedgwood, 1974 |
| brooklyn institute of arts and science: Brooklyn Museum Quarterly , 1916 |
| brooklyn institute of arts and science: The Brooklyn Art School of the Brooklyn Art Association and the Brooklyn Institute of Arts and Sciences, Season of 1898-9 Brooklyn Art School, 1898 |
| brooklyn institute of arts and science: Children's Museum Bulletin Brooklyn Institute of Arts and Sciences. Children's Museum, 1902 |
| brooklyn institute of arts and science: Children's Museum News Brooklyn Institute of Arts and Sciences. Children's Museum, 1916 |
| brooklyn institute of arts and science: The Bulletin of the Brooklyn Institute of Arts and Sciences Brooklyn Institute of Arts and Sciences, 1910 |
| brooklyn institute of arts and science: Dream of the Divided Field Yanyi, 2022-03-01 From an award-winning poet comes a collection on heartbreak and transitions, written with a piercing lyric ferocity. FINALIST FOR THE NEW ENGLAND BOOK AWARD FOR POETRY • “Written with great tenderness and intimacy, Dream of the Divided Field reveals what we do (and do not) owe to others, and what we owe to ourselves.”—Poets & Writers The poems in Yanyi’s latest book suggest that we enter and exit our old selves like homes. We look through the windows and recognize some former aspect of our lives that is both ours and not ours. We long for what we had even as we recognize that we can no longer live there. Yanyi conjures the beloved both within and without us: the beloved we believe we know, the beloved who is never the person we imagine, and the beloved who threatens to erase us even as we stand before them. How can we carry our homes with us? Informed by Yanyi’s experiences of immigration, violent heartbreak, and a bodily transition, Dream of the Divided Field explores the contradictions that accompany shifts from one state of being to another. In tender, serene, and ethereal poems, Dream of the Divided Field examines a body breaking down and a body that rebuilds in limitless and boundary-shifting ways. These are homes in memory—homes of love and isolation, lust and alienation, tenderness and violence, suffering and wonder. |
| brooklyn institute of arts and science: The Museum News Brooklyn Institute of Arts and Sciences, 1905 |
| brooklyn institute of arts and science: Global Brooklyn Fabio Parasecoli, Mateusz Halawa, 2021-01-14 What do the fashionable food hot spots of Cape Town, Mumbai, Copenhagen, Rio de Janeiro, and Tel Aviv have in common? Despite all their differences, consumers in each major city are drawn to a similar atmosphere: rough wooden tables in postindustrial interiors lit by edison bulbs. There, they enjoy single-origin coffee, kombucha, and artisanal bread. This is 'Global Brooklyn,' a new transnational aesthetic regime of urban consumption. It may look shabby and improvised, but it is all carefully designed. It may romance the analog, but is made to be Instagrammed. It often references the New York borough, but is shaped by many networked locations where consumers participate in the global circulation of styles, flavors, practices, and values. This book follows this phenomenon across different world cities, arguing for a stronger appreciation of design and materialities in understanding food cultures. Attentive to local contexts, struggles, and identities, contributors explore the global mobility of aesthetic, ethical, and entrepreneurial projects, and how they materialize in everyday practices on the ground. They describe new connections among eating, drinking, design, and communication in order to give a clearer sense of the contemporary transformations of food cultures around the world. |
| brooklyn institute of arts and science: The Brooklyn Museum Quarterly , 1914 |
| brooklyn institute of arts and science: The Bulletin of the Brooklyn Institute of Arts and Sciences ... Brooklyn Institute of Arts and Sciences, 1909 |
| brooklyn institute of arts and science: Museums and Digital Culture Tula Giannini, Jonathan P. Bowen, 2019-05-06 This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey! |
| brooklyn institute of arts and science: The Brooklyn Museum Quarterly , 1914 |
| brooklyn institute of arts and science: Science Bulletin Brooklyn Museum, 1901 |
| brooklyn institute of arts and science: The Obama Portraits Taína Caragol, Dorothy Moss, Richard Powell, Kim Sajet, 2020-02-11 Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- Radical empathy : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony. |
| brooklyn institute of arts and science: Choice Time Renée Dinnerstein, 2016 Inquiry based play; Centers for reading; writing; mathematics and science |
| brooklyn institute of arts and science: Report Upon the Condition and Progress of the Museums for the Year Ending ... Brooklyn Museum, 1912 |
| brooklyn institute of arts and science: Three Laws of Nature R. Stephen Berry, 2019-01-01 A short and entertaining introduction to thermodynamics that uses real-world examples to explain accessibly an important but subtle scientific theory A romantic description of the second law of thermodynamics is that the universe becomes increasingly disordered. But what does that actually mean? Starting with an overview of the three laws of thermodynamics, MacArthur genius grant winner R. Stephen Berry explains in this short book the fundamentals of a fundamental science. Readers learn both the history of thermodynamics, which began with attempts to solve everyday engineering problems, and ongoing controversy and unsolved puzzles. The exposition, suitable for both students and armchair physicists, requires no previous knowledge of the subject and only the simplest mathematics, taught as needed. With this better understanding of one science, readers also gain an appreciation of the role of research in science, the provisional nature of scientific theory, and the ways scientific exploration can uncover fundamental truths. Thus, from a science of everyday experience, we learn about the nature of the universe. |
| brooklyn institute of arts and science: By Design 2 , 1989 |
| brooklyn institute of arts and science: Catalogue of the Books, Manuscripts, Maps and Drawings in the British Museum (Natural History) ... British Museum (Natural History). Library, 1922 |
| brooklyn institute of arts and science: Alphabetical Finding List Princeton University. Library, 1921 |
| brooklyn institute of arts and science: Andy Warhol , 2019 Andy Warhol: Revelation, opening October 20, 2019, will be accompanied by this 96 page full-color exhibition catalogue. This publication includes a forward from Patrick Moore, the director of The Andy Warhol Museum, an essay by José Carlos Diaz, chief curator at The Warhol, titled Into the Sunset on the spiritual aspects of Warhol's Sunset commission in 1967, and an essay by Miranda Lash, curator of contemporary art at the Speed Art Museum, titled Kitsch You Can Believe In: Warhol's Incessant Last Supper. The book will also feature descriptions of the thematic exhibition sections, along with high quality image plates of selected works and a comprehensive checklist of all the objects featured in the show. The Revelation catalogue will provide a snapshot of the exhibition, which will be the first of its kind to comprehensively examine the Pop artist's complex Catholic faith in relation to his artistic production. In what follows, you will find a summary of the scope and scale of the exhibition's content: Christian motifs frequently appear in both explicit and metaphorical forms throughout the body of Warhol's oeuvre. While his monumental crosses and depictions of Christ directly reference biblical stories, the exhibition will also explore his coded depictions of spirituality such as an unfinished film reel depicting the setting sun, originally commissioned by the de Menil family and funded by the Roman Catholic Church. Born in Pittsburgh to a devout Byzantine Catholic family, Warhol grew up attending multiple weekly services at his local church with his mother, Julia Warhola. He would stare for hours at the icon paintings of Christ and the saints that hung in the elaborate iconostasis, or icon screen, at the front of the nave. In the Warhola family's Carpatho-Rusyn neighborhood, life revolved around the church community, and the young artist was deeply affected by this environment. Using The Warhol's robust holdings of the artist's early works, the exhibition will trace the influence of his religious roots in Pittsburgh to his Pop career in New York City. Throughout his life as a celebrity artist, Warhol retained some of his Catholic practices when his peers were distancing themselves from their religious backgrounds. Yet, his relationship with Catholicism was far from simple. As a queer man, Warhol may have felt a sense of guilt and fear towards the Catholic Church, which kept him from fully immersing himself in the faith. Nevertheless, he used various media to explore this tension through his art. From iconic portraits of celebrities to appropriated Renaissance masterpieces, Warhol flirted with styles and symbolism from Eastern and Western Catholic art history, carefully reframing them within the context of Pop. Through this process, the artist elevated kitsch and mundane images from mass media, and transformed them into sacred high art. The exhibition will feature over 100 objects from the museum's permanent collection, including archival materials, drawings, paintings, prints and film. Rare source material and newly discovered items will provide an intimate look on Warhol's creative process. Through both obscure works such as the sunset film commission from 1967 and late masterpieces like the pink Last Supper (1986), the exhibition will present a fresh perspective on the artist. Andy Warhol: Revelation is curated by José Carlos Diaz, chief curator at The Andy Warhol Museum. After opening at The Warhol, Andy Warhol: Revelation will travel to the Speed Art Museum in Louisville, Kentucky and be on view from April 3 through August 21, 2020-- |
| brooklyn institute of arts and science: Mickalene Thomas Mickalene Thomas, 2012 Mickalene Thomas (born 1971) has won acclaim for her elaborate, colorful paintings of African-American women, often posed provocatively against rich, 1970s-themed backgrounds adorned with rhinestones, enamel and acrylics. Thomas draws from earlier traditions of portraiture to arrive at her contemporary sensibility. She engages with the tension between a personal investigation of eroticism, black femininity and beauty and a pop-cultural critique of the overt sexual imagery prevalent in the media--from Blaxploitation film heroines like Cleopatra Jones to the construction of middle-class, African-American taste in Ebony magazine. Her portraits of trans-generational female empowerment have been receiving attention far beyond the standard art-world venues and have been reproduced everywhere from The New Yorker to Bomb magazine. Thomas also reenvisions landscapes and interiors through playful and passionate recontextualizations of such artists as Romare Bearden, Édouard Manet, Henri Matisse and Balthus. Mickalene Thomas: The Origin of the Universe is the first monograph on the artist, and accompanies her first solo museum exhibition in the United States at the Santa Monica Museum of Art. It features a wide array of full-color reproductions of her work across media--much of it new and never before published--including photo collages and provocative landscapes, along with an interview with the artist and critical texts that elucidate her paintings' investigations of femininity, sexuality and power, and provide extensive context for her oeuvre as a whole. |
| brooklyn institute of arts and science: Promise and Performance Theodore Roosevelt, |
| brooklyn institute of arts and science: We Wanted a Revolution Catherine Morris, Rujeko Hockley, 2018 New Perspectives is the companion volume to the acclaimed Sourcebook, both of which accompany the Brooklyn Museum's exhibition We Wanted a Revolution: Black Radical Women, 1965-1985. New Perspectives includes new essays that place the exhibition's works in historical and contemporary contexts, poems by Alice Walker, and numerous illustrations. |
| brooklyn institute of arts and science: Proceedings of the Staten Island Institute of Arts and Sciences ... Staten Island Institute of Arts and Sciences, Staten Island, N.Y., 1923 |
| brooklyn institute of arts and science: Dangerous Digestion E. Melanie DuPuis, 2015-12-01 Throughout American history, ingestion (eating) has functioned as a metaphor for interpreting and imagining this society and its political systems. Discussions of American freedom itself are pervaded with ingestive metaphors of choice (what to put in) and control (what to keep out). From the country’s founders to the abolitionists to the social activists of today, those seeking to form and reform American society have cast their social-change goals in ingestive terms of choice and control. But they have realized their metaphors in concrete terms as well, purveying specific advice to the public about what to eat or not. These conversations about “social change as eating” reflect American ideals of freedom, purity, and virtue. Drawing on social and political history as well as the history of science and popular culture, Dangerous Digestion examines how American ideas about dietary reform mirror broader thinking about social reform. Inspired by new scientific studies of the human body as a metabiome—a collaboration of species rather than an isolated, intact, protected, and bounded individual—E. Melanie DuPuis invokes a new metaphor—digestion—to reimagine the American body politic, opening social transformations to ideas of mixing, fermentation, and collaboration. In doing so, the author explores how social activists can rethink politics as inclusive processes that involve the inherently risky mixing of cultures, standpoints, and ideas. |
| brooklyn institute of arts and science: Library Bulletins Columbia University. Library, 1901 |
| brooklyn institute of arts and science: National Union Catalog , 1983 Includes entries for maps and atlases. |
| brooklyn institute of arts and science: Why Have There Been No Great Women Artists?: 50th anniversary edition Linda Nochlin, 2021-02-16 The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.” |
| brooklyn institute of arts and science: For America Jeremiah William McCarthy, Diana Thompson, 2019-01-01 Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years. |
| brooklyn institute of arts and science: Proceedings of the Staten Island Institute of Arts and Sciences , 1923 |
| brooklyn institute of arts and science: Brooklyn’s Renaissance Melissa Meriam Bullard, 2017-06-05 This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century. Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association. The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community. This innovative, carefully researched and documented history employs the concept of parallel Renaissances. It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic. Civil War disrupted Brooklyn’s Renaissance. The city directed energies towards war relief efforts and the women’s Sanitary Fair. The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898. |
| brooklyn institute of arts and science: The Bulletin of the Brooklyn Institute of Arts and Sciences , 1946 |
| brooklyn institute of arts and science: Library Bulletins , 1897 |
| brooklyn institute of arts and science: Library Bulletins Columbia University. Libraries, 1901 |
Brooklyn - Wikipedia
Brooklyn is a borough of New York City located at the westernmost end of Long Island in the State of New York. Formerly an independent city, the borough is coextensive with Kings …
Brooklyn | History, Neighborhoods, Map, & Facts | Britannica
6 days ago · Brooklyn, one of the five boroughs of New York City, southwestern Long Island, southeastern New York state, coextensive with Kings county. It is separated from Manhattan …
21 Best Things to Do in Brooklyn, NYC - Time Out
Jul 24, 2024 · The best things to do in Brooklyn. Our best things to do in Brooklyn list includes wonderful Brooklyn attractions, bars and restaurants in Kings County.
Things to Do in Brooklyn
Things to Do in Brooklyn, New York: See Tripadvisor's 199,844 traveler reviews and photos of Brooklyn tourist attractions. Find what to do today, this weekend, or in June. We have reviews …
21 Top Things to Do in Brooklyn - U.S. News Travel
Jul 13, 2022 · Walk across the iconic bridge to explore one of New York City's most famous boroughs. Stroll along an iconic bridge, ride a famous carousel, enjoy a delicious slice of pizza …
Homepage | Visit Brooklyn
Brooklyn comes alive on Juneteenth—grounded in a powerful legacy of Black history and shaped by strong, diverse communities, the borough bursts with heart, heritage, and pride. The …
15 Best Things To Do In Brooklyn, New York - Secret NYC
Apr 3, 2024 · From art under the Brooklyn Bridge to fine dining in Williamsburg, Brooklyn is home to many hidden gems and attractions that make up the full NYC experience! To embark on the …
Brooklyn: Iconic neighborhoods and must-see attractions
Brooklyn is New York’s most populous borough, with a rich history and vibrant cultural scene. Once an independent city, it became part of New York in 1898. Famous for its diverse …
32 Best & Fun Things To Do In Brooklyn (New York) - Busy Tourist
Oct 29, 2024 · From iconic landmarks to hidden gems, Brooklyn offers something for everyone, whether you’re a foodie, history buff, art lover, or outdoor enthusiast. This guide will lead you …
Brooklyn
Jan 14, 2013 · Brooklyn, New York, cradle of tough guys and Nobel laureates, fourth largest city in the United States, proof of the power of marginality, and homeland of America's most …
Brooklyn - Wikipedia
Brooklyn is a borough of New York City located at the westernmost end of Long Island in the State of New York. Formerly an independent city, the borough is coextensive with Kings …
Brooklyn | History, Neighborhoods, Map, & Facts | Britannica
6 days ago · Brooklyn, one of the five boroughs of New York City, southwestern Long Island, southeastern New York state, coextensive with Kings county. It is separated from Manhattan …
21 Best Things to Do in Brooklyn, NYC - Time Out
Jul 24, 2024 · The best things to do in Brooklyn. Our best things to do in Brooklyn list includes wonderful Brooklyn attractions, bars and restaurants in Kings County.
Things to Do in Brooklyn
Things to Do in Brooklyn, New York: See Tripadvisor's 199,844 traveler reviews and photos of Brooklyn tourist attractions. Find what to do today, this weekend, or in June. We have reviews …
21 Top Things to Do in Brooklyn - U.S. News Travel
Jul 13, 2022 · Walk across the iconic bridge to explore one of New York City's most famous boroughs. Stroll along an iconic bridge, ride a famous carousel, enjoy a delicious slice of pizza …
Homepage | Visit Brooklyn
Brooklyn comes alive on Juneteenth—grounded in a powerful legacy of Black history and shaped by strong, diverse communities, the borough bursts with heart, heritage, and pride. The …
15 Best Things To Do In Brooklyn, New York - Secret NYC
Apr 3, 2024 · From art under the Brooklyn Bridge to fine dining in Williamsburg, Brooklyn is home to many hidden gems and attractions that make up the full NYC experience! To embark on the …
Brooklyn: Iconic neighborhoods and must-see attractions
Brooklyn is New York’s most populous borough, with a rich history and vibrant cultural scene. Once an independent city, it became part of New York in 1898. Famous for its diverse …
32 Best & Fun Things To Do In Brooklyn (New York) - Busy Tourist
Oct 29, 2024 · From iconic landmarks to hidden gems, Brooklyn offers something for everyone, whether you’re a foodie, history buff, art lover, or outdoor enthusiast. This guide will lead you …
Brooklyn
Jan 14, 2013 · Brooklyn, New York, cradle of tough guys and Nobel laureates, fourth largest city in the United States, proof of the power of marginality, and homeland of America's most …
