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| common political cartoon symbols: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
| common political cartoon symbols: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| common political cartoon symbols: Red Lines Cherian George, Sonny Liew, 2021-08-31 A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims. |
| common political cartoon symbols: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
| common political cartoon symbols: Classics in the Modern World Lorna Hardwick, Stephen Harrison, 2013-10 Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world. |
| common political cartoon symbols: Oliphant's Anthem Pat Oliphant, Harry L. Katz, 1998-03-15 Ironic, isn't it? For more than a quarter century, Pat Oliphant has skewered the denizens of Congress with his bitingly sharp editorial cartoons. Now, in an exhibit and this companion volume, Oliphant is honored in the very repository of that illustrious body: The Library of Congress.Oliphant is, after all, the most important political cartoonist of the 20th century. His trademark wit -- shared with the adoring fans who read almost 350 daily and Sunday newspapers that carry his work -- has impaled presidents, dogged members of Congress, and critiqued a whole host of issues. From Vietnam to Bosnia, from Lyndon Johnson to Bill Clinton, Pat Oliphant has applied his considerable talent to the workings of the world.Oliphant's Anthem will catalog the 60 drawings, sculptures, and various art media that will be exhibited as a special tribute to Pat Oliphant's art in March 1998 at the Library of Congress. Interviews with the artist throughout the book will highlight his thoughts, concerns, and considerations as he has created this impressive body of work. Printed on glossy enamel stock, the black and white book will include an eight-page color signature. It is certain to be a collectible edition for Oliphant fans everywhere. |
| common political cartoon symbols: Dominant Symbols in Popular Culture Ray Broadus Browne, Marshall William Fishwick, Kevin O. Browne, 1990 Nineteen essays address facets of the subject announced in the title, among them: folktale symbolism in popular art, pornography, the wilderness, movie theaters, political cartoons, food habits of Italian immigrants to America, car salesman, the book as symbol. No index. Annotation copyrighted by Book News, Inc., Portland, OR |
| common political cartoon symbols: The Role of Editorial Cartoons in the Democratisation Process in Nigeria: A Study of Selected Works of Three Nigerian Cartoonists Ganiyu Akinloye Jimoh, 2011-10-05 |
| common political cartoon symbols: Caricaturing Culture in India Ritu Gairola Khanduri, 2014-10-02 A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today. |
| common political cartoon symbols: War and Popular Culture Chang-tai Hung, 2023-12-22 This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as The War of Resistance against Japan). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution. |
| common political cartoon symbols: Metaphorical Stories in Discourse L. David Ritchie, 2017-09-14 This book defines and explains, in straightforward language, metaphorical stories using examples from sources such as conversations, speeches, and editorial cartoons. |
| common political cartoon symbols: The Political Cartoon Charles Press, 1981 |
| common political cartoon symbols: Using Primary Sources in the Classroom, 2nd Edition Kathleen Vest, 2019-07-15 Teaching with primary sources can be overwhelming to teachers who have minimal time to teach social studies. Turn your classroom into a primary source learning environment with this easy-to-use resource that has everything you need to incorporate primary sources into today’s classrooms. Primary sources provide firsthand accounts of history that will capture students’ curiosity about the past. Students who observe, reflect on, and question primary sources understand history at a deeper level than students who only learn about social studies through textbooks. With more than 100 digital primary sources, this book by Kathleen Vest delves deeply into a wide variety of primary sources and details how they can be used in any K–12 classroom. Model lessons for three grade ranges (K–3, 4–8, 9–12) reduce teacher prep time. With fun and engaging activities and a chapter devoted to strategies for using social media posts as primary sources in the classroom, this resource is essential for today’s social studies classrooms. |
| common political cartoon symbols: #SAD! G. B. Trudeau, 2018-09-18 The sadly needed sequel to YUGE!—from the cartoonist who’s “practically the court artist of Castle Trump, and no one can beat him” (Boing Boing). From the Pulitzer Prize–winning cartoonist whose acclaimed YUGE!: 30 Years of Doonesbury on Trump blew up the bestseller list, comes the sequel millions prayed would be unnecessary. #SAD!: Doonesbury in the Time of Trump tracks the shocking victory, the inept transition, and the tumultuous eternity of POTUS’s First 500 Days. Citizens who rise every morning in dread, braced for disruptive, Randomly Capitalized, atrociously grammarized, horrably speld, toxic tweeting from the Oval Office, can curl up at night with this clarifying collection of hot takes on the First Sociopath, his enablers, and their appalling legacy. Whether resisting or just persisting, readers will find G. B. Trudeau’s cartoons are just the thing to ease the pain of remorse (“Could I have done more to prevent this?”) and give them a shot at a few hours of unfitful sleep. There are worse things to spend your tax cut on. “#SAD! offers a biting take on turbulent times. Highly recommended!” —Publishers Weekly |
| common political cartoon symbols: The Comic Art of War Christina M. Knopf, 2015-08-13 For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized. |
| common political cartoon symbols: Visual Literacy David Mike Moore, Francis M. Dwyer, 1994 |
| common political cartoon symbols: Using Primary Sources in the Classroom Kathleen Vest, 2005-05-13 Developed by social studies specialists, this resource helps teachers turn classrooms into primary source learning environments. Using Primarty Sources in the Classroom offers effective, creative strategies for integrating primary source materials and providing cross-curricular ideas. This resource is aligned to the interdisciplinary themes from the Partnership for 21st Century Skills. 176pp. |
| common political cartoon symbols: Signs and Symbols Adrian Frutiger, 1998 Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks. |
| common political cartoon symbols: United States Senate Catalogue of Graphic Art , 2006 |
| common political cartoon symbols: On the Discourse of Satire Paul Simpson, 2003-11-30 This book advances a model for the analysis of contemporary satirical humour. Combining a range of theoretical frameworks in stylistics, pragmatics and discourse analysis, Simpson examines both the methods of textual composition and the strategies of interpretation for satire. Verbal irony is central to the model, in respect of which Simpson isolates three principal “ironic phases” that shape the uptake of satirical humour. Throughout the book, consistent emphasis is placed on satire’s status as a culturally situated discursive practice, while the categories of the model proposed are amply illustrated with textual examples. A notable feature of the book is a chapter on the legal implications of using satirical humour as a weapon of attack in the public domain. A book where Jonathan Swift meets Private Eye magazine, this entertaining and thought-provoking study will interest those working in stylistics, humorology, pragmatics and discourse analysis. It also has relevance for forensic discourse analysis, and for media, literary and cultural studies. |
| common political cartoon symbols: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| common political cartoon symbols: Newspapers in the Elt Classroom Mohammad Reza Shams PhD, 2013-10-28 Mohammad Reza Shams is an Assistant Professor in the Department of English Language and Literature at University of kashan, Iran. He received his Ph.D. in 2005 from the University of Isfahan,Iran. His research areas include media discourse, discourse analysis, and pragmatics. |
| common political cartoon symbols: American Political Cartoons Sandy Northrop, 2017-07-05 From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning.Good cartoons hit you primitively and emotionally, said cartoonist Doug Marlette. A cartoon is a frontal attack, a slam dunk, a cluster bomb. Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues. |
| common political cartoon symbols: America ́s Black and White Book W.A. Rogers, 2018-05-15 Reproduction of the original: America ́s Black and White Book by W.A. Rogers |
| common political cartoon symbols: Animal Farm George Orwell, 2024 |
| common political cartoon symbols: With No Remorse Cindy Gerard, 2011-07-19 This is the sixth novel in Cindy Gerard's New York Times bestselling Black Ops, Inc. romantic suspense series. Black Ops, Inc. operative Luke—Doc Holliday—Colter is taking some much needed down-time, making his way across the Peruvian Andes via rail, when banditos attack the moving train in the midnight hours. It soon becomes apparent that robbery is not their intent but the abduction of super model Valentina, who is traveling incognito while recovering from a public scandal involving her ex-husband, high profile US Senator, Marcus Chamberlin. Luke whisks Valentina off the train in a daring escape but the two of them become the targets of a relentless manhunt. Enlisting the aid of Luke's BOI teammates, they soon discover that Val’s intended abduction is linked to a plot put in play by an international gun smuggling alliance. The BOI team led by Luke, with Val along as a necessary pawn, must race halfway around the world to thwart a ruthless attack that would not only result in a devastating loss of life but destroy a tenuous peace the US and her allies have established in a vastly unstable part of the world. |
| common political cartoon symbols: Using Primary Sources in the Classroom, 2nd Edition ebook Kathleen Vest, 2019-07-15 Teaching with primary sources can be overwhelming to teachers who have minimal time to teach social studies. Turn your classroom into a primary source learning environment with this easy-to-use resource that has everything you need to incorporate primary sources into today’s classrooms. Primary sources provide firsthand accounts of history that will capture students’ curiosity about the past. Students who observe, reflect on, and question primary sources understand history at a deeper level than students who only learn about social studies through textbooks. With more than 100 digital primary sources, this book by Kathleen Vest delves deeply into a wide variety of primary sources and details how they can be used in any K–12 classroom. Model lessons for three grade ranges (K–3, 4–8, 9–12) reduce teacher prep time. With fun and engaging activities and a chapter devoted to strategies for using social media posts as primary sources in the classroom, this resource is essential for today’s social studies classrooms. |
| common political cartoon symbols: Moral Mazes Robert Jackall, 2010 This updated edition of a classic study of ethics in business presents an eye-opening account of how corporate managers think the world works, and how big organizations shape moral consciousness. Robert Jackall takes the reader inside a topsy-turvy world where hard work does not necessarily lead to success, but sharp talk, self-promotion, powerful patrons, and sheer luck might. This edition includes a new foreword linking the themes of Moral Mazes to the financial tsunami that engulfed the world economy in 2008. |
| common political cartoon symbols: The History of John Bull John Arbuthnot, 1889 |
| common political cartoon symbols: Borderlines Billie Melman, 2013-01-11 Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace. Drawing on a wide range of materials, from government policy and propaganda to subversive trench journalism and performance, from fiction, drama and film to the record of activists in various movements and in various countries, Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace. |
| common political cartoon symbols: Protecting the right to freedom of expression under the European Convention on Human Rights Bychawska-Siniarska, Dominika, 2017-08-04 European Convention on Human Rights – Article 10 – Freedom of expression 1. Everyone has the right to freedom of expression. This right shall include freedom to hold opinions and to receive and impart information and ideas without interference by public authority and regardless of frontiers. This article shall not prevent States from requiring the licensing of broadcasting, television or cinema enterprises. 2. The exercise of these freedoms, since it carries with it duties and responsibilities, may be subject to such formalities, conditions, restrictions or penalties as are prescribed by law and are necessary in a democratic society, in the interests of national security, territorial integrity or public safety, for the prevention of disorder or crime, for the protection of health or morals, for the protection of the reputation or rights of others, for preventing the disclosure of information received in confidence, or for maintaining the authority and impartiality of the judiciary. In the context of an effective democracy and respect for human rights mentioned in the Preamble to the European Convention on Human Rights, freedom of expression is not only important in its own right, but it also plays a central part in the protection of other rights under the Convention. Without a broad guarantee of the right to freedom of expression protected by independent and impartial courts, there is no free country, there is no democracy. This general proposition is undeniable. This handbook is a practical tool for legal professionals from Council of Europe member states who wish to strengthen their skills in applying the European Convention on Human Rights and the case law of the European Court of Human Rights in their daily work. |
| common political cartoon symbols: The Jewish Enemy Jeffrey Herf, 2008-04-30 The sheer magnitude of the Holocaust has commanded our attention for the past sixty years. The extent of atrocities, however, has overshadowed the calculus Nazis used to justify their deeds. According to German wartime media, it was German citizens who were targeted for extinction by a vast international conspiracy. Leading the assault was an insidious, belligerent Jewish clique, so crafty and powerful that it managed to manipulate the actions of Roosevelt, Churchill, and Stalin. Hitler portrayed the Holocaust as a defensive act, a necessary move to destroy the Jews before they destroyed Germany. Joseph Goebbels, Minister of Propaganda, and Otto Dietrich’s Press Office translated this fanatical vision into a coherent cautionary narrative, which the Nazi propaganda machine disseminated into the recesses of everyday life. Calling on impressive archival research, Jeffrey Herf recreates the wall posters that Germans saw while waiting for the streetcar, the radio speeches they heard at home or on the street, the headlines that blared from newsstands. The Jewish Enemy is the first extensive study of how anti-Semitism pervaded and shaped Nazi propaganda during World War II and the Holocaust, and how it pulled together the diverse elements of a delusionary Nazi worldview. Here we find an original and haunting exposition of the ways in which Hitler legitimized war and genocide to his own people, as necessary to destroy an allegedly omnipotent Jewish foe. In an era when both anti-Semitism and conspiracy theories continue to influence world politics, Herf offers a timely reminder of their dangers along with a fresh interpretation of the paranoia underlying the ideology of the Third Reich. |
| common political cartoon symbols: Warfare at Sea, 1500-1650 Jan Glete, 2002-01-04 Warfare at Sea, 1500-1650 is the first truly international study of warfare at sea in this period. Commencing in the late fifteenth century with the introduction of gunpowder in naval warfare and the rapid transformation of maritime trade, Warfare at Sea focuses on the scope and limitations of war before the advent of the big battle fleets from the middle of the seventeenth century. The book also compares the social history of seamen and the early officer corps in several European countries and includes discussion on Spain, Portugal, France, Venice, the Ottoman Empire and the Baltic states. |
| common political cartoon symbols: Unraveling Freedom Ann Bausum, 2010-11-09 In 1915, the United States experienced the 9/11 of its time. A German torpedo sank the Lusitania killing nearly 2,000 innocent passengers. The ensuing hysteria helped draw the United States into World War I—the bitter, brutal conflict that became known as the Great War and the War to End All Wars. But as U.S. troops fought to make the world safe for democracy abroad, our own government eroded freedoms at home, especially for German-Americans. Free speech was no longer an operating principle of American democracy. Award-winning author Ann Bausum asks, just where do Americans draw the line of justice in times of war? Drawing thought-provoking parallels with President Wilson’s government and other wartime administrations, from FDR to George W. Bush, Bausum’s analysis has plenty of history lessons for the world today. Her exhaustive research turns up astonishing first-person stories and rare images, and the full-color design is fresh and stunning. The result is a gripping book that is well-positioned for the run-up to the World War I centennial. National Geographic supports K-12 educators with ELA Common Core Resources. Visit www.natgeoed.org/commoncore for more information. |
| common political cartoon symbols: Asian Political Cartoons John A. Lent, 2023-01-27 In Asian Political Cartoons, scholar John A. Lent explores the history and contemporary status of political cartooning in Asia, including East Asia (China, Hong Kong, Japan, North and South Korea, Mongolia, and Taiwan), Southeast Asia (Brunei, Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam), and South Asia (Bangladesh, India, Iran, Nepal, Pakistan, and Sri Lanka). Incorporating hundreds of interviews, as well as textual analysis of cartoons; observation of workplaces, companies, and cartoonists at work; and historical research, Lent offers not only the first such survey in English, but the most complete and detailed in any language. Richly illustrated, this volume brings much-needed attention to the political cartoons of a region that has accelerated faster and more expansively economically, culturally, and in other ways than perhaps any other part of the world. Emphasizing the “freedom to cartoon, the author examines political cartoons that attempt to expose, bring attention to, blame or condemn, satirically mock, and caricaturize problems and their perpetrators. Lent presents readers a pioneering survey of such political cartooning in twenty-two countries and territories, studying aspects of professionalism, cartoonists’ work environments, philosophies and influences, the state of newspaper and magazine industries, the state’s roles in political cartooning, modern technology, and other issues facing political cartoonists. Asian Political Cartoons encompasses topics such as political and social satire in Asia during ancient times, humor/cartoon magazines established by Western colonists, and propaganda cartoons employed in independence campaigns. The volume also explores stumbling blocks contemporary cartoonists must hurdle, including new or beefed-up restrictions and regulations, a dwindling number of publishing venues, protected vested interests of conglomerate-owned media, and political correctness gone awry. In these pages, cartoonists recount intriguing ways they cope with restrictions—through layered hidden messages, by using other platforms, and finding unique means to use cartooning to make a living. |
| common political cartoon symbols: Laughing Matters Jody Baumgartner, Jonathan S. Morris, 2012-08-21 This book examines the role of humor in modern American politics. Written by a wide range of authors from the fields of political science and communication, this book is organized according to two general topics: how the modern media present political humor the various ways in which political humor influences politics. Laughing Matters is an excellent text for courses on media and politics, public opinion, and campaigns and elections. |
| common political cartoon symbols: Black on Red Robert Robinson, Jonathan Slevin, 1988 Robert Robinson (1907?-1994) was a Jamaican-born toolmaker who worked in the auto industry in the United States. At the age of 23, he was recruited to work in the Soviet Union, where he spent 44 years after the government refused to give him an exit visa for return. Starting with a one-year contract by Russians to work in the Soviet Union, he twice renewed his contract. He became trapped by the German invasion of the Soviet Union during World War II and the government's refusal to give him an exit visa. He earned a degree in mechanical engineering during the war. He finally left the Soviet Union in 1974 on an approved trip to Uganda, where he asked for and was given asylum. He married an African-American professor working there. He finally gained re-entry to the United States in 1976, and gained attention for his accounts of his 44 years in the Soviet Union.--Wikipedia. |
| common political cartoon symbols: V for Vendetta Book & Mask Set ALAN. MOORE, 2021-04-27 In a world without political freedom, personal freedom and precious little faith in anything comes a mysterious man in a white porcelain mask who fights political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil. The inspiration for the hit 2005 movie starring Natalie Portman and Hugo Weaving, this amazing graphic novel is packaged with a collectable reproduction of the iconic V mask. |
| common political cartoon symbols: Islamophobia and Anti-Muslim Sentiment Peter Gottschalk, Gabriel Greenberg, 2018-07-19 In the minds of many Americans, Islam is synonymous with the Middle East, Muslim men with violence, and Muslim women with oppression. A clash of civilizations appears to be increasingly manifest and the war on terror seems a struggle against Islam. These are all symptoms of Islamophobia. Meanwhile, the current surge in nativist bias reveals the racism of anti-Muslim sentiment. This book explores these anxieties through political cartoons and film––media with immediate and important impact. After providing a background on Islamic traditions and their history with America, it graphically shows how political cartoons and films reveal Americans’ casual demeaning and demonizing of Muslims and Islam––a phenomenon common among both liberals and conservatives. Islamophobia and Anti-Muslim Sentiment offers both fascinating insights into our culture’s ways of “picturing the enemy” as Muslim, and ways of moving beyond antagonism. |
| common political cartoon symbols: The Pedagogy of Pop Edward A. Janak, Denise F. Blum, 2013 Media competes with public schools in terms of student engagement and time. However, the two needn't be mutually exclusive. The Pedagogy of Pop: Theoretical and Practical Strategies for Success discusses a variety of strategies and approaches for using social and mass media as tools through which teachers might improve schooling. While there is a vast body of literature in this field, editors Edward A. Janak and Denise Blum have created a text which differs in two substantive ways: scope and sequence. In terms of scope, this work is unique in two facets: first, it presents both theory and practice in one volume, bridging the two worlds; and second, it includes lessons from secondary and postsecondary classrooms, allowing teachers on all levels to learn from each other. In terms of sequence, The Pedagogy of Pop draws on lessons from both historical and contemporary practice. The introductory section of Janak and Blum's collection presents a pair of papers that use somewhat different approaches to examine the historical roots of contemporary critique. Part I presents a series of chapters designed to provide guidelines and theories through which educators on all levels can think about their practice, focusing more on the why of their approach than the how. Part II presents a more hands-on approach by sharing a variety of specific strategies for incorporating pop culture in all its forms (technology, music, television, video games, etc.) in both secondary and postsecondary classrooms. The conclusion shows the praxis of teaching with popular culture, presenting a counterpoint to current thinking as well as a case study of the best of what can happen when popular culture is applied effectively. |
Common (rapper) - Wikipedia
Lonnie Rashid Lynn[7][8][9] (born March 13, 1972), known professionally as Common (formerly known as Common Sense), is an American rapper and actor. The recipient of three Grammy …
COMMON Definition & Meaning - Merriam-Webster
The meaning of COMMON is of or relating to a community at large : public. How to use common in a sentence. Synonym Discussion of Common.
COMMON Definition & Meaning - Dictionary.com
Common definition: belonging equally to, or shared alike by, two or more or all in question.. See examples of COMMON used in a sentence.
COMMON | definition in the Cambridge English Dictionary
COMMON meaning: 1. the same in a lot of places or for a lot of people: 2. the basic level of politeness that you…. Learn more.
COMMON definition and meaning | Collins English Dictionary
Common is used to indicate that someone or something is of the ordinary kind and not special in any way. Common salt is made up of 40% sodium and 60% chloride. Common decency or …
Common - definition of common by The Free Dictionary
Of or relating to the community as a whole; public: for the common good. 2. Widespread; prevalent: Gas stations became common as the use of cars grew. 3. a. Occurring frequently or …
What does Common mean? - Definitions.net
The common, that which is common or usual; The common good, the interest of the community at large: the corporate property of a burgh in Scotland; The common people, the people in …
common - Wiktionary, the free dictionary
May 26, 2025 · common (comparative more common or commoner, superlative most common or commonest) Mutual; shared by more than one. The two competitors have the common aim of …
common adjective - Definition, pictures, pronunciation and usage …
Definition of common adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
common, adj. & adv. meanings, etymology and more | Oxford …
There are 35 meanings listed in OED's entry for the word common. See ‘Meaning & use’ for definitions, usage, and quotation evidence. How common is the word common? How is the …
Common (rapper) - Wikipedia
Lonnie Rashid Lynn[7][8][9] (born March 13, 1972), known professionally as Common (formerly known as Common Sense), is an American rapper and actor. The recipient of three Grammy …
COMMON Definition & Meaning - Merriam-Webster
The meaning of COMMON is of or relating to a community at large : public. How to use common in a sentence. Synonym Discussion of Common.
COMMON Definition & Meaning - Dictionary.com
Common definition: belonging equally to, or shared alike by, two or more or all in question.. See examples of COMMON used in a sentence.
COMMON | definition in the Cambridge English Dictionary
COMMON meaning: 1. the same in a lot of places or for a lot of people: 2. the basic level of politeness that you…. Learn more.
COMMON definition and meaning | Collins English Dictionary
Common is used to indicate that someone or something is of the ordinary kind and not special in any way. Common salt is made up of 40% sodium and 60% chloride. Common decency or …
Common - definition of common by The Free Dictionary
Of or relating to the community as a whole; public: for the common good. 2. Widespread; prevalent: Gas stations became common as the use of cars grew. 3. a. Occurring frequently or …
What does Common mean? - Definitions.net
The common, that which is common or usual; The common good, the interest of the community at large: the corporate property of a burgh in Scotland; The common people, the people in …
common - Wiktionary, the free dictionary
May 26, 2025 · common (comparative more common or commoner, superlative most common or commonest) Mutual; shared by more than one. The two competitors have the common aim of …
common adjective - Definition, pictures, pronunciation and usage …
Definition of common adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
common, adj. & adv. meanings, etymology and more | Oxford …
There are 35 meanings listed in OED's entry for the word common. See ‘Meaning & use’ for definitions, usage, and quotation evidence. How common is the word common? How is the …
