Elden Ring Gameplay Funny Moments 100 Percent Completion

What actually happens when you chase funny moments during a completion run

Most people who attempt Elden Ring Gameplay Funny Moments 100 Percent Completion do it the hard way. They try to capture every glitch, every weird physics interaction, and every situation where the game seems to forget what it is supposed to be doing. The result is usually a mess of unedited clips and a lot of wasted time. I spent roughly three weeks doing exactly that after finishing my first legitimate completion run. What I found was that the game's combat AI, collision detection, and animation system all interact in ways that are simultaneously broken and hilarious if you know how to set them up. Before we get into the method, I need to say this clearly: there is no single download or shortcut. The phrase refers to a category of content, not a product you can install. If you see a site claiming to sell a pack of funny Elden Ring moments or promising one-click access, close the tab. The actual work involves playing the game at 100 percent completion and recording everything, then editing it into something watchable. I ended up with about 40 hours of raw footage and spent another 20 hours editing it down to roughly 35 minutes of usable content. That is the real cost. The workflow is simpler than most people assume, but it is also easier to get wrong. Here is how I approached it, laid out in the order that actually worked for me rather than the order a textbook would suggest.

I started by setting up my recording tool, which for me was OBS with x264 encoding at 1080p and 60 frames per second. The bitrate I settled on was 25,000 kilobits per second, which keeps file sizes manageable while preserving enough detail for fast motion. You might need higher if your computer can handle it, but anything above 30,000 tends to slow down editing without adding visible quality. I disabled any auto-highlight or auto-clipping features. They are garbage. They miss the stuff you actually want and keep the stuff you do not. After the recording setup was stable, I went back into the game and focused on three systems that generate the most reliable funny moments: physics-based enemy stacking, animation canceling gone wrong, and environmental collision exploits. Each of these has specific triggers that work across multiple areas of the map. For enemy stacking, the trick is using heavy attacks and charged spells to push groups of enemies into narrow spaces like doorway thresholds, bridge edges, or around certain boss arenas. When multiple enemies get bunched up, their hitboxes collide with each other in ways the game does not quite account for. They start floating, sliding, or getting stuck mid-animation. This happens most consistently with the Raya Lucaria Academy crystal lizards and the Caelid dragon barrows. I managed to stack twelve enemies into a single pile near the Academy's main gate just by spamming a charged lightning spear through a doorway. The pile slid across the floor for about six seconds before collapsing. That clip alone took up most of its runtime because I had to find the right angle and wait for the pile to form.

Animation canceling gone wrong is a separate beast. Elden Ring lets you cancel certain attacks into rolls, jumps, or skills, but the cancel windows are tight. When you miss the timing or the input gets conflicting signals, your character ends up in some of the most awkward poses imaginable. I spent an entire evening just trying to get my character to do the emote dance while simultaneously being knocked airborne by a weak enemy because I kept mashing the attack button wrong. You would think this requires a lot of skill, but it really just requires repetition and a controller that registers inputs consistently. I used a wired controller for this because wireless latency caused missed cancels more often than I expected. The wrong inputs are actually the goal here, so you want the controller to be as responsive as possible. Environmental collision exploits are where the game shows its age. Certain items, weapons, and even player bodies can clip through geometry if you hit the right angle at the right speed. I found that the Glintstone Staff +8, when thrown at a shallow upward angle against certain wall corners, will sometimes get stuck inside the geometry and continue to project spell effects from an impossible location. Watching a glowing staff float mid-air and fire magic bolts from behind a solid wall is not exactly subtle comedy, but it is genuinely confusing to anyone watching without context, which is kind of the point. I discovered this near the Stormveil Castle ramparts by accident. I was trying to clear a cluster of archers and instead launched the staff at the wall below them. It bounced once, lodged itself in a corner, and fired three more balls of glintstone from inside the stone. I recorded seventeen separate attempts before getting one that held position long enough to be useful. One thing most people miss is that the game has a tendency to randomize NPC and enemy pathing based on server load and background processes even in single player. I ran into this directly when trying to record a specific boss mechanic. I had been attempting to capture Malenia's water drop phase for several nights, and the pattern kept shifting. Sometimes her water tendrils would lag behind her by half a second, sometimes they would snap forward unexpectedly. I eventually realized that my recording software was causing enough CPU spike to alter the frame pacing enough to change the boss behavior. Turning off all background apps and running the game in a dedicated gaming mode on my OS completely stabilized the encounters. The boss became predictable again, but I lost those random glitches that were actually the funny moments. It is a tradeoff you have to make consciously.

When you start editing, the hardest part is pacing. Funny moments die quickly if they are not trimmed right. I learned to cut each clip down to the moment the absurdity peaks and then immediately move on. A stacked enemy pile that is funny for four seconds is painful at eight seconds. I used a simple timeline structure where I grouped clips by type, then mixed in some clean gameplay footage between the chaos so the viewer could breathe. Pure nonsense for thirty-five minutes straight is exhausting. I placed the clean runs at roughly five-minute intervals, alternating with the comedy clips. Audio is where most people fail. The game's sound design is excellent, but it is not mixed for comedic timing. I added no music except in two places where a low ambient track helped transition between segments. Everything else is game audio and minimal sound effect layering. I spent about four hours just adjusting volume levels so that a whispered spell casting did not get lost under the combat noise. If you skip this step, your final video will sound like a blender full of metal keys. The biggest limitation of this approach is that many of the funny moments rely on specific frame-perfect inputs or conditions that may not trigger on different hardware configurations. Frame pacing varies between PCs, consoles, and even different updates of the game. What worked on my setup might not reproduce exactly on yours. If you are planning to share or publish this content, you should test your clips on a clean installation without mods or performance patches. Some community patches fix collision bugs that you might actually need for certain glitches.

I also want to mention that chasing 100 percent completion for content creation purposes changes how you play the game. I stopped optimizing my build for efficiency and started optimizing it for exposure. My character ended up being a high-finesse sorcerer with a shield build that had zero defensive value because I wanted to maximize the number of ways I could accidentally clip through walls. This is not a problem if you are aware of it. It is a problem if you expect the final product to reflect a balanced playthrough. There is also the issue of repetition. Certain glitches stop being funny after you have seen them twice. I learned this the hard way after including two nearly identical stacking clips back to back. The second one felt redundant even to me, and I cut it in the final edit. You need a diverse set of scenarios, not just the same gag repeated with different enemies. I aim for at least eight distinct categories: enemy physics, animation bugs, environmental clipping, item behavior, NPC pathing weirdness, boss quirk interactions, emote combinations, and multiplayer summon anomalies. Each category contributed roughly equal weight to the final video. If you are starting from scratch, my recommendation is to play the game normally first and complete all the achievements and collectibles you can find without worrying about recording. Then go back specifically to record. Trying to do both simultaneously splits your attention and reduces the quality of both the completion run and the footage. I completed the game in about 90 hours on my first attempt with zero recording. The second pass, focused entirely on capturing content, took another 45 hours. That second pass is where the funny moments came from, and it is also where the work happens.

The final step is exporting. I used H.264 with a two-pass encode for the final export. The first pass analyzed the footage and generated a log file. The second pass used that log to allocate bitrate more efficiently across complex scenes. This took about six hours on my machine but produced a file that was noticeably clearer than a single-pass encode at the same size. Do not skip the two-pass step if you care about quality. I have tried alternative approaches like using auto-editing software or relying on AI tools to select and trim clips. None of them produced results that compared to manual editing. The software consistently picked the wrong moments or cut off punchlines before they landed. You have to watch every clip yourself and decide what is actually funny, not what the algorithm thinks is engaging. The honest assessment is that this process is tedious, repetitive, and occasionally frustrating. It is also one of the most specific forms of content creation available for this game, and that specificity is what makes it work. The funny moments are not generic. They come from a genuine understanding of how the game's systems break, which only comes from actually playing through the entire game and paying attention to the details that most people ignore.