Getting Your Hands On Once Upon A December Sheet Music

The song from the 1997 animated film Anastasia, composed by Alan Menken with lyrics by Lynn Ahrens, has been arranged for every instrument under the sun. Most people looking for Once Upon A December Sheet Music want the piano version. That is the most common arrangement and also the trickiest to get right if you want it to sound anywhere close to the recording. Official published sheet music comes from Musicnotes, Sheet Music Plus, or the physical publishers like Hal Leonard and Faber Music. The original piano/vocal score is licensed and widely available. You will pay between twelve and twenty dollars for a single arrangement unless you catch it on sale, which happens frequently on those two sites. There are also free arrangements floating around on websites like Musescore.com and various forum boards. These exist in a legal gray area. Some are transcribed by ear, some are ripped directly from published editions, and some are AI-generated garbage that falls apart after bar twelve. A lot of the free versions cut the bridge or simplify the left hand into single notes instead of the actual arpeggiated figures Menken wrote.

What To Expect From The Piano Arrangement

The piece is in D-flat major with a moderate waltz feel at roughly 72 to 76 beats per minute. The left hand does most of the heavy lifting in the first eight bars. It is not just playing chords. It is playing rolling broken chord patterns that span more than an octave, and they shift rapidly between root position, first inversion, and second inversion. If you can play simple block chords, this will stop you cold at measure three. The right hand carries the melody but also doubles it with harmonies at key points. The chorus section where the phrase "once upon a December" returns has a specific voicing that most simplified arrangements miss entirely. They flatten it into a straight melody with chord symbols underneath, which makes it sound thin and wrong. The bridge modulates up a half step to D major, then back. This is where sight-readers usually stumble. The key signature change is not indicated in every arrangement I have seen. Some editions just leave you in Db with lots of accidentals, which looks even worse and is harder to read than a clean key change.

A Problem I Ran Into And How I Fixed It

I was teaching this piece to a student about four years ago and we picked up a cheaper arrangement from a big box store. The left hand part had the arpeggios simplified into repeated single notes in the lower register. It was playable for a beginner but it destroyed the whole harmonic texture of the piece. The student could perform it but it sounded nothing like the record and nothing like what Menken actually wrote. What I ended up doing was taking the official Hal Leonard piano solo edition and then cross-referencing it with the original soundtrack score to get the harmony right. I then transcribed the left hand arpeggios myself for her using MuseScore, mapping them directly from the orchestral reduction. This took me about forty-five minutes. It gave her a version that was slightly harder but actually correct harmonically. She practiced the left hand patterns separately for a week before combining hands, which is probably the single most useful piece of advice I can give anyone tackling this arrangement.

Get the Full Details

Once Upon A December (arr. Rebecca Belliston) by Stephen Flaherty Sheet Music for Easy Piano at ...
Once Upon A December (arr. Rebecca Belliston) by Stephen Flaherty Sheet Music for Easy Piano at ...

Which Version Should You Actually Get

If you are a intermediate pianist, go with the Hal Leonard Piano Solo Edition. It sits in the sweet spot between the easy beginner versions that strip out too much and the original show score that demands concert-level technique. The fingerings in that edition are reasonable but not perfect. I would suggest annotating them yourself, especially in the chorus where the hand crosses over the left hand part. The published fingerings assume a certain hand size that not everyone has. If you are advanced, the original Broadway cast recording score or the full orchestral score from the Menken collection will give you the authentic part. These require more work to adapt for solo piano because there are interweaving strings and woodwind lines that simply do not fit on one instrument. You will need to make choices about what to drop. Usually keeping the outer voices of the strings and moving the inner harmonies into the left hand works fine. Beginners should look at the Easy Piano arrangements from Alfred or Faber. They are simplified but still musically coherent. The ones from Musicnotes labeled "Easy Piano Level 2-3" are decent. Avoid anything labeled "Easy Piano" that does not specify a level number. Those tend to be the stripped-down versions that sound like nursery rhymes compared to the original.

The One Thing Nobody Warns You About

The tempo marking on most sheet music says Andante or Moderato, but the actual feel of the piece depends heavily on how you handle the rubato in the first verse. Menken wrote the vocal line with a very natural speech rhythm that does not lock to the metronome. The sheet music gives you strict quarter note pulses throughout, which is necessary for readability, but if you play it exactly straight you will sound mechanical. The opening line "Once upon a midnight dreary" needs to breathe. Let the melody drag slightly behind the beat on the first phrase, then catch up. It is a subtle shift and it makes the entire piece land differently. Also, the final cadence in most arrangements is written to end cleanly on the tonic chord. The recorded version lingers and resolves more slowly with a decrescendo that stretches over several measures. If you are performing this for an audience, hold the final chord longer than the notation suggests. The sheet music will not indicate this because that kind of freedom does not fit on a page. Download links for official editions are straightforward if you search by title and composer. Just make sure the arranger is listed correctly. There are multiple arrangements by different people and the quality varies significantly between them. The one by Craig Stuart Garfinkle is the most commonly used professional arrangement and it is the one I would recommend as a starting point regardless of your level.