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| business insurance for artists: Getting Your Sh*t Together Karen Atkinson, 2014 This comprehensive book is informed by decades of experience and years of research into how to perform as a professional artist in the 21st century art world (or worlds). This book is filled with easy-to-follow instructions that will help you teach everything -- archiving work, start a mailing list, write a grant, and everything else you can think of. This straightforward book even addresses topics you may not think artists need to know about now! Consider this a handbook for teaching the business aspects of an art career. This book is written and designed to empower you to help artists understand the wild world of art careers. Syllabus and handouts included. Far too often artists find themselves having to compromise their art and their life because they were not taught accurate up-to-date methods for dealing with business situations. Because of this lack of preparedness artists miss out on valuable opportunities, financial rewards, and access to receptive audiences. This book aims to help teachers teach professional practices to artists everywhere, helping to avoid these pitfalls and get on the track to success on their own terms. Whether you are a gallery-bound artist, a public artist, an emerging artist, a hobbyist, a crafts-person, a student, or a seasoned artist in need of a tune up, this manual will help you train artists. |
| business insurance for artists: The Essential Guide to Business for Artists and Designers Alison Branagan, 2017-02-09 This second edition of the best-selling, comprehensive handbook The Essential Guide to Business for Artists and Designers will appeal to a wide range of artists, makers, designers, and photographers looking to set up and establish an arts practice or design business within the visual arts and creative industries. With fully revised content, three new chapters, and profiles of contemporary artists and designers from around the world, this guide leads the reader through the most important aspects of setting up and growing a profitable enterprise. Providing the vital knowledge and tools to develop a vision and achieve business growth, topics include: - Building networks and successful negotiation tactics - Promoting an engaging social media presence - Business planning and money management - Overview of legal, tax and intellectual property issues - Setting up a website and trading online - Exploiting innovation and future trends As well as specially tailored enterprise exercises and useful diagrams, this latest edition features apt quotations and indispensable resources including an extensive glossary and a list of key professional bodies and organisations based in the UK, USA, Canada, Australia and South America. This handbook is printed in a dyslexic-friendly font and includes new illustrated mind maps and colour pictures throughout. |
| business insurance for artists: The Business of Being an Artist Daniel Grant, 2010-04-27 Fine artists are taught many things about the craft of art in the various art schools and university art programs, but rarely do they learn much if anything about how to make a career of their talents. The Business of Being an Artist contains information on how artists may develop a presence in the art world that leads to sales. The book contains information on how artists can learn to sell their work directly to the public with an understanding of the principles of marketing and sales as they're applicable to works of art. Artists will also learn how to find a suitable gallery that will arrange sales and commissions and how to set up a contractual relationship with the dealer that is both equitable and profitable. Among the topics covered in The Business of Being an Artist are: the range of exhibition opportunities for emerging and mid-career artists; how to set prices for artwork; when or if artists should pay to advance their careers; how artists may communicate with the public; applying for loans, grants, and fellowships; areas of the law that concern artists; using art materials safely; online sales and marketing, and much more. In addition to all of this priceless information, The Business of Being an Artist includes a unique discussion of some of the emotional issues that face artists throughout their careers, such as working alone, confronting stereotypes, handling criticisms and rejection, the glare of publicity, and the absence of attention. Without a doubt, The Business of Being an Artist is a must-have book for every artist ready to turn their talent into a successful business. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| business insurance for artists: Artist Management for the Music Business Paul Allen, 2011 This is essential reading for managers, students, and artists in the music business. --Book Jacket. |
| business insurance for artists: Let's Talk about it Everett D. Mitchell, Freida High, Fabu, 2020 Take a walk down Madison's iconic State Street -- from the State Capitol to UW-Madison's Library Mall -- to witness the images and feel the emotion that dozens of artists felt after the killing of George Floyd. This publication encompasses striking photographs and the artists' own words to understand their motivation and appreciate what they hope readers will feel when they see their work. More than a hundred murals originally commissioned by the City of Madison on storefronts generously provided by downtown business owners are celebrated in this striking collection of art and protest. Also included are original essays from noteworthy Black scholars and a special poem by Madison's former poet laureate. We hope this books encourages you to reflect, to consider and to Talk About It when it comes to issues of racial justice.--Jacket flap. |
| business insurance for artists: An Artist's Guide Daniel Grant, 2001 For fine artists seeking to make the move, temporarily or permanently, to the world's most desired art enclave, this guidebook is the ultimate blueprint. From finding affordable studio space to getting one's work exhibited, any problem a newcomer to the New York art world might encounter is addressed from a hands-on, multiple-solutions approach. Readers will gain inside knowledge into how to: Find a creative niche; Find your way around New York; Find an affordable place to live; Put your work up for display; Interact successfully with art dealers; Acquire financial, marketing, and personal support; Land an art-related, artist's assistant, or teaching job; Apply for grants, fellowships, and commissions. Written by an author who has helped hundreds of artists in New York to get start, An Artist's Guide: Making It in New York City provides artists with an encouraging, yet realistic, perspective on the thrills and pitfalls of this highly attractive and competitive art haven. |
| business insurance for artists: The Art Business Iain Alexander Robertson, Derrick Chong, 2008 Drawing on the experience of Sotheby's Institute of Art, this text exposes the realities of the commercial trade in fine art, from its structure to legal issues and wider cultural policy, and including interviews with leading experts in the field. |
| business insurance for artists: The Artist's Estate Dr. Loretta Würtenberger, 2021-11-24 Andy Warhol bequeathed us the words Death can really make you look like a star. But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist. |
| business insurance for artists: Functional Pottery Robin Hopper, 2000 Through a wide display of functional pottery, this reference book offers information and practical tips as well as international coverage of both the design and aesthetics of ceramics and artists's work. |
| business insurance for artists: Art, Money, Success Maria Brophy, 2017 Finally make a living doing what you love. A compete and easy-to-follow system for the artist who wasn't born with a business mind. Learn how to find buyers, get paid fairly, negotiate nicely, deal with copycats and sell more art. |
| business insurance for artists: The Business of Being an Artist Daniel Grant, 1991 This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
| business insurance for artists: Art and Collecting Art (English Edition) Oei Hong Djien, 2012-04-09 Oei Hong Djien, Indonesia’s distinguished art collector hailing from Magelang, Central Java, is also a writer. From 1990 to the present day, which spans a period of about 20 years, he has written numerous pieces on art. Most are introductions to exhibition catalogues; some are texts for speeches, lectures and discussions; others are articles that have appeared in the catalogues of auction houses, magazines and books. The written works of OHD, which is how he is known, have been compiled in this book entitled Art and Collecting Art. He has a wide variety of interests: from modern artists to the old masters, young contemporary artists, markets, auctions, collections, to the relationship between art and society. In his unique style of speech which is direct and unpretentious, OHD takes us into the mind of a collector. This book offers a series of arguments behind the activity of collecting paintings, sculptures, drawings and installations. Arguments are required to create a situation where art-collecting in Indonesia is conducted more conscientiously, shows greater respect for history, and has an interest in progressing art itself; this would be in contrast to pursuing artworks purely for investment purposes, to reap instant rewards, or as a fashion trend driven by rumors and public opinion. This book completes OHD’s desire to share after purchasing about 2,000 works of art, building museums, speaking at various forums and exhibiting his collection to the public. This book will give the public a chance to scrutinize OHD’s life experiences, ideas, personal relationships with artists, and art connections since the 1960s. This is an invaluable contribution to the Indonesian art world. |
| business insurance for artists: The Copyright Zone Edward C. Greenberg, Jack Reznicki, 2015-02-11 If you license or publish images, this guide is as indispensable as your camera. It provides specific information on the legal rights of photographers, illustrators, artists, covering intellectual property, copyright, and business concerns in an easy-to-read, accessible manner. The Copyright Zone, Second Edition covers: what is and isn’t copyrightable, copyright registration, fair use, model releases, contracts and invoices, pricing and negotiation, and much more. Presented in a fun and easy to digest style, Jack Reznicki and Ed Greenberg, LLC help explain the need-to-know facts of the confusing world of legal jargon and technicalities through real world case studies, personal asides, and the clear writing style that has made their blog Thecopyrightzone.com and monthly column by the same name in Photoshop User magazine two industry favorites. The second edition of this well-reviewed text has almost doubled in size to ensure that every legal issue you need to know about as a photographer or artist is covered and enjoyable to learn! |
| business insurance for artists: Legal Guide for the Visual Artist Tad Crawford, 1977 |
| business insurance for artists: Wonder Walls Phoebe Cornog, Roxy Prima, 2021-11-09 This DIY book teaches wall painting techniques for the creative home-dec enthusiast who wants to create colorful graphic and wallpaper-like designs, including lettering, geometrics, marbling, and more. |
| business insurance for artists: This Business of Art Diane Cochrane, 1988 Answers artists' questions about contracts, copyright, commission agreements, cooperative galleries, libel, insurance, bookkeeping, income tax, and estate planning. |
| business insurance for artists: Nothing If Not Critical Robert Hughes, 2012-02-22 From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject. For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic). Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s. A meteor of a book that enlightens, startles, stimulates and entertains. |
| business insurance for artists: Starting Your Career as an Artist Angie Wojak, Stacy Miller, 2015-11-03 In this comprehensive manual, veteran art career professionals Angie Wojak and Stacy Miller show aspiring artists how to evaluate their goals and create a plan of action to advance their professional careers, and use their talents to build productive lives in the art world. In addition, the book includes insightful interviews with professional artists and well-known players in the art scene. The second edition features a new chapter on social media and includes interviews with artists, museum professionals, and educators. All chapters cover topics essential to the emerging artist, such as: •Using social media to advance your practice •Health and safety for artists •Artist’s resumes and CVs •Finding alternative exhibition venues •Building community through networking •Collaborating and finding mentors •Refining career aspirations This invaluable resource is sure to encourage and inspire artists to create their own opportunities as they learn how the creativity that occurs inside the studio can be applied to developing a successful career in the art world. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| business insurance for artists: How to Price Your Art Matt Tommey, 2021-06-23 How to Price Your Art is a comprehensive guide that enables visual artists to price their work confidently and with profit in mind. Whether you are new to pricing your art or have been an artist for years and are simply wanting to develop a pricing strategy for your art business, this book will give you everything you need. You can absolutely learn how to price your artwork with confidence inside the pages of this book. And I'd love to show you how, especially if you're still pricing your art based on what you think it's worth and constantly second-guessing yourself. Knowing how to price your art means the difference between barely making ends meet and actually making money with your art. It enables you to build your art business, create income and have the impact you dream of as an artist. It's the difference between an expensive hobby and a profitable business. If you're like most artists, knowing how to price your art is a constant frustration which takes the joy right out of creating. Add to that the confusion of trying to understand how things like where you live, the type of art you create and your experience level fit in to your pricing and it can be downright overwhelming! Thankfully, pricing your artwork doesn't have to be a mystery, anymore! Inside this book, I'll teach you: 7 Factors that Determine Art Pricing An Easy Pricing Formula for Pricing Your Art How to Make a Profit on Every Sale 5 Keys to Creating a Pricing Strategy Why Fear of Raising Your Prices is All In Your Head My Biggest Pricing Mistakes and How to Avoid Them Plus you'll be getting a copy of my Art Pricing Worksheet which will make pricing your art super easy for you. I'll also be covering important topics including: Why Uniqueness Commands Higher Prices How to Price for Retail, Wholesale & Consignment Perception Influences Pricing Accounting for Packing, Shipping & Taxes Where to Start If You've Never Sold Anything How to Create Multiple Price Points Knowing When to Increase Your Prices Should you list your prices on your website? Discounts & Bonuses Every day that goes by you're not pricing your art profitably is one more day that's costing you the time, money, freedom and impact you were designed to make in the world. The longer you keep doing this, the more money you're literally throwing down the drain. |
| business insurance for artists: The Visual Artist and the Law Associated Councils of the Arts, 1974 |
| business insurance for artists: What They'll Never Tell You About the Music Business, Third Edition Peter M. Thall, 2016-08-23 The completely revised and expanded edition of What They’ll Never Tell You About the Music Business is a must-have reference. You’ll learn: - How many musicians have seized do-it-yourself internet opportunities to create successful business models, - How the royalty pie is sliced—and who gets the pieces, - How the fundamentals of music publishing, producing, managing, touring, and the record industry apply more than ever, - Why this book is the indispensable guide to the worldwide music industry, - How corporate general counsels can educate their employees (and themselves) to understand the strictures of copyright law and to avoid trouble, - And much more. |
| business insurance for artists: How to Start and Run a Commercial Art Gallery (Second Edition) Edward Winkleman, Patton Hindle, 2018-11-13 “A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations. |
| business insurance for artists: A Pocket Business Guide for Artists and Designers Alison Branagan, 2012-01-01 This handy pocket guide answers the most pressing questions artists and designers will have when setting up an art practice or creative business. Many visual artists who graduate from art school need to learn how to be self-employed or form a company. This book presents 100 useful business related things (explained in 250 words or less) that any creative should know. The book is divided into five sections that will help artists and designers achieve success and make money from their work: business, promotion, legal, money and last thoughts. This essential resource is packed with invaluable information for all creative practitioners. |
| business insurance for artists: Fine Art and High Finance Clare McAndrew, 2010-01-27 Art and finance coalesce in the elite world of fine art collecting and investing. Investors and collectors can’t protect and profit from their collections without grappling with a range of complex issues like risk, insurance, restoration, and conservation. They require intimate knowledge not only of art but also of finance. Clare McAndrew and a highly qualified team of contributors explain the most difficult financial matters facing art investors. Key topics include: Appraisal and valuation Art as loan collateral Securitization and taxation Investing in art funds Insurance The black-market art trade Clare McAndrew has a PhD in economics and is the author of The Art Economy. She is considered a leading expert on the economics of art ownership. |
| business insurance for artists: The Successful Artist's Career Guide Margaret Peot, 2012-02-27 Art is one of the best parts of your life...are you ready to make it your living? Whether you are an art student, an aspiring artist or a longtime hobbyist, Margaret Peot offers experienced advice and empowerment for taking that next step. Chapter by chapter, she'll help you map out a personalized route toward the creative life of your dreams. Get real-world advice on everything from bidding on jobs and promoting yourself to filing taxes and getting health insurance. Worksheets help you refine your goals, price your work with confidence, write an artist's statement and more. Interviews with successful artists in a range of professions reveal how they made it, complete with advice on how you can, too. In a world where artists are stereotyped as struggling and starving, this upbeat, down-to-earth guide will help you shape your goals, identify opportunities and earn a productive, joyful living with your artwork. Embrace your passion and shape your every day into a work of art! |
| business insurance for artists: How to be an Artist S. Natalie Abadzis, 2021 A fun-filled art activity book that will encourage kids to express themselves while teaching them about key artistic styles and a selection of pioneering artists from history-- |
| business insurance for artists: How to Survive and Prosper as an Artist Caroll Michels, 2009-06-09 The classic handbook for launching and sustaining a career that explodes the romantic notion of the starving artist, (The New York Times) with a brand-new chapter on Internet art marketing Now in its sixth edition, How to Survive and Prosper as an Artist is the definitive guide to taking control of your career and making a good living in the art world. Drawing on nearly three decades of experience, Caroll Michels offers a wealth of insider's information on getting into a gallery, being your own PR agent, and negotiating prices, as well as innovative marketing, exhibition, and sales opportunities for various artistic disciplines. She has also added a new section on digital printmaking and marketing in this emerging field. Most notably, this sixth edition contains an entirely new chapter: Art Marketing on the Internet. Michels offers criteria for selecting an ideal Web designer for your online portfolio and for organizing your Web presence, and shares proven methods for attracting curators, dealers, and private clients to your site. She also addresses vital legal concerns in the age of e-commerce, including copyrighting and registering your art, and finally, the appendix of resources, consistently updated online at Michels's site the Artist Help Network, is fully revised. |
| business insurance for artists: Louise Loves Art Kelly Light, 2014-09-09 For fans of Olivia and Eloise, this stunning debut from Kelly Light is an irresistible story about the importance of creativity in all its forms. Meet Louise. Louise loves art more than anything. It's her imagination on the outside. She is determined to create a masterpiece—her pièce de résistance! Louise also loves Art, her little brother. This is their story. Louise Loves Art is a celebration of the brilliant artist who resides in all of us. |
| business insurance for artists: Your Art Will Save Your Life Beth Pickens, 2018-04-10 A candid guidebook about art-making in the midst of oppression—a slim, necessary revelation (Maggie Nelson, The Argonauts). Visiting the Andy Warhol Museum as a teenager, Beth Pickens realized that art was imperative for reflecting—and thus remaking—the world. As an adult, she has dedicated her life to arts nonprofits and consulting, helping marginalized artists traverse the world of MFAs, residences, and institutional funding. Writing in the aftermath of the 2016 election, Pickens reminds emerging artists that their art is more important than ever. She gives advice on fostering creativity and sustaining an innovative practice as conversations about grants, public programming, and arts funding in schools grow ever-more heated. Part political manifesto, part practical manual, this resource reminds us that art has always been a tool of resistance. |
| business insurance for artists: Business of Art , 2008 |
| business insurance for artists: "Starving" to Successful J. Jason Horejs, 2009 Provides insight into the art business from the perspective of a gallery owner. |
| business insurance for artists: Owning Art Louisa Buck, Judith Greer, 2006 Owning Art offers an informative, authoritative and richly anecdotal route through the minefield of the contemporary art world. This entertaining and easy-to-use handbook is set to become every collector's indispensable companion. |
| business insurance for artists: Art in the Public Interest Arlene Raven, 1989 |
| business insurance for artists: The Art Business Jeffrey Taylor, 2023-09-29 This book provides a comprehensive overview of the professional activities of the art business. Addressing this fast-moving industry, The Art Business: Art World, Art Market analyses the sector’s institutions and structures, including galleries, auction houses and art fairs. The rapid development of art finance and its deployment of art as an asset class are covered, and up to moment observations are delivered on the quickly evolving auction system that includes dramatic changes at the major auction houses, Sotheby’s and Christie’s. This edition highlights growing crises in the market including the ever more unbearable costs of art fair attendance and the lack of a reliable system for establishing ownership and title of artworks. Ever more pressing ethical issues such as toxic museum donors, cultural heritage compliance, and problems of corrupt provenances are explored in detail. Enhanced by new data analytics on the US art market, the author also distils advice and guidance for working art professionals hoping to build their careers. The result is an up-to-date picture of an art business suitable for students and practitioners across the creative sector. |
| business insurance for artists: The Ideal Protection William Thomas Standen, 1897 |
| business insurance for artists: Art Law Michael E. Jones, 2016-06-15 Between the countless works of art in the world and numerous laws on their care, the task of deciphering correct procedure can seem daunting. In Art Law: A Concise Guide for Artists, Curators, and Art Educators, Michael E. Jones breaks down the legal language into a concise tool for all those involved in the art world. While most art law books are written for law students or museum directors, trustees, and curators, Jones’ book appeals to a far larger audience, particularly undergraduate and graduate students studying art, graphic design, photography, museum studies, art education and art business. It is also a useful research guide for museum professionals, gallery directors, foundation heads, working professional visual fine artists and board/trustee members. Art Law distinguishes itself by providing a broad scope of art law in relation to the world of artists and those organizations that support, preserve, govern, display, and even sell art. Covering topics such as acquisition, grants, and buying and selling, this book takes a look at the ethical and legal issues and rights that confront the art community and museums. Through case studies complete with images, readers can see these topics in action. Art Law is a must-have guide for art educators, museum studies students, art law and business programs, and artists looking for clear and readable descriptions and answers to the relevant legal issues facing the art world community. |
| business insurance for artists: The Business of Art Lee Evan Caplin, 1989 Offers guidance for artists in financial planning, copyright protection, the preparation of a portfolio, and sale of works to art dealers, museums, and other markets. |
| business insurance for artists: --but where Do i Sign? Robert J. Nathan, Burgundy Morgan, 2008 |
| business insurance for artists: Arts and Business Elena Raviola, Peter Zackariasson, 2016-10-04 Arts and Business aims at bringing arts and business scholars together in a dialogue about a number of key topics that today form different understandings in the two disciplines. Arts and business are, many times, positioned as opposites. Where one is providing symbolic and aesthetic immersion, the other is creating goods for a market and markets for a good. They often deal and struggle with the same issues, framing it differently and finding different solutions. This book has the potential of offering both critical theoretical and empirical understanding of these subjects and guiding further exploration and research into this field. Although this dichotomy has a well-documented existence, it is reconstructed through the writing-out of business in art and vice versa. This edited volume distinguishes itself from other writings aimed at closing the gap between art and business, as it does not have a firm standpoint in one of these fields, but treating them as symmetrical and equal. The belief that by giving art and business an equal weight, the editors also create the opportunity to communicate to a wider audience and construct a path forward for art and business to coexist. |
| business insurance for artists: Arts Management Jennifer Radbourne, 2023-04-14 Arts management is no longer a resting place for enthusiastic amateurs or artists with insufficient talent to make the big time. Rather, it is increasingly being recognised as a profession with a set of skills which need to be learnt. Arts Management is a comprehensive handbook for arts administrators working in all art forms and in organisations ranging from small community co-operatives to large national flagships. With extensive Australian case studies, it covers cultural policy, fundraising, legal issues, marketing and public relations, managing people and money and event management. Arts Management is an essential reference for practising arts administrators and students. |
Business Insurance Guidebook - CERF+
Going without liability insurance for your business is truly a high-stakes gamble. Because risk exposure for liability is calculated by annual gross business receipts, most artists will find …
Fine Art Practice - learn.risk-strategies.com
insurance covers the non-fine art property and liability exposures. Specialized non-property based coverages, also known as executive risk, provide coverage for media liability, cyber,
Protect the unique
insurance, providing comprehensive coverage for artworks, collectibles, and exclusive valuables globally. For over 60 years, and well into the future, we have and will continue to assist …
NFASP MEMBER-ONLY RESOURCE: ADVICE AND SUPPORT …
Individual artists may need to consider public liability insurance (to cover risks to studio visitors or workshop attendees) and employers’ liability insurance (if they make use of assistants or …
CHAPTER 5 INSURANCE - National Arts Council, Singapore
decide what kinds of insurance are relevant for you or your art business. Insurance can also be divided into two (2) overarching categories: (1) insurance of assets and (2) insurance against …
Microsoft Word - Artists Insurance Policy Document.doc
IMPORTANT NOTICE: Please check this Policy very carefully. This insurance is subject to the information detailed in this document. The Insured should carefully review the contents of the …
Consider Home Business Insurance for Artists and Artisans
Coverage includes up to $1 million in business liability protection, up to $100,000 comprehensive coverage for business personal property, $5,000 per person for medical payments to …
2024 Public Liability Insurance Information for Artists
If you need to attain public liability insurance, we have put together an overview of two possible options for acquiring relevant cover. We encourage you to do your own research to find an …
Artist Liability Insurance
If you're an artist who needs insurance, simply visit ACT Insurance and buy the policy online. You don't have to wait to get a quote during business hours because the checkout process is …
Insuring Creativity: CERF Business Insurance Survey
Consider the feasibility of forming group business insurance plans offered by national craft media organizations. This report details the findings of a national survey conducted to address those …
FOR ARTISTS - GUIDE BY KATHERINE TYRRELL - Art Business …
It outlines a process that allows artists to (1) assess the relative importance of the different risks that they face and (2) work out how to improve the way they
Public Art - Public Art Insurance - LMCC
Most public art projects need to be insured with general liability insurance, which protects the party presenting a public art project in the event of any damage to a site, or personal injury …
SECTION 3: CONTRACTS AND ARTWORK MAINTENANCE
Contractual agreements will require proof of insurance that protects the municipality in conjunction with your artwork. There are competitive insurance companies that can provide all of the …
Artists Insurance Policy
Cover for loss, damage or theft of your Artwork (both completed or in progress) or your Artists Materials from the Studio Premises. Damage caused to Artwork or other property whilst being …
Guidebook For Artists - CERF+
instances. Going without liability insurance for your business is truly a high-stakes gamble. Because risk exposure for liability is calculated by annual gross business receipts, most artists …
Public & Products Liability and Professional Indemnity Insurance
All Eligible Members of a-n The Artists Information Company who are normally resident in the United Kingdom, the Channel Islands or the Isle of Man will be automatically covered by this …
An Artists' Guide to the Schedule C: Profit or Loss from Business
• For artists, the moment you make income from your creative practice, you become a sole proprietor. The Schedule C can be used to report income and expenses related to your artistic …
Fine Arts Private Insurance - Aon
Unlike standard homeowner policies, which have limitations on coverage for valuables, Aon’s fine art insurance is designed specifically for art collectors and investors. In addition to theft and …
Business Plans for Artists - theabundantartist.com
My business needs to diversify its product and broaden its market. Artists are in drastically different places in their business timeline, and I must grow my offerings to accommodate artists …
Fine Art, Fine Crafts, and Great Artisanal Foods - STANGL …
Artists & Artisans provide their own insurance (see lease agreement). Space size and price may slightly vary from reserved square footage. Examples of studio sizes and lease rates can be …
Business Insurance Guidebook - CERF+
Going without liability insurance for your business is truly a high-stakes gamble. Because risk exposure for liability is calculated by annual gross business receipts, most artists will find …
Fine Art Practice - learn.risk-strategies.com
insurance covers the non-fine art property and liability exposures. Specialized non-property based coverages, also known as executive risk, provide coverage for media liability, cyber,
Protect the unique
insurance, providing comprehensive coverage for artworks, collectibles, and exclusive valuables globally. For over 60 years, and well into the future, we have and will continue to assist …
NFASP MEMBER-ONLY RESOURCE: ADVICE AND SUPPORT …
Individual artists may need to consider public liability insurance (to cover risks to studio visitors or workshop attendees) and employers’ liability insurance (if they make use of assistants or …
CHAPTER 5 INSURANCE - National Arts Council, Singapore
decide what kinds of insurance are relevant for you or your art business. Insurance can also be divided into two (2) overarching categories: (1) insurance of assets and (2) insurance against …
Microsoft Word - Artists Insurance Policy Document.doc
IMPORTANT NOTICE: Please check this Policy very carefully. This insurance is subject to the information detailed in this document. The Insured should carefully review the contents of the …
Consider Home Business Insurance for Artists and Artisans
Coverage includes up to $1 million in business liability protection, up to $100,000 comprehensive coverage for business personal property, $5,000 per person for medical payments to …
2024 Public Liability Insurance Information for Artists
If you need to attain public liability insurance, we have put together an overview of two possible options for acquiring relevant cover. We encourage you to do your own research to find an …
Artist Liability Insurance
If you're an artist who needs insurance, simply visit ACT Insurance and buy the policy online. You don't have to wait to get a quote during business hours because the checkout process is …
Insuring Creativity: CERF Business Insurance Survey
Consider the feasibility of forming group business insurance plans offered by national craft media organizations. This report details the findings of a national survey conducted to address those …
FOR ARTISTS - GUIDE BY KATHERINE TYRRELL - Art …
It outlines a process that allows artists to (1) assess the relative importance of the different risks that they face and (2) work out how to improve the way they
Public Art - Public Art Insurance - LMCC
Most public art projects need to be insured with general liability insurance, which protects the party presenting a public art project in the event of any damage to a site, or personal injury …
SECTION 3: CONTRACTS AND ARTWORK MAINTENANCE
Contractual agreements will require proof of insurance that protects the municipality in conjunction with your artwork. There are competitive insurance companies that can provide all of the …
Artists Insurance Policy
Cover for loss, damage or theft of your Artwork (both completed or in progress) or your Artists Materials from the Studio Premises. Damage caused to Artwork or other property whilst being …
Guidebook For Artists - CERF+
instances. Going without liability insurance for your business is truly a high-stakes gamble. Because risk exposure for liability is calculated by annual gross business receipts, most artists …
Public & Products Liability and Professional Indemnity …
All Eligible Members of a-n The Artists Information Company who are normally resident in the United Kingdom, the Channel Islands or the Isle of Man will be automatically covered by this …
An Artists' Guide to the Schedule C: Profit or Loss from …
• For artists, the moment you make income from your creative practice, you become a sole proprietor. The Schedule C can be used to report income and expenses related to your artistic …
Fine Arts Private Insurance - Aon
Unlike standard homeowner policies, which have limitations on coverage for valuables, Aon’s fine art insurance is designed specifically for art collectors and investors. In addition to theft and …
Business Plans for Artists - theabundantartist.com
My business needs to diversify its product and broaden its market. Artists are in drastically different places in their business timeline, and I must grow my offerings to accommodate …
Fine Art, Fine Crafts, and Great Artisanal Foods - STANGL …
Artists & Artisans provide their own insurance (see lease agreement). Space size and price may slightly vary from reserved square footage. Examples of studio sizes and lease rates can be …
