| caine from menace to society: New York Magazine , 1993-05-31 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| caine from menace to society: Black Directors in Hollywood Melvin Donalson, 2010-01-01 Hollywood film directors are some of the world's most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to movie characterizations, plots, and themes and depicting areas of African American culture that were previously absent from mainstream films. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience. This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues. |
| caine from menace to society: ReelViews James Berardinelli, 2003 The popular film critic offers full-length reviews of his choices for the best one thousand movies from the 1990s to today. |
| caine from menace to society: The Movies Laurence Goldstein, Ira Konigsberg, 1996 Lively essays, interviews, fiction, and poetry that focus on America's favorite subject--the movies. |
| caine from menace to society: Generation Multiplex Timothy Shary, 2009-01-27 When teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities. Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres—school, delinquency, horror, science, and romance/sexuality—to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face. |
| caine from menace to society: Black Arts West Daniel Widener, 2010-03-08 From postwar efforts to end discrimination in the motion-picture industry, recording studios, and musicians’ unions, through the development of community-based arts organizations, to the creation of searing films critiquing conditions in the black working class neighborhoods of a city touting its multiculturalism—Black Arts West documents the social and political significance of African American arts activity in Los Angeles between the Second World War and the riots of 1992. Focusing on the lives and work of black writers, visual artists, musicians, and filmmakers, Daniel Widener tells how black cultural politics changed over time, and how altered political realities generated new forms of artistic and cultural expression. His narrative is filled with figures invested in the politics of black art and culture in postwar Los Angeles, including not only African American artists but also black nationalists, affluent liberal whites, elected officials, and federal bureaucrats. Along with the politicization of black culture, Widener explores the rise of a distinctive regional Black Arts Movement. Originating in the efforts of wartime cultural activists, the movement was rooted in the black working class and characterized by struggles for artistic autonomy and improved living and working conditions for local black artists. As new ideas concerning art, racial identity, and the institutional position of African American artists emerged, dozens of new collectives appeared, from the Watts Writers Workshop, to the Inner City Cultural Center, to the New Art Jazz Ensemble. Spread across generations of artists, the Black Arts Movement in Southern California was more than the artistic affiliate of the local civil-rights or black-power efforts: it was a social movement itself. Illuminating the fundamental connections between expressive culture and political struggle, Black Arts West is a major contribution to the histories of Los Angeles, black radicalism, and avant-garde art. |
| caine from menace to society: Reading Race Norman K Denzin, 2002-03-29 In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination. |
| caine from menace to society: Under a Bad Sign Jonathan Munby, 2011-06-15 What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America. |
| caine from menace to society: Black Ephemera Mark Anthony Neal, 2022-03-08 Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital-- |
| caine from menace to society: Roger Ebert's Four Star Reviews--1967-2007 Roger Ebert, 2008-02 Presents a collection of the critic's most positive film reviews of the last four decades, arranged alphabetically from About Last Night to Zodiac. |
| caine from menace to society: What's the Matter with California? Jack Cashill, 2008-08-12 A whimsical response to the best-selling What's the Matter with Kansas? casts a skeptical eye on the nation's most liberal and populous state, in an anecdotal survey that likens California to an American Rome of over-indulgence and over-regulation that fails to meet its ideals. |
| caine from menace to society: The Encyclopedia of Racism in American Films Salvador Jiménez Murguía, 2018-04-12 Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history. |
| caine from menace to society: Women and the Media Theresa Carilli, Jane Campbell, 2005 This anthology has a cultural focus and addresses issues of race, ethnicity, class, and sexuality. |
| caine from menace to society: The Eloquent Screen Gilberto Perez, 2019-07-23 A lifetime of cinematic writing culminates in this breathtaking statement on film’s unique ability to move us Cinema is commonly hailed as “the universal language,” but how does it communicate so effortlessly across cultural and linguistic borders? In The Eloquent Screen, influential film critic Gilberto Perez makes a capstone statement on the powerful ways in which film acts on our minds and senses. Drawing on a lifetime’s worth of viewing and re-viewing, Perez invokes a dizzying array of masters past and present—including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard—to explore the transaction between filmmaker and audience. He begins by explaining how film fits into the rhetorical tradition of persuasion and argumentation. Next, Perez explores how film embodies the central tropes of rhetoric––metaphor, metonymy, allegory, and synecdoche––and concludes with a thrilling account of cinema’s spectacular capacity to create relationships of identification with its audiences. Although there have been several attempts to develop a poetics of film, there has been no sustained attempt to set forth a rhetoric of film—one that bridges aesthetics and audience. Grasping that challenge, The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus. |
| caine from menace to society: Philosophy, Black Film, Film Noir , 2008 Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies--Provided by publisher. |
| caine from menace to society: New York Magazine , 1993-05-31 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| caine from menace to society: Black City Cinema Paula Massood, 2011-01-19 In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the race films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film. |
| caine from menace to society: Italian Americans in Film Daniele Fioretti, Fulvio Orsitto, 2022-11-30 This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (Big Night) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture. |
| caine from menace to society: Cinematic Geographies and Multicultural Spectatorship in America Amy Lynn Corbin, 2019-03-30 Exploration, intertwined with home-seeking, has always defined America. Corbin argues that films about significant cultural landscapes in America evoke a sense of travel for their viewers. These virtual travel experiences from the mid-1970s through the 1990s built a societal map of popular multiculturalism through a movie-going experience. |
| caine from menace to society: Realism and Popular Cinema Julia Hallam, Margaret Marshment, 2000-08-05 Compares Once were warriors with other films that have similar themes. |
| caine from menace to society: Say It Loud! Robin R. Means Coleman, 2013-08-21 In a collection of essays based on direct interview research, Say it Loud! amplifies the voice of ordinary African-Americans as they respond to media presentations of Black society. Each chapter investigates ways in which African-American identity is constructed, maintained, and represented in mass media and how these portrayals are interpreted within the African-American community. Together the essays cover a vast array of media messages in television, film, music, print and cyberspace. From the Boondocks comic strip, The Cosby Show, and The Color Purple to the music of rap artist DMX and original testimony from a Menace II Society copycat killer, the material included in this volume is examined as context for the African-American struggle to achieve definition, meaning, and power. Say it Loud! offers rare insight into how this struggle is both helped and hindered by the representation of race in our media culture. |
| caine from menace to society: Pop Goes the Decade Kevin L. Ferguson, 2019-09-03 Popular culture in the 1990s often primarily reflected millennial catastrophic anxieties. The world was tightening, speeding up, and becoming more dangerous and dangerously connected. Surely it was only a matter of time before it all came crashing down. Pop Goes the Decade: The Nineties explains the American 1990s for all readers. The book strives to be widely representative of 1990s culture, including the more obvious nostalgic versions of the decade as well as focused discussions of representations of minority populations during the decade that are often overlooked. This book covers a wide variety of topics to show the decade in its richness: music, television, film, literature, sports, technology, and more. It includes an introductory timeline and background section, followed by a lengthy Exploring Popular Culture section, and concludes with a brief series of essays further contextualizing the controversial and influential aspects of the decade. This organization allows readers both a wide exposure to the variety of experiences from the decade as well as a more focused approach to aspects of the 1990s that are still resonant today. |
| caine from menace to society: Theorizing Scriptures Vincent L. Wimbush, 2008 Historically, religious scriptures are defined as holy texts that are considered to be beyond the abilities of the layperson to interpret. This volume takes a look at the social, cultural and racial meanings invested in these texts. |
| caine from menace to society: The New Film History J. Chapman, M. Glancy, S. Harper, 2007-04-25 The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films. |
| caine from menace to society: The 'Hood Comes First Murray Forman, 2024-08-06 |
| caine from menace to society: Contemporary African American Cinema Sheril D. Antonio, 2002 Locating contemporary Black filmmaking squarely within the mainstream film industry, Antonio (film, television, and new media, New York U.) explores New Jack City, Boyz N the Hood, Juice, Just Another Girl on the I.R.T., and Clockers. She argues that these films simultaneously pushed African American political and social aspirations while existing in the space of the classic American gangster genre. Annotation copyrighted by Book News, Inc., Portland, OR. |
| caine from menace to society: Prophetic Leadership and Visionary Hope Barbara Will, 2023-05-09 Thirty years have passed since Cornel West's book Race Matters rose to the top of the bestseller lists in 1993. Yet his book remains as relevant as ever to American culture--even more so, if one considers its influence on contemporary racial justice movements such as Black Lives Matter, prison justice, and the fight for police reform. Prophetic Leadership and Visionary Hope, an edited volume of essays by leading scholars in Black studies, religious studies, and social justice history, looks back to the original 1993 text and forward into the future of racial understanding and healing in our current century, responding to Dr. West's own repeated insistence that we can only understand our present and future by looking back. By reengaging with West's book at this seminal moment, Prophetic Leadership and Visionary Hope offers new points of entry into the thorny issues that the 1993 text addressed: the challenge of leadership in a culture marked by the legacy of white supremacy; the limited value of liberal affirmative action programs in promoting the affirmation of Black humanity; the dangerous seductions of African American conservatism and the question of Black self-regard (what West called black nihilism); the necessity and difficulty of cross-race solidarity and cross-religious affinity; the need to channel legitimate Black rage over untenable conditions of existence into productive opportunities and viewpoints. All of these issues are even more marked in American society today. The voices collected in this volume are the legitimate intellectual heirs of the original Race Matters. With essays that span the topics of history, politics, philosophy, religion, cultural studies, music, and aesthetics, Prophetic Leadership and Visionary Hope is as wide-ranging as the thinker whose ideas it engages, interrogates, and celebrates. Contributors:Nkosi Du Bois Anderson, Paul A. Bové, Matthew M. Briones, Farah Jasmine Griffin, Susannah Heschel, Lucius T. Outlaw Jr., Andrew Prevot, Brandon M. Terry, Cornel West, Barbara Will. |
| caine from menace to society: That Sinking Feeling Stefan Wellgraf, 2023-08-11 Emotions, especially those of impoverished migrant families, have long been underrepresented in German social and cultural studies. That Sinking Feeling raises the visibility of the emotional dimensions of exclusion processes and locates students in current social transformations. Drawing from a year of ethnographic fieldwork with grade ten students, Stefan Wellgraf’s study on an array of both classic emotions and affectively charged phenomena reveals a culture of devaluation and self-assertion of the youthful, post-migrant urban underclass in neoliberal times. |
| caine from menace to society: Surveillance, Race, Culture Susan Flynn, Antonia Mackay, 2018-07-31 This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. |
| caine from menace to society: Off White Michelle Fine, 2004 First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. |
| caine from menace to society: Black on Black Celeste A. Fisher, 2006-05-03 Images of violent black masculinity are not new in American culture, but in the late 1980s and early '90s, the social and economic climate in the country contributed to an unprecedented number of films about ghetto life. And while Hollywood reaped financial gains from these depictions, the rest of the country saw an ever widening opportunity gap between marginalized groups and mainstream society, as well as an increase in juvenile violence. These events added to the existing discomfort of the viewing public with representations of young black males living in urban ghettos. Black on Black: Urban Youth Films and the Multicultural Audience tackles the under-examined subject of black, male-focused, coming-of-age films in American society. Of central concern is an analysis of responses made by culturally diverse young adults to selected Hood films of the early 1990s. Grounded in Reader-Response Theory and utilizing qualitative research design and analysis, author Celeste Fisher examines student interpretations of three representative films of the period: Boyz N the Hood, Juice and Menace II Society. This book provides insight into how meaning is made by a multicultural audience in response to a particularly controversial representation of Blackness in American society. Developed to make sense of the violence that accompanied the screenings of some Hood films, this research provides a greater understanding of how such films are interpreted. Black on Black is suitable for scholars and students interested in the subject, as well as for anyone interested in film, race, multiculturalism, and identity politics. |
| caine from menace to society: Reel Arguments Andrew Light, 2018-03-08 In Reel Arguments , Andrew Light, known for his work in environmental ethics and the philosophy of technology, addresses the role of film in society. By looking at films and the creators of such films as Alice in the Cities , Enemy of the State , The Conversation , Falling Down , City of Hope , and Matewan , Light persuasively argues that film can be highly philosophical and influential. Though not the first to make such a claim, Light brings new insights into the readings of these films as visual arguments covering a range of issues: identity politics, urban landscapes, the politics of space, and the unexpected dimensions of technology. This volume will be of special interest to readers of film and philosophy. |
| caine from menace to society: The Nature of Cities Michael Bennett, David W. Teague, 2021-10-12 Cities are often thought to be separate from nature, but recent trends in ecocriticism demand that we consider them as part of the total environment. This new collection of essays sharpens the focus on the nature of cities by exploring the facets of an urban ecocriticism, by reminding city dwellers of their place in ecosystems, and by emphasizing the importance of this connection in understanding urban life and culture. The editors—both raised in small towns but now living in major urban areas—are especially concerned with the sociopolitical construction of all environments, both natural and manmade. Following an opening interview with Andrew Ross exploring the general parameters of urban ecocriticism, they present essays that explore urban nature writing, city parks, urban wilderness, ecofeminism and the city, and urban space. The volume includes contributions on topics as wide-ranging as the urban poetry of English writers from Donne to Gay, the manufactured wildness of a gambling casino, and the marketing of cosmetics to urban women by idealizing Third World naturalness. These essays seek to reconceive nature and its cultural representations in ways that contribute to understanding the contemporary cityscape. They explore the theoretical issues that arise when one attempts to adopt and adapt an environmental perspective for analyzing urban life. The Nature of Cities offers the ecological component often missing from cultural analyses of the city and the urban perspective often lacking in environmental approaches to contemporary culture. By bridging the historical gap between environmentalism, cultural studies, and urban experience, the book makes a statement of lasting importance to the development of the ecocritical movement. |
| caine from menace to society: The New York Times Film Reviews, 1993-1994 New York Times Staff, Times NY, 1996 |
| caine from menace to society: Violence and American Cinema J. David Slocum, 2013-09-13 American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning. |
| caine from menace to society: The Uses of Culture Cameron McCarthy, 2014-07-10 The Uses of Culture , a collection of nine of Cameron McCarthy's most provocative essays, explores the issues of race, educational reform and cultural politics. This volume looks at the limitations of the cultural exceptionalism which underwrite current curriculum projects such as Afrocentrism, Multiculturalism and Eurocentrism. Drawing upon a variety of literatures as well as popular culture, McCarthy contends that any single ruling identity at the core of a curriculum will be restricting. He offers as a solution a curriculum reform based on the complex, cultural linkages and associations that exist among all human groups, which acknowledge their many sources of knowledge. |
| caine from menace to society: A Journey Into the Mind of Watts Thomas Pynchon, 1983 |
| caine from menace to society: Screening the City Tony Fitzmaurice, Mark Shiel, 2003-03-17 In this provocative collection of essays, a diverse selection of films are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early 20th century. |
| caine from menace to society: Gangland [2 volumes] Laura L. Finley, 2018-10-01 This two-volume set integrates informative encyclopedia entries and essential primary documents to provide an illuminating overview of trends in gang membership and activity in America in the 21st century. Gangland: An Encyclopedia of Gang Life from Cradle to Grave includes extended discussion of specific gangs; types of gangs based on ethnicity and environment (rural, suburban, and urban); recruitment and retention methods; leadership structure and other internal dynamics of various gangs; impacts of gang membership on extended family; the historical evolution of gangs in American society; depictions of gang life in popular culture; violent and nonviolent gang activities; and programs, policies, agencies, and organizations that have been crafted to combat gang activities. In addition, the encyclopedia includes a suite of primary sources that offer a look into the personal experiences of gang members, examine efforts by law enforcement and public officials to address gang activity, and address wider societal factors that make eradicating gangs such a difficult task. |
| caine from menace to society: Roger Ebert's Video Companion Roger Ebert, 1997 |
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