congress of vienna political cartoon: The Cocoa Conspiracy Andrea Penrose, 2011-12-06 Lady Arianna's gift of a rare volume of botanical engravings to her husband, the Earl of Saybrook, has something even more rare hidden inside-sensitive government documents which would mark one they hold dear as a traitor of King and country. To unmask the villain, they must root out a cunning conspiracy-armed only with their wits and expertise in chocolate... |
congress of vienna political cartoon: Fighting Terror after Napoleon Beatrice de Graaf, 2020-10 Europe was forged out of the ashes of the Napoleonic wars by means of a collective fight against revolutionary terror. The Allied Council created a culture of in- and exclusion, of people that were persecuted and those who were protected, using secret police, black lists, border controls and fortifications, and financed by European capital holders. |
congress of vienna political cartoon: The Congress of Vienna and its Legacy Mark Jarrett, 2013-09-30 Two centuries ago, Europe emerged from one of the greatest crises in its history. In September 1814, the rulers of Europe and their ministers descended upon Vienna to reconstruct Europe after two decades of revolution and war, with the major decisions made by the statesmen of the great powers. The territorial reconstruction of Europe, however, is only a part of this story. It was followed, in the years 1815 to 1822, by a bold experiment in international cooperation and counter-revolution, known as the 'Congress System'. The Congress of Vienna and subsequent Congresses constituted a major turning point - the first genuine attempt to forge an 'international order', to bring long-term peace to a troubled Europe, and to control the pace of political change through international supervision and intervention. In this book, Mark Jarrett argues that the decade of the European Congresses in fact marked the beginning of our modern era, with a profound impact upon the course of subsequent developments. Based upon extensive research, this book provides a fresh look at a pivotal but often neglected period. |
congress of vienna political cartoon: Phantom Terror Adam Zamoyski, 2014 The French Revolution and the blood-curdling violence it engendered terrified the ruling and propertied classes of Europe. Unable to grasp how such horrors could have come about, many concluded that it was the result of a devilish conspiracy hatched by Freemasons inspired by the ideas of the Enlightenment with the aim of overthrowing the entire social order, along with the legal and religious principles it stood on. Others traced it back to the Reformation or the Knights Templar and ascribed even more sinister aims to it. Faced by this apparently occult threat, they resorted to repression on an unprecedented scale, expanding police and spy networks in the process. This compelling history, occasionally chilling and often hilarious, tells how the modern state evolved through the expansion of its organs of control, and holds urgent lessons for today. |
congress of vienna political cartoon: The Congress Dances Susan Mary Alsop, 1984 |
congress of vienna political cartoon: The Heritage of World Civilizations Albert M. Craig, 2005-03 For undergraduate level World Civilization or World History courses. This comprehensive, accessible survey of world history has been extensively revised to provide an even more global and comparative perspective on the events and processes that have shaped our increasingly interdependent world. Written by leading scholars in their respective fields, Heritage of World Civilizations, 7/e, combines unusually strong and thorough coverage of the unique heritage of Asian, African, Islamic, Western, and American civilizations, while highlighting the role of the world's great religious and philosophical traditions. |
congress of vienna political cartoon: Conquering Peace Stella Ghervas, 2021-03-30 A bold new look at war and diplomacy in Europe that traces the idea of a unified continent in attempts since the eighteenth century to engineer lasting peace. Political peace in Europe has historically been elusive and ephemeral. Stella Ghervas shows that since the eighteenth century, European thinkers and leaders in pursuit of lasting peace fostered the idea of European unification. Bridging intellectual and political history, Ghervas draws on the work of philosophers from Abbé de Saint-Pierre, who wrote an early eighteenth-century plan for perpetual peace, to Rousseau and Kant, as well as statesmen such as Tsar Alexander I, Woodrow Wilson, Winston Churchill, Robert Schuman, and Mikhail Gorbachev. She locates five major conflicts since 1700 that spurred such visionaries to promote systems of peace in Europe: the War of the Spanish Succession, the Napoleonic Wars, World War I, World War II, and the Cold War. Each moment generated a “spirit” of peace among monarchs, diplomats, democratic leaders, and ordinary citizens. The engineers of peace progressively constructed mechanisms and institutions designed to prevent future wars. Arguing for continuities from the ideals of the Enlightenment, through the nineteenth-century Concert of Nations, to the institutions of the European Union and beyond, Conquering Peace illustrates how peace as a value shaped the idea of a unified Europe long before the EU came into being. Today the EU is widely criticized as an obstacle to sovereignty and for its democratic deficit. Seen in the long-range perspective of the history of peacemaking, however, this European society of states emerges as something else entirely: a step in the quest for a less violent world. |
congress of vienna political cartoon: The Western Heritage Donald Kagan, Steven Ozment, Frank Miller Turner, 1998 Present a strong, clear narrative account of the central developments in Western history. . The book calls attention to certain critical themes--the development of political freedom and constitutional government; the shifting relations among religion, society, and the state; the development of science and technology and their impact on thought and social institutions; and the major religious and intellectual currents that have shaped Western culture. |
congress of vienna political cartoon: The Piozzi Letters: 1811-1816 Hester Lynch Piozzi, 1989 |
congress of vienna political cartoon: Metternich Wolfram Siemann, 2019-11-05 A compelling new biography that recasts the most important European statesman of the first half of the nineteenth century, famous for his alleged archconservatism, as a friend of realpolitik and reform, pursuing international peace. Metternich has a reputation as the epitome of reactionary conservatism. Historians treat him as the archenemy of progress, a ruthless aristocrat who used his power as the dominant European statesman of the first half of the nineteenth century to stifle liberalism, suppress national independence, and oppose the dreams of social change that inspired the revolutionaries of 1848. Wolfram Siemann paints a fundamentally new image of the man who shaped Europe for over four decades. He reveals Metternich as more modern and his career much more forward-looking than we have ever recognized. Clemens von Metternich emerged from the horrors of the Revolutionary and Napoleonic wars, Siemann shows, committed above all to the preservation of peace. That often required him, as the Austrian Empire’s foreign minister and chancellor, to back authority. He was, as Henry Kissinger has observed, the father of realpolitik. But short of compromising on his overarching goal Metternich aimed to accommodate liberalism and nationalism as much as possible. Siemann draws on previously unexamined archives to bring this multilayered and dazzling man to life. We meet him as a tradition-conscious imperial count, an early industrial entrepreneur, an admirer of Britain’s liberal constitution, a failing reformer in a fragile multiethnic state, and a man prone to sometimes scandalous relations with glamorous women. Hailed on its German publication as a masterpiece of historical writing, Metternich will endure as an essential guide to nineteenth-century Europe, indispensable for understanding the forces of revolution, reaction, and moderation that shaped the modern world. |
congress of vienna political cartoon: 19th Century Nationalism Social Studies School Service, 2003 |
congress of vienna political cartoon: The Western Heritage: Since 1789 Donald Kagan, 2007 |
congress of vienna political cartoon: The Life of Napoleon William Combe, 1815 |
congress of vienna political cartoon: The World Since 1500 Leften Stavros Stavrianos, 1999 |
congress of vienna political cartoon: Castlereagh John Bew, 2012 First published in Great Britain in 2011 by Quercus as Castlereagh: Enlightenment, war and tyranny--T.p. verso. |
congress of vienna political cartoon: Two Thousand Years Peter Partner, 1999 Chronicles the history of Christianity from the Middle Ages, through the rupture of the church in the Reformation, to the modern world. |
congress of vienna political cartoon: Freedom in the World 2006 Freedom House, 2006 Freedom in the World, the Freedom House flagship survey whose findings have been published annually since 1972, is the standard-setting comparative assessment of global political rights and civil liberties. The survey ratings and narrative reports on 192 countries and a group of select territories are used by policy makers, the media, international corporations, and civic activists and human rights defenders to monitor trends in democracy and track improvements and setbacks in freedom worldwide. Press accounts of the survey findings appear in hundreds of influential newspapers in the United States and abroad and form the basis of numerous radio and television reports. The Freedom in the World political rights and civil liberties ratings are determined through a multi-layered process of research and evaluation by a team of regional analysts and eminent scholars. The analysts used a broad range of sources of information, including foreign and domestic news reports, academic studies, nongovernmental organizations, think tanks, individual professional contacts, and visits to the region, in conducting their research. The methodology of the survey is derived in large measure from the Universal Declaration of Human Rights, and these standards are applied to all countries and territories, irrespective of geographical location, ethnic or religious composition, or level of economic development. |
congress of vienna political cartoon: American Political Humor [2 volumes] Jody C. Baumgartner, 2019-10-07 This two-volume set surveys the profound impact of political humor and satire on American culture and politics over the years, paying special attention to the explosion of political humor in today's wide-ranging and turbulent media environment. Historically, there has been a tendency to regard political satire and humor as a sideshow to the wider world of American politics—entertaining and sometimes insightful, but ultimately only of modest interest to students and others surveying the trajectory of American politics and culture. This set documents just how mistaken that assumption is. By examining political humor and satire throughout US history, these volumes not only illustrate how expressions of political satire and humor reflect changes in American attitudes about presidents, parties, and issues but also how satirists, comedians, cartoonists, and filmmakers have helped to shape popular attitudes about landmark historical events, major American institutions and movements, and the nation's political leaders and cultural giants. Finally, this work examines how today's brand of political humor may be more influential than ever before in shaping American attitudes about the nation in which we live. |
congress of vienna political cartoon: WORLD HISTORY NARAYAN CHANGDER, 2024-03-04 THE WORLD HISTORY MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE WORLD HISTORY MCQ TO EXPAND YOUR WORLD HISTORY KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY. |
congress of vienna political cartoon: Napoleon's Master David Lawday, 2007-11-13 Born into the high aristocracy, where rank meant more than wealth, Charles Maurice de Talleyrand-Perigord was to become one of the great politicians of all time. His early career in politics was marked with turmoil: a liberal who saw the need to curb the powers of the monarchy, Talleyrand fled from France when the violence of the revolution turned extreme in 1792, first to England and then to the United States. It was not until his return to France after the dust had settled in 1796 that his star would begin to rise in earnest. First, he was appointed Foreign Minister. In this position, he aligned himself with the charismatic general who would become Emperor of France: Napoleon Bonaparte. In the course of the next three decades, Talleyrand would prove himself perhaps the most adept politician of all time: his political pliability allowed him to survive the fall of Bonaparte and the consequent second Bourbon restoration. He was in the shadow of power in Europe through more upheaval than perhaps any other person of his generation. Napoleon’s Master is a riveting portrait of an eternally fascinating man. |
congress of vienna political cartoon: The Congress of Vienna Harold Nicolson, 2009-11 Harold Nicolson was well qualified to write this book. His father, Sir Arthur Nicolson, was a diplomat as he himself was in early adulthood being a member of the British delegation to the Paris Peace Conference of 1919 as well as serving in other capacities. A later historian of the Congress, Adam Zamoyski, has described it in the following way: 'The reconstruction of Europe at the Congress of Vienna is probably the most seminal episode in modern history.' Harold Nicolson's classic account written piquantly just after the Second World War is memorable not just for its adroit grasp of the many complex issues but also for its numerous vivid character sketches of the principal peacemakers: Alexander I of Russia, Metternich, Talleyrand, Castlereagh and others are brought brilliantly to life. 'Mr Nicolson has written a vivid, entertaining and penetrating book about an episode in nineteenth-century history with which has gifts and his own education most particularly qualified him to deal. Moreover he often makes valuable generalisations. . . In a short review it is impossible to convey by quotation those qualities which will make it eagerly sought after: its vivid portraits and scenes from the past: its clear analysis of political situations as they arise; its shrewd comments on the characters of the men who dealt with them.' Desmond MacCarthy, Sunday Times Faber Finds is reissuing all of Harold Nicolson's works of diplomatic history: The Congress of Vienna: A Study in Allied Unity, 1812 - 1822; Lord Carnock: A Study in Old Diplomacy: Peacemaking, 1919 and Curzon: The Last Phase, 1919 - 1925. |
congress of vienna political cartoon: The Invention of International Order Glenda Sluga, 2025-01-28 The story of the women, financiers, and other unsung figures who helped to shape the post-Napoleonic global order In 1814, after decades of continental conflict, an alliance of European empires captured Paris and exiled Napoleon Bonaparte, defeating French military expansionism and establishing the Concert of Europe. This new coalition planted the seeds for today's international order, wedding the idea of a durable peace to multilateralism, diplomacy, philanthropy, and rights, and making Europe its center. Glenda Sluga reveals how at the end of the Napoleonic wars, new conceptions of the politics between states were the work not only of European statesmen but also of politically ambitious aristocratic and bourgeois men and women who seized the moment at an extraordinary crossroads in history. In this panoramic book, Sluga reinvents the study of international politics, its limitations, and its potential. She offers multifaceted portraits of the leading statesmen of the age, such as Tsar Alexander, Count Metternich, and Viscount Castlereagh, showing how they operated in the context of social networks often presided over by influential women, even as they entrenched politics as a masculine endeavor. In this history, figures such as Madame de Staël and Countess Dorothea Lieven insist on shaping the political transformations underway, while bankers influence economic developments and their families agitate for Jewish rights. Monumental in scope, this groundbreaking book chronicles the European women and men who embraced the promise of a new kind of politics in the aftermath of the Napoleonic wars, and whose often paradoxical contributions to modern diplomacy and international politics still resonate today. |
congress of vienna political cartoon: A History of World Societies, Volume C: 1775 to the Present John P. McKay, Bennett D. Hill, John Buckler, Roger B. Beck, Clare Haru Crowston, Patricia Buckley Ebrey, Merry E. Wiesner-Hanks, 2011-10-05 A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. Now published by Bedford/St. Martin's, and informed by the latest scholarship, the book has been thoroughly revised with students in mind to meet the needs of the evolving course. Proven to work in the classroom, the book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With more global connections and comparisons, more documents, special features and activities that teach historical analysis, and an entirely new look, the ninth edition is the most teachable and accessible edition yet. Test drive a chapter today. Find out how. |
congress of vienna political cartoon: Lord John Russell, by Stuart J. Reid ... Stuart Johnson Reid, 1895 |
congress of vienna political cartoon: Visual Global Politics Roland Bleiker, 2018-02-13 We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world. |
congress of vienna political cartoon: The Dial Francis Fisher Browne, Waldo Ralph Browne, Scofield Thayer, 1919 |
congress of vienna political cartoon: Art in an Age of Counterrevolution, 1815-1848 Albert Boime, 2004-08-18 Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well. |
congress of vienna political cartoon: Classics in the Modern World Lorna Hardwick, Stephen Harrison, 2013-10 Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world. |
congress of vienna political cartoon: The Nation , 1882 |
congress of vienna political cartoon: The Fourteen Points Speech Woodrow Wilson, 2017-06-17 This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper. |
congress of vienna political cartoon: Luxury Arts of the Renaissance Marina Belozerskaya, 2005-10-01 Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men. |
congress of vienna political cartoon: Securing Europe after Napoleon Beatrice de Graaf, Ido de Haan, Brian Vick, 2019-02-06 After the French Revolution and the Napoleonic Wars, the leaders of Europe at the Congress of Vienna aimed to establish a new balance of power. The settlement established in 1815 ushered in the emergence of a genuinely European security culture. In this volume, leading historians offer new insights into the military cooperation, ambassadorial conferences, transnational police networks, and international commissions that helped produce stability. They delve into the lives of diplomats, ministers, police officers and bankers, and many others who were concerned with peace and security on and beyond the European continent. This volume is a crucial contribution to the debates on securitisation and security cultures emerging in response to threats to the international order. |
congress of vienna political cartoon: Romanticism and Caricature Ian Haywood, 2013-10-24 A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period. |
congress of vienna political cartoon: Crimes Committed by Terrorist Groups Mark S. Hamm, 2011 This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus. |
congress of vienna political cartoon: Hendrik Petrus Berlage Hendrik Petrus Berlage, 1996-01-01 Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them Thoughts on Style in Architecture, Architecture's Place in Modern Aesthetics, and Art and Society, this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings. |
congress of vienna political cartoon: A History of World Societies, Combined Volume John P. McKay, Bennett D. Hill, John Buckler, Patricia Buckley Ebrey, Roger B. Beck, Clare Haru Crowston, Merry E. Wiesner-Hanks, 2011-10-05 A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. The book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With global connections and comparisons, documents, features and activities that teach historical analysis. |
congress of vienna political cartoon: The Great Powers and the International System Bear F. Braumoeller, 2013-02-11 Do great leaders make history? Or are they compelled to act by historical circumstance? This debate has remained unresolved since Thomas Carlyle and Karl Marx framed it in the mid-nineteenth century, yet implicit answers inform our policies and our views of history. In this book, Professor Bear F. Braumoeller argues persuasively that both perspectives are correct: leaders shape the main material and ideological forces of history that subsequently constrain and compel them. His studies of the Congress of Vienna, the interwar period, and the end of the Cold War illustrate this dynamic, and the data he marshals provide systematic evidence that leaders both shape and are constrained by the structure of the international system. |
congress of vienna political cartoon: Caricature and Its Role in Graphic Satire Brown University. Department of Art, Rhode Island School of Design. Museum of Art, 1971 |
congress of vienna political cartoon: Civilization Past & Present Thomas Walter Wallbank, 1996 |
congress of vienna political cartoon: Are We to be a Nation? Richard B. Bernstein, Kym S. Rice, 1987 The author retells the entire story of the revolution in political thought that resulted in the republican experiment under the Constitution and Bill of Rights. |
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